Issue: 19921101

Sunday, November 1, 1992
November
11
True
99
Wednesday, January 28, 2015

Articles
cover
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popular PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0001.xml
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Advertisement: KODAK Photo CD System
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KODAK Photo CD System
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PopularPhotography_19921101_0099_011_0002.xml
tableOfContents
2
2
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popular PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0003.xml
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3
3
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Nikon Inc.
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Nikon Inc.
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PopularPhotography_19921101_0099_011_0004.xml
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4
4
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WAREHOUSE
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WAREHOUSE
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PopularPhotography_19921101_0099_011_0005.xml
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4
4
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NordicTrack, Inc.
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NordicTrack, Inc.
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PopularPhotography_19921101_0099_011_0006.xml
masthead
4
4
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popular PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0007.xml
article
5
5,6
SNAP SHOTS
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SNAP SHOTS
Joshua: a streen star
Cut and paste
What are the top 10 disasters? Try these!
First pot roast, now prints
Keeping your prints protected and organized is a snap with Tupperware’s new Shutter Boxes.
License to shoot
Art for the ages
The face of war: covering the ongoing human tragedy
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Polaroid’s forthcoming Joshua, an instant camera, has had a longer gestation period than any elephant. It’s even been rumored that Polaroid officials have had mighty internal battles as to whether this autofocus SLR that makes prints about the size of credit cards should be produced at all.
PopularPhotography_19921101_0099_011_0008.xml
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7
7
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Fuji Photo Film U.S.A.,Inc.: REALA
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Fuji Photo Film U.S.A.,Inc.
REALA
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PopularPhotography_19921101_0099_011_0009.xml
article
8
8,9
YOUR BEST SHOT
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YOUR BEST SHOT
Whether your subject is a big city or a big toe, the end of the day is a great time to take pktures
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1st ($300) Twliqht tableau: Proving the importance of strong composition when photographing at dusk, this shot of Toronto's riverfront under the palette of an exquisite sweep of sky is a spectacular image. On the opposite side of Toronto Harbour, Firooz Taheri of Willowdale, Ontario, Canada, using a Yashica FX 103 and 50mm f/1.8 Yashica lens, took a whole roll of Kodachrome 64,hoping to capture the quintessential sunset (and obviously succeeding). Exposure: 10 sec at 1/16.
PopularPhotography_19921101_0099_011_0010.xml
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10
10,11
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SIGMA CORPORATION
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SIGMA CORPORATION
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PopularPhotography_19921101_0099_011_0011.xml
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12
12,13
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SIGMA CORPORATION OF AMERICA
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SIGMA CORPORATION OF AMERICA
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PopularPhotography_19921101_0099_011_0012.xml
article
14
14,15,37
COLOR
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COLOR
Can you really push process color negative film? Yes, but you may not want to!
Kodak Ektapress Gold 400 Professional. ISO 400 and processed normally.
Kodak Ektapress Gold 400 Professional. ISO 1600 and push processed two stops.
Kodak Ektapress Gold 1600 Professional. ISO 1600 and processed normally.
Fujicolor 400 Professional HG. ISO 400 and processed normally.
Fujicolor 400 Professional HG. ISO 1600 and push processed two stops.
Surpise, surpise!
The bottom line
More kinks in Kodalux?
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Michael J. McNamara
Pushing film has long heen de rigueur among pros using color-slide and blackand-white films. When push comes to shove and the light level’s too low for the film in hand, it’s always been easy to underexpose and rely on push processing— control led overdevelopment—to save the day.
PopularPhotography_19921101_0099_011_0013.xml
article
16
16,18
PHOTO TRONICS
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PHOTO TRONICS
Eveready's long-promised lithium ÀA's have arrived. Were they worth the wait?
High-capacity rechargeables near market
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James Bailey
If lithium batteries are supposed to be so long-lived and more powerful for their size and weight, how come they’re not made in AA size? Fundamental electrical and chemical differences between alkaline and lithium cells had so far made it impossible to simply exchange one for the other. Yet, at the 1988 Photokina, the international photo show in Cologne, Germany, UCAR, Eveready’s European arm, made an intriguing announcement: It had developed an AA-size lithium cell that was completely interchangeable with AA alkaline cells.
PopularPhotography_19921101_0099_011_0014.xml
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17
17
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Hachette Magazines Inc.
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Hachette Magazines Inc.
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PopularPhotography_19921101_0099_011_0015.xml
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19
19
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Canon U.S.A, Inc.
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Canon U.S.A, Inc.
