Issue: 19721201

Friday, December 1, 1972
December
6
False
71
Saturday, January 10, 2015

Articles
cover
0_1
0_1
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POPULAR PHOTOGRAPHY
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PopularPhotography_19721201_0071_006_0001.xml
advertisement
0_2
0_2,1,3
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Honeywell
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Honeywell
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PopularPhotography_19721201_0071_006_0002.xml
tableOfContents
4
4
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Popular Photography
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PopularPhotography_19721201_0071_006_0003.xml
advertisement
5
5
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Ehrenreich Photo-Optical Industries, Inc.: Nikon
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Ehrenreich Photo-Optical Industries, Inc.
Nikon
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PopularPhotography_19721201_0071_006_0004.xml
article
6
6
LETTERS TO THE EDITOR
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LETTERS TO THE EDITOR
Off the beaten path
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Regarding Ken Poli's statement in "Letters to the Editor" (Sept. issue]—or should I say “Letter From the Editor"—he must have been in transit in Wyoming in his Ivory Tower, because he sure wasn't in Wyoming. Maybe he was in bad health or in such a big hurry that he couldn't get off the major highways and use shanks mare.
PopularPhotography_19721201_0071_006_0005.xml
masthead
6
6
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masthead
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PopularPhotography_19721201_0071_006_0006.xml
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7
7
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AIC PHOTO, INC.: MIRANDA
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AIC PHOTO, INC.
MIRANDA
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PopularPhotography_19721201_0071_006_0007.xml
advertisement
8
8,9
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[no value]
Ponder&Best, Inc.
[no value]
Ponder&Best, Inc.
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PopularPhotography_19721201_0071_006_0008.xml
article
10
10
FYI
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FYI
New Vericolor L 120 negative film; a panoramic camera that captures 360-degree photos —and 36,000 car parts on microfilm
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SIMON NATHAN
EDUCATED GUESS: With the introduction of a second version of Kodak's newest 120 professional color negative film, called Vericolor L (VL 120), the use of color negative by professionals who prefer tungsten light may snowball. Second version is a cousin to the three-solution-processed Kodacolor II (currently available in 110 size and soon in 35-mm) in that it takes three-solution processing (via Kodak Versamat 145) and is designed for exposures 1/10 sec to 60 sec long under 3200 K illumination.
PopularPhotography_19721201_0071_006_0009.xml
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11
11
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Ehrenreich Photo-Optical Industries, Inc.: Mamiya TLR
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Ehrenreich Photo-Optical Industries, Inc.
Mamiya TLR
[no value]
[no value]
PopularPhotography_19721201_0071_006_0010.xml
advertisement
12
12,13
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Kodak
[no value]
Kodak
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PopularPhotography_19721201_0071_006_0011.xml
advertisement
14
14
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National Camera
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National Camera
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PopularPhotography_19721201_0071_006_0012.xml
article
14
14
HELP!
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HELP!
Those curly glossies
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Is there anything I can do about the curling of my enlargements after they've come off the ferrotype plates of my dryer? D. Schwartz, Manchester, N.H. You might try this cycle. Dampen the back of each print slightly with a fairly wellwrung-out sponge, then cover each enlargement with a clean sheet of white paper (like the kind used for typing).
PopularPhotography_19721201_0071_006_0013.xml
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15
15
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OMEGA
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OMEGA
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PopularPhotography_19721201_0071_006_0014.xml
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16
16,17
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Konica Camera Company
[no value]
Konica Camera Company
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PopularPhotography_19721201_0071_006_0015.xml
advertisement
18
18
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KLING PHOTO COMPANY
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KLING PHOTO COMPANY
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PopularPhotography_19721201_0071_006_0016.xml
article
18
18,88
OFFBEAT
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OFFBEAT
Too much "dead weight" won't help you take better pictures
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NORMAN ROTHSCHILD
Having reached 220 pounds, I finally went on a diet. By the time you read this, I will have lost about 30 pounds, with another 30 pounds to go. But what has this to do with photography? Aside from being thinner and feeling better, and therefore having more energy to carry a camera bag, there are other implications.
PopularPhotography_19721201_0071_006_0017.xml
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19
19
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eumig
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eumig
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PopularPhotography_19721201_0071_006_0018.xml
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20
20,21
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Nikon Inc.: Nikkormat
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Nikon Inc.
Nikkormat
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PopularPhotography_19721201_0071_006_0019.xml
advertisement
22
22
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Calumet photographic, inc.
[no value]
Calumet photographic, inc.
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PopularPhotography_19721201_0071_006_0020.xml
article
22
22,24
TOOLS & TECHNIQUES
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TOOLS & TECHNIQUES
Open your eyes to the wide world of b&w papers
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CORA WRIGHT KENNEDY
When was the last time you took a really close look at enlarging papers for black-and-white? Or have you ignored such matters in favor of the gospel that there is just one paper, its name is glossy, and it should be dried matte? If so, you may well belong to a large group of blinder-bedecked picture makers who are following a current trend.
PopularPhotography_19721201_0071_006_0021.xml
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23
23
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AIC PHOTO, INC.
[no value]
AIC PHOTO, INC.
[no value]
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PopularPhotography_19721201_0071_006_0022.xml
advertisement
24
24
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Ponder&Best, Inc.
[no value]
Ponder&Best, Inc.
