Issue: 19920101

Wednesday, January 1, 1992
January
1
True
99
Wednesday, December 17, 2014

Articles
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POPULAR photography
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PopularPhotography_19920101_0099_001_0001.xml
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Advertisements
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YASHICA, INC.
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PopularPhotography_19920101_0099_001_0002.xml
tableOfContents
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2
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POPULAR photography
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PopularPhotography_19920101_0099_001_0003.xml
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3
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Nikon Inc.
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Nikon Inc.
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PopularPhotography_19920101_0099_001_0004.xml
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4
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CMI: ESCORT
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CMI
ESCORT
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PopularPhotography_19920101_0099_001_0005.xml
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4
4
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Photographer's WAREHOUSE: MEDALight
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Photographer's WAREHOUSE
MEDALight
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PopularPhotography_19920101_0099_001_0006.xml
masthead
4
4
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POPULAR photography
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PopularPhotography_19920101_0099_001_0007.xml
article
5
5
snapshots
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FOSSIL TURN-ON
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Are you turned on by fossils? No, you say; well, you probably will be by Murray Alcosser’s beautiful, incredibly dramatic color photos of fossils in the new Harry N. Abrams Inc. book, Fossils: The Evolution and Extinction of the Species ($60), with text by Niles Eldredge.
PopularPhotography_19920101_0099_001_0008.xml
article
5
5
snapshots
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GIANT STEP FOR KONICA
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We ordinarily don’t tell you about what goes on at photographic-trade press conferences because, one, this isn't a trade magazine and, two, we’d bore you to narcolepsy. However, we might note our very favorite one of recent memory, which was held on wet carpeting, in a virtually empty place, with an awful sound system, and was followed by an elegant lunch of hot dogs and beer.
PopularPhotography_19920101_0099_001_0009.xml
article
5
5,6
snapshots
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NEW NUDES
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What happens when one of contemporary photography's most acclaimed practitioners turns his lens on one of the oldest motifs in art? For the answer, seek out Lee Friedlander's foray into nude photography, which can be seen across the country in a show (and book) organized by the Museum of Modern Art, New York.
PopularPhotography_19920101_0099_001_0010.xml
article
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6
snapshots
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VIVE LA DIFFÉRENCE!
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PopularPhotography_19920101_0099_001_0011.xml
article
6
6
snapshots
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COLD SNAPS
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“Dahling, can I get you anything from the minibah while we’re waiting for the caviah to arrive?” “Well, puhhaps a spot of the X.O., lovey, and—oh, yes—grab a camera from the fridge while you’re there. I really must get a snap of you in your new Courrèges.”
PopularPhotography_19920101_0099_001_0012.xml
article
6
6
snapshots
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READY CAMERA, READY CASH
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Those of you who have been following our “camera at the ready” tales might consider another motivation for having the photo gear always loaded and handy: commercial gain. Lenore Rinder of Milwaukee found photo opportunity knocking at her apartment window one afternoon when she looked out at the Allen-Bradley Company’s building, whose 280-foot tower houses the largest four-sided clock in the world. Suspended by block and tackle, two steeplejacks were replacing a broken pane of glass next to the man-sized numeral marks.
PopularPhotography_19920101_0099_001_0013.xml
article
6
6
snapshots
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THE DOCTOR'S DISASTERS
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All too often, photo-enthusiast doctors buy top-drawer camera outfits, but because of the demands of their profession, this high-class hardware often winds up languishing in the top drawer! Dr. Mark Mankoff, a New York psychiatrist and prerush-hour commuter, has a better idea.
PopularPhotography_19920101_0099_001_0014.xml
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7
7,8,9,10
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Olympus Corp.: Olympus IS-1
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Olympus Corp.
Olympus IS-1
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PopularPhotography_19920101_0099_001_0015.xml
article
11
11,12
YOUR BEST SHOT
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YOUR BEST SHOT
Want your pictures to stand out from the crowd? A little strangeness wouldn’t hurt!
