Issue: 19740401

Monday, April 1, 1974
April
4
True
74
Saturday, January 10, 2015

Articles
cover
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POPULAR PHOTOGRAPHY
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PopularPhotography_19740401_0074_004_0001.xml
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0_2,1
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Honeywell Photographic: Honeywell Pentax
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Honeywell Photographic
Honeywell Pentax
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PopularPhotography_19740401_0074_004_0002.xml
tableOfContents
2
2
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Popular Photography
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PopularPhotography_19740401_0074_004_0003.xml
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3
3
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Soligor: Soligor lens
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Soligor
Soligor lens
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PopularPhotography_19740401_0074_004_0004.xml
article
4
4,147
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letters to the editor
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I’m glad to see Jacob Deschin’s article on unusual careers in photography, “This is Photography Too,” in your Jan. issue. Many people find themselves stuck with an overwhelming interest in photography and no real possibility of making a living from straight free lancing, but you point out that there is a great choice open to anyone who puts as much originality into making or finding a job as they do in making their pictures.
PopularPhotography_19740401_0074_004_0005.xml
masthead
4
4
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Masthead
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PopularPhotography_19740401_0074_004_0006.xml
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5
5
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Ehrenreich Photo-Optical Industries: BRONICA EC
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Ehrenreich Photo-Optical Industries
BRONICA EC
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PopularPhotography_19740401_0074_004_0007.xml
article
6
6
help!
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help!
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Although I polish my ferrotype print dryer's surface, and it has no visible scratches, often get fine scratch marks on my glossy prints. What is this caused by, and how can I remedy it? Steven Starkman, North Bergen, N.J. Take a really close look, and we’ll bet you will find some fine scratches on the metal ferrotype surface, which generally are the cause of such scratches showing up on the prints when dry.
PopularPhotography_19740401_0074_004_0008.xml
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6
6
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[no value]
Ponder&Best, Inc.: Vivitar Lenses
[no value]
Ponder&Best, Inc.
Vivitar Lenses
[no value]
[no value]
PopularPhotography_19740401_0074_004_0009.xml
advertisement
7
7
[no value]
[no value]
P&B, Inc.
[no value]
P&B, Inc.
[no value]
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PopularPhotography_19740401_0074_004_0010.xml
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8
8,9
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TIME-LIFE BOOKS
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TIME-LIFE BOOKS
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PopularPhotography_19740401_0074_004_0011.xml
article
12
12
light & lighting
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for your information
Kodak E-6; down voltage; selling pro
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[no value]
SIMON NATHAN
E-6 EKTACHROME DELAY? Trade talk is that Kodak progress with the improved. or should we say revised. Ektachrome films and processing (See POP PHOTO FYI, August 1973) is good, but industry clamor may slow it down. The sale of heavy-duty lab equipment has come to creeping halt.
PopularPhotography_19740401_0074_004_0012.xml
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13
13
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Kodak: Kodak Ektasound
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Kodak
Kodak Ektasound
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[no value]
PopularPhotography_19740401_0074_004_0013.xml
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14
14,15
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Ehrenreich Photo-Optical Industries, Inc.: Nikkormat EL
[no value]
Ehrenreich Photo-Optical Industries, Inc.
Nikkormat EL
[no value]
[no value]
PopularPhotography_19740401_0074_004_0014.xml
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16
16
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TIFFEN
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TIFFEN
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PopularPhotography_19740401_0074_004_0015.xml
article
16
16,143
light & lighting
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critical focus
Here she comes, Miss America— measuring 96-63-86
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KENNETH POLI
A forgotten philosopher once counselled young ladies that, when rape appears inevitable, they had best relax and enjoy it. The same might be said for metrication. For it is, indeed, inevitable. And high time, too! America is one of the last major societies to be without it.
PopularPhotography_19740401_0074_004_0016.xml
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17
17
[no value]
[no value]
Advertisements
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Canon USA
Canon Auto Zoom 1014 Electronic
Canon USA
Canon Auto Zoom 814 Electronic
[no value]
[no value]
PopularPhotography_19740401_0074_004_0017.xml
advertisement
18
18,19
[no value]
[no value]
Konica Camera Company: Konica Autoreflex T3
[no value]
Konica Camera Company
Konica Autoreflex T3
[no value]
[no value]
PopularPhotography_19740401_0074_004_0018.xml
article
20
20,125
light & lighting
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off beat
To become a pro, you need the right attitude
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NORMAN ROTHSCHILD
I quite often get letters from anxious readers who are asking me for the best route to becoming a professional photographer. This puts me in a rather embarrassing position, since I no longer shoot assignments, except for things I cook up for POPULAR PHOTOGRAPHY and its sister publications.
