Issue: 19820701

Thursday, July 1, 1982
July
7
True
89
Friday, December 5, 2014

Articles
cover
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POPULAR PHOTOGRAPHY
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PopularPhotography_19820701_0089_007_0001.xml
advertisement
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0_2,1
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Pentax Corporation: ME-F
[no value]
Pentax Corporation
ME-F
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PopularPhotography_19820701_0089_007_0002.xml
tableOfContents
2
2
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POPULAR PHOTOGRAPHY
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PopularPhotography_19820701_0089_007_0003.xml
masthead
2
2,4
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Masthead
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PopularPhotography_19820701_0089_007_0004.xml
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3
3
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OLYMPUS
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OLYMPUS
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PopularPhotography_19820701_0089_007_0005.xml
article
4
4,16
LETTERS TO THE EDITOR
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LETTERS TO THE EDITOR
Click-click
Don’t ring out the old
Straight-shooter
Flap over flop
Point of no return
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[no value]
Ed.
Your item about the Kodak engineer devising a means to eliminate the bad pictures caused by people closing their eyes as the flash is fired (“Pop Photo Snapshots,” March issue) ignores the British manufacturer, Langham Photo Instruments, Ltd., who produced a preflash flashgun over a dozen years ago.
PopularPhotography_19820701_0089_007_0006.xml
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5
5
[no value]
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Olympus: OM-10FC
[no value]
Olympus
OM-10FC
[no value]
[no value]
PopularPhotography_19820701_0089_007_0007.xml
article
6
6
EDITORIAL
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Images of Aging from around the World
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Arthur Goldsmith
From the sentimentality of On Golden Pond to the bitter partisan disputes going on in Washington over Social Security benefits, the process of aging and the problems arising from it are very much in the air these days. The subject also is the theme of a major educational effort by the United Nations this year.
PopularPhotography_19820701_0089_007_0008.xml
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7
7
[no value]
[no value]
Olympus: Olympus lenses
[no value]
Olympus
Olympus lenses
[no value]
[no value]
PopularPhotography_19820701_0089_007_0009.xml
advertisement
8
8,9
[no value]
[no value]
Canon U.S.A., Inc.: New F-1
[no value]
Canon U.S.A., Inc.
New F-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0010.xml
advertisement
10
10
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UNIPHOT-LEVIT CORP.: HOYAREX
[no value]
UNIPHOT-LEVIT CORP.
HOYAREX
[no value]
[no value]
PopularPhotography_19820701_0089_007_0011.xml
article
10
10,16
CRITICAL FOCUS
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The only market-proof print collection is one made for love—not investment
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[no value]
Kenneth Poli
Robert Browning’s opinion to the contrary, I suggest that a man’s reach should not exceed his grasp. Not always, anyway. Setting realistic goals and reaching them is what heaven is for. This seems to be borne out by recent drops in auction prices realized for collectible photographs.
PopularPhotography_19820701_0089_007_0012.xml
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11
11
[no value]
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BERKEY: Sunpak Auto 422 D
[no value]
BERKEY
Sunpak Auto 422 D
[no value]
[no value]
PopularPhotography_19820701_0089_007_0013.xml
advertisement
12
12
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DALE LAbORATORiES
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DALE LAbORATORiES
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[no value]
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PopularPhotography_19820701_0089_007_0014.xml
article
12
12,164
OFFBEAT
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Making a good portrait requires preparation and some basic techniques
Lenses
Lighting
Subject comfort
Directing your subjects
Tripod vs. hand-held camera
Getting expression
BOOKS IN BRIEF
[no value]
[no value]
Norman Rothschild
In portrait photography, relating to your subject to capture or evoke spontaneous expression and feeling is the most important element. Technical matters are also important, but if you preoccupy yourself with fussing around with lights and lenses, for example, you may end up with a technically correct but esthetically bad portrait.
PopularPhotography_19820701_0089_007_0015.xml
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15
15
[no value]
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NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0016.xml
advertisement
16
16
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[no value]
shutterbug ads
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shutterbug ads
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PopularPhotography_19820701_0089_007_0017.xml
advertisement
17
17
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[no value]
Minolta Corporation: X-700
[no value]
Minolta Corporation
X-700
[no value]
[no value]
PopularPhotography_19820701_0089_007_0018.xml
advertisement
18
18
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[no value]
Advertisements
[no value]
LAB 47
EASTMAN 5247
LAB 47
FUJI 8518
[no value]
[no value]
PopularPhotography_19820701_0089_007_0019.xml
article
18
18,110
PHOTO-ELECTRONICS
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If you’re serious about electronic flash, you should own a flash meter; here’s how it works
BOOKS IN BRIEF
[no value]
[no value]
Ed Farber
Measuring electronic-flash output in terms of exposure or actual light output is not a highly complex task, though to do it consistently and accurately outside of the laboratory requires a competent, and often relatively expensive, instrument.