[no value]
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PopularPhotography_19721201_0071_006_0023.xml
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25
25
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Braun North America: Ricoh TLS-401
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Braun North America
Ricoh TLS-401
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PopularPhotography_19721201_0071_006_0024.xml
article
26
26,28
VIEWPOINT
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VIEWPOINT
A much-photographed subject need not be a cliché if you add something new
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JACOB DESCHIN
One sunny afternoon in the late 1930s, when open trolley cars rode the rails on New York City’s 42nd St., I was strolling east when I overheard the remark: “Look, the people in that trolley car seem like prisoners behind bars!” Obviously a tourist, he was calling a friend’s attention to what was a curiosity for him.
PopularPhotography_19721201_0071_006_0025.xml
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26
26,27
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Ponder&Best, Inc.: Vivitar Lenses
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Ponder&Best, Inc.
Vivitar Lenses
[no value]
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PopularPhotography_19721201_0071_006_0026.xml
advertisement
28
28
[no value]
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LENCO PHOTO PRODUCTS, INC.
[no value]
LENCO PHOTO PRODUCTS, INC.
[no value]
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PopularPhotography_19721201_0071_006_0027.xml
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28
28
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PHOTOGRAPHY INSTITUTE OF AMERICA
[no value]
PHOTOGRAPHY INSTITUTE OF AMERICA
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PopularPhotography_19721201_0071_006_0028.xml
advertisement
29
29
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Ehrenreich Photo-Optical Industries, Inc.: The Metz Gallery
[no value]
Ehrenreich Photo-Optical Industries, Inc.
The Metz Gallery
[no value]
[no value]
PopularPhotography_19721201_0071_006_0029.xml
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30
30,31
[no value]
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Fuji Photo Film
[no value]
Fuji Photo Film
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0030.xml
advertisement
32
32
[no value]
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Konica Camera Corporation
[no value]
Konica Camera Corporation
[no value]
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[no value]
PopularPhotography_19721201_0071_006_0031.xml
article
32
32,34
PROTECHNIQUES
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PROTECHNIQUES
Place your cameras and lenses on the kitchen table and dream about shooting pictures
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EDWARD MEYERS
A friend of mine once asked a famous sculptorpotter if he considered himself to be an artist. He replied by explaining that he was not an artist. Everyone who paints pictures on Sundays is an artist. He would rather call himself a ceramist.
PopularPhotography_19721201_0071_006_0032.xml
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33
33
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Ponder&Best, Inc.: Vivitar 281
[no value]
Ponder&Best, Inc.
Vivitar 281
[no value]
[no value]
PopularPhotography_19721201_0071_006_0033.xml
advertisement
34
34
[no value]
[no value]
Sankyo Seiki (America) Inc.
[no value]
Sankyo Seiki (America) Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0034.xml
advertisement
35
35
[no value]
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AIC PHOTO, INC.
[no value]
AIC PHOTO, INC.
[no value]
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[no value]
PopularPhotography_19721201_0071_006_0035.xml
advertisement
36
36,38
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0036.xml
advertisement
40
40
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AIC PHOTO, INC.: SOLIGOR
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AIC PHOTO, INC.
SOLIGOR
[no value]
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PopularPhotography_19721201_0071_006_0037.xml
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40
40
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Argus Incorporated
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Argus Incorporated
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PopularPhotography_19721201_0071_006_0038.xml
article
40
40
SIMON SAYS
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SIMON SAYS
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tography (or other subjects), you might find that the tape-recorder method of notetaking will remember more than you could ever store. If you are not in school, but have a question on photography, you could take a C-30 tape and state your name and address, the question, and send it to myself or Ed Meyers at POP PHOTO, and we’d give it a whirl as to our off-the-top-of-the-head answer.
PopularPhotography_19721201_0071_006_0039.xml
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41
41
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Fuji Photo Film
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Fuji Photo Film
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PopularPhotography_19721201_0071_006_0040.xml
article
42
42,44,90
FOCUS ON SOUND
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FOCUS ON SOUND
Save those old records: copy them on tape—now!
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DON SUTHERLAND
There's something special about the really old phonograph records you may dig out of the attic or pick up at flea markets for a quarter apiece. Those made by the acoustical process (turn-of-the-century to around 1930) give us the tinny sound we identify with the early part of the century, offering a trip through time that transcends the current nostalgia fad.
PopularPhotography_19721201_0071_006_0041.xml
article
42
42
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Inside Track
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I have a sound-effects record with a brief cut of train sounds. How can I get it to run for several minutes? You could make a tape loop for your tape recorder, but unless you're extremely skilled or lucky, you will hear the effect “cycle” at the splice.
PopularPhotography_19721201_0071_006_0042.xml
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43
43
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Beseler Photo Marketing Co., Inc.
[no value]
Beseler Photo Marketing Co., Inc.
[no value]
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PopularPhotography_19721201_0071_006_0043.xml
advertisement
44
44
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Advertisements
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S. M. Frank & Co., Inc.
KAYWOODIE
S. M. Frank & Co., Inc.
YELLO-BOLE
[no value]
[no value]
PopularPhotography_19721201_0071_006_0044.xml
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45
45
[no value]
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Beseler Photo Marketing Company, Inc.
[no value]
Beseler Photo Marketing Company, Inc.
