Issue: 19840201

Wednesday, February 1, 1984
February
2
True
91
Wednesday, December 31, 2014

Articles
cover
0_1
0_1,3
[no value]
[no value]
popular photography
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19870901_0094_009_0001.xml
cover
0_1
0_1
[no value]
[no value]
popular photography
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0001.xml
advertisement
0_2
0_2,1
[no value]
[no value]
Pentax Corporation: The Pentax Super Program
[no value]
Pentax Corporation
The Pentax Super Program
[no value]
[no value]
PopularPhotography_19840201_0091_002_0002.xml
tableOfContents
2
2
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0003.xml
advertisement
3
3
[no value]
[no value]
Eastman Kodak Company: Kodacolor VR films
[no value]
Eastman Kodak Company
Kodacolor VR films
[no value]
[no value]
PopularPhotography_19840201_0091_002_0004.xml
advertisement
4
4,5
[no value]
[no value]
Advertisements
[no value]
Nikon Inc.
FA
Nikon Inc.
FE2
[no value]
[no value]
PopularPhotography_19840201_0091_002_0005.xml
article
6
6,129,134,142
LETTERS TO THE EDITOR
[no value]
LETTERS TO THE EDITOR
Pro bono publico
Referendum!
A boon for Berg!
Clarification
BOOKS IN BRIEF
[no value]
[no value]
[no value]
Mr. William Sanger, the Associate Director of our Division of Enforcement, sent me a copy of the September, 1983 issue of POPULAR PHOTOGRAPHY containing the “Guide to Your Rights as a Mail Order Customer” (p. 109) and a copy of your publisher’s letter to advertisers on this matter.
PopularPhotography_19840201_0091_002_0006.xml
masthead
6
6,8
[no value]
[no value]
Masthead
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0007.xml
advertisement
7
7
[no value]
[no value]
Minolta Corporation: X-700
[no value]
Minolta Corporation
X-700
[no value]
[no value]
PopularPhotography_19840201_0091_002_0008.xml
article
8
8,126
TRAVELER’S CAMERA
[no value]
How to turn bad weather into creative opportunities for unusual pictures
[no value]
[no value]
[no value]
Carl Purcell
There is little doubt that weather and climate have a direct impact on the work of a travel photographer. It is both discouraging and depressing to travel thousands of miles and have five solid days of rain. If one works for National Geographic, one settles down with a good book and waits it out on a comfortable expense account.
PopularPhotography_19840201_0091_002_0009.xml
advertisement
9
9
[no value]
[no value]
REYNOLDS TOBACCO COMPANY: Camel Filters
[no value]
REYNOLDS TOBACCO COMPANY
Camel Filters
[no value]
[no value]
PopularPhotography_19840201_0091_002_0010.xml
advertisement
10
10
[no value]
[no value]
American Frame Corporation: Metal Picture Frames
[no value]
American Frame Corporation
Metal Picture Frames
[no value]
[no value]
PopularPhotography_19840201_0091_002_0011.xml
article
10
10,142
OFFBEAT
[no value]
For occasional viewing, project your color slides. For continuous viewing, make color prints from them
[no value]
[no value]
[no value]
Norman Rothschild
That photography is a combination of excellent technique and artistic feeling was proven by the instructors at the Cibachrome Seminar I recently attended at the Sheraton Centre Hotel in New York City. Peter Krause is a scientist. But he is also an artist in his ability to explain scientific and theoretical matters so that they become eminently useful information.
PopularPhotography_19840201_0091_002_0012.xml
advertisement
11
11
[no value]
[no value]
Advertisements
[no value]
VICTOR HASSELBLAD INC.
50mm Distagon F Lens
VICTOR HASSELBLAD INC.
110mm Planar F Lens
[no value]
[no value]
PopularPhotography_19840201_0091_002_0013.xml
advertisement
12
12
[no value]
[no value]
KIWI: CAMERA BAGS AND VIDEO BAGS
[no value]
KIWI
CAMERA BAGS AND VIDEO BAGS
[no value]
[no value]
PopularPhotography_19840201_0091_002_0014.xml
article
12
12,98
MARKETS & CAREERS
[no value]
In the world of Julius Vitali, there’s the real, the surreal, and the really surreal
[no value]
[no value]
[no value]
Howard Chapnick
When Julius Vitali first came to my office and told me about his “portable puddle,” I wondered why he wanted such a thing and what he does with it once he has it. You can jump over it, I thought. Or dive into it, have cabs and disrespectful motorists drive through it and splash pedestrians, or use it as your own personal reservoir when periodic shortages of water occur.