PopularPhotography_19820701_0089_007_0020.xml
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19
19
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[no value]
Minolta Corporation: XG-M
[no value]
Minolta Corporation
XG-M
[no value]
[no value]
PopularPhotography_19820701_0089_007_0021.xml
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20
20
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[no value]
FOX PRO LAB
[no value]
FOX PRO LAB
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PopularPhotography_19820701_0089_007_0022.xml
article
20
20,104,105
VIDEO/MOVIE METHODS
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Battle of the disks: Kodak vs. Sony
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Leendert Drukker
Inevitably, the Kodak and Sony disk systems will be compared, even though they utilize two entirely different technologies to record color images. Sony’s Mavica—the ca stands for camera—uses a magnetic medium that mates, electronically and naturally, with a, TV set for screen viewing, although images can be printed through a thermal dye-transfer process.
PopularPhotography_19820701_0089_007_0023.xml
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21
21
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[no value]
Minolta Corporation: MINOLTA LENSES
[no value]
Minolta Corporation
MINOLTA LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0024.xml
advertisement
22
22
[no value]
[no value]
The Art Institutes
[no value]
The Art Institutes
[no value]
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[no value]
PopularPhotography_19820701_0089_007_0025.xml
article
22
22,24
BOOKS
[no value]
Cults, clans, and cultures: five interpretations by three photographers
Contemporary carnival
[no value]
[no value]
Yvonne Kalmus
The Last Africans, by Gert Chasi; 240 pp. with 148 color and 34 black-and-white photographs; $25. Voo-doo—Africa’s Secret Power, by Gert Chasi; 276 pp. with 128 color and 69 black-and-white photos; $35. Faith Healers in the Philippines, by Gert Chesi; 256 pp. with 94 color and 36 black-and-white photographs; $35.
PopularPhotography_19820701_0089_007_0026.xml
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23
23
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Advertisements
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Nikon
Nikon S2 1954
Nikon
Nikon F Photomic Tn 1967
[no value]
[no value]
PopularPhotography_19820701_0089_007_0027.xml
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24
24
[no value]
[no value]
Berkey Marketing Companies
[no value]
Berkey Marketing Companies
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0028.xml
advertisement
25
25
[no value]
[no value]
Nikon Inc.: Wide Angle Nikkor 35mm fL 4
[no value]
Nikon Inc.
Wide Angle Nikkor 35mm fL 4
[no value]
[no value]
PopularPhotography_19820701_0089_007_0029.xml
advertisement
26
26,27
[no value]
[no value]
Canon USA. Inc.: Canon AE-1
[no value]
Canon USA. Inc.
Canon AE-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0030.xml
advertisement
28
28
[no value]
[no value]
MSI/Heritage Color Lab
[no value]
MSI/Heritage Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0031.xml
article
28
28,111
THE COLOR DARKROOM
[no value]
Why you should process your own color films and make your own color prints
[no value]
[no value]
[no value]
Larry Sribnick
Should you process your own color? Paranoia! No one cares as much about your photography as you do. I believe that in photography the creative process begins with the selection of equipment and Film and doesn’t end until the prints are hanging and the slides projected.
PopularPhotography_19820701_0089_007_0032.xml
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29
29
[no value]
[no value]
Advertisements
[no value]
K mart
Focal three-pack 135/20 color print film
K mart
Handipod
[no value]
[no value]
PopularPhotography_19820701_0089_007_0033.xml
advertisement
30
30,31
[no value]
[no value]
Advertisements
[no value]
Berkey Marketing Companies
Sigma 35-70 mm macro zoom
Berkey Marketing Companies
75-250 mm tele-zoom
[no value]
[no value]
PopularPhotography_19820701_0089_007_0034.xml
article
32
32,128
SHOWS WE'VE SEEN
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Bullaty’s view of her adopted country; Doisneau’s environmental portraits; Harris’ record of changing Eskimo life
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[no value]
Harvey V. Fondiller
All photographers have a visible past; some, like Sonja Bullaty, also seem destined to have a future of continuing accomplishment. Her past was seen in a selective retrospective supplemented by words in Photographs: A Brief Diary (Photographies Unlimited, New York City, March 6 April 5).
PopularPhotography_19820701_0089_007_0035.xml
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37
37
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
[no value]
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PopularPhotography_19820701_0089_007_0036.xml
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38
38,39
[no value]
[no value]
Vivitar Corporation: Vivitar lenses
[no value]
Vivitar Corporation
Vivitar lenses
[no value]
[no value]
PopularPhotography_19820701_0089_007_0037.xml
advertisement
40
40
[no value]
[no value]
Red Tag Photo
[no value]
Red Tag Photo
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0038.xml
article
40
40,194
TRAVELER'S CAMERA
[no value]
An array of gadgets that makes life easier for the traveling photographer
[no value]
[no value]
[no value]
Carl Purcell
The wonderful array of accessories and gadgets available to photographers today often promises to help us capture elusive images in exotic settings, create special effects, and solve photographic problems. Indeed, many of them can be helpful although, of course, there is no substitute for photographic talent and creativity.