[no value]
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PopularPhotography_19721201_0071_006_0045.xml
advertisement
46
46,47
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Advertisements
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Kodak
KODAK Pocket INSTAMATIC 20 Camera.
Kodak
KODAK Pocket INSTAMATIC 30 Camera.
[no value]
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PopularPhotography_19721201_0071_006_0046.xml
advertisement
48
48
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Konica Camera Corp.
[no value]
Konica Camera Corp.
[no value]
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PopularPhotography_19721201_0071_006_0047.xml
article
48
48,50,54,88
TRAVELER'S CAMERA
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TRAVELER'S CAMERA
The desert: a world of rugged beauty and remnants of the goldmining era
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LES BARRY
PALM SPRINGS. Ca —George Service was a California banker who fell in love with the deserts—not any particular desert, but all deserts, and especially those that abound in the southwestern part of the United States About two years ago. George, who appears to be in his middle 30s, decided to quit the banking business and take up with the desert, so he organized a company that's mainly concerned with taking people into the deserts of southern California to show them that a desert can indeed be a fascinating place to visit (whether or not you'd want to live there).
PopularPhotography_19721201_0071_006_0048.xml
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49
49
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BELL & HOWELL
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BELL & HOWELL
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PopularPhotography_19721201_0071_006_0049.xml
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50
50
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Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0050.xml
advertisement
51
51
[no value]
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AIC PHOTO, INC.
[no value]
AIC PHOTO, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0051.xml
advertisement
52
52,53
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0052.xml
advertisement
54
54
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[no value]
SMP BOOKS
[no value]
SMP BOOKS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0053.xml
advertisement
55
55
[no value]
[no value]
KONICA CAMERA CO.
[no value]
KONICA CAMERA CO.
[no value]
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[no value]
PopularPhotography_19721201_0071_006_0054.xml
article
56
56,58,64
SHOWS WE'VE SEEN
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SHOWS WE'VE SEEN
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Racing Dynamics—photographs by Erwin Dermer, Harry Gruyaert, Just Jaeckin, Jean-Paul de Septenville, Rainer W. Schlegelmilch, Kazno Tamama, Francois Tainturier, and Emmanuel Zurini, at Galerie Nikon, 1 rue Jacob, Paris (June 7 through September).
PopularPhotography_19721201_0071_006_0055.xml
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57
57
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Advertisements
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HASSELBLAD
500C
HASSELBLAD
Super Wide C
[no value]
[no value]
PopularPhotography_19721201_0071_006_0056.xml
advertisement
58
58
[no value]
[no value]
E. Leitz, Inc.
[no value]
E. Leitz, Inc.
[no value]
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PopularPhotography_19721201_0071_006_0057.xml
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61
61
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[no value]
TIME-LIFE BOOKS
[no value]
TIME-LIFE BOOKS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0058.xml
advertisement
62
62,63
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0059.xml
advertisement
64
64
[no value]
[no value]
BOGEN PHOTO CORP.
[no value]
BOGEN PHOTO CORP.
[no value]
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[no value]
PopularPhotography_19721201_0071_006_0060.xml
advertisement
65
65
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[no value]
New York Institute of Photography
[no value]
New York Institute of Photography
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0061.xml
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66
66
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BOGEN PHOTO CORP.
[no value]
BOGEN PHOTO CORP.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0062.xml
advertisement
66
66
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[no value]
Bogen Photo Corp.
[no value]
Bogen Photo Corp.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0063.xml
article
66
66,68,70
SHOP TALK
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SHOP TALK
To be a first-rate camera repairman, you must have "sense of correctness"
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NORMAN GOLDBERG
During the preparation of information for my recent article on the training of camera repairmen (see POP PHOTO, Oct., '72), I visited a number of large repair shops. Some of these are connected with major manufacturers and are quite alert to the latest legal restrictions dealing with hiring practices.
PopularPhotography_19721201_0071_006_0064.xml
advertisement
67
67
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AIC PHOTO, INC.
[no value]
AIC PHOTO, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0065.xml
advertisement
68
68
[no value]
[no value]
Ponder&Best, Inc.
[no value]
Ponder&Best, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0066.xml
advertisement
68
68
[no value]
[no value]
Blackhawk Films
[no value]
Blackhawk Films
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0067.xml
advertisement
69
69
[no value]
[no value]
Konica Camera Corp.
[no value]
Konica Camera Corp.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0068.xml
advertisement
70
70
[no value]
[no value]
KAKO STROBE AMERICA, INC.
[no value]
KAKO STROBE AMERICA, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0069.xml
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70
70
[no value]
[no value]
The Schober Organ Corp.
[no value]
The Schober Organ Corp.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0070.xml
advertisement
70
70
[no value]
[no value]
PHOTO POSTER INC.
[no value]
PHOTO POSTER INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0071.xml
advertisement
71
71
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[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0072.xml
advertisement
72
72
[no value]
[no value]
HANIMEX
[no value]
HANIMEX
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0073.xml
review
72
72,74,76,92
JUST OUT
[no value]
JUST OUT
Cameras
Allied Impex Corp.
[no value]
Allied Impex Corp.
Miranda Auto Sensorex EE
$397.50
Allied Impex Corp.
Model AP-2
$10.95
Allied Impex Corp.
T-4 Automatic
$267.50
Allied Impex Corp.