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PopularPhotography_19920101_0099_001_0016.xml
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13
13
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GMI Photographic, Inc.: BRONICA
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GMI Photographic, Inc.
BRONICA
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PopularPhotography_19920101_0099_001_0017.xml
article
14
14,15
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POINT AND SHOOT FOLLIES
FOR SERIOUS PHOTOGRAPHERS WHO SECRETLY ADMIRE POINT & SHOOT CAMERAS
The Aiborg has landed!
How low can you go—in color?
Like a Leica? Try two new ones.
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Dan Richards
Look! Around that person's neck! It’s a model UFO . . . It’s a Darth Vader mask . . . It’s a Konica Aiborg! Konica, the company that brought you the precision shirt-pocketables (the A4/Big Mini), the sound-triggered party camera (Kanpai!)
PopularPhotography_19920101_0099_001_0018.xml
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16,17
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SONY: Sony Handycam
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SONY
Sony Handycam
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PopularPhotography_19920101_0099_001_0019.xml
article
18
18,19,41
nature
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nature
Tele techniques
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B. "Moose" Peterson
The long telephoto lens: Among nature photographers, more homage is paid to this monolithic tower of glass than any other piece of camera equipment. Indeed, success among nature photographers is often measured by the millimeters of their longest telephoto lens.
PopularPhotography_19920101_0099_001_0020.xml
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20
20,21,22,23
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Advertisements
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SIGMA CORPORATION OF AMERICA
28AF ZOOM
SIGMA CORPORATION OF AMERICA
35AF ZOOM
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PopularPhotography_19920101_0099_001_0021.xml
article
24
24,25
in the dark
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in the dark
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Peter Kolonia
Still the hottest thing in making color prints from negatives, Kodak’s RA-4 process began replacing the previous system (EP-2) in 1988. This simple, two-bath process is really fast, environmentally friendly, and no more expensive than the previous color-printing process.
PopularPhotography_19920101_0099_001_0022.xml
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26
26,27
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Canon U.S.A., Inc.: ELAN
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Canon U.S.A., Inc.
ELAN
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PopularPhotography_19920101_0099_001_0023.xml
article
28
28,29,30,34
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SLR notebook
Three autofocus generations—so far
Basic autofocus differences: P/S vs. SLRs
Beware, instruction-book dangers!
Mail-order ad listings: Sheer gibberish or clever abbreviations? Actually, some of both.
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Herbert Keppler
The greatest advances in 35mm SLRs today are being made in two areas: automatic control and autofocus systems. In a practical sense, automatic control has been enhanced by such methods as fuzzy logic, which allows the camera to make and carry out decisions that were previously made by your brain and acted upon by your hands.
PopularPhotography_19920101_0099_001_0024.xml
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31
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Advertisement
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PopularPhotography_19920101_0099_001_0025.xml
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32
32,33
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19920101_0099_001_0026.xml
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34
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SUNSET CUSTOM COLOR PRINTS
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SUNSET CUSTOM COLOR PRINTS
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PopularPhotography_19920101_0099_001_0027.xml
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35
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MINOLTA: MAXXUM 7xi
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MINOLTA
MAXXUM 7xi
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PopularPhotography_19920101_0099_001_0028.xml
article
36
36,37,41
shooting color
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shooting color
CONTEST! CONTEST! CONTEST!
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George Schaub
The recent introduction of Kodak's Ektachrome 1OOX Professional film (EPZ) may add one more nail in the coffin lid for film of low to normal color saturation. Like its close cousin. Ektachrome 64X Professional (EPX), introduced earlier this year (see “Shooting Color," August 1991, page 32), the new film has a warmer color balance and higher saturation, along with a half-stop greater speed.
PopularPhotography_19920101_0099_001_0029.xml
article
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38,39,40
letters
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letters
HOW TO SUCCEED
POSING NUDES
WHAT'S PORN?
