Issue: 19881101

Tuesday, November 1, 1988
November
11
True
95
Tuesday, December 16, 2014
12/18/2014 3:29:11 PM

Articles
cover
0_1
0_1,5
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POPULAR Photography
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PopularPhotography_19881101_0095_011_0001.xml
advertisement
0_2
0_2
[no value]
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Eastman Kodak Company: Kodacolor Gold 100
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Eastman Kodak Company
Kodacolor Gold 100
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PopularPhotography_19881101_0095_011_0002.xml
advertisement
1
1
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SLIK AMERICA INC.: SLIK
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SLIK AMERICA INC.
SLIK
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PopularPhotography_19881101_0095_011_0003.xml
advertisement
2
2,3
[no value]
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Nikon Inc.: Nikon N4004
[no value]
Nikon Inc.
Nikon N4004
[no value]
[no value]
PopularPhotography_19881101_0095_011_0004.xml
advertisement
4
4
[no value]
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Vitafilm, Inc.
[no value]
Vitafilm, Inc.
[no value]
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PopularPhotography_19881101_0095_011_0005.xml
advertisement
4
4
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SUNSET color lab.
[no value]
SUNSET color lab.
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PopularPhotography_19881101_0095_011_0006.xml
masthead
4
4
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POPULAR photography
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PopularPhotography_19881101_0095_011_0007.xml
tableOfContents
5
5
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POPULAR photography
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PopularPhotography_19881101_0095_011_0008.xml
article
6
6,45
sanpshots
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sanpshots
BUILD A BETTER SLIDE BOX
VOLUMINOUS VIVITAR
THE ART OF GEOGRAPHY
BRONICA BOUND
NEW EDITOR SHOWS ALL
THE TOUGHEST ASSIGNMENT
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The small, neatly shaped box appeared in the mail and contained slides, but it resembled no slide mailer we'd ever seen. Its surface was buffed aluminum, and the look was that of an elegant European cigarette case. Even its tiny, pointed corners had been carefully burnished round.
PopularPhotography_19881101_0095_011_0009.xml
advertisement
7
7
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OLYMPUS: OM-4T
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OLYMPUS
OM-4T
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PopularPhotography_19881101_0095_011_0010.xml
article
8
8,9
features
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YOUR BEST SHOT
“The photos aren’t big enough," you said; so this month it’s larger pictures, less text
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We regret that due to the large number of entries we cannot return your photographs unless they are accompanied by a self-addressed, stamped envelope. Although we will do our best to take proper care of your submissions, we strongly urge you to send prints or duplicate transparencies rather than originals.
PopularPhotography_19881101_0095_011_0011.xml
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10
10,11,12,13
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RICOH: MIRAI
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RICOH
MIRAI
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PopularPhotography_19881101_0095_011_0012.xml
article
14
14,15,70
letters
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letters
READERS SHOOT BACK
BACK UP YOUR ZOOM
A MITE SKEPTICAL
NO JOY IN DULLSVILLE
STILL BUGGING US
TANKS FOR THE TIP
FAREWELL TO FAST LENSES?
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In your August issue you invited comments about the new feature. “Your Best Shot." Here goes: For the three winners, you picked three nice pictures—three pretty, trite pictures. Probably every subscriber to your magazine has a supply of pictures like those.
PopularPhotography_19881101_0095_011_0013.xml
advertisement
15
15
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[no value]
tamrac: 614 Super Pro
[no value]
tamrac
614 Super Pro
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PopularPhotography_19881101_0095_011_0014.xml
advertisement
16
16,17
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Advertisements
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SIGMA
MF 90mm MACRO F2.8
SIGMA
AF 28-80mm F3.5
[no value]
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PopularPhotography_19881101_0095_011_0015.xml
article
18
18,19,20,22,23,98,99
SLR world
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SLR world
Can you cram a full-featured AF SLR with macrozoom and flash into a "new-concept" compact?