Auto/Strobonar 110
$45
Allied Impex Corp.
Kodak Instamatic M77
$129.50
Allied Impex Corp.
Durst F60
Allied Impex Corp.
How to Make Good Pictures
$4.95
Allied Impex Corp.
[no value]
$11
JOSEPH P. FESCE
Miranda Auto Sensorex EE, a 35-mm SLR, is available in an unobtrusive satin black finish. It’s priced at $397.50 with an automatic f/1.4 lens, and $357.50 with an f/1.8; deluxe carrying case, $18.95. Importer is Allied Impex Corp., 168 Glen Cove Rd., Carle Place, N.Y. 11541.
PopularPhotography_19721201_0071_006_0074.xml
advertisement
73
73
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0075.xml
advertisement
74
74
[no value]
[no value]
TIFFEN OPTICAL COMPANY
[no value]
TIFFEN OPTICAL COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0076.xml
advertisement
75
75
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[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0077.xml
advertisement
76
76
[no value]
[no value]
KLING PHOTO COMPANY
[no value]
KLING PHOTO COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0078.xml
advertisement
76
76
[no value]
[no value]
OLYMPIA OPTICAL DEVICES
[no value]
OLYMPIA OPTICAL DEVICES
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0079.xml
advertisement
79
79
[no value]
[no value]
The School of Modern Photography
[no value]
The School of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0080.xml
advertisement
80
80
[no value]
[no value]
PETRI
[no value]
PETRI
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0081.xml
advertisement
80
80
[no value]
[no value]
Bushnell
[no value]
Bushnell
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0082.xml
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80
80
[no value]
[no value]
THE NEGA FILE COMPANY
[no value]
THE NEGA FILE COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0083.xml
article
80
80
[no value]
[no value]
BOOK REVIEW IN BRIEF
[no value]
[no value]
[no value]
[no value]
Waldman on Theater, photographs by Max Waldman, introduction by Clive Barnes and preface by Peter Bunnell. Garden City, N.Y.: Doubleday & Co., Inc., 1971; 185 pp., $10. When you try to list good, original theater photographers whose work bears a special stamp setting it apart from others, you run out of names very quickly.
PopularPhotography_19721201_0071_006_0084.xml
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81
81
[no value]
[no value]
Braun North America
[no value]
Braun North America
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0085.xml
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82
82
[no value]
[no value]
BROOKS INSTITUTE
[no value]
BROOKS INSTITUTE
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0086.xml
article
82
82
[no value]
[no value]
BOOK REVIEWS IN BRIEF
[no value]
[no value]
[no value]
[no value]
The Classic Woman, by James Sterling Moran. New York: Playboy Press, 1972, 29 color and 32 b&w photographs; $16.95. The Majesty of the Black Woman by Arthur Tcholakian (introduction by William Saroyan). New York: Van Nostrand Reinhold Co., 1972, 160 pp., 134 b&w photographs; $14.95.
PopularPhotography_19721201_0071_006_0087.xml
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83
83
[no value]
[no value]
BELL & HOWELL
[no value]
BELL & HOWELL
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0088.xml
article
84
84,86
Equipment and materials
[no value]
HOW TO BUILD A DRYING CABINET
[no value]
[no value]
[no value]
JOHN WAASER
So you were up all night developing negatives from that party; it was the first job you ever did for money, and you didn’t notice that the hall had a high ceiling, and your-guide number didn't guide. What you've got is a bunch of thin negatives and, as hard as you've tried to eliminate dust, they still show some.
PopularPhotography_19721201_0071_006_0089.xml
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85
85
[no value]
[no value]
Rollei of America, Inc.
[no value]
Rollei of America, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0090.xml
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86
86
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0091.xml
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86
86
[no value]
[no value]
PHOTO HANG UPS INC.
[no value]
PHOTO HANG UPS INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0092.xml
article
86
86
[no value]
[no value]
photo tip
Brighter focusing filter
[no value]
[no value]
[no value]
The red safety filter supplied with most enlargers is fairly dense and is not satisfactory for all darkroom workers. Substituting an O2 (Orange No. 2) filter, for use with black-and-white film, will provide a brighter image on the easel, particularly valuable when making multiple exposures on a single sheet of paper.
PopularPhotography_19721201_0071_006_0093.xml
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87
87
[no value]
[no value]
PAILLARD: BOLEX
[no value]
PAILLARD
BOLEX
[no value]
[no value]
PopularPhotography_19721201_0071_006_0094.xml
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88
88
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0095.xml
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88
88
[no value]
[no value]
apollo
[no value]
apollo
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0096.xml
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89
89
[no value]
[no value]
Scopus
[no value]
Scopus
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0097.xml
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90
90
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0098.xml
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90
90
[no value]
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0099.xml
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91
91
[no value]
[no value]
Weston Instruments, Inc.
[no value]
Weston Instruments, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0100.xml
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92
92
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0101.xml
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92
92
[no value]
[no value]
samigon corp.
[no value]
samigon corp.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0102.xml
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93
93
[no value]
[no value]
THE H & W COMPANY
[no value]
THE H & W COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0103.xml
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94
94
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0104.xml
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94
94
[no value]
[no value]
FALCON SAFETY PRODUCTS, INC.
