Issue: 19730501

Tuesday, May 1, 1973
May
5
True
72
Thursday, January 29, 2015

Articles
cover
0_1
0_1
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POPULAR PHOTOGRAPHY
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PopularPhotography_19730501_0072_005_0001.xml
advertisement
0_3
0_3,0_4,1
[no value]
[no value]
Honeywell Photographic: Honeywell Pentax
[no value]
Honeywell Photographic
Honeywell Pentax
[no value]
[no value]
PopularPhotography_19730501_0072_005_0002.xml
masthead
2
2,4
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[no value]
Popular Photography
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PopularPhotography_19730501_0072_005_0003.xml
tableOfContents
2
2
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Popular Photography
[no value]
[no value]
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[no value]
PopularPhotography_19730501_0072_005_0004.xml
advertisement
3
3
[no value]
[no value]
Nikon Inc.
[no value]
Nikon Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0005.xml
article
4
4,140
letters to the editor
[no value]
letters to the editor
[no value]
[no value]
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As a rather green but fascinated photographer, I found the article “The Lens Makes the Picture” (Sept. 1972 issue) to be both helpful and interesting. I appreciate your endeavors to spur your readers on to learning more about the “art” of photography.
PopularPhotography_19730501_0072_005_0006.xml
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5
5
[no value]
[no value]
Ponder&Best, Inc.: Vivitar 281
[no value]
Ponder&Best, Inc.
Vivitar 281
[no value]
[no value]
PopularPhotography_19730501_0072_005_0007.xml
advertisement
6
6
[no value]
[no value]
TIFFEN OPTICAL CO.
[no value]
TIFFEN OPTICAL CO.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0008.xml
article
6
6
help!
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help!
[no value]
[no value]
[no value]
[no value]
I've used a thin layer of petroleum jelly on a lens filter to achieve diffusion effects while shooting. It worked fine. But I don't know how to remove the stuff from my screw-in glass filter without damaging it. What do you suggest? Anthony S. Noriega, Jr., Tampa, Fl.
PopularPhotography_19730501_0072_005_0009.xml
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7
7
[no value]
[no value]
Berkey Marketing Companies: Luma-Pro
[no value]
Berkey Marketing Companies
Luma-Pro
[no value]
[no value]
PopularPhotography_19730501_0072_005_0010.xml
advertisement
8
8
[no value]
[no value]
Honeywell: HONEYWELL NIKOR
[no value]
Honeywell
HONEYWELL NIKOR
[no value]
[no value]
PopularPhotography_19730501_0072_005_0011.xml
article
8
8,70
tools & techniques
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tools & techniques
Some "Old Faithfuls" have earned their keep over the years
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[no value]
CORA WRIGHT KENNEDY
I don’t want to cry stop to the march of progress and change. But the fact is I’ve been thinking recently about the field of minor photo accessories. And the more I think in this vein, the more I remember useful tools that have been around, in more or less the same form, for years.
PopularPhotography_19730501_0072_005_0012.xml
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9
9
[no value]
[no value]
AIC PHOTO, INC.: MIRANDA SENSORET
[no value]
AIC PHOTO, INC.
MIRANDA SENSORET
[no value]
[no value]
PopularPhotography_19730501_0072_005_0013.xml
advertisement
10
10,11
[no value]
[no value]
Berkey Photo (Canada) Ltd.: Simmon Omega
[no value]
Berkey Photo (Canada) Ltd.
Simmon Omega
[no value]
[no value]
PopularPhotography_19730501_0072_005_0014.xml
advertisement
12
12
[no value]
[no value]
SMP BOOKS
[no value]
SMP BOOKS
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0015.xml
article
12
12,14,192
viewpoint
[no value]
viewpoint
Lauré starts agency for multitalented communicators seeking new markets
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[no value]
JACOB DESCHIN
“It’s not enough any more just to be a good photographer,” Jason Lauré, 32, a successful New York-based free lance, was saying in an interview discussing a company he had just formed. The idea of that company is to work with multitalented photographers who have ideas for projects but need knowledgeable, experienced, and practical help to produce them.
PopularPhotography_19730501_0072_005_0016.xml
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13
13
[no value]
[no value]
Nikon Inc.: Nikkormat
[no value]
Nikon Inc.
Nikkormat
[no value]
[no value]
PopularPhotography_19730501_0072_005_0017.xml
advertisement
14
14
[no value]
[no value]
Ponder&Best, Inc.: Olympus 35RC
[no value]
Ponder&Best, Inc.
Olympus 35RC
[no value]
[no value]
PopularPhotography_19730501_0072_005_0018.xml
advertisement
15
15
[no value]
[no value]
AIC PHOTO. INC.: SOLIGOR
[no value]
AIC PHOTO. INC.
SOLIGOR
[no value]
[no value]
PopularPhotography_19730501_0072_005_0019.xml
advertisement
16
16,17
[no value]
[no value]
LIFE LIBRARY OF PHOTOGRAPHY
[no value]
LIFE LIBRARY OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0020.xml
advertisement
20
20
[no value]
[no value]
BOGEN PHOTO CORP.