MOST EXCITING NEW RICOH MIRAI FEATURES
Pentax SF-10 is its own instruction book
MOST EXCITING NEW PENTAX SF-10 FEATURES
Controlling the Pentax is almost like flying
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Herbert Keppler
There you are, hung up on the perpetual photographer’s dilemma once again. You look ruefully at your beloved SLR bag with its zooms, macro, and flash. Too big, too heavy for this particular business or pleasure jaunt. You turn to your neat, compact point-and-shoot.
PopularPhotography_19881101_0095_011_0016.xml
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21
21
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Yashica, Inc.: YASHICA
[no value]
Yashica, Inc.
YASHICA
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PopularPhotography_19881101_0095_011_0017.xml
advertisement
23
23
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Nikon Inc.: EL-Nikkor
[no value]
Nikon Inc.
EL-Nikkor
[no value]
[no value]
PopularPhotography_19881101_0095_011_0018.xml
advertisement
24
24,25
[no value]
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Victor Hasselblad, Inc.
[no value]
Victor Hasselblad, Inc.
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PopularPhotography_19881101_0095_011_0019.xml
review
26
26,29
just out
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just out
A STRAPPING IDEAL
COMBO METER
ARMORED BAGS
INDEPENDENT FLASH FOR EOS
BRONICA BELLOWS
CONSTANT APERTURE ZOOM
FAST FUJI BLACK-AND-WHITE FILM
PALM-SIZED COMPACT 35
Satter Inc.
[no value]
Satter Inc.
Tundra G Minus Formula Strap
$14.95
Satter Inc.
FM-1000
$199
Satter Inc.
ARMORED BAGS
$75
Satter Inc.
Vivitar 636AF-C
$189.95
Satter Inc.
Auto Bellows G
$1,069
Satter Inc.
Sigma 75-200mm manual-focus lens
$248
Satter Inc.
Fuji Neopan 1600
$5.05
Satter Inc.
Chinon Auto GL
$124.95
George Schaub
The Tundra G Minus Formula Strap (list: $14.95) is claimed to make your camera feel 50 percent lighter than if attached to other straps. How? The strap is made almost entirely of neoprene, the same form of artificial rubber chosen for orthotic devices because of its lightness, strength, and “breathability.”
PopularPhotography_19881101_0095_011_0020.xml
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27
27
[no value]
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Victor Hasselblad, Inc.
[no value]
Victor Hasselblad, Inc.
[no value]
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PopularPhotography_19881101_0095_011_0021.xml
advertisement
28
28
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CUSTOM QUALITY STUDIO
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CUSTOM QUALITY STUDIO
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PopularPhotography_19881101_0095_011_0022.xml
advertisement
30
30
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VIDEOMAKER
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VIDEOMAKER
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PopularPhotography_19881101_0095_011_0023.xml
article
31
31,34
The 2nd Annual GUIDE TO THE VIDEO REVOLUTION
CARIBBEAN CRUISE OFFER Details in Entry Form Inside Supplement
Trends And The Year Ahead In Camcorders And VCRs
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Peter Utz
Where is video moviemaking heading? What kinds of products can we expect to see on the shelves next year? In short, the many camcorder formats of 1989 will be giving sharper pictures than ever before. There are featherweight 8mm camcorders weighing about three pounds made by Canon, Fisher, Kyocera, Minolta, Olympus, Pentax, Ricoh, Sanyo, Sony, and Vivitar.
PopularPhotography_19881101_0095_011_0024.xml
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32
32,33
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Maxell Corporation of America: maxell
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Maxell Corporation of America
maxell
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PopularPhotography_19881101_0095_011_0025.xml
article
34
34,36,38
The 2nd Annual GUIDE TO THE VIDEO REVOLUTION
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Accessories And Necessities
Video monitoring equipment—
Video improving equipment—
Audio accessories—
Carrying cases—
Tripods and heads—
Lighting—
Mixers and special effects—
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As you learn ways to use the assortment of video accessories; signal improving equipment, special effects gadgets, lights, tripods, carrying cases, filters, and a raft of other gizmos, you will find they are all important to professional quality videomaking.