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PopularPhotography_19921101_0099_011_0016.xml
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20
20,21
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Minolta Canada, Inc.: MAXXUM
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Minolta Canada, Inc.
MAXXUM
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PopularPhotography_19921101_0099_011_0017.xml
article
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22
FIFTY YEARS AGO
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FIFTY YEARS AGO
How we looked and what we wrote bark then
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Elinor H. Stecker
“Professional Uses a Point &: Shoot Camera”—that’s something that might pique your interest if we wrote it today. The comparable attention-getting article that appeared in our November, 1942, issue was “Professional Uses a Box Camera.”
PopularPhotography_19921101_0099_011_0018.xml
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23
23
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Nikon
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Nikon
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PopularPhotography_19921101_0099_011_0019.xml
article
24
24,25,26,31,32,87
SLR
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SLR
RESOLUTION
CONTRAST
RESOLUTION
RESOLUTION
Inexpensive-SIR dilemma: They often don't autofocus when they ought to.
All-in-one, point-and-shoot autofocus SLR gets upgraded.
MOST EXCITING NEW CHINON GENESIS IV FEATURES
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Herbert Keppler
Ever since photography began, camera owners have worried themselves silly about the sharpness of their lenses. 1 say silly because many of us then and now carry the quest for lens perfection to the ridiculous. Perhaps it didn’t seem so ridiculous in the 1950s—1960s, the heyday of photojournalism when professionals and serious amateurs specialized in existing-light photography.
PopularPhotography_19921101_0099_011_0020.xml
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27
27,28,29,30
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KODAK: Ektar 100
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KODAK
Ektar 100
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PopularPhotography_19921101_0099_011_0021.xml
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33
33
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Tamron Industries, Inc .
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Tamron Industries, Inc .
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PopularPhotography_19921101_0099_011_0022.xml
article
34
34,36
VIDEO
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VIDEO
When playback is more than just playing back
Pert, practical, pretty, and definitely lots of fun!
Beautiful video on making beautiful video
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Elinor H. Stecker
Pretty neat: You can shoot pictures and immediately look at what you’ve done—no extra equipment is needed. Since camcorders are part camera and part videotape recorder, they’ve been able to let you do this ever since the electronic viewfinder came into being. Most of the current crop of camcorders give more than the basic way of playing back the videotape (switching the camera power to playback, rewinding the tape, pressing “play”), but a lot of people don’t take advantage of other playback modes that could help them get better movies.
PopularPhotography_19921101_0099_011_0023.xml
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35
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1992 Olympus Corp.
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1992 Olympus Corp.
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PopularPhotography_19921101_0099_011_0024.xml
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37
37
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Nikon
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Nikon
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PopularPhotography_19921101_0099_011_0025.xml
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38
38,40
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Advertisement
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PopularPhotography_19921101_0099_011_0026.xml
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39
39
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Panasonic
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Panasonic
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PopularPhotography_19921101_0099_011_0027.xml
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41
41,42,43
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Videomaker
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Videomaker
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PopularPhotography_19921101_0099_011_0028.xml
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44
44,45
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Advertisements
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Panasonic PV-42
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Canon E210
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PopularPhotography_19921101_0099_011_0029.xml
article
46
46,47,48,49,50,51,52,53,88
FEATURES
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THE BIG BLOW-UP
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Herbert Keppler
You are not likely to forget Leonard Balish’s photographs. The colorful, needle-sharp, giant prints bear startlingly unusual images that vary from the near real to the incredible. Is there really a jesterlike windblower
PopularPhotography_19921101_0099_011_0030.xml
article
54
54,55,182
FEATURES
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Two top pros take different views through the AF SLR
AUTOFOCUS? YOU BET!
AUOTFOCUS? NAH!
Complaints? He has a few.
Equipment isn't all
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Dan Richards
Dan Richards
(If you have a fear of heights, some of Peter B. Kaplan's photos may give you vertigo. Known for spectacular views of the New York City skyline ami Statue of Liberty, this 30-year veteran's work includes corporate, wildlife, advertising, and fashion work, and images in many major publications.
PopularPhotography_19921101_0099_011_0031.xml
article
56
56,57,58,59,60,61
FEATURES
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NEW BREED OF CAT
Mirror lenses are better than ever!
Tips on using mirror lenses
A tale of two teles
Reach out and grab someone!
