Issue: 19700501

Friday, May 1, 1970
May
5
False
66
Saturday, January 10, 2015

Articles
cover
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POPULAR PHOTOGRAPHY
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PopularPhotography_19700501_0066_005_0001.xml
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0_2
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THE HONEST COLOR FILM: Agfacolor CT-18
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THE HONEST COLOR FILM
Agfacolor CT-18
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PopularPhotography_19700501_0066_005_0002.xml
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1
1
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Polaroid
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Polaroid
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PopularPhotography_19700501_0066_005_0003.xml
tableOfContents
2
2
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Popular Photography
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PopularPhotography_19700501_0066_005_0004.xml
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3
3
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BESELER PHOTO MARKETING CO., INC.: Topcon Unirex
[no value]
BESELER PHOTO MARKETING CO., INC.
Topcon Unirex
[no value]
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PopularPhotography_19700501_0066_005_0005.xml
article
4
4
letters to the editor
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letters to the editor
'Eyes' had it
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Norman Rothschild
Having thoroughly examined your "eye" issue, I find that it is quite perceptive, focuses with good depth on subjects, and was done with much foresight and vision. Dr. Jack Hill, Albion, Mich. Your issue on The Eye, especially the article by Ralph Hattersley, and to a lesser degree, that by Wallace Hanson, is to put it as kindly as I can, drivel.
PopularPhotography_19700501_0066_005_0006.xml
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5
5
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Ponder&Best, Corporate: mamiya/sekor
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Ponder&Best, Corporate
mamiya/sekor
[no value]
[no value]
PopularPhotography_19700501_0066_005_0007.xml
masthead
6
6
[no value]
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masthaed
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PopularPhotography_19700501_0066_005_0008.xml
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6
6
[no value]
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Ehrenreich Photo Optical Industries, Inc.
[no value]
Ehrenreich Photo Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0009.xml
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7
7
[no value]
[no value]
Canon Camera Co.
[no value]
Canon Camera Co.
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0010.xml
article
8
8
help!
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help!
Making Tri-X behave outdoors
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I like to use Tri-X as un all-purpose film in my 35-mm SLR, so I can shoot by available light as well as outdoors. But in some outdoor situations, the light is too bright for my limit of 1/500 sec and f/16. Can you suggest some filters to use? paul Sherwood, Lyndonville, Vt.
PopularPhotography_19700501_0066_005_0011.xml
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8
8
[no value]
[no value]
TIFFEN OPTICAL COMPANY
[no value]
TIFFEN OPTICAL COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0012.xml
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9
9,10,11
[no value]
[no value]
Nikon Inc.
[no value]
Nikon Inc.
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0013.xml
advertisement
14
14
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YASHICA, Inc.: Yashica TL Electro-X
[no value]
YASHICA, Inc.
Yashica TL Electro-X
[no value]
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PopularPhotography_19700501_0066_005_0014.xml
article
15
15,16
newsfront
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newsfront
Light rays run camera; mirrors vs. pentaprism
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PARIS—Let the sunshine in: First amateur movie camera to run on radiant energy is offered by Ligonie S.A. Camera stores up trickle of current in NiCad battery from solar cells that are activated by any light, including roomlight. Camera is neat, has Som Berthiot 17 85-mm zoom.
PopularPhotography_19700501_0066_005_0015.xml
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16
16
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KLING PHOTO CORPORATION
[no value]
KLING PHOTO CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0016.xml
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17
17
[no value]
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Konica Camera Corp.
[no value]
Konica Camera Corp.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0017.xml
article
18
18,20
color clinic
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color clinic
Filters: "... they only take away."
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DAVID B. EISENDRATH
Almost a year ago I did a column that discussed some of the characteristics of different kinds of filters and why three or four filters all marked the same might look different. At the time, I commented that glass filters sometimes affect focus and sharpness, especially when used with extreme wide-angle lenses, or fast long lenses.
PopularPhotography_19700501_0066_005_0018.xml
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18
18
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[no value]
NATIONAL CAMERA REPAIR SCHOOL
[no value]
NATIONAL CAMERA REPAIR SCHOOL
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0019.xml
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19
19
[no value]
[no value]
Konica Camera Corp.