[no value]
BOGEN PHOTO CORP.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0021.xml
article
20
20,134,139
protechniques
[no value]
protechniques
Equipment doesn't make the picture—it just makes you feel good
[no value]
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EDWARD MEYERS
I know a young photographer, Paul Schwartz, who became interested in still photography about a year ago. Paul’s father handed him the family Leica plus a few rolls of film, and Paul got hooked on photography. About eight months ago, Paul bought an SLR with a normal f/1.4 lens.
PopularPhotography_19730501_0072_005_0022.xml
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21
21
[no value]
[no value]
Fuji Photo Film. U.S.A., Inc.: Fujica ST801
[no value]
Fuji Photo Film. U.S.A., Inc.
Fujica ST801
[no value]
[no value]
PopularPhotography_19730501_0072_005_0023.xml
advertisement
22
22
[no value]
[no value]
NEGA-FILE
[no value]
NEGA-FILE
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0024.xml
advertisement
22
22
[no value]
[no value]
NFLPA
[no value]
NFLPA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0025.xml
article
22
22,24
in the darkroom
[no value]
in the darkroom
Call me the series 8 filter guru: why and how I standardized on lens adapters
[no value]
[no value]
AL FRANCEKEVICH
Among my various photographer friends and cohorts, I’m known as the guru of filters and their adaptation to various camera systems. The reason for this is that about seven or eight years ago, I decided to get organized once and for all in this most confusing photographic area and to cut out waste and pointless duplication.
PopularPhotography_19730501_0072_005_0026.xml
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23
23
[no value]
[no value]
Braun North America
[no value]
Braun North America
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0027.xml
advertisement
24
24
[no value]
[no value]
Calumet photographic, inc.
[no value]
Calumet photographic, inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0028.xml
article
24
24
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LENS TEST GLOSSARY
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STAR TEST: The image of a point of light is examined with a microscope. The deviation of the image from the ideal indicates the nature and extent of the aberrations. The test is partly subjective. ELECTRONIC BENCH TEST: Contrast levels are compared electronically between the image of a coarse and fine slit, and the result is expressed as a percentage.
PopularPhotography_19730501_0072_005_0029.xml
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25
25
[no value]
[no value]
Ehrenreich Photo-Optical Industries
[no value]
Ehrenreich Photo-Optical Industries
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0030.xml
advertisement
26
26,27
[no value]
[no value]
Konica Camera Co.: KONICA Autorefflex-T
[no value]
Konica Camera Co.
KONICA Autorefflex-T
[no value]
[no value]
PopularPhotography_19730501_0072_005_0031.xml
advertisement
28
28
[no value]
[no value]
Nikon World
[no value]
Nikon World
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0032.xml
article
28
28,30
Simon says
[no value]
Simon says
I take a swing at photojournalism —because it doesn't exist
[no value]
[no value]
[no value]
Egowise I would like to reprint my June 1969 column which stated, “To my son who is considering photojournalism as a career—forget it!” I thought about this column when I wrote in the Nov. 1972 “Simon Says” that it was all over for photojournalism and suggested the audio-visual field for the photographer who likes to take lots of pictures and wants to be published, even if only on a beaded screen.
PopularPhotography_19730501_0072_005_0033.xml
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29
29
[no value]
[no value]
Sigma Corporation
[no value]
Sigma Corporation
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0034.xml
advertisement
30
30
[no value]
[no value]
AIC PHOTO INC.: Soligor
[no value]
AIC PHOTO INC.
Soligor
[no value]
[no value]
PopularPhotography_19730501_0072_005_0035.xml
advertisement
30
30
[no value]
[no value]
PHOTOGRAPHY INSTITUTE OF AMERICA
[no value]
PHOTOGRAPHY INSTITUTE OF AMERICA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0036.xml
advertisement
31
31
[no value]
[no value]
Minolta
[no value]
Minolta
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0037.xml
advertisement
32
32,33
[no value]
[no value]
Fuji Photo Film: FujiFilm
[no value]
Fuji Photo Film
FujiFilm
[no value]
[no value]
PopularPhotography_19730501_0072_005_0038.xml
article
34
34,36
focus,on sound
[no value]
focus,on sound
The tape that's good, better, or best depends on your specific recorder
[no value]
[no value]
HERBERT FRIEDMAN
Many retailers, such as Sears, Roebuck and Co., often grade their products as good, better, and best, and in general these terms are reasonably accurate guides to over-all quality. Unfortunately, when it comes to magnetic tape—for both reel-toreel and cassette recorders—good, better, and best can often really mean good, poor, and poorest.
PopularPhotography_19730501_0072_005_0039.xml
article
34
34
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[no value]
Inside track
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In looking for a new recorder I've run across a feature called “Simul-Sync. ” Is this the same as sound-on-sound or soundwith-sound? No—Simul-Sync is a proprietary name for a new feature on four-track (“quad”) recorders having three heads.
PopularPhotography_19730501_0072_005_0040.xml
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35
35
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.: MAMIYA RB67
[no value]
Ehrenreich Photo-Optical Industries, Inc.