PopularPhotography_19881101_0095_011_0026.xml
advertisement
35
35
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Panasonic
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Panasonic
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PopularPhotography_19881101_0095_011_0027.xml
advertisement
36
36
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OLYMPUS
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OLYMPUS
[no value]
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PopularPhotography_19881101_0095_011_0028.xml
advertisement
37
37
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CULLMANN
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CULLMANN
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PopularPhotography_19881101_0095_011_0029.xml
article
38
38
The 2nd Annual GUIDE TO THE VIDEO REVOLUTION
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Care And Feeding Of Your VCR
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Although your VCR needs little maintenance, caring for it is important. Feed your VCR good quality name-brand tape, try not to pause and shuttle excessively, keep your machine in a clean, dry, temperate environment, and avoid banging it or forcing the plugs when you remove them, and your machine should need little maintenance for years.
PopularPhotography_19881101_0095_011_0030.xml
article
39
39
The 2nd Annual GUIDE TO THE VIDEO REVOLUTION
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Video Tape: Buying The Best Blanks
For More On Videomaking
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Peter Utz
Most studies have shown that the name-brand videocassettes are all good. Below is a list of some of the more popular name-brand cassette manufacturers: For more exacting purposes, use high-grade tapes, offering better audio fidelity, an improved signal-to-noise ratio (less graininess), and better color.
PopularPhotography_19881101_0095_011_0031.xml
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39
39
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19881101_0095_011_0032.xml
article
40
40,41
The 2nd Annual GUIDE TO THE VIDEO REVOLUTION
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The Creative Touch
Camera angles—
Editors—
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True creativity may come from the heart, but the tools to put it into practice come from the wallet. The right gadget used at the right time can transform your mediocre teleproduction into a sparkling one. There are many creative touches that can be done with the camera alone.
PopularPhotography_19881101_0095_011_0033.xml
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41
41
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VERTEX Dept.: VERTEX SC 8225
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VERTEX Dept.
VERTEX SC 8225
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PopularPhotography_19881101_0095_011_0034.xml
advertisement
42
42
[no value]
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Advertisements
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JVC
GF-S550U
JVC
GR-25U
[no value]
[no value]
PopularPhotography_19881101_0095_011_0035.xml
article
46
46,48,49,50
workshops
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workshops
ALASKA
CALIFORNIA
CONNECTICUT
FLORIDA
GEORGIA
HAWAII
MICHIGAN
NEW YORK
PENNSYIVANIA
TEXAS
VIRGINIA
CANADA
OVERSEAS
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St. Charles Parks and Recreation Board, St. Charles, MO. “Alaska Photo Workshop,” Nov. 17-27. This outdoor-photography workshop with Frank Oberle goes to the Chilkat Valley where participants will have the opportunity to photograph one of the world’s largest concentrations of bald eagles.
PopularPhotography_19881101_0095_011_0036.xml
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46
46
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JOBO
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JOBO
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PopularPhotography_19881101_0095_011_0037.xml
advertisement
47
47
[no value]
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Videonics, Inc.
[no value]
Videonics, Inc.
[no value]
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PopularPhotography_19881101_0095_011_0038.xml
advertisement
48
48,49
[no value]
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Yashica, Inc.: SAMURAI
[no value]
Yashica, Inc.
