Issue: 19810201

Sunday, February 1, 1981
February
2
True
88
Tuesday, December 16, 2014

Articles
cover
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POPULAR PHOTOGRAHPY
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PopularPhotography_19810201_0088_002_0001.xml
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Pentax Corporation
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Pentax Corporation
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PopularPhotography_19810201_0088_002_0002.xml
tableOfContents
2
2
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Popular Photography
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PopularPhotography_19810201_0088_002_0003.xml
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3
3
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HANIMEX (U.S.A.) INC.: Hanimex infra-red cordless remote
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HANIMEX (U.S.A.) INC.
Hanimex infra-red cordless remote
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PopularPhotography_19810201_0088_002_0004.xml
masthead
4
4
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masthead
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PopularPhotography_19810201_0088_002_0005.xml
article
4
4,110
Letters to the Editor
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Letters to the Editor
Good show!
You get what you see
Frustration
Multiplication magic
Over and under
Trademark
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Your generous review of my photokina exhibition, “The Imaginary Photo Museum” [“Photokina 1980: The Picture Shows,” December issue] has made be blush. Many thanks. However, permit me to inform your readers that the Metropolitan Museum’s Department of Prints and Photographs, under the able curatorship of my friend, Weston Naef, did not decline to cooperate.
PopularPhotography_19810201_0088_002_0006.xml
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5
5
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Konica Corporation: Konica FS-1
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Konica Corporation
Konica FS-1
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PopularPhotography_19810201_0088_002_0007.xml
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6
6,7
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Vivitar Corporation: Power Sources
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Vivitar Corporation
Power Sources
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PopularPhotography_19810201_0088_002_0008.xml
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8
8
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THE ART INSTITUTE
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THE ART INSTITUTE
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PopularPhotography_19810201_0088_002_0009.xml
article
8
8,54
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Editorial
Kodak beyond 100
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Arthur Goldsmith
During its centennial year of 1980, Eastman Kodak Co. celebrated that event with a plethora of nostalgic press releases and special promotions but precious little product news. However, despite the disappointment of Rochester-watchers hoping for birthday surprises, Kodak came through looking very good on the bottom line.
PopularPhotography_19810201_0088_002_0010.xml
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9
9
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AIC Photo, Inc.
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AIC Photo, Inc.
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PopularPhotography_19810201_0088_002_0011.xml
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10
10
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Minolta Corporation
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Minolta Corporation
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PopularPhotography_19810201_0088_002_0012.xml
advertisement
11
11
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Minolta
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Minolta
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PopularPhotography_19810201_0088_002_0013.xml
article
12
12,120,128
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Offbeat
It takes more than making nature photographs to become a bona fide nature photographer
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Norman Rothschild
Every time I see a field of bright, richly colored yellow flowers I go wild, photographically speaking. Out comes my camera and macro or macro-zoom lens. But I do not qualify as a nature photographer; and neither do countless amateurs who make so-called nature closeups and photograph wild birds in their backyards.
PopularPhotography_19810201_0088_002_0014.xml
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12
12
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Bogen Photo Corp.
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Bogen Photo Corp.
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PopularPhotography_19810201_0088_002_0015.xml
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13
13
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New York Institute of Photography
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New York Institute of Photography
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PopularPhotography_19810201_0088_002_0016.xml
article
16
16,113,119
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Viewpoint
W. Eugene Smith estate is bought by new photography gallery for one million dollars
Fine Art Photo Dealers hold first exposition in New York
First award from Smith fund
Photo-Secession auction at Phillips
The Swann auction
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Jacob Deschin
Announcement of the sale of the late W. Eugene Smith’s estate was made at the October opening of the Association of International Photography Art Dealers, Inc. The purchase price of slightly more than one million dollars, the highest ever paid for the work of a single photographer, was paid by PHOTOGRAPH, a new photography gallery in New York City, to the Center for Creative Photography, the University of Arizona at Tucson.