PopularPhotography_19740401_0074_004_0019.xml
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20
20
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BOGEN PHOTO CORP.: Bogen 22A
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BOGEN PHOTO CORP.
Bogen 22A
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PopularPhotography_19740401_0074_004_0020.xml
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21
21
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Advertisements
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BELL & HOWELL COMPANY
Lumina 870
BELL & HOWELL COMPANY
Lumina 880
[no value]
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PopularPhotography_19740401_0074_004_0021.xml
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22
22,23
[no value]
[no value]
Polaroid: Model 195
[no value]
Polaroid
Model 195
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PopularPhotography_19740401_0074_004_0022.xml
article
24
24
photography today
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METRICATION: REVOLUTION IN LOW GEAR
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JOHN NEUBAUER
The metric system’s coming and the idea is that one day people all over the world will be “metrified” and talking the same measurements language. But don’t hold your breath. The day may be 10 years off. It’s not that nothing’s being done. Actually, a lot is.
PopularPhotography_19740401_0074_004_0023.xml
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24
24
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BROOKS INSTITUTE
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BROOKS INSTITUTE
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PopularPhotography_19740401_0074_004_0024.xml
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25
25
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ILFORD INC.: Ilford Black & White
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ILFORD INC.
Ilford Black & White
[no value]
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PopularPhotography_19740401_0074_004_0025.xml
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26
26,27
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Ponder & Best, Inc.: OLYMPUS OM-1
[no value]
Ponder & Best, Inc.
OLYMPUS OM-1
[no value]
[no value]
PopularPhotography_19740401_0074_004_0026.xml
article
28
28,198
light & lighting
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view point
The portrait 100 years ago: the eye is true index of all "passions"
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JACOB DESCHIN
Facial expression, wrote a British photographic authority about a century ago, “is the wreath that crowns the work and distinguishes good portraiture from bad,” but, he added, “if the photographer secures an agreeable expression of the mouth, he has done all that is necessary.
PopularPhotography_19740401_0074_004_0027.xml
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28
28
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New York Institute of Photography
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New York Institute of Photography
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PopularPhotography_19740401_0074_004_0028.xml
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29
29
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Miranda: Sensorex Auto EE
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Miranda
Sensorex Auto EE
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PopularPhotography_19740401_0074_004_0029.xml
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30
30,31
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Canon USA: Canon F-1
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Canon USA
Canon F-1
[no value]
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PopularPhotography_19740401_0074_004_0030.xml
article
32
32,142
light & lighting
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tools & techniques
Flashing, Part II: How to zap out large areas without losing control
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CORA WRIGHT KENNEDY
Let's take a closer look at some special darkroom magic for subduing various black-and-white print areas. There’s more to life here than just burning-in. As indicated last month, you can flash small or large picture areas right after exposure, but before developing.
PopularPhotography_19740401_0074_004_0031.xml
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32
32
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THE NEGA-FILE COMPANY
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THE NEGA-FILE COMPANY
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PopularPhotography_19740401_0074_004_0032.xml
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32
32
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NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
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PopularPhotography_19740401_0074_004_0033.xml
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33
33
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Advertisements
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Minolta Corp.
Minolta SR-T 101
Minolta Corp.
Minolta SR-T 102
[no value]
[no value]
PopularPhotography_19740401_0074_004_0034.xml
article
34
34,40
light & lighting
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studio craft
Up with darkroom creativity: try camera optics on enlarger lens
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AL FRANCEKEVICH
Most photographers quickly learn to work with lenses and optical devices when shooting pictures. They’ll use a 105-mm for head shots, a 28-mm or 35-mm for fast-breaking close-up situations. Yet, in the darkroom, all they seem to use is a 50-mm for their 35-mm work.
PopularPhotography_19740401_0074_004_0035.xml
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34
34
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Tahiti Tourist Board
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Tahiti Tourist Board
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PopularPhotography_19740401_0074_004_0036.xml
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35
35,36,37,38,39
[no value]
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Nikon Inc.
[no value]
Nikon Inc.
[no value]
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PopularPhotography_19740401_0074_004_0037.xml
advertisement
40
40
[no value]
[no value]
Ponder & Best, Inc.: Vivitar filters
[no value]
Ponder & Best, Inc.