PopularPhotography_19820701_0089_007_0039.xml
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41
41
[no value]
[no value]
Konishiroku Photo Inc. Co., Ltd.: Konica FS-1
[no value]
Konishiroku Photo Inc. Co., Ltd.
Konica FS-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0040.xml
article
42
42,194
SHOPTALK
[no value]
Will mix’n’match electronic accessories make autofocusing Niknons and Cankons the wave of the future for SLRs?
[no value]
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[no value]
Norman Goldberg
Electronic focusing aids in SLRs are now a fact of life. Leitz was the first to demonstrate one—the Correfot. They first showed a prototype of it publicly at photokina ’76. And, while they showed a slightly improved prototype at each succeeding photokina, they have not announced any plans to offer a production version for sale.
PopularPhotography_19820701_0089_007_0041.xml
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43
43
[no value]
[no value]
R.J REYNOLDS TOBACCO COMPANY: Camel Lights
[no value]
R.J REYNOLDS TOBACCO COMPANY
Camel Lights
[no value]
[no value]
PopularPhotography_19820701_0089_007_0042.xml
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44
44
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POSITIVE COLOR PROFESSIONAL LABORATORIES
[no value]
POSITIVE COLOR PROFESSIONAL LABORATORIES
[no value]
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PopularPhotography_19820701_0089_007_0043.xml
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44
44
[no value]
[no value]
Advertisements
[no value]
STO-FEN PRODUCTS
VIVITAR 283
STO-FEN PRODUCTS
SUNPAK 411
[no value]
[no value]
PopularPhotography_19820701_0089_007_0044.xml
article
44
44,109
THE GADGETERIA
[no value]
Camera batteries dead? Some of the handiest (and least expensive) exposure meters are made of paper
BOOKS IN BRIEF
[no value]
[no value]
Michele A. Frank
In this day of exposure automation, some of us may forget (or never have known) how to judge the correct aperture and shutter speed for a well-exposed picture. So what happens if a camera battery fails and can’t be replaced right away? Well, if the camera will continue to operate without electrical energy, you can keep on shooting.
PopularPhotography_19820701_0089_007_0045.xml
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45
45
[no value]
[no value]
Berkey Marketing Companies: Rogonar-S
[no value]
Berkey Marketing Companies
Rogonar-S
[no value]
[no value]
PopularPhotography_19820701_0089_007_0046.xml
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46
46
[no value]
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EDUCATIONAL OPPORTUNITIES
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[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0047.xml
article
46
46,184
MARKETS & CAREERS
[no value]
Max Hellweg has learned that, when you hit the road, it often hits back
BOOKS IN BRIEF
[no value]
[no value]
Howard Chapnick
The poetry of America’s poet laureate, Walt Whitman, was inextricably linked with his wanderlust, his free spirit, his love of the American landscape and all of its people. But above all, he was the ultimate visual poet, creating pictures with his pen based on his experiences during his lifelong love affair with America.
PopularPhotography_19820701_0089_007_0048.xml
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47
47
[no value]
[no value]
Accent 35
[no value]
Accent 35
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0049.xml
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48
48,49
[no value]
[no value]
Popular Photography
[no value]
Popular Photography
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0050.xml
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50
50
[no value]
[no value]
Advertisements
[no value]
[no value]
Marlboro Red
[no value]
Marlboro Lights
[no value]
[no value]
PopularPhotography_19820701_0089_007_0051.xml
article
51
51,52
EQUIPMENT & MATERIALS
[no value]
Ektaflex Slide-printing Film Is Here
Kodak’s positive-to-positive material expands their diffusion-transfer system
Quick facts about Ektaflex PCT:
BOOK REVIEW IN BRIEF
[no value]
[no value]
Larry Sribnick
A little over a year ago Kodak revolutionized color printing by introducing the Ektaflex process. At that time Kodak released an Ektaflex film designed for making color prints from color negatives. And they promised that, within a year, they would have an Ektaflex film for making prints from color slides.
PopularPhotography_19820701_0089_007_0052.xml
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52
52
[no value]
[no value]
Kartes Video Communications, Inc.
[no value]
Kartes Video Communications, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0053.xml
review
53
53
FIRST LOOK
[no value]
SIMA SF LENS
It takes front disks for up to three choices of soft focus, allows close-ups to two-thirds life-size
Sima Products Corp.
[no value]
Sima Products Corp.
Sima SF
$49.95
Norman Rothschild
The 100-mm Sima SF lens allows one to turn soft, romantic mental images into actual pictures. With its two accessory aperture disks, it offers three degrees of softness. The greatest amount of softness is obtained, of course, at full aperture, f/2, which also lends itself to available-light shooting.
PopularPhotography_19820701_0089_007_0054.xml
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54
54
[no value]
[no value]
Jet Color Lab
[no value]
Jet Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0055.xml
article
54
54
EQUIPMENT & MATERIALS
[no value]
Polaroid's Autoprocessed Slide Film: It Works with Any 35-mm Camera
[no value]
[no value]
[no value]
Leendert Drukker
Polaroid pepped up its financial picture by previewing “autoprocessed” 35-mm color slides to its stockholders at its annual meeting. The film will be supplied in a conventional cartridge to fit standard 35-mm cameras. It has an ASA speed of 40, and will be daylight-balanced.