PopularPhotography_19810201_0088_002_0017.xml
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16
16
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HP Photo Books
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HP Photo Books
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PopularPhotography_19810201_0088_002_0018.xml
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17
17,18,19,20
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Advertisements
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Nikon Inc
The Nikon FE
Nikon Inc
The new Nikon F3
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PopularPhotography_19810201_0088_002_0019.xml
article
21
21,24,188
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Tools & Techniques
An opinionated look at available-light SLR focusing with a normal lens
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Cora Wright Kennedy
The longer I teach photography, the more I realize that many people who are beyond the basics still don’t know how to focus well with a 35-mm SLR and normal lens in available light. This is unfortunate, since they tend to make so many pictures by more-or-less existing darkness.
PopularPhotography_19810201_0088_002_0020.xml
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22
22
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Sigma Corporation
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Sigma Corporation
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PopularPhotography_19810201_0088_002_0021.xml
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23
23
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Sigma Corporation
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Sigma Corporation
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PopularPhotography_19810201_0088_002_0022.xml
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24
24
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Calumet Photographic
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Calumet Photographic
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PopularPhotography_19810201_0088_002_0023.xml
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24
24
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AMBICO INC.
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AMBICO INC.
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PopularPhotography_19810201_0088_002_0024.xml
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25
25
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Kodak Company
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Kodak Company
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PopularPhotography_19810201_0088_002_0025.xml
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26
26,27
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19810201_0088_002_0026.xml
article
28
28,112,119
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Time Exposure
Camera auctions, on "hold" for 10 years, are coming through loud and clear again
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Eaton S. Lothrop, Jr.
A few individuals had been actively collecting cameras since well before World War II. And there were auctions with cameras featured in them in 1961, in Geneva, Switzerland; and in 1967, at New York’s Parke-Bernet Galleries. But to many, attention on and the boom in camera collecting began 11 years ago, in February 1970.
PopularPhotography_19810201_0088_002_0027.xml
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28
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J&R MUSIC WORLD
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J&R MUSIC WORLD
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PopularPhotography_19810201_0088_002_0028.xml
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29
29,30,31,32
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Advertisements
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Canon USA, Inc.
Canon AV-1
Canon USA, Inc.
Canon A-1 w/Motor Drive MA
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PopularPhotography_19810201_0088_002_0029.xml
article
35
35,36,118
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Shows We’ve Seen
The surrealism of Christian Staub: tapping the subconscious
Becky Cohen, “Two Glasses"
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Natalie Canavor
Christian Staub, New Photographs, Foster/White Gallery, Seattle (Oct. 23Nov. 10, 1980). Christian Staub presents the viewer with experiences that seem purely visual, yet provoke distinct psychic resonances. This is not paradoxical, given Staub’s earlier career as a surrealist painter.
PopularPhotography_19810201_0088_002_0030.xml
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36
36
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UNICOLOR DIVISION Photo Systems Inc.
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UNICOLOR DIVISION Photo Systems Inc.
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PopularPhotography_19810201_0088_002_0031.xml
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37
37
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TAMRON Industries Inc.: Adaptall-2 80-2l0mm F/3.8 /4 CF Tele-Macro Compact Zoom
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TAMRON Industries Inc.
Adaptall-2 80-2l0mm F/3.8 /4 CF Tele-Macro Compact Zoom
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PopularPhotography_19810201_0088_002_0032.xml
article
38
38,111
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Movie Methods
Automatic focus is not for fools
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Leendert Drukker
A few issues back, this column dealt with basic, inexpensive cameras as an easy but satisfying entry into super 8 filmmaking. With their automatic exposure control and limitedor nonzoom lenses, you’re ever ready for action: just point and press.
PopularPhotography_19810201_0088_002_0033.xml
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38
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Advertisement
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PopularPhotography_19810201_0088_002_0034.xml
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39
39
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Olympus: OM-1
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Olympus
OM-1
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PopularPhotography_19810201_0088_002_0035.xml
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40
40
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Olympus: OM-2
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Olympus
OM-2
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PopularPhotography_19810201_0088_002_0036.xml
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41
41
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Olympus
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Olympus
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PopularPhotography_19810201_0088_002_0037.xml
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42
42
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Advertisements
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Olympus
XA
Olympus
XA-2
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PopularPhotography_19810201_0088_002_0038.xml
article
43
43
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Help!