MAMIYA RB67
[no value]
[no value]
PopularPhotography_19730501_0072_005_0041.xml
advertisement
36
36
[no value]
[no value]
National Camera
[no value]
National Camera
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0042.xml
advertisement
37
37
[no value]
[no value]
Advertisements
[no value]
AIC PHOTO, INC.
ULTRABLITZ
AIC PHOTO, INC.
BAUER
[no value]
[no value]
PopularPhotography_19730501_0072_005_0043.xml
advertisement
38
38,39
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0044.xml
article
40
40,192
shows we’ve seen
[no value]
shows we’ve seen
[no value]
[no value]
[no value]
JAIN KELLY
Photographs—Hilary Masters, at the Image Gallery, New York City (Jan. 2-31). Master’s primary interest is in patterns, cracks in the wall, the texture of paint and the isolation of the small object in order to examine its new meanings when isolated from its normal context.
PopularPhotography_19730501_0072_005_0045.xml
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41
41
[no value]
[no value]
R. J. Reynolds Tobacco Company: CAMEL
[no value]
R. J. Reynolds Tobacco Company
CAMEL
[no value]
[no value]
PopularPhotography_19730501_0072_005_0046.xml
advertisement
42
42
[no value]
[no value]
CAMERA HANDBOOKS
[no value]
CAMERA HANDBOOKS
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0047.xml
article
42
42,162,164
time exposure
[no value]
time exposure
Drop that Pistolgraph, Mr. Skaife— You're under arrest!
[no value]
[no value]
EATON S. LOTHROP
Not too long ago I acquired a very interesting camera to add to my collection. There was only one problem with it, though—it lacked a lens. To me this is a very frustrating thing, finding an interesting camera whose lens is missing. On the other hand, I have a friend in Rochester, N. Y., a fellow camera collector, who is quite content to acquire cameras without lenses (of course he’d prefer them with, but he doesn’t demand it) or even parts of cameras.
PopularPhotography_19730501_0072_005_0048.xml
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43
43
[no value]
[no value]
Beseler Photo Marketing Co., Inc.
[no value]
Beseler Photo Marketing Co., Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0049.xml
advertisement
44
44,45
[no value]
[no value]
Advertisements
[no value]
E. Leitz, Inc.
Model D new
E. Leitz, Inc.
Model A new
[no value]
[no value]
PopularPhotography_19730501_0072_005_0050.xml
article
46
46,48
shop talk
[no value]
shop talk
Testing cameras, name of game is improvisation and ingenuity
[no value]
[no value]
NORMANAN GOLDBERG
In conducting tests on a broad range of cameras and lenses, it happens that every now and then a particular lens or camera simply proves incompatible with a given test or series of tests. Despite careful planning, even the most versatile piece of test equipment can prove to be unusable with a particular piece of photo equipment.
PopularPhotography_19730501_0072_005_0051.xml
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46
46
[no value]
[no value]
Geller Howard Travel Inc.: MIRANDA
[no value]
Geller Howard Travel Inc.
MIRANDA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0052.xml
advertisement
46
46
[no value]
[no value]
Da-Lite Screen Company, Inc.: DA-LITE
[no value]
Da-Lite Screen Company, Inc.
DA-LITE
[no value]
[no value]
PopularPhotography_19730501_0072_005_0053.xml
advertisement
47
47
[no value]
[no value]
Scopus: Tamron
[no value]
Scopus
Tamron
[no value]
[no value]
PopularPhotography_19730501_0072_005_0054.xml
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48
48
[no value]
[no value]
BROOKS INSTITUTE SCHOOL OF PHOTOGRAPHY
[no value]
BROOKS INSTITUTE SCHOOL OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0055.xml
advertisement
49
49
[no value]
[no value]
Canon U.S.A., Inc.
[no value]
Canon U.S.A., Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0056.xml
advertisement
50
50,51
[no value]
[no value]
Paillard Incorporated: HASSALBLAD
[no value]
Paillard Incorporated
HASSALBLAD
[no value]
[no value]
PopularPhotography_19730501_0072_005_0057.xml
article
51
51,52,66,68
shows to see
[no value]
shows to see
[no value]
[no value]
[no value]
[no value]
The Studio Gallery. Main St.. Bolinas: Minor White, through Apr. 20. Shedrick Williames. Apr. 22-June 8 • Friends of Photography Gallery, Sunset Cultural Center. San Carlos at 9th, Carmel: monthly exhibits • Significant Directions Photogallery.
PopularPhotography_19730501_0072_005_0058.xml
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52
52
[no value]
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0059.xml
advertisement
53
53
[no value]
[no value]
Advertisements
[no value]
YASHICA
TL ELECTRO
YASHICA
TL ELECTRO-X
[no value]
[no value]
PopularPhotography_19730501_0072_005_0060.xml
advertisement
54
54,55
[no value]
[no value]
Eastman Kodak Company
[no value]
Eastman Kodak Company
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0061.xml
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56
56
[no value]
[no value]
HOYA GLASS WORKS: Hoya Filters
[no value]
HOYA GLASS WORKS
Hoya Filters
[no value]
[no value]
PopularPhotography_19730501_0072_005_0062.xml
review
56
56,178,210
just out
[no value]
just out
[no value]
Eastman Kodak Co.