Vivitar filters
[no value]
[no value]
PopularPhotography_19740401_0074_004_0038.xml
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40
40
[no value]
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KLING PHOTO COMPANY: GOSSEN panlux ELECTRONIC footcandle meter
[no value]
KLING PHOTO COMPANY
GOSSEN panlux ELECTRONIC footcandle meter
[no value]
[no value]
PopularPhotography_19740401_0074_004_0039.xml
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41
41
[no value]
[no value]
AIC PHOTO INC.: Bauer C Royal E
[no value]
AIC PHOTO INC.
Bauer C Royal E
[no value]
[no value]
PopularPhotography_19740401_0074_004_0040.xml
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42
42
[no value]
[no value]
Canon USA, Inc.: Canon FTb
[no value]
Canon USA, Inc.
Canon FTb
[no value]
[no value]
PopularPhotography_19740401_0074_004_0041.xml
article
43
43,144
focus on sound
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focus on sound
Using a cheap cassette field recorder? Here's how you can get the best possible sound track
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HERBERT FRIEDMAN
Most of us are familiar with Film and slide shows where an otherwise pro-quality sound track is suddenly jarred with a tinny or squeaky field-sound recording. The background music fades into a nerve-jangling wow as the field-recorded band comes into view.
PopularPhotography_19740401_0074_004_0042.xml
article
43
43
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Audio track
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H. F.
What would cause a microphone to pick up hum sometimes, while it works perfectly well at other times? From constant handling it is not uncommon for the microphone cable’s shield to open at the connector, so that the center conductor is free to pick up hum.
PopularPhotography_19740401_0074_004_0043.xml
article
44
44
"The New York Experience"
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MULTISENSORY SCREEN SHOW RECREATES TOWN’S GROWTH
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Leendert Drukker
Complete control of “feed-in” is the aim of a projection system, set up in the heart of New York, that takes an audience hourly back and forth through the city’s history. A rather rudimentary “time machine,” it takes some 40 movie and slide projectors, computer controlled; a seven-section semicircular screen plus eight small screens at the sides; a quadraphonic audio system that includes, underfoot, a speaker that is 26 ft. long with a 208 sq.-ft. mouth; four fog generators; and other assorted paraphernalia to overwhelm the audience.
PopularPhotography_19740401_0074_004_0044.xml
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44
44
[no value]
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Advertisements
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MORGAN & MORGAN, INC.
NEWEST M & M MONOGRAPHS
MORGAN & MORGAN, INC.
LEICA MANUAL
[no value]
[no value]
PopularPhotography_19740401_0074_004_0045.xml
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45
45,46,47,48,49,50,51,52
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School of Modern Photography
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School of Modern Photography
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PopularPhotography_19740401_0074_004_0046.xml
article
53
53,129,130
Shows we've seen
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Shows we've seen
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A. D. Coleman
Judy Dater and Jack Welpott—Photographs, Imageworks Gallery, Cambridge (Dec. 1-Jan. 3). By examining the interpretation of woman by photographers of the two major sexes it is possible to formulate some of the interpretation along sex lines.
PopularPhotography_19740401_0074_004_0047.xml
article
54
54,56
simon says
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simon says
Have you heard about the pro who didn't know how much to charge?
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[no value]
If you want to sell your pictures for money or satisfaction and acceptance, there’s the Gebbie Press House Magazine Directory. It’s in its seventh edition now and is a formidable collection of where-to-try spread over 456 8½x11-in. pages.
PopularPhotography_19740401_0074_004_0048.xml
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54
54
[no value]
[no value]
Da-Lite Screen Company, Inc.: Reputation Maker
[no value]
Da-Lite Screen Company, Inc.
Reputation Maker
[no value]
[no value]
PopularPhotography_19740401_0074_004_0049.xml
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54
54
[no value]
[no value]
Advertisements
[no value]
Marubeni America Corporation
135mm f/2.8
Marubeni America Corporation
200mm f/3.5
[no value]
[no value]
PopularPhotography_19740401_0074_004_0050.xml
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55
55
[no value]
[no value]
National Camera
[no value]
National Camera
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[no value]
[no value]
PopularPhotography_19740401_0074_004_0051.xml
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56
56
[no value]
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THE PATERSON DARKROOM
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THE PATERSON DARKROOM
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[no value]
PopularPhotography_19740401_0074_004_0052.xml
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57
57
[no value]
[no value]
Paillard Incorporated: Topcon Supreme
[no value]
Paillard Incorporated
Topcon Supreme
[no value]
[no value]
PopularPhotography_19740401_0074_004_0053.xml
article
58
58,139
protechniques
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protechniques
Eliminate the variables to improve your prints, and then dry them
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EDWARD MEYERS
If you did your darkroom work with an expert looking over your shoulder, then you’d have someone to give you three-word hints such as, “Where’s your clock?”, “Wash that tray!”, “Where’s the thermometer?”, or “Dump the developer.” This could turn frustration failures into silvery successes.