PopularPhotography_19820701_0089_007_0056.xml
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55
55
[no value]
[no value]
Sinclair Research Ltd.: Sinclair ZX81
[no value]
Sinclair Research Ltd.
Sinclair ZX81
[no value]
[no value]
PopularPhotography_19820701_0089_007_0057.xml
article
56
56,111
TOOLS & TECHNIQUES
[no value]
Say goodbye to leaflets with Kodak amateur-type 35-mm films. Author accepts their passing for color, but deplores some changes for b&w
CONTEST NOTICE
[no value]
[no value]
Cora Wright Kennedy
There’s no doubt that change is a key concept in the photography industry. Some of it is fascinating, while most other variations are at least interesting. But every once in a while, a manufacturer will incorporate an innovation that gets my dander up, or makes me plain unhappy.
PopularPhotography_19820701_0089_007_0058.xml
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57
57,58,59
[no value]
[no value]
Advertisement: Winston Lights
[no value]
[no value]
Winston Lights
[no value]
[no value]
PopularPhotography_19820701_0089_007_0059.xml
article
60
60,61,103
POP PHOTO SNAPSHOTS
[no value]
News about people, products, and events
Cover story
Commerce and art
All legs on deck
After a fashion
Y’all smile
Disk data
CONTEST NOTICE
[no value]
[no value]
Norman Schreiber
Now here’s an item that is self-serving in a subtle but harmless manner. Younique Marketing Associates, a California firm, is selling “instant magazine covers.’’ Each item is a plastic overlay that simulates the cover of a big-time, real-life magazine.
PopularPhotography_19820701_0089_007_0060.xml
article
62
62
HELP!
[no value]
HELP!
For ultragrain
A real stopper
Photo-school daze
A hot problem
[no value]
[no value]
[no value]
I heard that black-and-white panchromatic film can be processed in Kodak Dektol paper developer. Why should one want to do this? Mark R. Jones, Montgomery, Pa. As you can expect to get negatives that are far grainier than when film is processed normally, you might want to try the Dektol idea with fast, grainy film for an artistic, ultragrainy effect.
PopularPhotography_19820701_0089_007_0061.xml
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63
63
[no value]
[no value]
Berkey Marketing Companies: U-212
[no value]
Berkey Marketing Companies
U-212
[no value]
[no value]
PopularPhotography_19820701_0089_007_0062.xml
advertisement
64
64
[no value]
[no value]
AIC Photo, Inc.: Soligor 80-200mm
[no value]
AIC Photo, Inc.
Soligor 80-200mm
[no value]
[no value]
PopularPhotography_19820701_0089_007_0063.xml
article
65
65,66,67,99,101,102
PHOTOGRAPHY TODAY
[no value]
Looking for Bang Bang
Photojournalists are flocking to trouble spots like El Salvador, and too many are not returning alive. Are the results of war photography today really worth the risks?
[no value]
[no value]
Howard Chapnick
War, poverty, and misery are the seductive mistresses of photojournalism. They reflect the conflict and drama of man’s life-and-death struggle for survival. Chief among this troika of visually loaded subject matter is the ultimate obscenity of man’s creativity—war.
PopularPhotography_19820701_0089_007_0064.xml
article
68
68,69,70,71,72,73
PHOTOGRAPHY TODAY
[no value]
THe Fantastic World of Yoshihiro Tatsuki
[no value]
[no value]
[no value]
Arthur Goldsmith
Recently published in Tokyo, Hanakeshiki—Girls and Women brings to a wide audience the sensuous and enigmatic photography of Yoshihiro Tatsuki. The images, a selection of which are reproduced here, are not so much those of specific women as an expression of the evanescence of beauty symbolized by flowers and the four seasons.
PopularPhotography_19820701_0089_007_0065.xml
article
74
74,75
PHOTOGRAPHY TODAY
[no value]
Soda-pop Art
[no value]
[no value]
[no value]
Nancy Timmes Engel
The signs shown here do not represent the fantasies of a soda-pop junkie; nor were they produced by soft-drink manufacturers for a nostalgia campaign. They are the real (old) thing. These 35-mm photographs are the result of a conscious effort by New York photographer Alan Porter to have his work published.
PopularPhotography_19820701_0089_007_0066.xml
article
76
76,77,78,79,128,146
PHOTOGRAPHY TODAY
[no value]
Paradise by Moonlight
Hawaiian seascapes look even better after dark, says Sanford L. Hill
[no value]
[no value]
Kenneth Poli
One of the specialties of photography's terrible, swift sword is the cutting of time into microthin slices. But another aspect of photography's time-slicing talent is its ability to stretch it—to record on a single piece of film what has happened during minutes, hours, even days.
PopularPhotography_19820701_0089_007_0067.xml
article
80
80,81,82,83,84,85,86,87,158
PROGRAMMED-EXPOSURE SLRs:
[no value]
Are They for You?