SAMURAI
[no value]
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PopularPhotography_19881101_0095_011_0039.xml
advertisement
50
50
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Southtown Plaza: HOYA
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Southtown Plaza
HOYA
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PopularPhotography_19881101_0095_011_0040.xml
advertisement
50
50
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CELESTRON INTERNATIONAL
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CELESTRON INTERNATIONAL
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[no value]
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PopularPhotography_19881101_0095_011_0041.xml
advertisement
51
51
[no value]
[no value]
Advertisements
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Tokina Optical Corporation
SZ-X 70-210
Tokina Optical Corporation
SZ-X 28-70
[no value]
[no value]
PopularPhotography_19881101_0095_011_0042.xml
advertisement
52
52,53
[no value]
[no value]
Advertisements
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Canon
EOS 750
Canon
EOS 850
[no value]
[no value]
PopularPhotography_19881101_0095_011_0043.xml
article
54
54,56
traveler's camera
[no value]
traveler's camera
When the going gets rough, keep it light and easy with a point-and-shoot zoom 35
Photographic Opportunities
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[no value]
Lisl Dennis
For 25 years, Outward Bound has guided people of all ages in the acquisition of wilderness skills through outdoor adventure. The lessons learned on the trips become metaphors for everyday life; in the class-room of the great outdoors, you’re challenged mentally, physically, and socially, while developing a sense of independence as you begin to appreciate the meaning of the interdependence of the group.
PopularPhotography_19881101_0095_011_0044.xml
advertisement
55
55
[no value]
[no value]
Philip Morris Inc.: MERIT Filter
[no value]
Philip Morris Inc.
MERIT Filter
[no value]
[no value]
PopularPhotography_19881101_0095_011_0045.xml
advertisement
57
57
[no value]
[no value]
cokin CREATIVE FILTER SYSTEM
[no value]
cokin CREATIVE FILTER SYSTEM
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0046.xml
article
58
58,64
shooting color
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shooting color
What's this thing called saturation, and how can we exploit it when we shoot?
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George Schaub
When Kodak brought out the new lineup of Ektachrome slide films, it was claimed that the films offered higher color saturation than the old. This new breed of film, said Kodak, came about as a direct response to consumer demand for increased saturation, a marketing approach that Fuji had either forecast or gambled on for years.
PopularPhotography_19881101_0095_011_0047.xml
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59
59
[no value]
[no value]
OLYMPUS: Olympus Quick Shooter Zoom
[no value]
OLYMPUS
Olympus Quick Shooter Zoom
[no value]
[no value]
PopularPhotography_19881101_0095_011_0048.xml
advertisement
60
60,61
[no value]
[no value]
New York Institute of Photography
[no value]
New York Institute of Photography
[no value]
[no value]
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PopularPhotography_19881101_0095_011_0049.xml
advertisement
65
65
[no value]
[no value]
PENTAX
[no value]
PENTAX
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0050.xml
advertisement
66
66,67
[no value]
[no value]
Philip Morris Inc.: Marlboro
[no value]
Philip Morris Inc.
Marlboro
[no value]
[no value]
PopularPhotography_19881101_0095_011_0051.xml
advertisement
68
68,69
[no value]
[no value]
MINOLTA: MAXXUM SERIES i
[no value]
MINOLTA
MAXXUM SERIES i
[no value]
[no value]
PopularPhotography_19881101_0095_011_0052.xml
advertisement
70
70
[no value]
[no value]
QUANTUM: Bantam Battery
[no value]
QUANTUM
Bantam Battery
[no value]
[no value]
PopularPhotography_19881101_0095_011_0053.xml
advertisement
71
71
[no value]
[no value]
TAMRON: AF ZOOM
[no value]
TAMRON
AF ZOOM
[no value]
[no value]
PopularPhotography_19881101_0095_011_0054.xml
article
72
72,74
[no value]
[no value]
pro view
Can a well-known pro photographer become a successful equipment designer and maker?
Finding the tools
More connectors
Direct marketing
[no value]
[no value]
Thom O'Connor
Luckily, Phillip Leonian had some extra space in the corner of his New York studio. He needed the extra space to install $30,000 worth of metal-working machinery. He needed the metal-working machinery to fabricate a few small connectors. And he needed a few small connectors because of his philosophy of picture making.
PopularPhotography_19881101_0095_011_0055.xml
advertisement
73
73
[no value]
[no value]
JCPenney Company, Inc.: Minolta Maxxum 7000
[no value]
JCPenney Company, Inc.