PopularPhotography_19840201_0091_002_0015.xml
advertisement
15
15
[no value]
[no value]
TIME-LIFE BOOKS INC.: Take Better Pictures
[no value]
TIME-LIFE BOOKS INC.
Take Better Pictures
[no value]
[no value]
PopularPhotography_19840201_0091_002_0016.xml
article
16
16,100
THE COLOR DARKROOM
[no value]
Rather than spending valuable time spotting prints, learn how to make spotless prints
[no value]
[no value]
[no value]
Larry Sribnick
As you probably know, spotting and retouching can correct defects in most color prints. However, there is still nothing more disheartening than slipping a 16×20-in. print out of a processing tube and finding a big white (or black if you’re printing from slides) dust mark in the middle of a clear sky area.
PopularPhotography_19840201_0091_002_0017.xml
advertisement
17
17
[no value]
[no value]
Minolta Corporation: Cokin Creative Filter System
[no value]
Minolta Corporation
Cokin Creative Filter System
[no value]
[no value]
PopularPhotography_19840201_0091_002_0018.xml
advertisement
18
18
[no value]
[no value]
Master Color Labs
[no value]
Master Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0019.xml
advertisement
18
18
[no value]
[no value]
THE PHOTOGENIC MAHCINE CO.: Porta-Master 400
[no value]
THE PHOTOGENIC MAHCINE CO.
Porta-Master 400
[no value]
[no value]
PopularPhotography_19840201_0091_002_0020.xml
article
18
18,146
VIDEO/MOVIE METHODS
[no value]
Video editors automatically copy selected scenes from original tape
[no value]
[no value]
[no value]
Leendert Drukker
What 8-mm filmmaker hasn’t longed for an automatic editing system—one that would allow him to code each scene, and then run the footage through some magic box that would roll it out all spliced together in the specified order? Well, commercial filmmakers are about to get their Datakode with magnetically recorded control tracks, but something like that has never come to pass for the 8-mm amateur, and probably never will.
PopularPhotography_19840201_0091_002_0021.xml
advertisement
19
19
[no value]
[no value]
Philip Morris Inc.: MERIT
[no value]
Philip Morris Inc.
MERIT
[no value]
[no value]
PopularPhotography_19840201_0091_002_0022.xml
advertisement
20
20
[no value]
[no value]
Advertisements
[no value]
Olympic Camera
OLYMPUS OM-10FC
Olympic Camera
OLYMPUS XA-1 OUTFIT
[no value]
[no value]
PopularPhotography_19840201_0091_002_0023.xml
article
20
20
POP PHOTO SHOWS HOW
[no value]
A Matter of Position
[no value]
[no value]
[no value]
Norman Rothschild
You don’t have to move mountains to make better images—just move yourself! I was not happy with the transparency of the two flowers touching each other; so, to get the desired separation between the blossoms, I moved very slightly to the right (bottom photo).
PopularPhotography_19840201_0091_002_0024.xml
advertisement
21
21
[no value]
[no value]
Canon USA, Inc.: New F-1
[no value]
Canon USA, Inc.
New F-1
[no value]
[no value]
PopularPhotography_19840201_0091_002_0025.xml
advertisement
22
22
[no value]
[no value]
ZALCO, Inc.: ZLM 1
[no value]
ZALCO, Inc.
ZLM 1
[no value]
[no value]
PopularPhotography_19840201_0091_002_0026.xml
advertisement
22
22
[no value]
[no value]
DALE LAbORATORiES
[no value]
DALE LAbORATORiES
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0027.xml
article
22
22,24,121
TIME EXPOSURE
[no value]
Sure, war photography is dangerous, but daguerreotypists sometimes died just for breathing in the darkroom
[no value]
[no value]
[no value]
Eaton S. Lothrop
Photography—good photography—still isn’t as easy as equipment makers would have you believe. But it certainly is easier (and safer!) than it was for the early pioneers in the field. This came to mind during a recent outing of a photography-elective group of seventh and eighthgraders from the school where I teach.