Total automation offers the serious photographer more than snapshot convenience. Here’s what eight programmed SLRs can do
EVs Explained
[no value]
[no value]
Bob Schwalberg
There’s a new letter floating about in the great alphabet soup of 35-mm SLR TTL AE photography. P is for programming, meaning that the f-stops and shutter speeds are locked together in a bright-to-dark progression that gives effortless exposure accuracy.
PopularPhotography_19820701_0089_007_0068.xml
article
88
88,89,90,91,105
PHOTOGRAPHY TODAY
[no value]
STOPPING MOTION: The Basics
To blur or not to blur is a key esthetic decision when photographing a moving subject. Here’s how to understand and control the factors involved
Panning
[no value]
[no value]
Harvey Shaman
One of the unique qualities of photography is its ability to record motion in ways that the human eye is not capable of seeing. The camera has the power to freeze a runner in midstride so every tendon and straining muscle stands out in bold relief.
PopularPhotography_19820701_0089_007_0069.xml
article
92
92,93,106,107
PHOTOGRAPHY TODAY
[no value]
HOW TO PLOT FOR VIDEO
Plan ahead and save yourself a lot of time and wasted effort
TELEPLAY THE COMMUTER
FADE IN
NEWSDEALER
COMMUTER
[no value]
[no value]
John Lachky
Sooner or later, almost anyone with a video system will want to go beyond merely recording events as they happen, or copying off a TV set, and tape a story or make a point of his own. This is much the same as the still photographer who wants to make something more than a “snapshot.”
PopularPhotography_19820701_0089_007_0070.xml
review
94
94
FIRST LOOK
[no value]
ELMO F20S-XL
Super 8 sound camera can go ultrawide, takes slide-in masks, filters
Elmo Mfg. Corp.
[no value]
Elmo Mfg. Corp.
F20S-XL
$499.95
Leendert Drukker
Elmo’s F20S-XL is an optically unique super 8 sound camera, even though you might not think so from its basic specs. It has an 8.6 — 18-mm f/1.2 manual and power-zoom—fast, but with a relatively modest range. It is fixed-focus, except at macro, where it may be set by measuring subject distance first.
PopularPhotography_19820701_0089_007_0071.xml
article
95
95,108
LAB REPORT
[no value]
TWO TAMRON SP ZOOM LENSES
Field Check
[no value]
[no value]
Norman Goldberg
The Tamron 70→210-mm f/3.5-4 and 35→80-mm f/2.8-3.8 lenses are two-touch zooms with separate setting collars for zooming and focusing. The f-stop-setting rings have clicks at half-stop settings. The witness line for the f-stop setting on the longer lens is a single white line, while on the shorter lens there are two lines—one blue for the 35-mm focal-length engraving, the other orange for the 80-mm setting.
PopularPhotography_19820701_0089_007_0072.xml
article
96
96
LAB REPORT
[no value]
Tamron SP 70 → 210-mm f/3.5-4
Ser. No. 107190
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0073.xml
article
97
97
LAB REPORT
[no value]
Tamron SP 35 → 80-mm f/2.8-3.8
Ser. No. 101265
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0074.xml
article
98
98,108
LAB REPORT
[no value]
Mechanical:
[no value]
[no value]
[no value]
[no value]
Despite their family resemblances, there are many mechanical and optical differences between these two lenses. In the shorter lens, zooming action has the rear section moving at a different rate than, and opposite direction from, the front section.
PopularPhotography_19820701_0089_007_0075.xml
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100
100
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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[no value]
PopularPhotography_19820701_0089_007_0076.xml
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101
101
[no value]
[no value]
PDQ
[no value]
PDQ
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[no value]
[no value]
PopularPhotography_19820701_0089_007_0077.xml
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102
102
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[no value]
Multi Lab
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Multi Lab
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[no value]
PopularPhotography_19820701_0089_007_0078.xml
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102
102
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[no value]
TRANSPARENCY PEOPLE
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TRANSPARENCY PEOPLE
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PopularPhotography_19820701_0089_007_0079.xml
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103
103
[no value]
[no value]
Advertisements
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J&R MUSIC WORLD
Commodore VIC-20 Home Computer
J&R MUSIC WORLD
Maxell UDXL I or II C-90
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PopularPhotography_19820701_0089_007_0080.xml
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104
104
[no value]
[no value]
Advertisements
[no value]
Camera Showcase
PENTAX K1000
Camera Showcase
Canon AE-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0081.xml
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105
105
[no value]
[no value]
RGB Color Lab
[no value]
RGB Color Lab
[no value]
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[no value]
PopularPhotography_19820701_0089_007_0082.xml
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106
106
[no value]
[no value]
Advertisements
[no value]
CAMERA WORLD OF OREGON
CANON AE-1
CAMERA WORLD OF OREGON
NIKON EM
[no value]
[no value]
PopularPhotography_19820701_0089_007_0083.xml
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107
107
[no value]
[no value]
IDENTICOLOR LABORATORY, INC.
[no value]
IDENTICOLOR LABORATORY, INC.