[no value]
FALCON SAFETY PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0105.xml
article
94
94,96,155
SHOWS TO SEE
[no value]
SHOWS TO SEE
November/ December
[no value]
[no value]
[no value]
Phoenix Art Museum, 1025 N. Central Ave., Phoenix: Manuel Alvarez Bravo, Nov. 3-Dec. 17 • University of Arizona, Tucson: Just Before the War II Nov. 4-Dec. 3 CALIFORNIA Friends of Photography Gallery, Sunset Cultural Center. San Carlos at 9th, Carmel: Routh, Robbins, and Julian, through Nov. 12.
PopularPhotography_19721201_0071_006_0106.xml
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95
95
[no value]
[no value]
AKAI America, Ltd.
[no value]
AKAI America, Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0107.xml
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96
96
[no value]
[no value]
PAILLARD: BOLEX
[no value]
PAILLARD
BOLEX
[no value]
[no value]
PopularPhotography_19721201_0071_006_0108.xml
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97
97
[no value]
[no value]
THE CAMERA ARTS BOOK CLUB
[no value]
THE CAMERA ARTS BOOK CLUB
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0109.xml
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98
98
[no value]
[no value]
AIC PHOTO, INC.: SOLIGOR
[no value]
AIC PHOTO, INC.
SOLIGOR
[no value]
[no value]
PopularPhotography_19721201_0071_006_0110.xml
article
99
99,100,170,216
Photography today
[no value]
OLD-TIME PROCESSES—
how to identify and date them
[no value]
[no value]
HARVEY ZUCKER
There’s something about an old photograph that is charming and interesting, even if we don't know the people shown. To the untutored eye it may seem extremely difficult to date an old photo, but to the knowledgeable (within reasonable limits) it’s relatively simple.
PopularPhotography_19721201_0071_006_0111.xml
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101
101
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0112.xml
article
102
102,103,104,105,142,143,145
Equipment and materials
[no value]
process your paper properly
A review of basic procedures for making high-quality prints, and tips for eliminating the goofs
[no value]
[no value]
BILL PIERCE
When we hear the term “processing,” we automatically think of film processing. Paper processing may be simpler, but it is just as important. No paper processing—no prints. And few photographers exhibit their negatives. Therefore, a remedial course in paper processing follows.
PopularPhotography_19721201_0071_006_0113.xml
article
106
106,107,108,109
ANTHONY EATON FRIEDKIN
[no value]
Probing the environment
[no value]
[no value]
[no value]
RICHARD BUSCH
Without a doubt, the most recognizable and ubiquitous approach to photography today is that of the photojournalist—to record the world and the events of human life, to investigate its endless forms, and to reveal its truth and hidden meanings.
PopularPhotography_19721201_0071_006_0114.xml
article
110
110,111,112,113,146,147,148,149,199
Equipment and materials
[no value]
COLOR PRIINTIING—I TRIED IT AND LIKED IT
After years of stalling, a skeptic finds color printing easy to learn
[no value]
[no value]
HUGH BIRNBAUM
For more than eight years (five as a free-lance photographer and three as a pontificator on photographic subjects) I had been nervously hiding a skeleton in my professional closet. The shameful secret was that I had never made a color print (there will be a brief recess while you all recover from your shock and horror).
PopularPhotography_19721201_0071_006_0115.xml
article
114
114,115,116,117,118,119
Photography today
[no value]
ANYONE FOR SINGLES?
A “single” is a picture that creates interest on its own, like those shown here. Developing your ability to evaluate individual pictures can improve your photography
[no value]
[no value]
[no value]
The pictures appearing on the preceding pages were selected simply as strong "singles"—outstanding individual images that need neither words, technical explanations, nor other images to make the point. Each image makes its own point.
PopularPhotography_19721201_0071_006_0116.xml
review
120
120,158,159
Lab report
[no value]
PRAKTICA LLC
FIELD CHECK
Hanimex (U.S.A.) Inc.
[no value]
Hanimex (U.S.A.) Inc.
PRAKTICA LLC
$230
[no value]
Those who've written off the entire German camera industry fail to reckon with the flood of modern cameras emanating from Dresden. In the Praktica LLC, a new metal focal-plane shutter and a unique metering system, both of which I will take up in due course, are just two items of interest.
PopularPhotography_19721201_0071_006_0117.xml
article
121
121,138
Lab report
[no value]
INSTRUMENT READOUTS
[no value]
[no value]
[no value]
[no value]
Comments: Stripping the camera down to the bare casting is relatively pleasant since total modular construction is employed. The new-style shutter bears an external resemblance to the Copal Square, but once inside the differences are readily seen.
PopularPhotography_19721201_0071_006_0118.xml
article
122
122,123,124,125
THE HATTERSLEY CLASS:
[no value]
TRY PHOTOGRAPHING ARCHITECTURE
[no value]
[no value]
[no value]
[no value]
Ken Helschien, a student at New York's School of Visual Arts, uses buildings as design elements to fill up two-dimensional picture areas in interesting ways. He is not concerned with the meaning of the buildings or what they’re being used for.
PopularPhotography_19721201_0071_006_0119.xml
article
126
126,127,163
Equipment and materials
[no value]
A guide to the twin-lens reflex
TLRs are still used widely in a world of smaller cameras. Here's what's around
[no value]
[no value]
Norman Rothschild
Ever since about 1930, there has never been a time I did not own and use a twinlens reflex (TLR). And, if you check among the pros, you’ll find a goodly number who will tell you that when all else fails, the TLR will get the picture for them. There are, of course, a number of pros who use the TLR as a basic camera.