When f/8 isn't f/8
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Ed Bohon
Robert Bohon
Mirror lenses, too often regarded merely as limited substitutes for conventional super-telephotos, are actually creative tools that extend the photographer’s range and vision. I he fat-barreled mirror lens—or “cat” (short tor catadioptric, the official technical term tor such a lens)— ranks among the more intriguing optics available to the 35mm photographer.
PopularPhotography_19921101_0099_011_0032.xml
article
62
62,63,64,65,66,67,68,69,70,71,72,73,74,75
FEATURES
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35MM SLR COMPARISON DIRECTORY
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Peter Kolonia
Because you probably can’t squeeze, poke, or peek at all the 35mm SLRs in production today, we did it for you. Herewith, the todo mundo of things 35. (Well, SLRs anyway.) And what a mundo! As demonstrated by this year’s Directory (now expanded to include autoand manualfocus cameras), makers of 35mm SLRs are computerizing and updating autoexposure, film transport, and zoomlens technologies that have stood for so long in the shadow of those sexier, headline-grabbing AF systems.
PopularPhotography_19921101_0099_011_0033.xml
article
76
76
IDEAS!
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IDEAS!
Popular Photography's in formation exchange where readers help readers solve problems
Negs? Know when to folder 'em
Need titles? Take a byte of this!
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Discovered a shortcut, adaptation, gadget, or procedure that your fellow photographers would find useful? Submit it with appropriate illustrations to POPULAR PHOTOGRAPHY’S “Ideas!" column. If it's selected, fame and fortune (well, up to $250) will he yours. The address is Ideas Editor, POPULAR PHOTOGRAPHY, 1633 Broadway, New York, NY 10019.
PopularPhotography_19921101_0099_011_0034.xml
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77
77
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Seattle FilmWorks Photography School
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Seattle FilmWorks Photography School
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PopularPhotography_19921101_0099_011_0035.xml
article
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78,79,80,84,85
LETTERS
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LETTERS
Corning up short
I found your response . . . short of your claim
Who goes there?
5unrisef sunset
Vapor versa
Old Dubrovnik
Nuclear blast
Quite a fix
Take that black!
Buys gone by
Loose Canon
Bottom-up composition
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1 found your responses in the “Too Hot to Handle” feature disappointingly short of your claim to “honest, unflinching answers.” Specifically, in the 23 lens tests you published in the past 12 months (Sept. '91 to Aug. ’92), every lens fell short of the published focal length (using the longest focal length for zoom lenses) by an average of 6.15% (range = —0.06 to — 10.53%, sigma = 2.3%).
PopularPhotography_19921101_0099_011_0036.xml
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79
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SUNPAK
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SUNPAK
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PopularPhotography_19921101_0099_011_0037.xml
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80
80
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SUNSET color lab
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SUNSET color lab
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PopularPhotography_19921101_0099_011_0038.xml
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81
81
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0039.xml
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82
82,83
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RITZ CAMERA CENTERS
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RITZ CAMERA CENTERS
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PopularPhotography_19921101_0099_011_0040.xml
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84
84
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Shooters
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Shooters
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PopularPhotography_19921101_0099_011_0041.xml
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84
84
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CPM, Inc.
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CPM, Inc.
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PopularPhotography_19921101_0099_011_0042.xml
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85
85
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Advertisement
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PopularPhotography_19921101_0099_011_0043.xml
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85
85
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THE ART INSTITUTES
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THE ART INSTITUTES
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PopularPhotography_19921101_0099_011_0044.xml
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86
86
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NordicTrack
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NordicTrack
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PopularPhotography_19921101_0099_011_0045.xml
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87
87
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Tamrac
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Tamrac
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PopularPhotography_19921101_0099_011_0046.xml
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87
87
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ST.JUDE CHILDRENS RESEARCH HOSPITAL
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ST.JUDE CHILDRENS RESEARCH HOSPITAL
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PopularPhotography_19921101_0099_011_0047.xml
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88
88
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Nikon Inc.
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Nikon Inc.
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PopularPhotography_19921101_0099_011_0048.xml
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88
88
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ADORAMA
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ADORAMA
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PopularPhotography_19921101_0099_011_0049.xml
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89
89
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0050.xml
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90
90,91,92,93,94
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Cambridge Camera Exchange, Inc.
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Cambridge Camera Exchange, Inc.
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PopularPhotography_19921101_0099_011_0051.xml
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95
95
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Advertisements
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PopularPhotography_19921101_0099_011_0052.xml
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96
96,97
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47th St.Photo inc.
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47th St.Photo inc.