Kodak souping Fuji
Extending automation
Touching the bases
A vignetting problem
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I purchased a fairly large quantity of Fuji Neopan 400 black-and-white 35mm film. Can I process the film in Kodak D-76 or Microdol-X developer? When the film is exposed normally at ASA 400, what are the recommended times for different temperatures?
PopularPhotography_19810201_0088_002_0039.xml
article
44
44,193,203
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Workshops
CALIFORNIA
CONNECTICUT
IDAHO
ILLINOIS
MAINE
MARYLAND
MICHIGAN
NEVADA
NEW YORK
NORTH CAROLINA
OHIO
TEXAS
VERMONT
VIRGINIA
WASHINGTON
WISCONSIN
MEXICO
OVERSEAS
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POPULAR PHOTOGRAPHY will periodically list nationwide photographic workshops. If you wish to have your workshop listed, please send complete information at least three months prior to the registration date to: Workshops, POPULAR PHOTOGRAPHY, One Park Ave.
PopularPhotography_19810201_0088_002_0040.xml
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44
44
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Berkey Marketing Companies: Omega System C-700
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Berkey Marketing Companies
Omega System C-700
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PopularPhotography_19810201_0088_002_0041.xml
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45
45
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Tokina Optical Corp.
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Tokina Optical Corp.
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PopularPhotography_19810201_0088_002_0042.xml
article
46
46,60,62
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Traveler's Camera
Egypt, Part II: Use light and position to get a dramatic picture of the pyramids
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Carl Purcell
Two thousand years before Christ, ancient Thebes was the religious, political, and cultural capital of the world. It was the stage for dramatic upheavals, royal intrigue, and the casting out of traditional gods for new deities. Centuries later the Greeks and Romans marveled at the massive temples and urban vitality of this fabled city on the banks of the Nile.
PopularPhotography_19810201_0088_002_0043.xml
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UNILAB
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UNILAB
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PopularPhotography_19810201_0088_002_0044.xml
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47
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Kiron Corporation
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Kiron Corporation
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PopularPhotography_19810201_0088_002_0045.xml
article
48
48,50,52,188
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Pop Photo Snapshots
News about people, products, and events
Dog tales
Federal photos
Ancillary rites
The survey says...
Lens-making history
Bettie & Marc in Holland
All together now
See-cruise
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Norman Schreiber
The Pet Information Bureau (N.Y.) has alerted us to the story of a man and his dogs. The man is Capt. Arthur Haggerty who describes himself as being 6 ft., 3 in. tall, weighing 350 lb., and generally having his head shaved. (Yes, everyone knows when the Captain is on the deck.)
PopularPhotography_19810201_0088_002_0046.xml
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49
49
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R.J.REYNOLDS TOBACCO COMPANY: Camel Lights
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R.J.REYNOLDS TOBACCO COMPANY
Camel Lights
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PopularPhotography_19810201_0088_002_0047.xml
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50
50
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RNI Photo Marketing
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RNI Photo Marketing
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PopularPhotography_19810201_0088_002_0048.xml
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51
51
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General Winer & Spirits Co.: RONRICO
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General Winer & Spirits Co.
RONRICO
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PopularPhotography_19810201_0088_002_0049.xml
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52
52
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Falcon Safety Products. Inc.
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Falcon Safety Products. Inc.
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PopularPhotography_19810201_0088_002_0050.xml
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52
52
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Advertisements
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Berkey Marketing Companies
Omega CF-20 Electronic Digital Thermometer
Berkey Marketing Companies
Omega CS-10
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PopularPhotography_19810201_0088_002_0051.xml
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53
53
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Photographer's Gallery of Music & Sound
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Photographer's Gallery of Music & Sound
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PopularPhotography_19810201_0088_002_0052.xml
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54
54
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Falcon Safety Products, Inc.
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Falcon Safety Products, Inc.