[no value]
Eastman Kodak Co.
Kodak Supermatic 24
$189.50
Eastman Kodak Co.
Keystone XL 100
$124.95
Eastman Kodak Co.
4x5 Super Cambo
$372
Eastman Kodak Co.
Balmin-AS
$105
Eastman Kodak Co.
17-mm Auto Miranda f/4
$239.95
Eastman Kodak Co.
[no value]
$349.50
Eastman Kodak Co.
Spiratone lenses
$69.95
Eastman Kodak Co.
Agfatronic 150B
$19.95
Eastman Kodak Co.
Hanimex CTX 433
$49.95
Eastman Kodak Co.
X-Shoe
$9
Eastman Kodak Co.
super 8
$550
Eastman Kodak Co.
Nega-File Slide Sorter
$79.90
Eastman Kodak Co.
HPI Magnetic Enlarging
$21.95
Eastman Kodak Co.
[no value]
$2.95
Eastman Kodak Co.
[no value]
$85
Eastman Kodak Co.
[no value]
$3
Eastman Kodak Co.
Filmstrip Kit II
$550
Eastman Kodak Co.
Proline Photo Record Book
$3.95
Eastman Kodak Co.
[no value]
$9.95
JOSEPH P. FESCE
Kodak Supermatic 24 for super 8 movies is similar to the XL55 but has several additional features for the advanced amateur. These include: socket that permits remote control with a cable release, manual zoom instead of power zoom, a lens that will accept series 7 filters, space for filters to be placed over the electronic eye for proper exposure, and a film plane marker for accurate measurement of camera to subject distance.
PopularPhotography_19730501_0072_005_0063.xml
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57
57
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0064.xml
advertisement
58
58
[no value]
[no value]
Weston Instruments, Inc.: WESTON Master 6
[no value]
Weston Instruments, Inc.
WESTON Master 6
[no value]
[no value]
PopularPhotography_19730501_0072_005_0065.xml
article
58
58,62,150
offbeat
[no value]
offbeat
The Super-Q-Gigantar lens—it's a gag, but some people took it rather seriously
[no value]
[no value]
NORMAN ROTHSCHILD
Call it childish if you like, but even at close to the age of 60, I sometimes like to become the center of attention. At photokina in 1972, I was given this opportunity by Wolf Wehran of Carl Zeiss. The thing that did it, and with surprising result, was his presenting me with a lens never shown by Zeiss to the public at any photokina or elsewhere.
PopularPhotography_19730501_0072_005_0066.xml
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61
61
[no value]
[no value]
The school of Modern Photography
[no value]
The school of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0067.xml
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62
62
[no value]
[no value]
Honeywell Photographic
[no value]
Honeywell Photographic
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0068.xml
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62
62
[no value]
[no value]
The Gillette Company
[no value]
The Gillette Company
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0069.xml
advertisement
63
63
[no value]
[no value]
Rollei of America, Inc.: ROLLEIFLEX
[no value]
Rollei of America, Inc.
ROLLEIFLEX
[no value]
[no value]
PopularPhotography_19730501_0072_005_0070.xml
advertisement
64
64
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19730501_0072_005_0071.xml
article
64
64
FRANK FENNER
[no value]
FRANK FENNER
[no value]
[no value]
[no value]
[no value]
Frank E. Fenner, former editor of POPULAR PHOTOGRAPHY, died at his home in Barrington, II., December 18, 1972, after an illness of several months. He was among the earlier staff members, joining the magazine as associate editor in 1937, its first year of publication.
PopularPhotography_19730501_0072_005_0072.xml
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65
65
[no value]
[no value]
AIC PHOTO, INC.: MIRANDA
[no value]
AIC PHOTO, INC.
MIRANDA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0073.xml
advertisement
66
66
[no value]
[no value]
BESELER PHOTO MARKETING CO., INC.: TOPCON SUPER D
[no value]
BESELER PHOTO MARKETING CO., INC.
TOPCON SUPER D
[no value]
[no value]
PopularPhotography_19730501_0072_005_0074.xml
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66
66
[no value]
[no value]
OLYMPIA OPTICAL DEVICES: MONOLENS
[no value]
OLYMPIA OPTICAL DEVICES
MONOLENS
[no value]
[no value]
PopularPhotography_19730501_0072_005_0075.xml
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67
67
[no value]
[no value]
New York Institute of Photography
[no value]
New York Institute of Photography
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0076.xml
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68
68
[no value]
[no value]
AIC PHOTO, INC.: HAHNEL
[no value]
AIC PHOTO, INC.
HAHNEL
[no value]
[no value]
PopularPhotography_19730501_0072_005_0077.xml
advertisement
69
69
[no value]
[no value]
Konica Camera Corp.: Konica Auto-S2
[no value]
Konica Camera Corp.