[no value]
Konica Camera Corp.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0020.xml
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20
20
[no value]
[no value]
Celumet photographic, inc.
[no value]
Celumet photographic, inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0021.xml
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21
21
[no value]
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Superscope Inc.
[no value]
Superscope Inc.
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0022.xml
article
22
22,62
offbeat
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offbeat
Even in the shade, my face was red
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NORMAN ROTHSCHILD
"Wise man is silent when saying nothing." So went a slip I saw in a Chinese fortune cookie. It's unfortunate both for my ego, and for someone else's photography, that I didn't take that slip seriously. He was a nice guy, and my friend, until he came back from Spain minus the wonderful pictures he'd been planning.
PopularPhotography_19700501_0066_005_0023.xml
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22
22
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BROOKS INSTITUTE
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BROOKS INSTITUTE
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[no value]
[no value]
PopularPhotography_19700501_0066_005_0024.xml
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23
23
[no value]
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E. Leitz, Inc.
[no value]
E. Leitz, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0025.xml
article
24
24,26
shows to See
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shows to See
April/May
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CALIFORNIA Chabot College, 25555 Hesperian Blvd., Howard; A View From Space (Smith-sonian) to Apr. 5 • Fresno Arts Center, 3303 E. Yale Ave., Fresno; Professional Photographers to Apr. 12 Camera Work Gallery, 2400 Coast Hwy., New-port Beach; Photographic Studies Workshop Print Sale Apr. 2-26 M. H.
PopularPhotography_19700501_0066_005_0026.xml
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24
24
[no value]
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Capro division/Ehrenreich Photo-Optical Industries, Inc.: Capro FL-7
[no value]
Capro division/Ehrenreich Photo-Optical Industries, Inc.
Capro FL-7
[no value]
[no value]
PopularPhotography_19700501_0066_005_0027.xml
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25
25
[no value]
[no value]
Vivitar Corp.: Vivitar T-4
[no value]
Vivitar Corp.
Vivitar T-4
[no value]
[no value]
PopularPhotography_19700501_0066_005_0028.xml
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26
26
[no value]
[no value]
BESELER PHOTO MARKETING CO., INC.
[no value]
BESELER PHOTO MARKETING CO., INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0029.xml
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26
26
[no value]
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INTERPRESS
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INTERPRESS
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PopularPhotography_19700501_0066_005_0030.xml
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27
27
[no value]
[no value]
Minolta Corporation: The Minolta SR-T
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Minolta Corporation
The Minolta SR-T
[no value]
[no value]
PopularPhotography_19700501_0066_005_0031.xml
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28
28
[no value]
[no value]
FUJI Photo Film U.S.A. Inc.
[no value]
FUJI Photo Film U.S.A. Inc.
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0032.xml
article
29
29,68
view from the bay
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view from the bay
Today’s painters use the photographer’s eye
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MARGERY MANN
In 1838, the then-fashionable painter of sentimental historical anecdotes. Paul Delaroche, saw some of Daguerre's preliminary experiments and exclaimed in dismay, "From today, painting is dead." and the description of the daguerreotype process in 1839 began an uneasy love-hate relationship between the two media—painting and photography—that continues today.
PopularPhotography_19700501_0066_005_0033.xml
article
30
30,112
in the darkroom
[no value]
in the darkroom
Don’t get caught with the wrong film
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AL FRANCEKEVICH
In color photography, it becomes fun to try different films for no rational reason at all, but just to see what happens. Different manufacturers’ films look different, and the color photographer can learn to use these distinctions to create varying moods and effects.
PopularPhotography_19700501_0066_005_0034.xml
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30
30
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Advertisement
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PopularPhotography_19700501_0066_005_0035.xml
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31
31
[no value]
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Honeywell Photographic
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Honeywell Photographic
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PopularPhotography_19700501_0066_005_0036.xml
article
32
32,34,152
viewpoint
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viewpoint
That 35-mm fad that did last
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[no value]
JACOB DESCHIN
Jacob Deschin published his last column on March I as photography editor of The New York Times, having reached that newspaper's mandatory retirement age. On March 2, he embarked on several assignments for new masters. Here, after writing about the photo industry and its personalities for nearly a quarter century, are some of his memories: So much has happened since I resumed The New York Times photography column in 1946, after a wartime hiatus, that my recollections can be little more than random.