PopularPhotography_19840201_0091_002_0028.xml
advertisement
23
23
[no value]
[no value]
Advertisements
[no value]
Canon USA, Inc.
Canon T50
Canon USA, Inc.
Canon A-1
[no value]
[no value]
PopularPhotography_19840201_0091_002_0029.xml
advertisement
24
24
[no value]
[no value]
Falcon Safety Products, Inc.: DUST-OFF II
[no value]
Falcon Safety Products, Inc.
DUST-OFF II
[no value]
[no value]
PopularPhotography_19840201_0091_002_0030.xml
advertisement
24
24
[no value]
[no value]
Advertisements
[no value]
J&R MUSIC WORLD
PANASONIC PV6600
J&R MUSIC WORLD
SANYO VC6400
[no value]
[no value]
PopularPhotography_19840201_0091_002_0031.xml
advertisement
25
25
[no value]
[no value]
Advertisements
[no value]
Tamron Industries, Inc.
28-80mm F/3.5-4.5
Tamron Industries, Inc.
35-135mm F/3.5-4.2
[no value]
[no value]
PopularPhotography_19840201_0091_002_0032.xml
advertisement
26
26
[no value]
[no value]
The Art Institutes
[no value]
The Art Institutes
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0033.xml
article
26
26,129,134
BOOKS
[no value]
Hurray for Hollywood: still photography’s tribute to the movies’ immortals
BOOKS IN BRIEF
[no value]
[no value]
Yvonne Kalmus
America’s very own never-never land came into being in 1909 when the Selig motion-picture company moved its operations from the chill winds of Chicago to the perennial summer of Southern California. Other film companies soon followed, attracted not only by its felicitous climate, scenic beauty, and topographical variety, but by the very practical fact that there, they would be safely out of reach of the patent detectives in New York, some 3,000 miles away.
PopularPhotography_19840201_0091_002_0034.xml
advertisement
29
29
[no value]
[no value]
NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0035.xml
article
30
30,99,100
SHOPTALK
[no value]
Stereo can be easy and great fun even if you don’t know left from right
[no value]
[no value]
[no value]
Norman Goldberg
Motor-driven cameras are so common today that they’re taken for granted. Yet, they lend themselves to applications seldom tried. Before we get specific, let’s understand that I‘m referring not only to motorized 35-mm SLRs. I’m talking about everything from a $40 disk camera on up.
PopularPhotography_19840201_0091_002_0036.xml
advertisement
31
31
[no value]
[no value]
REYNOLDS TOBACCO CO.: Winston
[no value]
REYNOLDS TOBACCO CO.
Winston
[no value]
[no value]
PopularPhotography_19840201_0091_002_0037.xml
advertisement
32
32,33
[no value]
[no value]
Nikon
[no value]
Nikon
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0038.xml
article
34
34,35,36
POP PHOTO SNAPSHOTS
[no value]
News about people, products, and events
To air is human
A lasting tribute
Kellner’s on the case
Bird tracks
Inside the index
[no value]
[no value]
Norman Schreiber
In about 18 months, television audiences will have an extended insight into an authentic American hero: Robert Capa. The Hungarian-born photojournalist who was killed in Indochina will be the subject of a miniseries. This project was initiated and will be directed by John Frankenheimer for Orion Pictures.
PopularPhotography_19840201_0091_002_0039.xml
advertisement
36
36
[no value]
[no value]
Jet Color Lab
[no value]
Jet Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0040.xml
advertisement
39
39
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19840201_0091_002_0041.xml
article
40
40,95
TOOLS & TECHNIQUES
[no value]
Are scratches on b&w film driving you crazy? Try these soothing prescriptions, plus good preventive medicine
[no value]
[no value]
[no value]
Cora Wright Kennedy
I’m often amazed at the strange tests I make before writing a column. But few have seemed as odd as deliberately scratching many feet of 35-mm black-and-white film with a very fine-pointed sewing needle. All this was done to get valid data on different types of scratches that occur at various dry stages in the photographic process.