Minolta Maxxum 7000
[no value]
[no value]
PopularPhotography_19881101_0095_011_0056.xml
advertisement
75
75
[no value]
[no value]
JCPenney Company, Inc.: Minolta
[no value]
JCPenney Company, Inc.
Minolta
[no value]
[no value]
PopularPhotography_19881101_0095_011_0057.xml
article
76
76,78
features
[no value]
ideas
Popular Photography’s information exchange where readers help readers solve problems
Studio in a Bag? You Decide!
Tripod Problems? Use Your Cap!
Too Dim for Your AF SLR? Shine a Little Light On the Subject
Lens Protection Wrap-up
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Dan Boyd of St. Augustine, FL claims to have devised a system capable of producing all the soft, controlled studio lighting you could want from portable flash units! We haven’t tested this idea and so can’t vouch that it’s as remarkable as Mr. Boyd claims.
PopularPhotography_19881101_0095_011_0058.xml
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77
77
[no value]
[no value]
ToCAD AMERICA INC.
[no value]
ToCAD AMERICA INC.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0059.xml
advertisement
79
79
[no value]
[no value]
Vivitar Corporation
[no value]
Vivitar Corporation
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0060.xml
article
80
80,81,82,83,84,85
features
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STEADY!
Three legs will stabilize a camera better than two
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J.L.S.
It’s no secret: No matter how steady you can hold your camera, a good tripod can hold it steadier and give you sharper pictures. But as important as sharpness may be, there is more to picture taking than crispness. A tripod-mounted camera frees you from basing film choices on what shutter speeds you can handhold.
PopularPhotography_19881101_0095_011_0061.xml
article
86
86,87,88,89,90,91,92,93,144,148,156,158
features
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TRIPODMANIA
What should you know about buying a tripod? POPULAR’S leading expert puts you a leg up.
Size and weight
TRAVELING TRIPOD TYPOLOGY
LEGS AND BRACES COMPARED
CENTER POSTS
SPECIAL POSTS
HINTS ON HEADS
TOTABLE TYPES
SETTING IT UP
MORE TIPS ON SETUPS
Metal, wood, or hybrid?
Legs and leg locks
Leg sections: How many?
A tripod test that’s fun
Leg spread
Leg braces
Leg tips: plain, spiked, or combination
Center posts: to have or have not
Tripod heads
Quick-switch camera releases
[no value]
[no value]
Bob Schwalberg
Larry White
Choosing your first tripod is like buying an antique automobile. Once you get it home, the education begins. To help you kick the appendages and look under the head of prospective three-leggers, I've drawn up a checklist of tripod facts and features that may prevent you from making costly mistakes.
PopularPhotography_19881101_0095_011_0062.xml
article
94
94,95,96,97
features
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IN SEARCH OF THE ULTIMATE CAMCODER
Do you want video movies with fantastic sound? Silky movements? Incredible effects? You can get ’em all —but not in one machine!
SOUNDING OFF WITH SONY
CHASING THE SHAKES WITH CHINON
ELECTRONIC IMAGE STABILIZATION
[no value]
[no value]
Elinor H. Stecker
Can your camcorder do animation? Is it able to smooth out the camera jiggles? Can it create mood with a nostalgic, sepia tone? This is the year camcorder features move beyond the exciting into the exotic. Fade in/fade out, automatic white balance, and even high shutter speeds are just about universal features, but the innovations don’t stop there.
PopularPhotography_19881101_0095_011_0063.xml
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99
99
[no value]
[no value]
STO-FEN PRODUCTS: OMNI-BOUNCE
[no value]
STO-FEN PRODUCTS
OMNI-BOUNCE
[no value]
[no value]
PopularPhotography_19881101_0095_011_0064.xml
advertisement
99
99
[no value]
[no value]
Satter INCORPORATED: TUNDRA
[no value]
Satter INCORPORATED
TUNDRA
[no value]
[no value]
PopularPhotography_19881101_0095_011_0065.xml
advertisement
100
100,101
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19881101_0095_011_0066.xml
advertisement
102
102
[no value]
[no value]
IFPO VIDEO Dept.