OUT OF OUR DEPTH
IN PRAISE OF MOOSE
DETAILS, DETAILS
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I have been a subscriber to POPULAR PHOTOGRAPHY for a long, long time, but I cannot recall an issue with the impact and content of the October 1991 “How-To.” R.N. McDonald Minneapolis, MN I hope there will be more how-to series. P. Kahn Daytona Beach, FL In one word, your October 1991 was excellent.
PopularPhotography_19920101_0099_001_0030.xml
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38
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Shooters OF U.S.A. LAB
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Shooters OF U.S.A. LAB
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PopularPhotography_19920101_0099_001_0031.xml
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38
38
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THE ART INSTITUTES international
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THE ART INSTITUTES international
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PopularPhotography_19920101_0099_001_0032.xml
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39
39
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SUNPAK: SUNPAK 622 Super Pro system
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SUNPAK
SUNPAK 622 Super Pro system
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PopularPhotography_19920101_0099_001_0033.xml
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40
40
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Advertisements
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Tamrac, Inc.
614 Super Pro
Tamrac, Inc.
151 Photo Vest
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PopularPhotography_19920101_0099_001_0034.xml
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41
41
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Advertisements
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CPM, Inc.
Washing Well II
CPM, Inc.
Mini-Lab Mix Tank
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PopularPhotography_19920101_0099_001_0035.xml
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41
41
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Advertisement
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PopularPhotography_19920101_0099_001_0036.xml
article
42
42,43
features
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Grand Illusions
When this painter-turned-photographer traded her brushes for a camera, the results were astounding!
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Michael J. McNamara
What inspires the mystical montages of Maryjean Viano Crowe? At first glance, the extraordinary wall-sized displays defy a simple explanation. Here we are, face to face with images sharing the mysterious complexity of painted Byzantine icons, yet formed from a canvas of none other than black-and-white photographic paper.
PopularPhotography_19920101_0099_001_0037.xml
article
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44,45
features
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Fault finding
STATIC
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John Hedgecoe has revolutionized photo books. Gone are the countless pages of unending text, boring drawings, and sparse, lackluster photo illustrations. Hedgecoe offers a splendid profusion of colorful, inspiring photographs, superb illustrations, and cogent, easy-to-read picture taking and technical text.
PopularPhotography_19920101_0099_001_0038.xml
article
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46,47,49,64
departments
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to spot or not to spot ?
Do you need a spotmeter? And should it be inside or outside your camera?
What do meters read?
Preview meter settings
NEA APPLICATION DEADLINE
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Peter Moore
If you’re satisfied to keep the sun behind you and shoot average subjects under ordinary conditions, you can get by using a durable, cardboard exposure calculator, the film manufacturer’s instruction sheet, or a point-and-shoot camera.
PopularPhotography_19920101_0099_001_0039.xml
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Advertisements
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GOSSEN ULTRA-SPOT
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MINOLTA SPOTMETER F
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PopularPhotography_19920101_0099_001_0040.xml
article
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49
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Spotmeter Test Terms
Just how accurate are spotmeters? We tested them against a calibrated light source.
Is your spotmeter truly on the spot? Selectivity test measures area of maximum sensitivity.
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Accuracy: The accuracy of any meter must be judged in the context of the system within which it’s used. For example, if your meter reads consistently 0.7 EV high, your camera’s shutter overexposes 0.3 EV, and your favorite color lab pushes slightly to get more intense color, you could get a cumulative overexposure of 1.5 stops.
PopularPhotography_19920101_0099_001_0041.xml
article
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50,51,52,53,55,56,57
POPULAR PHOTOGRAPHY TEST REPORT
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CANON REBEL S
Revolutionary camera design, but does it make the grade?
QUICK GUIDE TO WHAT'S NEW
FEATURES AT A GLANCE
SPECIFICATIONS
What can you capture with 1 frame per second?