PopularPhotography_19840201_0091_002_0042.xml
advertisement
41
41
[no value]
[no value]
Advertisement: Salem Spirit
[no value]
[no value]
Salem Spirit
[no value]
[no value]
PopularPhotography_19840201_0091_002_0043.xml
advertisement
42
42,43
[no value]
[no value]
GOODYEAR: Eagle radials
[no value]
GOODYEAR
Eagle radials
[no value]
[no value]
PopularPhotography_19840201_0091_002_0044.xml
advertisement
44
44
[no value]
[no value]
EDUCATIONAL OPPORTUNITIES
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0045.xml
article
44
44,121
THE GADGETERIA
[no value]
A pair of clever accessories can light up hard-to-reach areas and keep your photo gear dry
[no value]
[no value]
[no value]
Michele A. Frank
Last month I covered several new items that had come into POPULAR PHOTOGRAPHY unannounced and were deserving of mention. This month I’m adding two more items to my “over-the-transom” list. One is likely to be used outdoors, while the second is for those of us who prefer to work at home.
PopularPhotography_19840201_0091_002_0046.xml
article
45
45,47,48,50,146,156
PHOTOGRAPHY TODAY
[no value]
PICTURES FROM CHINA
The style and scope of photography in the People’s Republic are changing as outside influences mix with traditional values
[no value]
[no value]
Arthur Goldsmith
On a hot, misty morning in September, 1983, the doors opened at Beijing’s Chinese Art Gallery to admit a crowd of visitors come to view 222 pictures by Chinese women photographers. The first exhibition of its kind in China, it was cosponsored by the All-China Women’s Federation and the Chinese Photographers Association, and timed to coincide with a national women’s congress then taking place in Beijing.
PopularPhotography_19840201_0091_002_0047.xml
advertisement
46
46
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19840201_0091_002_0048.xml
advertisement
49
49
[no value]
[no value]
Philip Morris Inc.: Marlboro Lights
[no value]
Philip Morris Inc.
Marlboro Lights
[no value]
[no value]
PopularPhotography_19840201_0091_002_0049.xml
article
51
51,52,54
SHOWS WE'VE SEEN
[no value]
Report from Chicago: pictures of mothers and daughters; the art of tattooing; French photography from the mid-1800s to the present
BOOKS IN BRIEF
[no value]
[no value]
Harvey V. Fondiller
While visiting the Chicago Public Library Cultural Center last November, I was pleased to note that no fewer than four of the six exhibition spaces were occupied by photo shows. Evidently photography ranks high in the Windy City, so this column will be devoted entirely to shows seen at the Cultural Center.
PopularPhotography_19840201_0091_002_0050.xml
advertisement
52
52
[no value]
[no value]
COMPU-COLOR
[no value]
COMPU-COLOR
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0051.xml
advertisement
53
53
[no value]
[no value]
Kiron Corporation: 70-210mm f4 zoom
[no value]
Kiron Corporation
70-210mm f4 zoom
[no value]
[no value]
PopularPhotography_19840201_0091_002_0052.xml
advertisement
54
54
[no value]
[no value]
A kolor
[no value]
A kolor
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0053.xml
article
55
55
HELP!
[no value]
HELP!
Lens accessory defined
TV-screen exposures
Unwanted flecks and specks
Bright-light problem
Some focusing methods
Aiding a Rolleiphile
[no value]
[no value]
[no value]
Do the terms lens converter, extender, and multiplier really stand for the same thing? Eugene Krausz, Bronx, N. Y. Yes. Each refers to a multi-element optical accessory that fits between the body of an SLR camera and the lens, and increases the focal length.
PopularPhotography_19840201_0091_002_0054.xml
article
56
56,57,99
MYSTERY SKIES:
[no value]
Are they getting more photogenic?
[no value]
[no value]
[no value]
Harvey Lloyd
“That’s it,” I say to my friend and associate Claudia Parks. We are at 35,000 feet flying back from a shoot in Curacao. Outside the jet, the sky glows red-orange above us. I have been puzzled for several years by extraordinary sunset colors around the world.