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PopularPhotography_19810201_0088_002_0053.xml
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54
54
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Slik Division
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Slik Division
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PopularPhotography_19810201_0088_002_0054.xml
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55
55
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Ricoh: Ricoh KR-10
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Ricoh
Ricoh KR-10
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PopularPhotography_19810201_0088_002_0055.xml
article
56
56,128
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ICP SPRING ’81 EDUCATION PROGRAM
ADVANCED WEEKEND WORKSHOPS
DIRECTIONS AND PERSPECTIVES LECTURE SERIES
OPEN FORUM
MASTER SEMINARS
EXPOSURE
VISION & CRAFT COURSES
COMMUNITY WORKSHOPS
ADVANCED STUDIES PROGRAM
PART-TIME & FULL-TIME STUDY PROGRAMS
ICP INTERNSHIPS
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The International Center of Photography. 1130 Fifth Ave.. New York. N.Y. 10028. offers a diverse education program that encompasses virtually every aspect of photography from the darkroom to areas of criticism, professional photography, fine arts, and sociological issues within the medium.
PopularPhotography_19810201_0088_002_0056.xml
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57
57
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Advertisement: Marlboro Red
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Marlboro Red
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PopularPhotography_19810201_0088_002_0057.xml
article
58
58,192
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Shoptalk
Invention can be the mother of necessity (to hire a patent attorney, anyway)
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Norman Goldberg
Technical devices in general, and photographic ones in particular, fascinate you and me. We find that a large part of our pleasure in photography comes from the mastery and manipulation of the wondrous tools of the trade. And a lot of us become convinced, after working with some of these tools for a while, that they can be improved.
PopularPhotography_19810201_0088_002_0058.xml
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59
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Southern Comfort Corp.: SOUTHERN COMFORT
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Southern Comfort Corp.
SOUTHERN COMFORT
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PopularPhotography_19810201_0088_002_0059.xml
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60
60
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CELESTRON INTERNATIONAL
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CELESTRON INTERNATIONAL
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PopularPhotography_19810201_0088_002_0060.xml
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61
61
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19810201_0088_002_0061.xml
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62
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Berkey Marketing Companies
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Berkey Marketing Companies
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PopularPhotography_19810201_0088_002_0062.xml
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62
62
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ACUFINE, INC.
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ACUFINE, INC.
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PopularPhotography_19810201_0088_002_0063.xml
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63
63
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Random House Enterprises
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Random House Enterprises
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PopularPhotography_19810201_0088_002_0064.xml
article
64
64,66,203
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Nuts & Bolts
In photography, the only magic numbers are those that work for you
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Bill Pierce
You would think that, of all people, photographers would believe their own eyes. Apparently not. An event that took place in my office in the last month has led me to this strange conclusion. A supposedly adult photographer of advanced professional status and international reputation entered the office holding a shiny new Chromeflex SLR.
PopularPhotography_19810201_0088_002_0065.xml
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64
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Advertisement
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PopularPhotography_19810201_0088_002_0066.xml
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64
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Advertisement
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PopularPhotography_19810201_0088_002_0067.xml
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64
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Advertisement
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PopularPhotography_19810201_0088_002_0068.xml
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64
64
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POPULAR PHOTOGRAPHY SHOPPERS’ MART
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POPULAR PHOTOGRAPHY SHOPPERS’ MART
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PopularPhotography_19810201_0088_002_0069.xml
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19810201_0088_002_0070.xml
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66
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laurel Camera
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laurel Camera
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PopularPhotography_19810201_0088_002_0071.xml
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66
66
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STO-FEN PRODUCTS
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STO-FEN PRODUCTS
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PopularPhotography_19810201_0088_002_0072.xml
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66
66
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Safari Camera Case. Inc.
[no value]
Safari Camera Case. Inc.
[no value]
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PopularPhotography_19810201_0088_002_0073.xml
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67
67
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TM Eastman Kodak Company: The PRADOLUX RT 300
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TM Eastman Kodak Company
The PRADOLUX RT 300
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PopularPhotography_19810201_0088_002_0074.xml
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68
68
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ILFORD: HP5 72-Exposure
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ILFORD
HP5 72-Exposure
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PopularPhotography_19810201_0088_002_0075.xml
article
69
69,70,71
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A Photographic Language Lesson
Here’s one critic’s plea for clear words and thinking about the medium
The original handout for college photography students... ... and Vastal's revised version
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David Vestal
Our photography is not controlled mainly by the quality of our verbal thinking; however, clear words and thinking help. The clearer and more accurate our language, the more coherent are our thoughts, and the less our verbal confusion interferes with our visual understanding.