PopularPhotography_19740401_0074_004_0054.xml
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58
58
[no value]
[no value]
GERMAIN
[no value]
GERMAIN
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0055.xml
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59
59
[no value]
[no value]
Simmon Omega: Omega B-22
[no value]
Simmon Omega
Omega B-22
[no value]
[no value]
PopularPhotography_19740401_0074_004_0056.xml
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60
60,61
[no value]
[no value]
Kodak: Kodak Carousel projectors
[no value]
Kodak
Kodak Carousel projectors
[no value]
[no value]
PopularPhotography_19740401_0074_004_0057.xml
article
62
62,64,136
shop talk
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shop talk
When you wish upon a star (test), your dreams just aren't going to come true
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[no value]
NORMAN GOLDBERG
In this issue, we deal with multilayer coating of lenses from a number of aspects. Supporting some of the statements about the merit (and/or lack of it) in multicoating any and all lenses are the results of some tests. These tests comprise one more method of lens evaluation in what seems to be a never-ending collection of test methods.
PopularPhotography_19740401_0074_004_0058.xml
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62
62
[no value]
[no value]
HOYA GLASS WORKS, LTD.: HOYA HMC Filter
[no value]
HOYA GLASS WORKS, LTD.
HOYA HMC Filter
[no value]
[no value]
PopularPhotography_19740401_0074_004_0059.xml
article
63
63,136
equipment & materials
[no value]
LEICA CL or LEICA MINOLTA CL
Two tiny Leicas are from Japan, but they are not the same
[no value]
[no value]
SIMON NATHAN
Look closely at the two cameras above. They are the Minolta twins, and they are also known as the Leica twins. You know by now that Minolta is making the precision body of the new mini-Leica, and this camera carries the firm name of the two firms.
PopularPhotography_19740401_0074_004_0060.xml
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64
64
[no value]
[no value]
samigon: Samigon 2X and 3X
[no value]
samigon
Samigon 2X and 3X
[no value]
[no value]
PopularPhotography_19740401_0074_004_0061.xml
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64
64
[no value]
[no value]
Art Institute
[no value]
Art Institute
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0062.xml
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65
65
[no value]
[no value]
Ponder & Best, Inc.: Vivitar 352
[no value]
Ponder & Best, Inc.
Vivitar 352
[no value]
[no value]
PopularPhotography_19740401_0074_004_0063.xml
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66
66
[no value]
[no value]
YASHICA Inc.: TL Electro-X
[no value]
YASHICA Inc.
TL Electro-X
[no value]
[no value]
PopularPhotography_19740401_0074_004_0064.xml
article
67
67
photography today
[no value]
CALENDAR OF PHOTO HISTORY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0065.xml
article
68
68,69,70,71,72,73,74,75,76,77,192
photography today
[no value]
La Danse DAVID HAMILTON
The world of ballet, as seen through the eyes of a romanticist
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[no value]
RENEE BRUNS
Who has not seen the Hamilton Girl—that fair-skinned woman-child enveloped in transparent garbs, her gaze suggesting contemplation? Thanks to a very eager international photo press that has lavished loving attention on her form, the Hamilton Girl has become almost as easily identifiable as the label on a Campbell’s soup can.
PopularPhotography_19740401_0074_004_0066.xml
article
78
78,79,80,81,82,83,132,133,134,135,208
[no value]
[no value]
multi-coating: the myth & the reality
flare & ghosts: can multi-coating eliminate them?
[no value]
[no value]
NORMAN GOLDBERG
MICHELE FRANK
Now that the dust has settled a bit, it seems a good time to explore the most current rage—multilayer lens coating. Most of us first heard the phrase when Asahi introduced their Super-Multi-Coated Takumar on the Spotmatic II in January of 1971.