[no value]
IFPO VIDEO Dept.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0067.xml
advertisement
102
102
[no value]
[no value]
Advertisement
[no value]
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PopularPhotography_19881101_0095_011_0068.xml
article
102
102,104,105,106,107,120,134
books
[no value]
books
[no value]
[no value]
[no value]
P.K.
J.L.S.
There’s only one compound that exists naturally in all three physical states, solid, liquid, and vapor—it’s water. That diversity forms the subject of The Water Planet, the new book by science writer Lyall Watson and photographer Jerry Derbyshire.
PopularPhotography_19881101_0095_011_0069.xml
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103
103
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Advertisements
[no value]
PALACE
VIVITAR
PALACE
SAKAR
[no value]
[no value]
PopularPhotography_19881101_0095_011_0070.xml
advertisement
104
104
[no value]
[no value]
THE DESIGN SCHOOLS
[no value]
THE DESIGN SCHOOLS
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0071.xml
advertisement
104
104
[no value]
[no value]
image photo service
[no value]
image photo service
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0072.xml
advertisement
104
104
[no value]
[no value]
NATIONAL WILDLIFE FEDERATION
[no value]
NATIONAL WILDLIFE FEDERATION
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0073.xml
advertisement
105
105
[no value]
[no value]
Hirsch Photo
[no value]
Hirsch Photo
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0074.xml
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105
105
[no value]
[no value]
Nikon Inc.
[no value]
Nikon Inc.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0075.xml
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106
106
[no value]
[no value]
North Tampa Photo: HOYA
[no value]
North Tampa Photo
HOYA
[no value]
[no value]
PopularPhotography_19881101_0095_011_0076.xml
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106
106
[no value]
[no value]
International Freelance Photographers Organization
[no value]
International Freelance Photographers Organization
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0077.xml
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107
107
[no value]
[no value]
CAMERA·WEST
[no value]
CAMERA·WEST
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0078.xml
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108
108
[no value]
[no value]
CAMERAWORLD
[no value]
CAMERAWORLD
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0079.xml
article
109
109,113
photo-|electronics
[no value]
photo-|electronics
Sync cords: You can live with them, but can you live without them?
Make the “Y” connection
Flash “slave” triggers
[no value]
[no value]
James Bailey
when taking flash pictures, your flash must fire in perfect synchronization with your camera. You must connect the flash unit to your camera indirectly with sync cords or directly by using on-camera hot shoes. But even if you do enjoy the convenience of a direct-connect hot shoe, there are times when off-camera flash, using a sync cord, will provide more pleasing results.
PopularPhotography_19881101_0095_011_0080.xml
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110
110,111
[no value]
[no value]
focus CAMERA INC.
[no value]
focus CAMERA INC.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0081.xml
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112
112
[no value]
[no value]
INTERNATIONAL CENTER OF PHOTOGRAPHY
[no value]
INTERNATIONAL CENTER OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0082.xml
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114
114,115,116,117,118,119,120
[no value]
[no value]
B&H PHOTO
[no value]
B&H PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0083.xml
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121
121,122,123
[no value]
[no value]
Smile Photo
[no value]
Smile Photo
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0084.xml
article
124
124,125
features
[no value]
PICTOGRAPH INVASION
Mysterious symbols are showing up more and more on cameras Here’s our quick tour to what means what.
Focusing-zone distance indications
Close-up
Wideand tele-lens settings
Backlight condition
Flash
Sound warnings
Open and closed
Battery check
Self-timer
Battery type
Rewind
[no value]
[no value]
George Schaub
Watch out! Those flashing and blinking symbols in camera viewfinders and iiquid-crystal-display panels are increasing. So are those that just sit there serenely glowing or are fetchingly etched into plastic and metal. But believe it or not, there is an intelligent method to what could have become symbolic madness.