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0084.xml
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108
108
[no value]
[no value]
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[no value]
PHOTOGENESIS, INC.
CANON
PHOTOGENESIS, INC.
PENTAX
[no value]
[no value]
PopularPhotography_19820701_0089_007_0085.xml
article
108
108
LAB REPORT
[no value]
LENS TEST GLOSSARY
[no value]
[no value]
[no value]
[no value]
Aberrations: A flawlessly manufactured lens may still exhibit residual aberrations (image faults). Often, certain aberrations are permitted by the designer to minimize others felt to be more harmful to image quality. Astigmatism: Causes lines radial to the optical axis, and lines perpendicular to these, to focus in two different planes.
PopularPhotography_19820701_0089_007_0086.xml
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109
109
[no value]
[no value]
Color Chrome
[no value]
Color Chrome
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0087.xml
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110
110
[no value]
[no value]
SUN SET color lab
[no value]
SUN SET color lab
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0088.xml
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111
111
[no value]
[no value]
PHOTO/LINE: Model 4824C
[no value]
PHOTO/LINE
Model 4824C
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[no value]
PopularPhotography_19820701_0089_007_0089.xml
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112
112
[no value]
[no value]
THE LAB
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THE LAB
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[no value]
[no value]
PopularPhotography_19820701_0089_007_0090.xml
article
112
112,113,164
WORKSHOPS
[no value]
WORKSHOPS
ALASKA
CALIFORNIA
COLORADO
FLORIDA
IDAHO
MASSACHUSETTS
MINNESOTA
MISSOURI
MONTANA
NEW MEXICO
NEW YORK
NORTH CAROLINA
OHIO
PENNSYLVANIA
TENNESSEE
VERMONT
WASHINGTON
WISCONSIN
CANADA
[no value]
[no value]
[no value]
University of California Extension/ Santa Cruz: Photography in Wild Alaska with Steve Crouch, Sept. 1-14. Itinerary for this field trip includes Denali National Park, Katmai, and the Valley of Ten Thousand Smokes. Group and individual photographic guidance covers exposure, choice of film, equipment, and techniques of nature photography; $2,750, includes roundtrip air fare from Seattle, Wa., all lodging, and all transportation within Alaska.
PopularPhotography_19820701_0089_007_0091.xml
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113
113
[no value]
[no value]
Advertisements
[no value]
HARMONY VIDEO & ELECTRONICS
Sony SL5800
HARMONY VIDEO & ELECTRONICS
Sony SL5600
[no value]
[no value]
PopularPhotography_19820701_0089_007_0092.xml
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114
114
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0093.xml
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115
115
[no value]
[no value]
Advertisements
[no value]
Frank's Camera
PENTAX
Frank's Camera
VIVITAR
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[no value]
PopularPhotography_19820701_0089_007_0094.xml
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116
116
[no value]
[no value]
ABC PHOTO SERVICE
[no value]
ABC PHOTO SERVICE
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[no value]
[no value]
PopularPhotography_19820701_0089_007_0095.xml
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117
117
[no value]
[no value]
Advertisements
[no value]
Sunshine Cameras
Canon AE-1
Sunshine Cameras
PENTAX K1000
[no value]
[no value]
PopularPhotography_19820701_0089_007_0096.xml
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118
118,119
[no value]
[no value]
Advertisements
[no value]
FREESTYLE
FRESH 35mm COLOR SLIDE FILM
FREESTYLE
FRESH 35mm KODACHROME
[no value]
[no value]
PopularPhotography_19820701_0089_007_0097.xml
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120
120
[no value]
[no value]
Advertisements
[no value]
LION PHOTO
CANON AE-1 PROGRAM
LION PHOTO
MINOLTA XG-M
[no value]
[no value]
PopularPhotography_19820701_0089_007_0098.xml
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121
121
[no value]
[no value]
20TH CENTURY PLASTICS INC.
[no value]
20TH CENTURY PLASTICS INC.
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0099.xml
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122
122,123
[no value]
[no value]
Advertisements
[no value]
Photron Marketing Inc.
Nikon
Photron Marketing Inc.
MINOLTA XGA
[no value]
[no value]
PopularPhotography_19820701_0089_007_0100.xml
advertisement
124
124
[no value]
[no value]
Advertisements
[no value]
DYNAMIC CAMERA LTD.
Canon AE-1
DYNAMIC CAMERA LTD.