PopularPhotography_19740401_0074_004_0067.xml
article
84
84,85,86,87,192
THE HATTERSLEY CLASS
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BASIC LIGHTING... CURVED SURFACES
[no value]
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[no value]
Since most of the things we photograph, including people, have curved surfaces, it is wise to know what light does to them. In the lesson on plane surfaces I told you some of the things light and darkness do together: create or destroy tone, create or destroy the illusion of volume, create or destroy space and size, create or destroy the illusion of time, and create or destroy visibility and the illusion of reality.
PopularPhotography_19740401_0074_004_0068.xml
article
88
88,89,90,91
photography today
[no value]
A FRESH APPROACH TO DOG PORTRAITS
[no value]
[no value]
[no value]
RICHARD BUSCH
Dogs are unquestionably among the most irresistible photographic subjects on earth. Usually unselfconscious and full of expressiveness, warmth, and general good vibrations, those furry creatures probably appear in pictures everywhere almost as often as children, flowers, and sunsets.
PopularPhotography_19740401_0074_004_0069.xml
article
92
92,93,94,95,148
light & lighting
[no value]
don't run away from: BRIGHT SUN, DARK SHADOWS
Seen and used with imagination, they ma fair-weather shooting one of photography's biggest turn-ons
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[no value]
RICHARD BUSCH
Photographic textbooks and teachers often give caution to amateurs about staying away from contrasty sunlight, which as a general rule makes sense. It seems to be a fact of photographic life that most novices confine their picture-taking activities to fair-weather days, particularly when the sun is high in the sky.
PopularPhotography_19740401_0074_004_0070.xml
article
96
96,97,98,99
light & lighting
[no value]
RUTH ORKIN
inspiration from a 15th-floor window
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[no value]
Richard Busch
For the past 18 years Ruth Orkin has been living in a 15th-floor apartment on New York’s Central Park West with a magnificent view overlooking the park and the skyline to the east and south. She keeps her Nikon camera in a case by the window, and always has it loaded with color film.
PopularPhotography_19740401_0074_004_0071.xml
article
100
100,101,137,138
light & lighting
[no value]
THE PINHOLE: a 'lens' that just won't quit
a 'lens' that just won't quit
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[no value]
FORREST M. MIMS
photographers are frequently the first to benefit from the application of space-age technology to the production of consumer products. But in our rush to snap up the latest in advanced photographic gadgetry, we sometimes overlook time-proved techniques.
PopularPhotography_19740401_0074_004_0072.xml
review
102
102,103
equipment & materials
[no value]
first look
[no value]
KONICA
[no value]
KONICA
RAPID OMEGA 200
KONICA
GRAVITY 1200
MICHELE FRANK
The Rapid Omega 200 tries to pack as many features as possible into one neat package, and for the most part, it has succeeded. The camera has been planned by a group obviously looking toward every contingency that the professional or advanced amateur might encounter.
PopularPhotography_19740401_0074_004_0073.xml
article
104
104,105,124,208
equipment & materials
[no value]
lab report MIRANDA LENSES
field check
[no value]
[no value]
NORMAN GOLDBERG
While handling these lenses in the lab, it seemed that the controls for manually stopping the aperture down, and releasing the bayonet latch felt sharp and unnecessarily large. However, the test shots were made outdoors by a cold, snowy lakefront, and medium-weight gloves were an absolute “must.”
PopularPhotography_19740401_0074_004_0074.xml
article
106
106,107,108,109,110,111
light & lighting
[no value]
exposure control and the zone system
Know your final print tones before you take the picture
[no value]
[no value]
FRED PICKER
Most photographers have a few “lucky" negatives that make beautiful, rich prints with a minimum of effort. I hose negatives, through a fortuitous combination of circumstances, received precisely the right exposure for the scene, the correct development time for the contrast range of the scene, and the characteristics of the photographer's enlarger, chemicals, paper, etc.
PopularPhotography_19740401_0074_004_0075.xml
article
112
112,113,146,147
MOVIES
[no value]
HOW TO FIND 'ADD-ON' SOUND
What to do when the setting is silent and your subject has nothing to say
[no value]
[no value]
DON SUTHERLAND
When the railroaders put up signs that said “stop, look, and listen,” they must have had super 8 sound movies in mind, especially when used by amateurs. Our current explosion in sound equipment has sent all manner of interested parties scrambling off to their dealers so they can get hold of this wild new stuff, and to this I say: “Right on.”