PopularPhotography_19881101_0095_011_0085.xml
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126
126,127
[no value]
[no value]
DIRECT CAMERA WAREHOUSE
[no value]
DIRECT CAMERA WAREHOUSE
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0086.xml
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128
128,129,130
[no value]
[no value]
FOTO CELL INC
[no value]
FOTO CELL INC
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0087.xml
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131
131
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0088.xml
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132
132
[no value]
[no value]
Photron
[no value]
Photron
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0089.xml
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133
133
[no value]
[no value]
Frank's
[no value]
Frank's
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0090.xml
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134
134
[no value]
[no value]
Advertisements
[no value]
CAMBRIDGE camera exchange, inc.
The Cambron Toofer 3672
CAMBRIDGE camera exchange, inc.
Cambron
[no value]
[no value]
PopularPhotography_19881101_0095_011_0091.xml
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135
135,136,137,138
[no value]
[no value]
Cambridge Camera Exchange, Inc.
[no value]
Cambridge Camera Exchange, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0092.xml
article
139
139
[no value]
[no value]
THE ACE OF CLUBS
A century’s worth of photo treasures is shown in a salute to America’s oldest camera club
[no value]
[no value]
[no value]
Plan to be in New York City this month? Make a point of swinging by Manhattan’s City Gallery at #2 Columbus Circle to explore a photo show with a twist. Not dedicated to the work of a specific theme, style, period, or photographer, this exhibition celebrates a camera club.
PopularPhotography_19881101_0095_011_0093.xml
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140
140,141
[no value]
[no value]
GIFTIME DISCOUNT CENTER
[no value]
GIFTIME DISCOUNT CENTER
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0094.xml
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142
142,143
[no value]
[no value]
Competitive Camera
[no value]
Competitive Camera
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0095.xml
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145
145
[no value]
[no value]
AAA Camera Exchange, Inc.
[no value]
AAA Camera Exchange, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0096.xml
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146
146,147
[no value]
[no value]
MIBRO CO.
[no value]
MIBRO CO.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0097.xml
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149
149
[no value]
[no value]
Freestyle
[no value]
Freestyle
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0098.xml
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150
150,151
[no value]
[no value]
TRI-STATE CAMERA EXCHANGE INC.
[no value]
TRI-STATE CAMERA EXCHANGE INC.
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0099.xml
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152
152
[no value]
[no value]
WALL STREET CAMERA INC
[no value]
WALL STREET CAMERA INC
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0100.xml
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153
153
[no value]
[no value]
ABE'S
[no value]
ABE'S
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0101.xml
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154
154
[no value]
[no value]
BATTERY PARK CAMERA & VIDEO
[no value]
BATTERY PARK CAMERA & VIDEO
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0102.xml
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155
155
[no value]
[no value]
PHOTO SHOPPING CENTER
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0103.xml
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157
157
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19881101_0095_011_0104.xml
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158
158
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0105.xml
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159
159
[no value]
[no value]
PLAMET VIDEO
[no value]
PLAMET VIDEO
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0106.xml
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160
160,161
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19881101_0095_011_0107.xml
article
162
162
help!
[no value]
help!
RECYCLING FOR DOLLARS
WELL SCHOOLED
SOUNDING OFF
CHARGE IT
HOT SPOT
THREE DEEP
[no value]
[no value]
[no value]
I work for a major processing lab. Every day we throw away hundreds of plastic film containers. There must be some use for them. Do you or your readers have some ideas for using one, two, or a few thousand of them? Matthew Brenengen, Lake Elmo, MN We do have a few ideas, but we’d rather let our readers send us suggestions for using one or many film cans.
PopularPhotography_19881101_0095_011_0108.xml
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163
163
[no value]
[no value]
Chinon America, Inc.: Chinon CP-9AF
[no value]
Chinon America, Inc.
Chinon CP-9AF
[no value]
[no value]
PopularPhotography_19881101_0095_011_0109.xml
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164
164
[no value]
[no value]
MINOLTA: MAXXUM SERIES i
[no value]
MINOLTA
MAXXUM SERIES i
[no value]
[no value]
PopularPhotography_19881101_0095_011_0110.xml