CANON EOS REBEL S #1348507 with 50mm f/1.8 II EF #2402723A
METERING PATTERNS
AUTOFOCUS TIME LAG
EXPOSURE ACCURACY AT FILM PLANE
SHUTTER SPEED ACCURACY
Programmed Image Control Exposure Modes
Rebel's PIC modes in action
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Can a budget-priced, multifeatured, plastic-bodied autofocus SLR be suitable for both tyros and serious amateurs? And can that all-plastic body stand rough-and-tumble hard use or must it be treated more delicately? These are the important questions that lie beneath the attractive surface of Canon’s Rebel S.
PopularPhotography_19920101_0099_001_0042.xml
article
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54
POPULAR PHOTOGRAPHY TEST REPORT
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LABORATORY ANALYSIS
Canon Rebel S: Plastic construction plus few parts equal high performance at low cost.
Inside the plastic lens:
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Just how did Canon produce a lowcost SLR? First, it used plastic components, which can be injection molded more economically than producing machined metal parts, and it used them wherever possible, often combined into subassembly units that were larger than usual. With fewer fasteners, brackets, and connectors, production costs were further reduced. But Canon didn’t do away with metal completely. Where needed for additional support (such as reinforcing the hot shoe and lensmount), high-quality stainless steel was used. High-precision manufacturing and fewer parts mean that fewer mechanical adjustments are needed during assembly; but fewer adjustments can be made in rare instances that might warrant them. In some cases, an entire subassembly might be rejected instead of adjusted. Fortunately, this type of molding is generally very reliable. The exterior plastic parts of SLRs usually need a special coating inside to protect the camera’s electronics from external electromagnetic fields. These coatings contain much metal (other Canon cameras use a nickel-based compound) and are complicated to apply. The cost of the compound and its application naturally are added to the overall production cost. However, Canon has used an ingenious and less expensive alternative in the Rebel S (and Rebel). The engineers added a stainless-steel fiber directly to the plastic; although the material cost is slightly higher, major overall savings were achieved by mixing the metal fiber in with the raw plastic material. Canon claims the new way is “just as effective.” Typically, camera construction calls for separate subassemblies for such items as mirror box, pentaprism with frame and holder, and separate motors with gear trains for mirror/shutter and film transport, In the Rebel, the pentaprism is glued directly to the mirror box instead of being affixed with brackets and screws. A single motor is used for all camera functions, and one of the camera’s two gear trains is attached to the side of the mirror box, forming a single subassembly (see photo, top left). In addition to the savings just described, this type of assembly lets Canon choose which of its many factories can best produce each The elements are all glass, but the three Canon zooms designed with the Rebel in mind have more polycarbonate parts than we’ve seen on any interchangeable lens thus far. But just like the body, plastics are used carefully and reinforced with metal where necessary, but nowhere else. We were amazed by the snap-together construction and the high level of performance. These lenses aren’t for pros whose equipment needs occasional lubrication and adjustments due to the rigors of use, but they can deliver pro-quality images. subassembly on the basis of cost and degree of automation, leaving the most labor-intensive operations for those factories best suited for the job. Inside the Rebel S, price wasn’t the only economy addressed. Canon designers took many steps to help maintain battery life. Aside from the obvious, such as choosing a flash with a low guide number and limited (but adequate) angular coverage, other components also seem to have been designed toward that goal. Even the placement of the motor, midway between its two main functions, serves to reduce the power drain. Wherever possible, LCDs replace more power-hungry LEDs. Has quality suffered with all these changes? Not significantly. The question we found most nagging was, how sturdy is the body’s plastic lensmount? During our extensive testing, we were pretty rough on our sample, and we were unable to detect any problems. We don’t expect many, especially when the Rebel is used with the plastic lensmounts found on the typical Rebel-oriented lenses. But we do have some doubts about the mounts’ long-term ability to handle extensive changing of metal-iensmount lenses. However, we agree with Canon that most Rebel users won’t be interchanging lenses of this type often enough to warrant concern.