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PopularPhotography_19921101_0099_011_0053.xml
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98
98,99
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ABE'S
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ABE'S
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PopularPhotography_19921101_0099_011_0054.xml
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100
100,101
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UNITED
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UNITED
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PopularPhotography_19921101_0099_011_0055.xml
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102
102
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WALL STREET CAMERA. INC.
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WALL STREET CAMERA. INC.
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PopularPhotography_19921101_0099_011_0056.xml
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103
103
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OMINI PHOTO
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OMINI PHOTO
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PopularPhotography_19921101_0099_011_0057.xml
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104
104
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SUPREME
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SUPREME
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PopularPhotography_19921101_0099_011_0058.xml
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105
105,106,107,108,109
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EXECUTIVE PHOTO AND ELECTRONICS
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EXECUTIVE PHOTO AND ELECTRONICS
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PopularPhotography_19921101_0099_011_0059.xml
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110
110,111,112,113
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Advertisements
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Peach State Photo
GX680 PROFESSIONAL CAMERA
Peach State Photo
GS645S PROFESSIONAL CAMERA
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PopularPhotography_19921101_0099_011_0060.xml
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114
114,115
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BI-RITE
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BI-RITE
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PopularPhotography_19921101_0099_011_0061.xml
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116
116
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Advertisement
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PopularPhotography_19921101_0099_011_0062.xml
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117
117,118,119,120,121,122,123,124,125,126,127,128,129,130,131,132,133,134,135,136,137,138,139
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B&H PHOTO-VIDEO
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B&H PHOTO-VIDEO
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PopularPhotography_19921101_0099_011_0063.xml
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140
140
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GIFTIME
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GIFTIME
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PopularPhotography_19921101_0099_011_0064.xml
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141
141,142,143,144,145
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focus
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focus
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PopularPhotography_19921101_0099_011_0065.xml
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146
146,147
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Advertisement
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PopularPhotography_19921101_0099_011_0066.xml
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148
148
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Advertisement
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PopularPhotography_19921101_0099_011_0067.xml
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149
149
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AAA Camera Exchange. Inc.
[no value]
AAA Camera Exchange. Inc.
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PopularPhotography_19921101_0099_011_0068.xml
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150
150
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Genesis CAMERA INC.
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Genesis CAMERA INC.
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PopularPhotography_19921101_0099_011_0069.xml
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151
151
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MARINE PARK CAMERA AND VIDEO INC.
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MARINE PARK CAMERA AND VIDEO INC.
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PopularPhotography_19921101_0099_011_0070.xml
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152
152,153,154,155,156,157
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Smile Photo
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Smile Photo
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PopularPhotography_19921101_0099_011_0071.xml
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158
158,159
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Camera World
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Camera World
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PopularPhotography_19921101_0099_011_0072.xml
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160
160,161,162,163
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TRI-STATE
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TRI-STATE
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PopularPhotography_19921101_0099_011_0073.xml
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164
164,165
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popular PHOTOGRAPHY
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PopularPhotography_19921101_0099_011_0074.xml
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166
166
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Freestyle
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Freestyle
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PopularPhotography_19921101_0099_011_0075.xml
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167
167,168,169,170,171
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FOTO CELL INC.
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FOTO CELL INC.
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PopularPhotography_19921101_0099_011_0076.xml
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172
172,173,174,175,176,177,178,179,180,181,182,183
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ADORAMA
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ADORAMA
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PopularPhotography_19921101_0099_011_0077.xml
article
183
183
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Index to Advertisers
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AAA Camera Exchange . .......149 Abe's Camera and Electronics............98-99 Adorama.............. 88, 173-183 Albums........................95 Art Institute ....................85 Beach Camera of Maine........148 Bi-Rite Photo and
PopularPhotography_19921101_0099_011_0078.xml
article
184
184
HELP!
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HELP!
¡G Larger enlarger lens
O Bigger than life
SJÏ Pristine snow
All that the eye can see
Photographit abundante
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When choosing an enlarger lens for 35mm, 2'A, and 4x5 formats, will I achieve better results with APO lenses or with lenses designed for the next larger format? Robert DcBcllis, Miramar, FL Until recent years, it was considered advantageous to use a lens intended for a larger negative because it could give more even illumination.
PopularPhotography_19921101_0099_011_0079.xml
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185
185
[no value]
[no value]
PENTAX CORPORATION
[no value]
PENTAX CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19921101_0099_011_0080.xml
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186
186
[no value]
[no value]
Minolta Corp.
[no value]
Minolta Corp.
[no value]
[no value]
[no value]
PopularPhotography_19921101_0099_011_0081.xml