Konica Auto-S2
[no value]
[no value]
PopularPhotography_19730501_0072_005_0078.xml
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70
70
[no value]
[no value]
Honeywell
[no value]
Honeywell
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0079.xml
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71
71
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0080.xml
advertisement
72
72
[no value]
[no value]
Advertisements
[no value]
MORGAN & MORGAN, INC.
PHOTO-LAB-INDEX
MORGAN & MORGAN, INC.
LEICA MANUAL
[no value]
[no value]
PopularPhotography_19730501_0072_005_0081.xml
article
72
72
[no value]
[no value]
JOSEPH EHRENREICH DEAD
[no value]
[no value]
[no value]
[no value]
Joseph Ehrenreich, the man who perhaps did more than any other to establish the prestige and reputation of Japanese cameras and lenses in post-World-War II America, died of a heart attack Feb. 7 at the age of 65. Nearly 20 years ago, Mr. Ehrenreich became the exclusive U.S. importer for the photographic and other optical and scientific products of Nippon Kogaku, a Tokyo firm.
PopularPhotography_19730501_0072_005_0082.xml
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73
73
[no value]
[no value]
SAWYER’S: ROTOMATIC
[no value]
SAWYER’S
ROTOMATIC
[no value]
[no value]
PopularPhotography_19730501_0072_005_0083.xml
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74
74
[no value]
[no value]
AIC PHOTO, INC.: Bauer
[no value]
AIC PHOTO, INC.
Bauer
[no value]
[no value]
PopularPhotography_19730501_0072_005_0084.xml
article
75
75,76,77,78,79,156
PHOTOGRAPHY TODAY
[no value]
A photographers' corner of "America's Attic"
[no value]
[no value]
[no value]
KENNETH POLI
The scene is an exact reconstruction of the first Kodak printing room, the time the 1880s. The ‘ladies’ are mannequins and the exhibit is a part of the Smithsonian Institution’s new 8,000-sq.-ft. Hall of Photography, open to the public on April 6.
PopularPhotography_19730501_0072_005_0085.xml
article
80
80,81,82,83,130,131
EQUIPMENT & MATERIALS
[no value]
MULTIPLE COATING: where it’s at, who has it
[no value]
[no value]
[no value]
MICHELE FRANK
Lens coating is not new; it’s been with us for years. It originated at the turn of the century in England, where a company called Taylor, Taylor and Hobson began getting complaints about a “bloom” appearing on their lenses. This “bloom” appeared to be a tarnish on the surface of the lens.
PopularPhotography_19730501_0072_005_0086.xml
article
84
84,85,86,87,88,89,90,135,136
PHOTOGRAPHY TODAY
[no value]
margaret Bourke-white a retrospective
[no value]
[no value]
[no value]
NATALIE CANAVOR
To become a “name” may be the highest measure of success in most fields, but paradoxically, such achievement makes it more difficult to appreciate and evaluate an individual’s real accomplishments. Margaret Bourke-White’s name, for example, brings to mind a few of her famous images, a few biographical facts, and a general “for” or “against” feeling we offer a legendary figure without knowing exactly what it’s based on.
PopularPhotography_19730501_0072_005_0087.xml
article
91
91
SLR PHOTOGRAPHY
[no value]
SLRs then and now
[no value]
[no value]
[no value]
HUGH BIRNBAUM
When I first became seriously interested in photography in 1958, the equipment scene was vastly different from what it is today. Now the singlelens-reflex camera is dominant. Not so 15 years ago, and with good reason. Then the rangefinder camera was king, and cognoscenti could be recognized at 30 paces by their gleaming Leica, Nikon, and Canon RFs.
PopularPhotography_19730501_0072_005_0088.xml
article
92
92
SLR PHOTOGRAPHY
[no value]
5-lens images
[no value]
[no value]
[no value]
NORMAN ROTHSCHILD
A single click of the shutter made each of the color shotson the opposite page. All of the images in each shot appeared on the focusing screen at the same time. I did not have to previsualize the effect, as would have been the case when making separate exposures.
PopularPhotography_19730501_0072_005_0089.xml
article
93
93,94,95,180
why I use SLRs
[no value]
eisenstaedt turner boenzi 3 pros on
[no value]
[no value]
[no value]
[no value]
Although I’ve used rangefinder cameras all my life for most of my journalistic work, I now use the single-lens reflex camera at least 75 percent of the time. There are several reasons for this. First, I’ve been doing a lot of nature photography in recent years, and that means using long lenses.
PopularPhotography_19730501_0072_005_0090.xml
article
96
96,97,98,99,100,180
why I use SLRs
[no value]
pete turner
[no value]
[no value]
[no value]
[no value]
As far as I’m concerned, the SLR is it in 35-mm photography. I don’t use any other type of camera except large view cameras on occasion for some advertising assignments. The reason I stick with the SLR for everything else is simple. With a rangefinder camera you are not seeing what the lens and the film see.