PopularPhotography_19920101_0099_001_0043.xml
article
58
58
POPULAR PHOTOGRAPHY TEST
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CANON EF 35-105mm f/4.5-5.6
SPECIFICATIONS
Subjective Quality Factor
Macro/Close-Focusing
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Hands on: Compact, slightly larger than 50mm normal lens, extremely lightweight zoom with very fast autofocusing. Broad, well-knurled, easily grippable rotating zoom collar. Smooth, but easy to grasp front manual-focus ring. No focusing scale.
PopularPhotography_19920101_0099_001_0044.xml
article
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59,60,61,62,63
features
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PUT YOUR STILL PICTURES ON VIDEO
Here are a dozen ways you can do it.
Transfer your still images onto videotape and you’ll be able to ...
Slides and prints transfer best to video if you...
Means to an end
Projection
Rear projection devices
Direct optical
Electronic transfer
Adding sound
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Elinor H. Stecker
You took wonderful action shots on video, your spouse shot slides of architectural glories, and now you wish all your travel pictures could be integrated onto tape. Or perhaps you shot your entire trip on slides, and, boy, how nice it would be to have them on videotape for easy viewing.
PopularPhotography_19920101_0099_001_0045.xml
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64
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Nikon Inc.
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Nikon Inc.
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PopularPhotography_19920101_0099_001_0046.xml
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64
64
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Celestron International: CELESTRON'S C90
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Celestron International
CELESTRON'S C90
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PopularPhotography_19920101_0099_001_0047.xml
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65
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Advertisement: Popular Photography's
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Popular Photography's
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PopularPhotography_19920101_0099_001_0048.xml
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66
66,67,68,69,70
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Advertisements
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Cambridge Camera Exchange, Inc.
CHINON
Cambridge Camera Exchange, Inc.
FUJI
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PopularPhotography_19920101_0099_001_0049.xml
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71
71
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PHOTO SHOPPING CENTER
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PopularPhotography_19920101_0099_001_0050.xml
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71
71,72,73,74,75,76,77
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Advertisements
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Photo, Inc.
S-VHS (400 Line) Hi-Resolution Camcorder
Photo, Inc.
S-VHS/VHS Hi-Fi Editing VCR Rotary
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PopularPhotography_19920101_0099_001_0051.xml
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78
78,79
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Advertisements
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PEACH STATE PHOTO
CHINON
PEACH STATE PHOTO
NIKONOS
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PopularPhotography_19920101_0099_001_0052.xml
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80
80,81,82,83
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Advertisements
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TRI-STATE CAMERA EXCHANGE INC.
FUJI
TRI-STATE CAMERA EXCHANGE INC.
PENTAX
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PopularPhotography_19920101_0099_001_0053.xml
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84
84
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Advertisements
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MANHATTAN VIDEO WHOLESALER
F501
MANHATTAN VIDEO WHOLESALER
R-88 HI-8
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PopularPhotography_19920101_0099_001_0054.xml
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85
85
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BEACH CAMERA: VIVITAR
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BEACH CAMERA
VIVITAR
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PopularPhotography_19920101_0099_001_0055.xml
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86
86,87
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Advertisements
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CAMERA WORLD OF OREGON
OLYMPUS
CAMERA WORLD OF OREGON
PENTAX
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PopularPhotography_19920101_0099_001_0056.xml
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88
88,89
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Advertisements
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ABE'S OF MAINE
Canon
ABE'S OF MAINE
MINOLTA
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PopularPhotography_19920101_0099_001_0057.xml
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90
90
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Advertisements
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BI-RITE PHOTO & ELECTRONICS
SONY
BI-RITE PHOTO & ELECTRONICS
CANON
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PopularPhotography_19920101_0099_001_0058.xml
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91
91,92,93,94,95
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EXECUTIVE
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PopularPhotography_19920101_0099_001_0059.xml
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96
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Freestyle
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Freestyle
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PopularPhotography_19920101_0099_001_0060.xml
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97
97,98,99,100,101
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focus camera: CAnon EOS 10s
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focus camera
CAnon EOS 10s
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PopularPhotography_19920101_0099_001_0061.xml
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102
102,103
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Advertisements
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NORTH AMERICAN VIDEO
CANON A1 DIGITAL
NORTH AMERICAN VIDEO
SONY TR-7
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PopularPhotography_19920101_0099_001_0062.xml
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104
104
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Advertisements
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MNI PHOTO & SUPPLIES
EOS AUTOFOCUS CAMERAS
MNI PHOTO & SUPPLIES
NIKON LENSES (AF LENSES)
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PopularPhotography_19920101_0099_001_0063.xml
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105
105
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Advertisements
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UNITED VIDEO & CAMERA EXPRESS
V-801
UNITED VIDEO & CAMERA EXPRESS
TR-81
[no value]
[no value]
PopularPhotography_19920101_0099_001_0064.xml
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106
106
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AAA Camera Exchange, Inc.