PopularPhotography_19840201_0091_002_0055.xml
article
58
58,59,60,61,62,63,101,103,118
HOW THEY WORK
[no value]
ROCK GROUP PHOTOGRAPHY
Visual drama against the setting sun
Getting four individuals to look like one group
BOOKS IN BRIEF
[no value]
[no value]
Frederic W. Rosen
Lititz, Pa. is an out-of-the-way place. But it’s here, in the heart of the Pennsylvania Dutch Country that Norman Seeff, the Los Angeles-based photographer of musicians, and his assistant Darius Anthony have come to photograph the popular rock group Asia.
PopularPhotography_19840201_0091_002_0056.xml
review
64
64
LAB REPORT
[no value]
RICOH KR-10 SUPER
[no value]
Ricoh of America, Inc.
[no value]
Ricoh of America, Inc.
[no value]
$240
Norman Goldberg
Michele A. Frank
Camera Type: 35-mm auto-exposure (aperture priority plus manual) single-lens reflex Normal Lenses: 50-mm Rikenon f/1.4, f/1.7, f/2; 28—100-mm Rikenon f/4 (tested) Shutter: Electronically governed, vertically traveling, metal focal-plane type with stepless speeds on automatic from 16 to 1/1,000 sec; stepped manual speeds from 16 to 1/1,000 plus B
PopularPhotography_19840201_0091_002_0057.xml
article
64
64,65,66
LAB REPORT
[no value]
Field Check
SHUTTER PERFORMANCE
NOISE AND VIBRATION
[no value]
[no value]
Elinor Stecker
I’m not sure why this camera is called the “Super,” because “super” usually implies a superabundance of features. This is a basic picture-taking machine that does its job well. And although it’s not adorned with a lot of fancy gizmos, it certainly has features that make it worth noticing.
PopularPhotography_19840201_0091_002_0058.xml
article
67
67,68
LAB REPORT
[no value]
Stripdown Report
VIEWFINDER display and framing accuracy
EXPOSURE SYSTEM
MISCELLANEOUS DATA
[no value]
[no value]
Norman Goldberg
This is a somewhat junior version of the Ricoh XR-7 (POP PHOTO, NOV. ’81). By omitting the depth-of-field preview, meter-reading lock, and multi-exposure features, the KR-10 Super gains simplicity and lower cost. The simplicity shows up in the small number of loose wires used.
PopularPhotography_19840201_0091_002_0059.xml
article
68
68,69
LAB REPORT
[no value]
Lens Performance
Rikenon Zoom 28→100-mm f/4
[no value]
[no value]
[no value]
Lens Mechanical: This two-touch design divides its elements into five sections, only three of which move. The third and fifth (last) sections remain fixed in place. During the zoom operation, the first, second, and fourth sections move in the same directions, but all at different rates.
PopularPhotography_19840201_0091_002_0060.xml
article
70
70,71,72,73,74,152
TESTED
[no value]
KODAK POLYFIBER BLACK-AND-WHITE ENLARGING PAPER
Kodak claims that this fiber-base paper has whiter whites and a rich, neutral-black image tone. Here’s what we found
Basic information
The tests
We get these 10 contrasts with the seven Polycontrast filters
About brighteners
Data from the tests
What is exposure scale?
How surface affects contrast
Paper color
The picture prints
Toning
The verdict
BOOKS IN BRIEF
[no value]
[no value]
David Vestal
Kodak Polyfiber is a new variable-contrast paper that replaces fiber-base Polycontrast Rapid and Poly-contrast. Print contrast is controlled by using Polycontrast filters or the equivalent. What’s new about Polyfiber? Unlike Kodak Polycontrast and Polycontrast Rapid in their fiber-base form, it uses fluorescent brightener to give brilliance to its whites, and it has deeper blacks than either of those papers, and a longer range of tones.
PopularPhotography_19840201_0091_002_0061.xml
review
75
75
FIRST LOOK
[no value]
BOWENS COPYTRAN
Slide duplicator is both versatile and easy to use
Bogen Photo Corp.
[no value]
Bogen Photo Corp.
Copytran
$269
Norman Rothschild
As in the Illumitran, the main light source is electronic flash. The “low” flash position gives enough light for use with slowto medium-speed color-slide or negative films. The “high” power is advised for use with such slow duplicating films as Ektachrome 5071 or SO366, or for copying very dense originals.