PopularPhotography_19740401_0074_004_0076.xml
article
114
114,115,124
photography today
[no value]
The artist as model
Address book is indexed by penetrating portraits
[no value]
[no value]
LEENDERT DRUKKER
The Whitney Museum of American Art has published a telephone-and-address book that is itself a unique work of art. Introducing each alphabetical category is the full-page portrait of an artist: Richard Anuszkiewicz for the As, Malcolm Bailey for the Bs, etc.—but portrait isn't really the right word for it.
PopularPhotography_19740401_0074_004_0077.xml
article
116
116,117,131
photography today
[no value]
VIVA, AULTMAN!
Meet a 5-ft. 1-in. Texan who was the Robert Capa of the Mexican Revolution
[no value]
[no value]
WAYNE MCCLINTOCK
Photographic coverage of the Vietnam War helped to keep the public abreast of a conflict that varied from moment to moment, and viewers gave no thought to the tremendous work it represented—but the first photo coverage of a war that was “almost" immediate was the picturing of the Mexican Revolution in 1910.
PopularPhotography_19740401_0074_004_0078.xml
article
118
118,126,128,183
shows to see
[no value]
shows to see
[no value]
[no value]
[no value]
[no value]
ARIZONA Northlight. Fine Arts Annex. Arizona State University. Tempe: monthly exhibits ARKANSAS The Arkansas Arts Center, MacArthur Park, Little Rock: Executive Order 9066 (California Historical Society), through March 26 CALIFORNIA The Studio Gallery, Main St., Bolinas: Lewis Baltz, through March 22.
PopularPhotography_19740401_0074_004_0079.xml
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118
118
[no value]
[no value]
Photog-A-File
[no value]
Photog-A-File
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0080.xml
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119
119
[no value]
[no value]
CORD ENTERPRISES
[no value]
CORD ENTERPRISES
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0081.xml
article
120
120,121,122,123
just out
[no value]
just out
[no value]
[no value]
[no value]
JOSEPH P. FESCE
Yashica Electro 35 FC, equipped with a 40-mm Yashinon-DX f/2.8 lens, has tri-zone focusing symbols and a rangefinder, magnetic (buzzless) self-timer, fully automatic electronic exposure control based on preselected shutter speed, ASA range of 25-800, shutter speeds of 4 to 1/1,000 sec, and an automatic flash system based on setting the guide number scale and flash symbol setting (which automatically adjusts shutter speed to 1/30 sec and sets the “X" contact to stand-by).
PopularPhotography_19740401_0074_004_0082.xml
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120
120
[no value]
[no value]
Associated Photographers International
[no value]
Associated Photographers International
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0083.xml
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120
120
[no value]
[no value]
DALE LABORATORIES
[no value]
DALE LABORATORIES
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0084.xml
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121
121
[no value]
[no value]
Advertisements
[no value]
ACUFINE Inc.
ACUFINE
ACUFINE Inc.
DIAFINE
[no value]
[no value]
PopularPhotography_19740401_0074_004_0085.xml
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121
121
[no value]
[no value]
KLEER-KOLOR LABS
[no value]
KLEER-KOLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0086.xml
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121
121
[no value]
[no value]
PHOTO POSTER INC.
[no value]
PHOTO POSTER INC.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0087.xml
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122
122
[no value]
[no value]
P.D.Q
[no value]
P.D.Q
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0088.xml
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123
123
[no value]
[no value]
Skrudland's
[no value]
Skrudland's
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0089.xml
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124
124
[no value]
[no value]
CARAVELLE
[no value]
CARAVELLE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0090.xml
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125
125
[no value]
[no value]
Trichroics Inc.: Spectrum 160
[no value]
Trichroics Inc.
Spectrum 160
[no value]
[no value]
PopularPhotography_19740401_0074_004_0091.xml
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126
126
[no value]
[no value]
RGB COLOR LAB
[no value]
RGB COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0092.xml
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127
127
[no value]
[no value]
RECORDS
[no value]
RECORDS
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0093.xml
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128
128
[no value]
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0094.xml
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129
129
[no value]
[no value]
Makeever Laboratories
[no value]
Makeever Laboratories
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0095.xml
article
131
131
[no value]
[no value]
photo tip
[no value]
[no value]
[no value]
William J. Jaeger
Cut down on fumbling with lens hoods and lenses by keeping them together, protected from dust with antistatic, plastic head-rest covers used by dentists. Available at dental supply houses, they’re elasticized to slip on and off easily. Rear lens caps keep the other end clean.