PopularPhotography_19730501_0072_005_0091.xml
article
101
101,102,103,104,164
why I use SLRs
[no value]
neal boenzi
[no value]
[no value]
[no value]
[no value]
As a New York Times staff photographer for the past 26 years, I’ve had a lot of experience with both rangefinder and SLR cameras, and how each works in the area of photojournalism. I’ve discovered, without a doubt, that the SLR is the best system for my work.
PopularPhotography_19730501_0072_005_0092.xml
article
105
105,106,107,108,109,126,128,129,130
SLR PROTOGRAPHY
[no value]
THOSE WIDE, WILD, WACKY, WONDERFUL SLR LENSES
[no value]
[no value]
[no value]
NORMAN ROTHSCHILD
Many years ago (in the 1950s), I had to make a choice. Would I buy the then most popular coupled-rangefinder camera, with its focusing accuracy, or an Exakta? I chose the latter, as you all must have guessed, because I was more interested in the aesthetics of the image than in linesper-millimeter resolution.
PopularPhotography_19730501_0072_005_0093.xml
article
110
110,111,136
SLR PHOTOGRAPHY
[no value]
TIME TO TRADE IN YOUR OLD SLR?
Perhaps, but think before you move. There may be more life than you realize in your obsolete camera
[no value]
[no value]
NORMAN ROTHSCHILD
You want to be up to date and have the newest and the best; I don’t blame you. That old model SLR, the one that doesn’t have through-the-lens metering, has served you well. But think of how much easier and better things will be when you get that through-the-lens-metering or electric-eye model.
PopularPhotography_19730501_0072_005_0094.xml
article
112
112,113,203
PHOTOGRAPHY TODAY
[no value]
Three top B&W print makers tell how...Three
[no value]
[no value]
[no value]
EDWARD MEYERS
George Martin, Elizabeth Pope, and Joe Portogallo are three top New York blackand-white print makers who make their living printing for amateur and professional photographers. It's their business to know the ins and outs of professional print making to produce the best possible work for their clients, and for themselves.
PopularPhotography_19730501_0072_005_0095.xml
article
114
114,115,203
[no value]
[no value]
top B&W print makers tell how...... Three top
[no value]
[no value]
[no value]
ELIZABETH POPE
Elizabeth Pope is part owner of Image Photographic Laboratory in New York City. She was born in Rumania, where, after three years of photographic training, she became a theatrical photographer. She left Rumania with her husband six years ago and went to work as a darkroom technician and print maker at New York’s Modernage Labs.
PopularPhotography_19730501_0072_005_0096.xml
article
116
116,117,137
[no value]
[no value]
B&W print makers tell how...Three top B&W
[no value]
[no value]
[no value]
[no value]
Once, Joe Portogallo was afraid of people. He was afraid to speak to them and he was afraid to be around crowds. So he found, in the darkroom, a way of still being in photography and not having to deal with people. Finally, after being in business for four or five years, he was able to be around people.
PopularPhotography_19730501_0072_005_0097.xml
article
118
118,119,120,121,150
THE HATTERSLEY CLASS
[no value]
THE NEW GLAMOR
[no value]
[no value]
[no value]
[no value]
Manny Alonso says he takes glamor pictures of pretty girls, but some older photographers can’t see them as glamorous at all. They see his photographs as very handsome and interesting but not as glamor shots. If they are correct it means that Manny doesn’t know what kind of photographer he is or what he is trying to do with his medium, or that he has no concept of what the word “glamor” actually means.
PopularPhotography_19730501_0072_005_0098.xml
review
122
122,123
EQUIPMENT & MATERIALS
[no value]
First look
[no value]
Fuji Photo Film USA, Inc.
[no value]
Fuji Photo Film USA, Inc.
FUJICA ST-801
$369.95
Fuji Photo Film USA, Inc.
BRAUN 2000 VARIO COMPUTER MODEL F 022
$119.95
MICHELE FRANK
I can't tell you how many times I have gotten into a dim-light situation where I knew my film was capable of capturing the scene but I was unable to do so because I didn't know the proper exposure. Sure. I had a through-the-lens-reading camera, but when I couldn't read what the little dials or needles had to say it was pure guesstimation.
PopularPhotography_19730501_0072_005_0099.xml
article
124
124,125,138,139
Lab report
[no value]
MINOLTA HI-MATIC E
[no value]
[no value]
[no value]
Jain Kelly
The Minolta Hi-Matic E is a small, full-frame 35-mm rangefinder camera that is available alone (with case) or in a kit including Minolta’s Electroflash-2 electronic flash unit. I worked with the latter outfit and can vouch that it offers the most automation possible for the photographer who wants to eliminate all fussing with controls.
PopularPhotography_19730501_0072_005_0100.xml
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126
126
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0101.xml
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127
127
[no value]
[no value]
THE AMPHOTO PHOTOGRAPHY BOOK CLUB
[no value]
THE AMPHOTO PHOTOGRAPHY BOOK CLUB
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0102.xml
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128
128
[no value]
[no value]
Candid-Instant Color
[no value]
Candid-Instant Color
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0103.xml
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128
128
[no value]
[no value]
Advertisement: KONICA
[no value]
[no value]
KONICA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0104.xml
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129
129
[no value]
[no value]
ZIFF-DAVIS PUBLISHING COMPANY: STORAGE CASES
[no value]
ZIFF-DAVIS PUBLISHING COMPANY
STORAGE CASES
[no value]
[no value]
PopularPhotography_19730501_0072_005_0105.xml
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129
129
[no value]
[no value]
HENRY'S
[no value]
HENRY'S
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0106.xml
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130
130
[no value]
[no value]
SLIK TRIPOD CO., LTD.: GOODMAN S-103
[no value]
SLIK TRIPOD CO., LTD.