PopularPhotography_19840201_0091_002_0062.xml
review
75
75
FIRST LOOK
[no value]
CARL ZEISS 85-MM PLANAR f/1.2
It’s a rare treat for Contax/Yashica SLR owners
Yashica Inc.
[no value]
Yashica Inc.
85-mm Carl Zeiss Planar f/1.2 lenses
$1,500
[no value]
By the time you read this, most of the limited edition of the 85-mm Carl Zeiss Planar f/1.2 lenses, made to celebrate 50 years of Contax, may well have disappeared from dealer shelves. I discern three groups of buyers battling to possess one of these lenses.
PopularPhotography_19840201_0091_002_0063.xml
article
76
76,77,78,79,80,81,82,83,96,97,126
PORTFOLIO
[no value]
YOUSUF KARSH
Notes on the Pictures
[no value]
[no value]
[no value]
Armenian-born Yousuf Karsh survived the Turkish massacre in his home town of Mardin to emigrate to Canada where his uncle, a studio-portrait photographer, introduced young Yousuf to the profession. Thus was born a long, distinguished career which has established Karsh as a contemporary giant of portraiture.
PopularPhotography_19840201_0091_002_0064.xml
article
84
84,85,162
POP PHOTO Goes to the Theater
[no value]
‘THE PHOTOGRAPHER/FAR FROM THE TRUTH’
A novel mixed-media entertainment focuses on the life and times of Eadweard Muybridge
[no value]
[no value]
Natalie Canavor
“Who shoots people, blows them up, and then goes home and lets them hang themselves? ... A photographer.” “Where can you always find sympathy? ... In the dictionary.” “How many balls of string would it take to reach the moon? ... Only one, if it were long enough.”
PopularPhotography_19840201_0091_002_0065.xml
article
86
86,87,88,89,90
EQUIPMENT & MATERIALS
[no value]
1984 COLOR-FILM ROUNDUP
Today’s color crop is the best ever, with real gains in picture quality plus shooting ease. Now is the time to get serious about the fun of color photography
Beginner’s luck
The case for slide films
Arguments for color negatives
Color temperature of light
Tungsten-balanced slide films
New “professional” Kodachromes
[no value]
[no value]
Bob Schwalberg
Color films are better than ever. Few products are manufactured with such medicinal purity and watch-like precision. New color materials are more forgiving of exposure and illumination errors, producing gratifying results with easy-to-operate automated cameras.
PopularPhotography_19840201_0091_002_0066.xml
review
91
91
FIRST LOOK
[no value]
GMI BEACON 200
Infrared wireless control has up to 200-ft. range
GMI Photographic
[no value]
GMI Photographic
GMI Beacon 200
$129.95
Jack Neubart
Infrared transmitter and receiver for wireless, remote camera operation Allows sequence shooting with motorized cameras Operates on any one of three channels Transmission angle, about 30×40 degrees Receiving angle, about 60 degrees
PopularPhotography_19840201_0091_002_0067.xml
advertisement
92
92
[no value]
[no value]
Advertisement: VANTAGE
[no value]
[no value]
VANTAGE
[no value]
[no value]
PopularPhotography_19840201_0091_002_0068.xml
article
93
93,94
PHOTOGRAPHY TODAY
[no value]
ICP WINTER ’84 EDUCATION PROGRAM
LECTURE SERIES
WEEKEND WORKSHOPS
SUNDAY WITH THE PROS
OPEN FORUM
MASTER SEMINARS
VISION & CRAFT COURSES
ICP/NYU MASTERS PROGRAM in PHOTOGRAPHY
FULL-TIME STUDY PROGRAM
PHOTOJOURNALISM & DOCUMENTARY PHOTOGRAPHY
COMMUNITY PROGRAMS
[no value]
[no value]
[no value]
The International Center of Photography, 1130 Fifth Ave., New York, N.Y. 10028, offers an extensive selection of lectures, workshops, seminars, and courses, encompassing virtually every aspect of photography. With classes scheduled mornings, afternoons, evenings, and weekends, there is something for everyone, from the most enthusiastic beginner to the working professional.