PopularPhotography_19721201_0071_006_0120.xml
article
126
126,127
[no value]
[no value]
Noninterchangeableens TLRs
[no value]
[no value]
[no value]
FRED LEWIS
In the post-W.W.II period, the number of noninterchangeable twin-lens reflexes became legion. Though the number of offerings has dwindled, choices are still plentiful enough to make the game interesting. The original modern TLR maker, Rollei, is still very much in the picture.
PopularPhotography_19721201_0071_006_0121.xml
article
126
126
Equipment and materials
[no value]
Beginners’ Cameras
[no value]
[no value]
[no value]
[no value]
If you'd like the benefits of twin-lens-reflex photography and want to try your hand at it, you need not shell out a lot of money. Take, for example, the Lubitel. It's only $15 or so. It has a 75-mm f/4.5 lens and a shutter with speeds from 1/15 to 1/30 sec.
PopularPhotography_19721201_0071_006_0122.xml
article
127
127,128
Equipment and materials
[no value]
Interchangeable-lens units
[no value]
[no value]
[no value]
[no value]
The Mamiya Professional was the first commercially successful 2¼×2¼ twin-lens reflex to offer lens interchangeability. Today's models, the C220 and C330, offer lenses that include a normal 80-mm f/2.8, wide-angles with focal lengths of 55 and 65 mm, teles with focal lengths of 105, 135, 180, and 250 mm.
PopularPhotography_19721201_0071_006_0123.xml
article
128
128,129
Equipment and materials
[no value]
35-mm TLRs
[no value]
[no value]
[no value]
[no value]
Mention of TLRs almost always brings forth an image of a roll of 120 or 220 film. But, those of us who are always searching for things unique will, of course, know about a TLR that uses 35-mm film, the Tessina. It makes 14×21-mm images on standard 35-mm film, with up to 24 exposures per load.
PopularPhotography_19721201_0071_006_0124.xml
article
129
129
Equipment and materials
[no value]
Studio cameras
[no value]
[no value]
[no value]
[no value]
I seriously doubt that many amateurs will ever wish to buy one of the cameras pictured here, at least not at first glance. With the exception of the Gowlandflex, they are not used hand-held for casual picture-taking. In general, they are mounted on a tripod and used professionally in a studio or on location for portraits.
PopularPhotography_19721201_0071_006_0125.xml
article
130
130,131,156
Equipment and materials
[no value]
Switch on the glamor!
Camera-side light control cuts time, costs, and enhances spontaneity
[no value]
[no value]
PETER GOWLAND
Pressure is one thing I try to eliminate from my photographic sittings. I just don’t function well knowing that I have to work fast. There are people who claim to work better under pressure, but this doesn't hold true in my case. Recently I did an assignment with a fashion model who charged double her regular $66 per hour rate, because my client wanted to use her in a situation that gave the impression she was nude even though actually she was covered.
PopularPhotography_19721201_0071_006_0126.xml
article
132
132,133,150,151,222
Movies
[no value]
HOW TO SHOP FOR A ZOOM
Contrary to the common notion, ratios are not the whole story: the trick is to determine what range you really need
[no value]
[no value]
DON SUTHERLAND
Probably more than any other single feature, when people consider a movie camera, the zoom lens emerges as the most important. Makes sense. The lens is the unit that brings together various light waves and focuses them on film as a cohesive image; and images are what movies are about.
PopularPhotography_19721201_0071_006_0127.xml
article
134
134,135,136,137
Equipment and materials
[no value]
First look
New through-lens-metering SLR, feather-weight 21-mm wide angle, EE-coupled automatic zoom lens
[no value]
[no value]
MICHELE FRANK
This is a basic design without frills such as a meter on-off switch (shame on you, Canon), self-timer, shutter-speed indicator in the viewfinder, 1/1,000-sec speed, or a meter that couples over the entire range of f-stops and shutter speeds.
PopularPhotography_19721201_0071_006_0128.xml
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138
138
[no value]
[no value]
AIC PHOTO, INC.: HAHNEL
[no value]
AIC PHOTO, INC.
HAHNEL
[no value]
[no value]
PopularPhotography_19721201_0071_006_0129.xml
advertisement
139
139
[no value]
[no value]
gaf
[no value]
gaf
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0130.xml
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142
142
[no value]
[no value]
color house
[no value]
color house
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0131.xml
advertisement
143
143
[no value]
[no value]
PARKWOOD CAMERA STORES
[no value]
PARKWOOD CAMERA STORES
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0132.xml
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144
144
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0133.xml
advertisement
145
145
[no value]
[no value]
KLEER-KOLOR LABS.
[no value]
KLEER-KOLOR LABS.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0134.xml
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145
145
[no value]
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0135.xml
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145
145
[no value]
[no value]
MIKO PHOTO AND SOUND CO.
[no value]
MIKO PHOTO AND SOUND CO.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0136.xml
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146
146
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0137.xml
advertisement
147
147
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0138.xml
advertisement
148
148
[no value]
[no value]
MORGAN & MORGAN, INC.