GOODMAN S-103
[no value]
[no value]
PopularPhotography_19730501_0072_005_0107.xml
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130
130
[no value]
[no value]
Falcon Safety Products, Inc.: FALCON DUST-OFF
[no value]
Falcon Safety Products, Inc.
FALCON DUST-OFF
[no value]
[no value]
PopularPhotography_19730501_0072_005_0108.xml
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131
131
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0109.xml
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132
132,133
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0110.xml
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134
134
[no value]
[no value]
Color Only
[no value]
Color Only
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0111.xml
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135
135
[no value]
[no value]
Advertisement: KONICA
[no value]
[no value]
KONICA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0112.xml
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135
135
[no value]
[no value]
Advertisements
[no value]
MICO PHOTO & SOUND CO.
MINOLTA SRT 101 7 PC OUTFIT
MICO PHOTO & SOUND CO.
MOVIE CAMERAS
[no value]
[no value]
PopularPhotography_19730501_0072_005_0113.xml
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136
136
[no value]
[no value]
Advertisement: STARTER KIT
[no value]
[no value]
STARTER KIT
[no value]
[no value]
PopularPhotography_19730501_0072_005_0114.xml
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136
136
[no value]
[no value]
PHOTO POSTER INC.
[no value]
PHOTO POSTER INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0115.xml
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137
137
[no value]
[no value]
Advertisement: KONICA
[no value]
[no value]
KONICA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0116.xml
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137
137
[no value]
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0117.xml
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138
138
[no value]
[no value]
Chief COLOR LABS
[no value]
Chief COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0118.xml
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139
139
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0119.xml
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139
139
[no value]
[no value]
CAMERA and HI-FI
[no value]
CAMERA and HI-FI
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0120.xml
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140
140
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0121.xml
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140
140,141,142,143
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0122.xml
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144
144,145,146,147,148,149
[no value]
[no value]
Spiratone
[no value]
Spiratone
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0123.xml
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150
150
[no value]
[no value]
LION PHOTO SUPPLY, INC.
[no value]
LION PHOTO SUPPLY, INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0124.xml
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151
151
[no value]
[no value]
Foto Factory, Ltd.
[no value]
Foto Factory, Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0125.xml
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152
152,153
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0126.xml
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154
154
[no value]
[no value]
INTERSTATE 35 COLOR LAB
[no value]
INTERSTATE 35 COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0127.xml
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155
155
[no value]
[no value]
VIKING INTERNATIONALE
[no value]
VIKING INTERNATIONALE
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0128.xml
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156
156
[no value]
[no value]
Advertisement: KONICA
[no value]
[no value]
KONICA
[no value]
[no value]
PopularPhotography_19730501_0072_005_0129.xml
article
156
156
[no value]
[no value]
Wild and Far Out
[no value]
[no value]
[no value]
[no value]
An unusual 10-day raft trip with emphasis on nature and wild-life photography will take place from May 3 to May 12 on the Middle Fork and Main Salmon Rivers in Idaho. Boyd Norton, nationally-known nature photographer/writer will provide photographic and general outdoor counsel for the group.
PopularPhotography_19730501_0072_005_0130.xml
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157
157
[no value]
[no value]
STERLING-HOWARD: ASTRANAR
[no value]
STERLING-HOWARD
ASTRANAR
[no value]
[no value]
PopularPhotography_19730501_0072_005_0131.xml
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158
158,159
[no value]
[no value]
SILK
[no value]
SILK
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0132.xml
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160
160,161
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0133.xml
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162
162
[no value]
[no value]
Porter's Camera Store Inc.: KLIP-PACK
[no value]
Porter's Camera Store Inc.
KLIP-PACK
[no value]
[no value]
PopularPhotography_19730501_0072_005_0134.xml
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163
163
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0135.xml
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164
164
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0136.xml
article
164
164
[no value]
[no value]
CONTEST NOTICE
[no value]
[no value]
[no value]
[no value]
Entries are now being accepted for the Eleventh Annual Annapolis Fine Arts Festival Photography Competition and Exhibition. There are two classes: color and black-and-white prints, and transparencies; each contributor may submit a maximum of four entries in each class.
PopularPhotography_19730501_0072_005_0137.xml
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165
165
[no value]
[no value]
Wedding PERFECT Inc.
[no value]
Wedding PERFECT Inc.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0138.xml
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166
166,167,168
[no value]
[no value]
Camera Hut Ltd.