[no value]
AAA Camera Exchange, Inc.
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[no value]
[no value]
PopularPhotography_19920101_0099_001_0065.xml
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107
107,108,109,110,111
[no value]
[no value]
Advertisements
[no value]
[no value]
Smile Photo
[no value]
Canon
[no value]
Nikon
[no value]
[no value]
PopularPhotography_19920101_0099_001_0066.xml
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112
112,113
[no value]
[no value]
Advertisements
[no value]
MIBRO CO. INC.
Canon
MIBRO CO. INC.
Nikon
[no value]
[no value]
PopularPhotography_19920101_0099_001_0067.xml
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114
114
[no value]
[no value]
Advertisements
[no value]
THE NEW WALL STREET CAMERA INC>
CANON
THE NEW WALL STREET CAMERA INC>
OLYMPUS
[no value]
[no value]
PopularPhotography_19920101_0099_001_0068.xml
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115
115
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19920101_0099_001_0069.xml
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116
116,117,118,119,120,121,122,123,124,125,126,127,128,129,130,131
[no value]
[no value]
Advertisements
[no value]
B & H PHOTO·VIDEO
TAMRON FOTOVIX
B & H PHOTO·VIDEO
VGA-TV
[no value]
[no value]
PopularPhotography_19920101_0099_001_0070.xml
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132
132,133
[no value]
[no value]
POPULAR photography MARKETPLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19920101_0099_001_0071.xml
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134
134,135,136,137,138,139
[no value]
[no value]
Advertisements
[no value]
FOTO CELL INC
HITACHI
FOTO CELL INC
JVC
[no value]
[no value]
PopularPhotography_19920101_0099_001_0072.xml
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140
140
[no value]
[no value]
Advertisements
[no value]
NOTJUSTVIDEO INC.
Canon A1 DIGITAL
NOTJUSTVIDEO INC.
Canon E08
[no value]
[no value]
PopularPhotography_19920101_0099_001_0073.xml
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141
141,142,143,144,145,146,147,148,149,150,151
[no value]
[no value]
Advertisements
[no value]
ADORAMA'S
OLYMPUS
ADORAMA'S
Panasonic
[no value]
[no value]
PopularPhotography_19920101_0099_001_0074.xml
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150
150
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19920101_0099_001_0075.xml
article
152
152
HELP
[no value]
HELP
MOVIE FILM
TRANSPARENT CHARITY
FROZEN ASSETS
[no value]
[no value]
[no value]
As the number of movie makers shooting on super 8 motion picture film has decreased, so has the number of retailers selling the film. This is no news to you if you’re still shooting—or trying to shoot— movie film. If your local dealer is not one of the 2,000 in the nation who still sells it, fret no longer.
PopularPhotography_19920101_0099_001_0076.xml
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153
153
[no value]
[no value]
Advertisement: PZ-10
[no value]
[no value]
PZ-10
[no value]
[no value]
PopularPhotography_19920101_0099_001_0077.xml
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154
154
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19920101_0099_001_0078.xml