PopularPhotography_19840201_0091_002_0069.xml
advertisement
94
94
[no value]
[no value]
DALE LAbORATORiES
[no value]
DALE LAbORATORiES
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0070.xml
advertisement
95
95
[no value]
[no value]
CELESTRON INTERNATIONAL: 500mm f/8 TELEPHOTO
[no value]
CELESTRON INTERNATIONAL
500mm f/8 TELEPHOTO
[no value]
[no value]
PopularPhotography_19840201_0091_002_0071.xml
advertisement
96
96
[no value]
[no value]
RNI PHOTO MARKETING: PVC
[no value]
RNI PHOTO MARKETING
PVC
[no value]
[no value]
PopularPhotography_19840201_0091_002_0072.xml
advertisement
97
97
[no value]
[no value]
SUnSET color lab
[no value]
SUnSET color lab
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0073.xml
advertisement
98
98
[no value]
[no value]
IMAGES
[no value]
IMAGES
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0074.xml
advertisement
99
99
[no value]
[no value]
Advertisements
[no value]
LAB 47
Eastman Color 5247
LAB 47
Fuji 8512
[no value]
[no value]
PopularPhotography_19840201_0091_002_0075.xml
advertisement
100
100
[no value]
[no value]
Advertisements
[no value]
HARMONY VIDEO & ELECTRONICS
Sony SL2400
HARMONY VIDEO & ELECTRONICS
Sony SL2000
[no value]
[no value]
PopularPhotography_19840201_0091_002_0076.xml
advertisement
101
101
[no value]
[no value]
MSI/Heritage Color Lab
[no value]
MSI/Heritage Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0077.xml
advertisement
102
102
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19840201_0091_002_0078.xml
advertisement
103
103
[no value]
[no value]
THE WORLD OF 35 MM
[no value]
THE WORLD OF 35 MM
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0079.xml
advertisement
104
104
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0080.xml
advertisement
105
105
[no value]
[no value]
CAMERA WORLD
[no value]
CAMERA WORLD
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0081.xml
advertisement
106
106
[no value]
[no value]
ABC PHOTO SERVICE
[no value]
ABC PHOTO SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0082.xml
advertisement
107
107,108,109
[no value]
[no value]
GARDEN CAMERA
[no value]
GARDEN CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0083.xml
advertisement
110
110,111
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19840201_0091_002_0084.xml
advertisement
112
112,113
[no value]
[no value]
COMPETITIVE CAMERA CORP.
[no value]
COMPETITIVE CAMERA CORP.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0085.xml
advertisement
114
114,115
[no value]
[no value]
TRI-STATE CAMERA EXCHANGE INC.
[no value]
TRI-STATE CAMERA EXCHANGE INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0086.xml
advertisement
116
116
[no value]
[no value]
LABELLE
[no value]
LABELLE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0087.xml
advertisement
117
117
[no value]
[no value]
THE LAB
[no value]
THE LAB
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0088.xml
advertisement
119
119,120,121
[no value]
[no value]
Advertisements
[no value]
SPIRATONE
MINITEL-M
SPIRATONE
35 SLR Duplimat
[no value]
[no value]
PopularPhotography_19840201_0091_002_0089.xml
advertisement
122
122
[no value]
[no value]
Riviera Cameras & Electronics
[no value]
Riviera Cameras & Electronics
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0090.xml
advertisement
123
123
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0091.xml
advertisement
124
124,125
[no value]
[no value]
Advertisements
[no value]
RITZ CAMERA
RZ-800
RITZ CAMERA
RZ Motor Grip f/RZ-800
[no value]
[no value]
PopularPhotography_19840201_0091_002_0092.xml
advertisement
126
126
[no value]
[no value]
SEMINOLE PHOTO
[no value]
SEMINOLE PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0093.xml
advertisement
127
127
[no value]
[no value]
CAMERA WAREHOUSE, INC.
[no value]
CAMERA WAREHOUSE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0094.xml
advertisement
128
128
[no value]
[no value]
FOTO CELL INC.
[no value]
FOTO CELL INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0095.xml
advertisement
130
130
[no value]
[no value]
20TH CENTURY PLASTICS, INC.: CENTURY-POLY PAGES
[no value]
20TH CENTURY PLASTICS, INC.