PopularPhotography_19740401_0074_004_0096.xml
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131
131
[no value]
[no value]
Camera Barn
[no value]
Camera Barn
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0097.xml
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132
132
[no value]
[no value]
Regal COLOR LABORATORIES: WEDDING CANDIDS
[no value]
Regal COLOR LABORATORIES
WEDDING CANDIDS
[no value]
[no value]
PopularPhotography_19740401_0074_004_0098.xml
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133
133
[no value]
[no value]
Color Photography
[no value]
Color Photography
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0099.xml
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134
134
[no value]
[no value]
Robert Waxman camera
[no value]
Robert Waxman camera
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0100.xml
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135
135
[no value]
[no value]
Advertisements
[no value]
Color Only
Hand Printed
Color Only
Hand Cropped
[no value]
[no value]
PopularPhotography_19740401_0074_004_0101.xml
article
136
136
[no value]
[no value]
BOOK REVIEW IN BRIEF
[no value]
[no value]
[no value]
Kenneth Poli
A Century of Cameras, by Eaton S. Lothrop, Jr. New York: Morgan & Morgan, Inc., 1973; hardcover, $12. Once in a great while, a book comes along that can be pegged as an “instant classic.” A Century of Cameras is such a book (although its field—historic cameras—is hardly crowded with classic books).
PopularPhotography_19740401_0074_004_0102.xml
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137
137
[no value]
[no value]
Professional Color Laboratories Inc.
[no value]
Professional Color Laboratories Inc.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0103.xml
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137
137
[no value]
[no value]
WEDDING PERFECT
[no value]
WEDDING PERFECT
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0104.xml
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137
137
[no value]
[no value]
Peacock International Color Systems, Inc
[no value]
Peacock International Color Systems, Inc
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0105.xml
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138
138
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0106.xml
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139
139
[no value]
[no value]
Kim Labs
[no value]
Kim Labs
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0107.xml
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140
140,141
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0108.xml
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142
142
[no value]
[no value]
Candid-Instant Color
[no value]
Candid-Instant Color
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0109.xml
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143
143
[no value]
[no value]
Park CAMERA
[no value]
Park CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0110.xml
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144
144
[no value]
[no value]
Solar Color
[no value]
Solar Color
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0111.xml
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145
145
[no value]
[no value]
ZIFF-DAVIS SERVICE
[no value]
ZIFF-DAVIS SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0112.xml
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146
146
[no value]
[no value]
Executive Photo & Supply Corp.
[no value]
Executive Photo & Supply Corp.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0113.xml
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147
147
[no value]
[no value]
Colorific Photo Labs
[no value]
Colorific Photo Labs
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0114.xml
article
148
148
POPULAR PHOTOGRAPHY’S travel service
[no value]
POPULAR PHOTOGRAPHY’S travel service
[no value]
[no value]
[no value]
[no value]
POPULAR PHOTOGRAPHY'S travel department maintains a complete up-to-date world-wide listing of travel information sources — countries, states and general areas. This page has been designed to help readers plan their vacations, photo tours, and week-end trips, by making it easy for them to obtain current news about any point on the globe.
PopularPhotography_19740401_0074_004_0115.xml
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149
149,150,151,152,153,154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173,174,175,176,177,178,179,180,181,182
[no value]
[no value]
PHOTOGRAPHIC MARCKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0116.xml
article
183
183
[no value]
[no value]
BOOK REVIEW IN BRIEF
[no value]
[no value]
[no value]
Yvonne Kalmus
A Time to be Born, A Time to Die: the images and insights of Ecclesiastes for today, by Robert L. Short. New York: Harper & Row, Publishers, Inc., 1973; hardcover, $5.95; soft-cover, $2.25. Were Ecclesiastes alive today, he probably would be a still photographer, according to author/photographer Robert L. Short who dubs him “the Henri Cartier-Bresson of the Old Testament.”
PopularPhotography_19740401_0074_004_0117.xml
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183
183
[no value]
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0118.xml
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184
184,185,186,187,188,189
[no value]
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0119.xml
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190
190
[no value]
[no value]
MIKO PHOTO & SOUND CO.