[no value]
MORGAN & MORGAN, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0139.xml
advertisement
149
149
[no value]
[no value]
Park CAMERA and HI-FI
[no value]
Park CAMERA and HI-FI
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0140.xml
advertisement
150
150
[no value]
[no value]
Henry's MAIL ORDER INC.
[no value]
Henry's MAIL ORDER INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0141.xml
advertisement
151
151
[no value]
[no value]
Art Institute of Pittsburgh
[no value]
Art Institute of Pittsburgh
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0142.xml
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151
151
[no value]
[no value]
Candid-Instant Color
[no value]
Candid-Instant Color
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0143.xml
advertisement
152
152,153
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0144.xml
article
154
154,155
[no value]
[no value]
BOOK REVIEW IN BRIEF
[no value]
[no value]
[no value]
[no value]
The Photographs of Thomas Eakins, text by Gordon Hendricks. New York: Grossman Publishers. 1972; 214 pp., 291 black-and-white photographs; hardcover, $30. The new Hendricks book on Thomas Eakins, containing nearly 300 images, or an author-estimated 90 percent of all photographs taken by the artist, is a greatly expanded version of the brochure published in 1969 by the Pennsylvania Academy of the Fine Arts.
PopularPhotography_19721201_0071_006_0145.xml
advertisement
154
154
[no value]
[no value]
LEMNOS FILMS LTD.
[no value]
LEMNOS FILMS LTD.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0146.xml
advertisement
155
155
[no value]
[no value]
Winston Color Lab
[no value]
Winston Color Lab
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0147.xml
advertisement
155
155
[no value]
[no value]
JOHN G. MARSHALL MFG. CO., INC.
[no value]
JOHN G. MARSHALL MFG. CO., INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0148.xml
advertisement
155
155
[no value]
[no value]
Skrudland's
[no value]
Skrudland's
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0149.xml
advertisement
156
156
[no value]
[no value]
B&F ENTERPRISES-SURPLUS SALES DIV
[no value]
B&F ENTERPRISES-SURPLUS SALES DIV
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0150.xml
article
156
156,157
[no value]
[no value]
photo tip
Easier reading in darkroom
[no value]
[no value]
[no value]
Plastic darkroom graduates that have raised graduations on the outer surface are not easy to read. An improvement can be made by painting the area around the numerals and lines with black waterproof paint. When dry, carefully scrape off the high points with a razor blade, making the markings visible from the outside.
PopularPhotography_19721201_0071_006_0151.xml
advertisement
157
157
[no value]
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0152.xml
advertisement
157
157
[no value]
[no value]
CORD ENTERPRISES
[no value]
CORD ENTERPRISES
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0153.xml
advertisement
158
158
[no value]
[no value]
gildon CAMERA SUPPLY
[no value]
gildon CAMERA SUPPLY
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0154.xml
advertisement
158
158
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0155.xml
advertisement
158
158
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0156.xml
advertisement
159
159
[no value]
[no value]
P.D.Q. PHOTOFINISHERS
[no value]
P.D.Q. PHOTOFINISHERS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0157.xml
advertisement
160
160,161,162,163
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0158.xml
advertisement
164
164,165,166,167,168,169
[no value]
[no value]
Spiratone
[no value]
Spiratone
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0159.xml
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170
170
[no value]
[no value]
JACK CURTIS
[no value]
JACK CURTIS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0160.xml
advertisement
171
171
[no value]
[no value]
STERLING-HOWARD Corp
[no value]
STERLING-HOWARD Corp
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0161.xml
advertisement
172
172,173
[no value]
[no value]
MINIFILM
[no value]
MINIFILM
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0162.xml
advertisement
174
174
[no value]
[no value]
GLO-COLOR LABS
[no value]
GLO-COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0163.xml
advertisement
175
175
[no value]
[no value]
GARDEN CAMERA
[no value]
GARDEN CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0164.xml
advertisement
176
176,177,178,179,180
[no value]
[no value]
RITZ CAMERA
[no value]
RITZ CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0165.xml
advertisement
181
181
[no value]
[no value]
Foto Factory, Ltd.
[no value]
Foto Factory, Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0166.xml
advertisement
182
182
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0167.xml
advertisement
183
183
[no value]
[no value]
INTERSTATE 35 COLOR LAB
[no value]
INTERSTATE 35 COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0168.xml
advertisement
184
184,185
[no value]
[no value]
olden camera
[no value]
olden camera
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0169.xml
advertisement
186
186
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19721201_0071_006_0170.xml
advertisement
187
187
[no value]
[no value]
PRINT FILE, INC.
[no value]
PRINT FILE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0171.xml
advertisement
188
188
[no value]
[no value]
INTERSTATE CAMERA STORES
[no value]
INTERSTATE CAMERA STORES
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0172.xml
advertisement
189
189
[no value]
[no value]
KODACOLOR
[no value]
KODACOLOR
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0173.xml
advertisement
190
190
[no value]
[no value]
PORTER'S CAMERA STORE, INC.