CENTURY-POLY PAGES
[no value]
[no value]
PopularPhotography_19840201_0091_002_0096.xml
advertisement
131
131
[no value]
[no value]
PALACE
[no value]
PALACE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0097.xml
advertisement
132
132,133
[no value]
[no value]
CAMERAS WEST
[no value]
CAMERAS WEST
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0098.xml
advertisement
135
135,136,137
[no value]
[no value]
Executive Photo & Supply Corp.
[no value]
Executive Photo & Supply Corp.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0099.xml
advertisement
138
138,139
[no value]
[no value]
OLDen CAMERA & LENS CO. INC.
[no value]
OLDen CAMERA & LENS CO. INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0100.xml
advertisement
140
140,141
[no value]
[no value]
NEW YORK CAMERA
[no value]
NEW YORK CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0101.xml
advertisement
142
142
[no value]
[no value]
Nikura Optical Co. Inc.: Nikura lenses
[no value]
Nikura Optical Co. Inc.
Nikura lenses
[no value]
[no value]
PopularPhotography_19840201_0091_002_0102.xml
advertisement
143
143
[no value]
[no value]
AAA Camera Exchange, Inc.
[no value]
AAA Camera Exchange, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0103.xml
advertisement
144
144
[no value]
[no value]
ABE'S CAMERAS AND ELECTRONICS
[no value]
ABE'S CAMERAS AND ELECTRONICS
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0104.xml
advertisement
145
145
[no value]
[no value]
PDQ
[no value]
PDQ
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0105.xml
advertisement
146
146
[no value]
[no value]
CAMBRIDGE camera exchange, inc.
[no value]
CAMBRIDGE camera exchange, inc.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0106.xml
advertisement
147
147,148,149
[no value]
[no value]
Cambridge Camera Exchange, Inc.
[no value]
Cambridge Camera Exchange, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0107.xml
advertisement
150
150,151
[no value]
[no value]
ADORAMA
[no value]
ADORAMA
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0108.xml
advertisement
153
153
[no value]
[no value]
FREESTYLE
[no value]
FREESTYLE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0109.xml
advertisement
154
154,155
[no value]
[no value]
MIBRO CO., INC.
[no value]
MIBRO CO., INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0110.xml
advertisement
156
156,157,158,159
[no value]
[no value]
B&H Photo Corp.
[no value]
B&H Photo Corp.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0111.xml
advertisement
160
160,161
[no value]
[no value]
47st.photo
[no value]
47st.photo
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0112.xml
advertisement
163
163
[no value]
[no value]
Bi-RiTE
[no value]
Bi-RiTE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0113.xml
advertisement
164
164
[no value]
[no value]
Skyline Color Labs
[no value]
Skyline Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0114.xml
advertisement
165
165
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0115.xml
advertisement
166
166,167
[no value]
[no value]
Photron Marketing Inc.
[no value]
Photron Marketing Inc.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0116.xml
advertisement
168
168,169
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0117.xml
advertisement
170
170
[no value]
[no value]
Advertisements
[no value]
WALL ST. CAMERA EXCHANGE
PENTAX K-1000
WALL ST. CAMERA EXCHANGE
CANON SURE-SHOT
[no value]
[no value]
PopularPhotography_19840201_0091_002_0118.xml
advertisement
170
170
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0119.xml
advertisement
171
171
[no value]
[no value]
focus ELECTRONICS INC.
[no value]
focus ELECTRONICS INC.
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0120.xml
advertisement
172
172,173
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19840201_0091_002_0121.xml
advertisement
173
173
[no value]
[no value]
Advertisement: popular photography
[no value]
[no value]
popular photography
[no value]
[no value]
PopularPhotography_19840201_0091_002_0122.xml
review
174
174
JUST OUT
[no value]
JUST OUT
Cameras
Lenses
Lighting equipment
Projection and viewing
Darkroom equipment
Miscellaneous
E. Leitz, Inc.
[no value]
Joseph P. Fesce
[no value]
PopularPhotography_19840201_0091_002_0123.xml
advertisement
175
175
[no value]
[no value]
OLYMPUS: OM-4
[no value]
OLYMPUS
OM-4
[no value]
[no value]
PopularPhotography_19840201_0091_002_0124.xml
advertisement
176
176
[no value]
[no value]
Minolta Corp.: X-570
[no value]
Minolta Corp.
X-570
[no value]
[no value]
PopularPhotography_19840201_0091_002_0125.xml