Nikon EM
[no value]
[no value]
PopularPhotography_19820701_0089_007_0101.xml
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125
125
[no value]
[no value]
Advertisements
[no value]
Quantaray
Quantaray 85-300 MACRO ZOOM
Quantaray
Quantaray MIRROR LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0102.xml
advertisement
126
126,127
[no value]
[no value]
Advertisements
[no value]
RITZ CAMERA
GAF 2100R Remote Control Projector
RITZ CAMERA
Quantaray Clamshell-35
RITZ CAMERA
80-200 f/4.5 One-Touch
[no value]
[no value]
PopularPhotography_19820701_0089_007_0103.xml
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128
128,129,130
[no value]
[no value]
Advertisements
[no value]
Spiratone's
Spiralite SLAVEMATE
Spiratone's
SHARPSHOOTER TELEPHOTO
[no value]
[no value]
PopularPhotography_19820701_0089_007_0104.xml
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131
131
[no value]
[no value]
Advertisements
[no value]
Colorado's Integrity Camera
Nikon
Colorado's Integrity Camera
Canon
[no value]
[no value]
PopularPhotography_19820701_0089_007_0105.xml
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132
132
[no value]
[no value]
Advertisements
[no value]
AMPHOTO
The Art of Scenic Photography
AMPHOTO
The Photographer’s Build-It-Yourself Book
[no value]
[no value]
PopularPhotography_19820701_0089_007_0106.xml
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133
133
[no value]
[no value]
Advertisements
[no value]
focus ELECTRONICS INC.
Canon 35-105 Macro Zoom
focus ELECTRONICS INC.
VIVITAR SERIES 1 LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0107.xml
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134
134,135
[no value]
[no value]
Advertisements
[no value]
OLDen CAMERA & LENS CO. INC.
KONICA FS-1
OLDen CAMERA & LENS CO. INC.
MINOLTA XG-1N
[no value]
[no value]
PopularPhotography_19820701_0089_007_0108.xml
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136
136
[no value]
[no value]
Advertisements
[no value]
PARK ROW CAMERA and ELECTRONICS, Corp.
TAMRON LENS
PARK ROW CAMERA and ELECTRONICS, Corp.
SIGMA LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0109.xml
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137
137
[no value]
[no value]
Advertisements
[no value]
CELESTRON INTERNATIONAL
300mm, f/5.6 Telephoto
CELESTRON INTERNATIONAL
500mm, f/5.6 Multipurpose Telephoto
[no value]
[no value]
PopularPhotography_19820701_0089_007_0110.xml
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138
138,139
[no value]
[no value]
Advertisements
[no value]
LABELLE CAMERA & STEREO
FUJICA AX-5 BOOY
LABELLE CAMERA & STEREO
FUJICA AX-3 BOOY
[no value]
[no value]
PopularPhotography_19820701_0089_007_0111.xml
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140
140,141
[no value]
[no value]
Advertisement
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[no value]
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PopularPhotography_19820701_0089_007_0112.xml
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142
142
[no value]
[no value]
Advertisements
[no value]
Bi-RiTE PHOTO and ELECTRONICS
MASONIC TELEPHONE ANSWERING MACHINES
Bi-RiTE PHOTO and ELECTRONICS
KODAK SLIDE PROJECTORS
[no value]
[no value]
PopularPhotography_19820701_0089_007_0113.xml
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143
143
[no value]
[no value]
THE WORLD OF 35 MM
[no value]
THE WORLD OF 35 MM
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0114.xml
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144
144,145,146
[no value]
[no value]
Advertisements
[no value]
ADORAMA
Nikon FE
ADORAMA
Nikon FM
[no value]
[no value]
PopularPhotography_19820701_0089_007_0115.xml
advertisement
147
147
[no value]
[no value]
Advertisements
[no value]
BROTHERS CAMERAS
5 PC. 2 LENS TELEPHOTO OUTFIT
BROTHERS CAMERAS
35-105 f/3.5 MACRO ZOOM LENS
[no value]
[no value]
PopularPhotography_19820701_0089_007_0116.xml
advertisement
148
148,149
[no value]
[no value]
Advertisements
[no value]
cambridge midtown inc.
canon AE-1
cambridge midtown inc.
CANON AUTO LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0117.xml
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150
150,151
[no value]
[no value]
Advertisements
[no value]
INTERNATIONAL PHOTO EXCHANGE INC.
Canon AE-1
INTERNATIONAL PHOTO EXCHANGE INC.
OM-10
[no value]
[no value]
PopularPhotography_19820701_0089_007_0118.xml
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152
152
[no value]
[no value]
Advertisements
[no value]
TRi-STATE
NIKON 2 LENS
TRi-STATE
CANON
[no value]
[no value]
PopularPhotography_19820701_0089_007_0119.xml
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153
153
[no value]
[no value]
Skyline Color Labs
[no value]
Skyline Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0120.xml
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154
154,155
[no value]
[no value]
Advertisements
[no value]
New York Camera
LIGHT METERS
New York Camera
Pentax Digital
[no value]
[no value]
PopularPhotography_19820701_0089_007_0121.xml
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156
156,157,158
[no value]
[no value]
Advertisements
[no value]
WALL ST. CAMERA EXCHANGE
HASSELBLAD 500-CM
WALL ST. CAMERA EXCHANGE
MAMIYA M-645
WALL ST. CAMERA EXCHANGE
PENTAX K-1000
WALL ST. CAMERA EXCHANGE
CANON 'AE-1'
[no value]
[no value]
PopularPhotography_19820701_0089_007_0122.xml
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159
159
[no value]
[no value]
Advertisements
[no value]
Olympic Camera
KODAK & MAILERS FILMS
Olympic Camera
MINOLTA XG-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0123.xml
advertisement
160
160
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0124.xml
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161
161,162,163
[no value]
[no value]
Advertisements
[no value]
Executive Photo & Supply Crop.