PopularPhotography_19810201_0088_002_0076.xml
article
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72,73,74,75,114,115
THE HATTERSLEY CLASS FOR BEGINNERS:
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How to Pose People for Portraits
People who don't like to be revealed too well may prefer the portraits by professional photographers, which tend to be rather impersonal
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Ralph M. Hattersley
The biggest problem in posing subjects for portraits is the model who stands or sits straight as an arrow, like a soldier being inspected by his or her superiors. Such a pose is boring and stiff, fit mainly for a police photograph of a criminal.
PopularPhotography_19810201_0088_002_0077.xml
article
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76,77
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Make Your Own Rainbow
All you need is a window seat in an airplane, camera, and polarizing filter to brighten the sky with a burst of color
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Kul Bhatia
Rainbows needn’t be chased after; you can create your own and photograph them from inside an airplane. Veteran fliers have been known to comment that at the high altitudes commercial jets fly, there’s not much to see except bland skies.
PopularPhotography_19810201_0088_002_0078.xml
article
78
78,79,80,81,82,83,84,85,116,117
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Private Vision
Jeré Cockrell is a successful commercial photographer who finds time and creative energy to “make pictures I like to look at”
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[no value]
Ben Lifson
“I want to stress one thing,” says Jeré Cockrell about his pictures. “I really got into photography just to take pictures I like to look at. There are times when I see something and say to myself, ‘That will make an interesting photograph . . .’
PopularPhotography_19810201_0088_002_0079.xml
article
86
86,87,170,175
[no value]
[no value]
Super 8 to Videotape How Good Are the Result?
[no value]
[no value]
[no value]
Lenny Lipton
The connection between film and video isn’t new. All along, a great deal of what’s telecast originated in the form of 35-mm for features and 16-mm for news and documentaries. Commercials are made in either professional format. What is new is the connection between super 8 and video for the consumer, allowing any amateur with a videocassette deck to show his films on the family’s TV set.
PopularPhotography_19810201_0088_002_0080.xml
article
88
88,89,90,91,92,93,117
[no value]
[no value]
20 and Below
Here are nine ways you can use uitrawide-angle lenses to make top-quality images, with or without the wide-angle “look”
Go from wide to widest
Stretch interior space
Get into motion
Explore the great outdoors
Respect the individual
Leap tall buildings
Bring people together
Try filters for the final touch
[no value]
[no value]
Mike Ballai
Lou Jawitz
If you’re looking for cheap thrills, you’ve come to the wrong place. Ultrawide-angle photography doesn’t come cheap in terms of the necessary optics, but the results can be priceless. Read on, and we will discover how to use the exotic ultrawide lens, without being dominated by it.
PopularPhotography_19810201_0088_002_0081.xml
article
94
94,95,96,97,98,99,158,166
[no value]
[no value]
Kodak Technical Pan
Can this high-contrast film also give view-camera quality with your 35? Dick Delagi’s formula No. 8 may be the answer
It masters highand low-contrast scenes
Image quality stands up to high magnification
Kodak Technical Pan
Still lifes have large-format feel
[no value]
[no value]
Bob Schwalberg
Dick Delagi is a metallurgist with senior-scientist ranking at the brainy Texas Instruments Company. He is also a passionate amateur photographer whose creative explorations of surface and texture with his Leica R3 and M3 35-mm cameras put a premium on fine grain and razor sharpness.
PopularPhotography_19810201_0088_002_0082.xml
article
100
100,109
[no value]
[no value]
Plan a Case to Remember
Stay prepared: When everything you need has its place, a glance will show what’s missing
1 Filters and close-up lenses
2 Cables
3, 9, and 11 Cleaning tools
4 Remote control
5 Battery tester
6 Swiss army knife
7 Jeweler’s screwdriver set
8 Windscreen
10 Auxiliary power supply
[no value]
[no value]
Lenny Lipton
In the past year I have been called upon to film a diverse range of subjects, from my kid’s birthday to eye surgery. But it takes more than my camera to shoot a Film. Naturally enough, it takes the Film stock itself, and a number of accessories that aren’t just frivolous extras.