[no value]
Camera Hut Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0139.xml
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169
169
[no value]
[no value]
MASTER COLOR LABS
[no value]
MASTER COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0140.xml
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170
170
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19730501_0072_005_0141.xml
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171
171
[no value]
[no value]
PRINT FILE, INC.
[no value]
PRINT FILE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0142.xml
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172
172
[no value]
[no value]
LUSTRE COLOR CORPORATION
[no value]
LUSTRE COLOR CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0143.xml
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173
173
[no value]
[no value]
LUSTRE COLOR CORPORATION
[no value]
LUSTRE COLOR CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0144.xml
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174
174
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[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0145.xml
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175
175
[no value]
[no value]
PDQ
[no value]
PDQ
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0146.xml
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176
176,177
[no value]
[no value]
MINIFILM
[no value]
MINIFILM
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0147.xml
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179
179
[no value]
[no value]
CAMBRIDGE CAMERA
[no value]
CAMBRIDGE CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0148.xml
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180
180
[no value]
[no value]
Advertisements
[no value]
CAMBRIDGE CAMERA EXCHANGE
KONICA HQ
CAMBRIDGE CAMERA EXCHANGE
KONICA AUTO REFLEX AII
[no value]
[no value]
PopularPhotography_19730501_0072_005_0149.xml
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181
181,182,183,184,185
[no value]
[no value]
CAMBRIDGE CAMERA
[no value]
CAMBRIDGE CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0150.xml
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186
186
[no value]
[no value]
SUNSET COLOR LAB
[no value]
SUNSET COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0151.xml
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187
187
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0152.xml
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188
188
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0153.xml
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189
189
[no value]
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0154.xml
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190
190,191,192
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0155.xml
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193
193
[no value]
[no value]
INTERSTATE COLOR LAB
[no value]
INTERSTATE COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0156.xml
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194
194,195
[no value]
[no value]
olden camera
[no value]
olden camera
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0157.xml
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196
196
[no value]
[no value]
world camera & sound
[no value]
world camera & sound
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0158.xml
advertisement
197
197
[no value]
[no value]
MONKEY COLOR INC.
[no value]
MONKEY COLOR INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0159.xml
advertisement
198
198,199
[no value]
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0160.xml
advertisement
200
200
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0161.xml
advertisement
201
201
[no value]
[no value]
LION PHOTO SUPPLY, INC.
[no value]
LION PHOTO SUPPLY, INC.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0162.xml
advertisement
202
202
[no value]
[no value]
SUPERCOLOR
[no value]
SUPERCOLOR
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0163.xml
advertisement
203
203
[no value]
[no value]
Advertisements
[no value]
[no value]
KONICA AUTOREFLEX "A“
[no value]
KONICA AUTO S2
[no value]
[no value]
PopularPhotography_19730501_0072_005_0164.xml
advertisement
204
204,205
[no value]
[no value]
COMPETITIVE CAMERA CORP.
[no value]
COMPETITIVE CAMERA CORP.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0165.xml
advertisement
206
206
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0166.xml
advertisement
207
207
[no value]
[no value]
INTERSTATE CAMERA STORES
[no value]
INTERSTATE CAMERA STORES
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0167.xml
advertisement
208
208
[no value]
[no value]
GARDEN CAMERA
[no value]
GARDEN CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0168.xml
advertisement
209
209
[no value]
[no value]
GLO-COLOR LABS
[no value]
GLO-COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0169.xml
advertisement
210
210
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0170.xml
advertisement
210
210
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0171.xml
advertisement
210
210
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0172.xml
advertisement
211
211
[no value]
[no value]
Frank's HIGHLAND PARK CAMERA
[no value]
Frank's HIGHLAND PARK CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0173.xml
advertisement
212
212,213
[no value]
[no value]
CAMERA EXCHANGE
[no value]
CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0174.xml
article
214
214
index of advertisers
[no value]
index of advertisers
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0175.xml
advertisement
214
214
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0176.xml
advertisement
215
215
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0177.xml
advertisement
216
216,217,218
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0178.xml
advertisement
219
219
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0179.xml
review
220
220
i want to buy...
[no value]
i want to buy...
[no value]
Paillard, Inc.
[no value]
Paillard, Inc.
Hasselblad 500C
Paillard, Inc.
Wisner
Paillard, Inc.
Clark Plastic Slide Mounts
Paillard, Inc.
Fujica
Paillard, Inc.
Ricoh Teleca
[no value]
If it's possible to put a Polaroid film back on my Hasselblad, who makes it? James Weiss (no address given) You have three to choose from. In June, Paillard, Inc., 1900 Lower Rd., Linden, N.J. 07036, should have the Hasselblad back for Polaroid Film. It will accept Type 88 (Square Shooter) color film as well as Type 87 black-and-white (available overseas only).
PopularPhotography_19730501_0072_005_0180.xml
advertisement
221
221
[no value]
[no value]
Ponder&Best, Inc.: Vivitar Lenses
[no value]
Ponder&Best, Inc.
Vivitar Lenses
[no value]
[no value]
PopularPhotography_19730501_0072_005_0181.xml
advertisement
222
222
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19730501_0072_005_0182.xml