[no value]
PORTER'S CAMERA STORE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0174.xml
advertisement
191
191
[no value]
[no value]
INTERSTATE COLOR LAB
[no value]
INTERSTATE COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0175.xml
advertisement
192
192,193,194,195
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0176.xml
advertisement
196
196
[no value]
[no value]
Washington Master Photo
[no value]
Washington Master Photo
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0177.xml
advertisement
197
197
[no value]
[no value]
HIGHLAND PARK CAMERA
[no value]
HIGHLAND PARK CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0178.xml
advertisement
198
198
[no value]
[no value]
LUSTRE COLOR CORPORATION
[no value]
LUSTRE COLOR CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0179.xml
article
199
199
[no value]
[no value]
LENS TEST GLOSSARY
[no value]
[no value]
[no value]
[no value]
STAR TEST: The image of a point of light is examined with a microscope. The deviation of the image from the ideal indicates the nature and extent of the aberrations. The test is partly subjective. ELECTRONIC BENCH TEST: Contrast levels are compared electronically between the image of a coarse and fine slit, and the result is expressed as a percentage.
PopularPhotography_19721201_0071_006_0180.xml
advertisement
199
199
[no value]
[no value]
WALL ST.
[no value]
WALL ST.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0181.xml
advertisement
200
200,201
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0182.xml
advertisement
202
202
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0183.xml
advertisement
203
203
[no value]
[no value]
SUPERCOLOR
[no value]
SUPERCOLOR
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0184.xml
advertisement
204
204,205
[no value]
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
NATIONWIDE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0185.xml
advertisement
206
206
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0186.xml
advertisement
207
207
[no value]
[no value]
RITZ CAMERA
[no value]
RITZ CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0187.xml
advertisement
208
208,209
[no value]
[no value]
CAMERA HUT
[no value]
CAMERA HUT
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0188.xml
advertisement
210
210
[no value]
[no value]
SUNSET COLOR LAB.
[no value]
SUNSET COLOR LAB.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0189.xml
advertisement
211
211
[no value]
[no value]
LION PHOTO SUPPLY, INC.
[no value]
LION PHOTO SUPPLY, INC.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0190.xml
advertisement
212
212
[no value]
[no value]
world camera & sound
[no value]
world camera & sound
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0191.xml
advertisement
213
213
[no value]
[no value]
MASTER COLOR LABS
[no value]
MASTER COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0192.xml
advertisement
214
214,215
[no value]
[no value]
COMPETITIVE CAMERA CORP.
[no value]
COMPETITIVE CAMERA CORP.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0193.xml
advertisement
216
216
[no value]
[no value]
Minolta
[no value]
Minolta
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0194.xml
advertisement
217
217,218,219,220,221
[no value]
[no value]
CAMBRIDGE CAMERA
[no value]
CAMBRIDGE CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0195.xml
advertisement
222
222
[no value]
[no value]
Porter's Camera Store Inc.: KLIP-PACK
[no value]
Porter's Camera Store Inc.
KLIP-PACK
[no value]
[no value]
PopularPhotography_19721201_0071_006_0196.xml
advertisement
223
223
[no value]
[no value]
INTERSTATE 35 COLOR LAB
[no value]
INTERSTATE 35 COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0197.xml
advertisement
224
224,225
[no value]
[no value]
SLIM-LINE PHOTO GREETING CARDS
[no value]
SLIM-LINE PHOTO GREETING CARDS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0198.xml
advertisement
226
226
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0199.xml
article
226
226
POPULAR PHOTOGRAPHY'S travel service
[no value]
POPULAR PHOTOGRAPHY'S travel service
[no value]
[no value]
[no value]
[no value]
POPULAR PHOTOGRAPHY'S travel department maintains a complete up-to-date world-wide listing of travel information sources—countries, states and general areas. This page has been designed to help readers plan their vacations, photo tours, and week-end trips, by making it easy for them to obtain current news about any point on the globe.
PopularPhotography_19721201_0071_006_0200.xml
advertisement
227
227
[no value]
[no value]
CUSTOM QUALITY STUDIO
[no value]
CUSTOM QUALITY STUDIO
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0201.xml
advertisement
228
228,229
[no value]
[no value]
BASS CAMERA
[no value]
BASS CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0202.xml
advertisement
230
230
[no value]
[no value]
FUN POSTERS
[no value]
FUN POSTERS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0203.xml
advertisement
230
230
[no value]
[no value]
ALBUM HOUSE
[no value]
ALBUM HOUSE
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0204.xml
advertisement
231
231
[no value]
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0205.xml
advertisement
232
232
[no value]
[no value]
RCS PHOTO WHOLESALERS
[no value]
RCS PHOTO WHOLESALERS
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0206.xml
advertisement
232
232
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0207.xml
advertisement
233
233,234,235,236
[no value]
[no value]
POP PHOTO'S SHOPPERS' MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0208.xml
advertisement
236
236
[no value]
[no value]
ZIFF-DAVIS SERVICE DIVISION
[no value]
ZIFF-DAVIS SERVICE DIVISION
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0209.xml
advertisement
237
237
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0210.xml
review
238
238
I WANT TO BUY...
[no value]
I WANT TO BUY...
But which GAF 500?
Karl Heitz, Inc.
[no value]
[no value]
I took some GAF 500 film to my dealer to have it processed by a certain color lab. I was amazed when he handed it back to me saying that it was a black-and-white film. I thought it was color. What gives? Roy Pinelli, Boise, Id. You didn't look carefully when you bought the film.
PopularPhotography_19721201_0071_006_0211.xml
advertisement
239
239
[no value]
[no value]
Minolta
[no value]
Minolta
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0212.xml
advertisement
240
240
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19721201_0071_006_0213.xml