PopularPhotography_19810201_0088_002_0083.xml
article
101
101,102,103,111
Lab Report
[no value]
Hasselblad 2000 FC
Field Check
SHUTTER PERFORMANCE
NOISE AND VIBRATION
VIEWFINDER display and framing accuracy
MISCELLANEOUS DATA
[no value]
[no value]
Norman Goldberg
Michele A. Frank
A Hasselblad is not a camera—it’s a complete modular system. You buy and plug together a control box, lens, viewfinder, film back, and whatever other accessories (rapid cranks, filters, matte box, viewing screens, grip) to build the camera best suited to your picture-taking style.
PopularPhotography_19810201_0088_002_0084.xml
article
104
104,138,175
Lab Report
[no value]
Stripdown Report
[no value]
[no value]
[no value]
[no value]
With the 2000FC, Hasselblad seems to return to using a corrugated-metal focal-plane shutter, first seen in its original reflex camera of 1948, redesigned in 1953, then abandoned in favor of the more reliable Compur front shutter from 1959 onward.
PopularPhotography_19810201_0088_002_0085.xml
article
105
105,170
Lab Report
[no value]
Lens Performance
[no value]
[no value]
[no value]
[no value]
Mechanical: Most elaborate of the three lenses tested, the 50-mm Distagon f/2.8 is constructed to move the front and rear sections at different rates as the lens is focused. This is done to obtain uniform performance throughout the focusing range, and is commonly called a floating-element system.
PopularPhotography_19810201_0088_002_0086.xml
article
106
106
[no value]
[no value]
I Want to Buy
Handy slide illuminator
Cassette opener
Strobonar spare parts
Photo jigsaw puzzle
Hard-to-find slide mounts
[no value]
[no value]
[no value]
At the home of an acquaintance, I saw a slide illuminator that allowed him to view his slide-file pages without having to remove them from their binder. The pages (in binder) were placed in front of the illuminator, and by turning a handle, he was able to flip through the group, exposing each page for illumination and viewing.
PopularPhotography_19810201_0088_002_0087.xml
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106
106
[no value]
[no value]
SUNSET color lab.
[no value]
SUNSET color lab.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0088.xml
article
107
107,158
[no value]
[no value]
The Gadgeteria
Independent manufacturers find their own ways to enter the “dedicated” flash game
[no value]
[no value]
Michele A. Frank
Not too many years ago, practically all innovative and interesting electronic-flash units were made by independent manufacturers, separate from the large camera companies. Times change, and today we see camera companies offering many versatile types of “dedicated” or matched flash equipment.
PopularPhotography_19810201_0088_002_0089.xml
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107
107
[no value]
[no value]
DYNAMIC CAMERA LTD.
[no value]
DYNAMIC CAMERA LTD.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0090.xml
article
108
108,196
[no value]
[no value]
Protechniques
Why wide-angle zooms are more useful than tele zooms; air cans you fill for free
Air spray for negatives
[no value]
[no value]
Edward Meyers
Have you ever shot pictures with a tele zoom when all you really needed was a tele lens? When you shoot with your zoom, do you use it primarily at the extreme focallength settings and hardly ever at the in-between ones? I sometimes use a zoom lens, but rarely a tele zoom, and have come to believe that many zoom lenses are better for looking through than shooting through.
PopularPhotography_19810201_0088_002_0091.xml
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108
108
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0092.xml
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109
109
[no value]
[no value]
BEL AIR
[no value]
BEL AIR
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0093.xml
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110
110
[no value]
[no value]
Star light COLOR LAB
[no value]
Star light COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0094.xml
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111
111
[no value]
[no value]
Cost Plus
[no value]
Cost Plus
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0095.xml
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112
112
[no value]
[no value]
Eddie Bauer
[no value]
Eddie Bauer
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0096.xml
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112
112
[no value]
[no value]
T.S.P. CORPORATION
[no value]
T.S.P. CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0097.xml
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113
113
[no value]
[no value]
RECHOVOS CAMERA
[no value]
RECHOVOS CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0098.xml
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114
114
[no value]
[no value]
RED TAC PHOTO
[no value]
RED TAC PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0099.xml
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114
114
[no value]
[no value]
Photography Directory & Buying Guide
[no value]
Photography Directory & Buying Guide
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0100.xml
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115
115
[no value]
[no value]
Reliable Photo & Electronic Inc.