[no value]
MIKO PHOTO & SOUND CO.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0120.xml
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191
191
[no value]
[no value]
INTERSTATE COLOR LAB
[no value]
INTERSTATE COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0121.xml
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192
192
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19740401_0074_004_0122.xml
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192
192
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19740401_0074_004_0123.xml
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193
193
[no value]
[no value]
Frank's HIGHLAND PARK CAMERA
[no value]
Frank's HIGHLAND PARK CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0124.xml
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194
194,195
[no value]
[no value]
MINIFILM
[no value]
MINIFILM
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0125.xml
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196
196,197
[no value]
[no value]
Viking INTERNATIONALE
[no value]
Viking INTERNATIONALE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0126.xml
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198
198
[no value]
[no value]
STERLING-HOWARD
[no value]
STERLING-HOWARD
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0127.xml
article
198
198
[no value]
[no value]
photo tip
[no value]
[no value]
[no value]
John S. Wight
Substantial cash savings can be realized if you make sets of Kodak Polycontrast printing filters. Five-in.-sq. Kodak PC gelatins are cut into four equal squares and mounted in 2¼x2¼ slide mounts, yielding four complete sets. By sharing the extra sets with friends, your original investment can be reduced by about three-fourths.
PopularPhotography_19740401_0074_004_0128.xml
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199
199
[no value]
[no value]
FREELANCE NATIONAL COLOR LAB: KODACOLOR II
[no value]
FREELANCE NATIONAL COLOR LAB
KODACOLOR II
[no value]
[no value]
PopularPhotography_19740401_0074_004_0129.xml
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200
200,201
[no value]
[no value]
COMPETITIVE CAMERA CORP.
[no value]
COMPETITIVE CAMERA CORP.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0130.xml
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202
202
[no value]
[no value]
HENRY'S
[no value]
HENRY'S
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0131.xml
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203
203
[no value]
[no value]
PROFESSIONAL DIVISION
[no value]
PROFESSIONAL DIVISION
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0132.xml
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204
204,205
[no value]
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0133.xml
article
206
206
aids to better photography
[no value]
aids to better photography
[no value]
[no value]
[no value]
[no value]
A library of useful information is available to photographers free, thanks to the instructional literature many manufacturers offer. There are, no doubt, several booklets described here that will interest you. Just enclose 10¢ in coin or stamps to cover handling and you can circle as many choices as you wish on the coupon below.
PopularPhotography_19740401_0074_004_0134.xml
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207
207
[no value]
[no value]
PRINT FILE, INC.
[no value]
PRINT FILE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0135.xml
article
208
208
[no value]
[no value]
photo tip
[no value]
[no value]
[no value]
Carl R. Achille
Wood duckboards, used in many dark-room sinks, absorb processing solutions, retain moisture, and tend to encourage mold. Translucent, glass-fibered paneling used for outdoor dividers and in patio construction, does not absorb moisture, thereby making it a simple task to rinse away spilled processing solutions.
PopularPhotography_19740401_0074_004_0136.xml
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208
208
[no value]
[no value]
RITZ CAMERA
[no value]
RITZ CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0137.xml
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209
209
[no value]
[no value]
CQS CUSTOM QUALITY
[no value]
CQS CUSTOM QUALITY
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0138.xml
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210
210
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0139.xml
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211
211
[no value]
[no value]
CLASSIC CAMERA
[no value]
CLASSIC CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0140.xml
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212
212,213
[no value]
[no value]
GARDEN CAMERA
[no value]
GARDEN CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0141.xml
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214
214,215
[no value]
[no value]
CAMDEN CAMERA
[no value]
CAMDEN CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0142.xml
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216
216,217
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0143.xml
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218
218
[no value]
[no value]
MONKEY COLOR INC.
[no value]
MONKEY COLOR INC.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0144.xml
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219
219,220,221
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0145.xml
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222
222
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0146.xml
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222
222
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0147.xml
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223
223
[no value]
[no value]
MASTER COLOR LABS
[no value]
MASTER COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0148.xml
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224
224,225,226,227
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0149.xml
article
228
228
i want to buy...
[no value]
i want to buy...
[no value]
[no value]
[no value]
[no value]
I own a Tessina camera, and am having no luck in getting film for it since moving here. Could you possibly come up with the name of a supplier? Cheryl Merriworth, Council Bluffs, Ia. Karl Heitz, Inc., 979 Third Ave., New York N.Y. 10022, the distributor of the Tessina, can help you get film inside your cameras’ special cassettes.
PopularPhotography_19740401_0074_004_0150.xml
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229
229
[no value]
[no value]
Berkey Marketing Companies, Inc.: TAMRON 85-210mm f/4.5 ZOOM
[no value]
Berkey Marketing Companies, Inc.
TAMRON 85-210mm f/4.5 ZOOM
[no value]
[no value]
PopularPhotography_19740401_0074_004_0151.xml
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230
230
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19740401_0074_004_0152.xml