NIKON F3
Executive Photo & Supply Crop.
NiKON NORMAL LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0125.xml
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165
165
[no value]
[no value]
Advertisements
[no value]
AAA Camera Exchange, Inc.
PANASONIC VIDEO EQUIPMENT
AAA Camera Exchange, Inc.
NIKON LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0126.xml
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166
166
[no value]
[no value]
Advertisements
[no value]
Grand Central Cameras
MINOLTA XG-M
Grand Central Cameras
MINOLTA X-700
[no value]
[no value]
PopularPhotography_19820701_0089_007_0127.xml
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167
167
[no value]
[no value]
COMPU-COLOR
[no value]
COMPU-COLOR
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0128.xml
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168
168,169
[no value]
[no value]
Advertisements
[no value]
Reliable Photo & Electronics Inc.
ZUIKO LENS
Reliable Photo & Electronics Inc.
CANON FD LENSES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0129.xml
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170
170,171
[no value]
[no value]
Advertisements
[no value]
COMPETITIVE CAMERA CORP.
Canon AE-1
COMPETITIVE CAMERA CORP.
CANON LA-1
[no value]
[no value]
PopularPhotography_19820701_0089_007_0130.xml
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172
172,173
[no value]
[no value]
Advertisements
[no value]
CAMERAS WEST
NIKON SERIES E LENSES
CAMERAS WEST
VIVITAR FLASHES
[no value]
[no value]
PopularPhotography_19820701_0089_007_0131.xml
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174
174
[no value]
[no value]
Glo-Color Labs
[no value]
Glo-Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0132.xml
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175
175,176,177
[no value]
[no value]
Advertisements
[no value]
B & H FOTO & ELEC. CORP.
KODAK COLOR PAPER
B & H FOTO & ELEC. CORP.
KODAK B&W PAPERS
[no value]
[no value]
PopularPhotography_19820701_0089_007_0133.xml
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178
178
[no value]
[no value]
TOTAL-VUE COLOR LAB
[no value]
TOTAL-VUE COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0134.xml
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179
179
[no value]
[no value]
Advertisements
[no value]
ZOOM YOUR MAIL Photo & Electronics Inc.
Rokkor x 28/2.8
ZOOM YOUR MAIL Photo & Electronics Inc.
Zuiko 28/2.8
[no value]
[no value]
PopularPhotography_19820701_0089_007_0135.xml
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180
180,181
[no value]
[no value]
Advertisements
[no value]
Midtown Foto
NIKON LENSES
Midtown Foto
NIKON BINOCULARS
[no value]
[no value]
PopularPhotography_19820701_0089_007_0136.xml
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182
182,183
[no value]
[no value]
Advertisements
[no value]
47th STREET PHOTO INC.
YASHICA FR II
47th STREET PHOTO INC.
Minolta Outfits
47th STREET PHOTO INC.
47th STREET PHOTO INC.
[no value]
[no value]
PopularPhotography_19820701_0089_007_0137.xml
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185
185,186,187,188,189,190
[no value]
[no value]
Advertisements
[no value]
CAMBRIDGE camera exchange inc.
Kangaroo Strobe System
CAMBRIDGE camera exchange inc.
Vivitar 2500
[no value]
[no value]
PopularPhotography_19820701_0089_007_0138.xml
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190
190
[no value]
[no value]
Advertisement
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PopularPhotography_19820701_0089_007_0139.xml
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191
191
[no value]
[no value]
Advertisements
[no value]
CAMBRIDGE
Tokina
CAMBRIDGE
CAMBRON
[no value]
[no value]
PopularPhotography_19820701_0089_007_0140.xml
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192
192,193
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19820701_0089_007_0141.xml
review
195
195,196
JUST OUT
[no value]
Just Out
Darkroom equipment
Books, booklets, catalogs
Miscellaneous
Camera accessories
Lenses
Lighting equipment
Beseler Photo Marketing, Co., Inc.
[no value]
Joseph P. Fesce
[no value]
PopularPhotography_19820701_0089_007_0142.xml
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195
195
[no value]
[no value]
Advertisement
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PopularPhotography_19820701_0089_007_0143.xml
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195
195
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19820701_0089_007_0144.xml
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197
197
[no value]
[no value]
Advertisements
[no value]
Kiron Corporation
MC7 2X teleconverter
Kiron Corporation
Kiron 8O-200 f4 Macro Focusing Zoom
[no value]
[no value]
PopularPhotography_19820701_0089_007_0145.xml
advertisement
198
198
[no value]
[no value]
Beseler Photo Marketing Company, Inc.: Beseler's D.A.T.A Module
[no value]
Beseler Photo Marketing Company, Inc.
Beseler's D.A.T.A Module
[no value]
[no value]
PopularPhotography_19820701_0089_007_0146.xml