[no value]
Reliable Photo & Electronic Inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0101.xml
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116
116
[no value]
[no value]
DAR Photo
[no value]
DAR Photo
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0102.xml
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116
116
[no value]
[no value]
Photogenesis. Inc.
[no value]
Photogenesis. Inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0103.xml
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117
117
[no value]
[no value]
SHUTAN camera company
[no value]
SHUTAN camera company
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0104.xml
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118
118
[no value]
[no value]
DALE LABORATORIES
[no value]
DALE LABORATORIES
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0105.xml
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118
118
[no value]
[no value]
HENRY'S
[no value]
HENRY'S
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0106.xml
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119
119
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0107.xml
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120
120
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0108.xml
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121
121
[no value]
[no value]
LION PHOTO SUPPLY, INC.
[no value]
LION PHOTO SUPPLY, INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0109.xml
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122
122
[no value]
[no value]
Park CAMERA CO.
[no value]
Park CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0110.xml
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123
123
[no value]
[no value]
COMPU-COLOR
[no value]
COMPU-COLOR
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0111.xml
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124
124
[no value]
[no value]
Olympic Camera
[no value]
Olympic Camera
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0112.xml
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125
125
[no value]
[no value]
20th CENTURY PLASTICS INC.
[no value]
20th CENTURY PLASTICS INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0113.xml
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126
126,127
[no value]
[no value]
ADORAMA
[no value]
ADORAMA
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0114.xml
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128
128
[no value]
[no value]
SPIRATONE, INC.
[no value]
SPIRATONE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0115.xml
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129
129
[no value]
[no value]
SPIRATONE, INC.
[no value]
SPIRATONE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0116.xml
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130
130
[no value]
[no value]
Frank's
[no value]
Frank's
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0117.xml
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131
131
[no value]
[no value]
SUN PHOTO COUNTRY
[no value]
SUN PHOTO COUNTRY
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0118.xml
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132
132
[no value]
[no value]
INTERNATIONAL PHOTO EXCHANGE INC.
[no value]
INTERNATIONAL PHOTO EXCHANGE INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0119.xml
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133
133
[no value]
[no value]
LINCOLN COLOR LAB
[no value]
LINCOLN COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0120.xml
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134
134
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0121.xml
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135
135
[no value]
[no value]
PDQ
[no value]
PDQ
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0122.xml
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136
136,137
[no value]
[no value]
Advertisements
[no value]
[no value]
Quantaray Compact 80-205mm f/4.5 OneTouch Zoom
[no value]
Quantaray 85-210 f/3.8 1:3 Mini-Macro Zoom
[no value]
[no value]
PopularPhotography_19810201_0088_002_0123.xml
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138
138
[no value]
[no value]
Ritz Camera
[no value]
Ritz Camera
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0124.xml
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139
139
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0125.xml
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140
140
[no value]
[no value]
GLO-COLOR LABS
[no value]
GLO-COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0126.xml
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141
141
[no value]
[no value]
NEW YORK CAMERA
[no value]
NEW YORK CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0127.xml
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142
142,143
[no value]
[no value]
Executive Photo & Supply Corp.
[no value]
Executive Photo & Supply Corp.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0128.xml
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144
144
[no value]
[no value]
Skyline Color Labs
[no value]
Skyline Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0129.xml
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145
145
[no value]
[no value]
CAMERA KING: ROKINA
[no value]
CAMERA KING
ROKINA
[no value]
[no value]
PopularPhotography_19810201_0088_002_0130.xml
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146
146,147
[no value]
[no value]
OPTICAL GLASS FILTERS
[no value]
OPTICAL GLASS FILTERS
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0131.xml
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148
148
[no value]
[no value]
A.A.A. CAMERA EXCHANGE INC.
[no value]
A.A.A. CAMERA EXCHANGE INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0132.xml
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149
149
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0133.xml
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150
150,151
[no value]
[no value]
Best Products Co., Inc.
[no value]
Best Products Co., Inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0134.xml
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152
152
[no value]
[no value]
TRI-STATE CAMERA INC.
[no value]
TRI-STATE CAMERA INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0135.xml
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153
153
[no value]
[no value]
LAB
[no value]
LAB
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0136.xml
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154
154,155
[no value]
[no value]
CAMERA DISCOUNT CENTER INC.
[no value]
CAMERA DISCOUNT CENTER INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0137.xml
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156
156
[no value]
[no value]
Master Color Lab
[no value]
Master Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0138.xml
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157
157
[no value]
[no value]
RITZ CAMERA
[no value]
RITZ CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0139.xml
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159
159,160,161
[no value]
[no value]
B & H FOTO & ELEC. CORP.
[no value]
B & H FOTO & ELEC. CORP.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0140.xml
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162
162,163
[no value]
[no value]
ABC PHOTO SERVICE
[no value]
ABC PHOTO SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0141.xml
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164
164,165
[no value]
[no value]
Photo Marketing Inc.
[no value]
Photo Marketing Inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0142.xml
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167
167,168,169
[no value]
[no value]
CAMBRIDGE MIDTOWN CAMERA INC.
[no value]
CAMBRIDGE MIDTOWN CAMERA INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0143.xml
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170
170
[no value]
[no value]
Robert Waxman camera
[no value]
Robert Waxman camera
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0144.xml
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171
171
[no value]
[no value]
Colorado's Integrity Camera
[no value]
Colorado's Integrity Camera
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0145.xml
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172
172,173
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0146.xml
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174
174
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19810201_0088_002_0147.xml
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175
175
[no value]
[no value]
CAMBRIDGE camera exchange inc.
[no value]
CAMBRIDGE camera exchange inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0148.xml
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176
176,177,178,179,180,181
[no value]
[no value]
CAMBRIDGE camera inc.
[no value]
CAMBRIDGE camera inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0149.xml
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182
182
[no value]
[no value]
PARK ROW Camera & Electronics Corp.
[no value]
PARK ROW Camera & Electronics Corp.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0150.xml
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183
183
[no value]
[no value]
JET Color Lab
[no value]
JET Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0151.xml
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184
184,185
[no value]
[no value]
GOLDEN
[no value]
GOLDEN
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0152.xml
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186
186
[no value]
[no value]
FOCUS ELECTRONICS INC.
[no value]
FOCUS ELECTRONICS INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0153.xml
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187
187
[no value]
[no value]
UR DARKROOM
[no value]
UR DARKROOM
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0154.xml
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189
189,190,191
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0155.xml
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192
192
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0156.xml
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194
194,195
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0157.xml
article
196
196,204
[no value]
[no value]
Just Out
Booklets, brochures, etc.
Miscellaneous
Cameras
Camera accessories
Lighting equipment
Projection & viewing
Darkroom equipment
[no value]
[no value]
Joseph P. Fesce
Ansco Auto Fast 1050, a 35-mm zone-focus model, features: single-frame automatic film advance of one frame per sec, automatic film loading and rewind at Film end, film-run confirmation, 38-mm f/4 lens, low-light warning by viewfinder eyepiece, single shutter speed of 1/125 sec, and pop-up electronic flash with range of 3-10 ft. with ASA 100 film, or 3-16 ft. with ASA 400.
PopularPhotography_19810201_0088_002_0158.xml
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197
197,198,199
[no value]
[no value]
COMPETITVE CAMERA CORP.
[no value]
COMPETITVE CAMERA CORP.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0159.xml
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200
200
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0160.xml
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200
200
[no value]
[no value]
COMPETITIVE CAMERA
[no value]
COMPETITIVE CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0161.xml
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201
201,202
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0162.xml
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203
203
[no value]
[no value]
Boulder, CO.
[no value]
Boulder, CO.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0163.xml
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203
203
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0164.xml
advertisement
205
205
[no value]
[no value]
Beseler Photo Marketing Company, Inc.
[no value]
Beseler Photo Marketing Company, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19810201_0088_002_0165.xml
advertisement
206
206
[no value]
[no value]
Advertisements
[no value]
Yashica, Inc.
CONTAX L37MD QUARTZ
Yashica, Inc.
CONTAX 139 QUARTZ
[no value]
[no value]
PopularPhotography_19810201_0088_002_0166.xml