PopularPhotography_19700501_0066_005_0037.xml
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32
32
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Advertisement
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PopularPhotography_19700501_0066_005_0038.xml
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32
32
[no value]
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SOLAR CINE PRODUCTS, INC.
[no value]
SOLAR CINE PRODUCTS, INC.
[no value]
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PopularPhotography_19700501_0066_005_0039.xml
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33
33
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BESELER PHOTO MARKETING CO., INC.: Topcon
[no value]
BESELER PHOTO MARKETING CO., INC.
Topcon
[no value]
[no value]
PopularPhotography_19700501_0066_005_0040.xml
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34
34
[no value]
[no value]
Nikon Inc.
[no value]
Nikon Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0041.xml
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34
34
[no value]
[no value]
JOHN G. MARSHALL MFG. CO., INC.
[no value]
JOHN G. MARSHALL MFG. CO., INC.
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0042.xml
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35
35
[no value]
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THE CAMERA ARTS BOOK CLUB
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THE CAMERA ARTS BOOK CLUB
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PopularPhotography_19700501_0066_005_0043.xml
article
36
36,156
tools & techniques
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tools & techniques
Dress up your prints with beveling
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CORA WRIGHT KENNEDY
Did you ever envy people who had their photographs mounted professionally? At times I have. Regular perpendicular cutting of cardboard, and standard print mounting, never posed real problems. But until now, some special "show-off" touches, such as beveling of inner windows (for matting photographs), or outer mount edges have been beyond my skills.
PopularPhotography_19700501_0066_005_0044.xml
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36
36
[no value]
[no value]
Uniphot, Inc.
[no value]
Uniphot, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0045.xml
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36
36
[no value]
[no value]
wein PRODUCTS INC.
[no value]
wein PRODUCTS INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0046.xml
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37
37
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Advertisement: Photography
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Photography
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PopularPhotography_19700501_0066_005_0047.xml
article
40
40,116
focus on sound
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Accentuate the auditory
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Got the home movie blahs? This disease, common to most amateur movie makers, is characterized by a faint feeling of boredom on the part of the audience and a feeling of anxiety on the part of the movie maker. Most of us suffer from it at one time or another.
PopularPhotography_19700501_0066_005_0048.xml
article
40
40
focus on sound
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Inside track
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Somewhere I’ve read that a really good hi-fi recording cannot be obtained by connecting across an FM receiver's speaker. Is this true? Yes. The signal across the speaker contains all the distortion of the power amplifier and peaks in the frequency response caused by the speaker.
PopularPhotography_19700501_0066_005_0049.xml
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41
41
[no value]
[no value]
Mamiya division/Ehrenreich Photo-Optical Industries,Inc.
[no value]
Mamiya division/Ehrenreich Photo-Optical Industries,Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0050.xml
article
42
42,144
protechniques
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protechniques
Making that darkroom handy and safe
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EDWARD MEYERS
Mine is not a perfect darkroom. There isn't a darkroom that can't be improved. As you process films and make prints, you discover many things you'd like to change, such as the position of safelights, where you dry processed negatives, the place you store mixed and unmixed chemicals.
PopularPhotography_19700501_0066_005_0051.xml
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42
42
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Advertisement
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PopularPhotography_19700501_0066_005_0052.xml
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42
42
[no value]
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NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
NATIONAL FREE LANCE PHOTOGRAPHERS ASSOCIATION
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0053.xml
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43
43
[no value]
[no value]
ALLIED IMPEX CORP.
[no value]
ALLIED IMPEX CORP.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0054.xml
review
44
44,152
just out
[no value]
just out
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Allied Impex Corp.
[no value]
Allied Impex Corp.
Cameras
$299.95
Allied Impex Corp.
[no value]
$59.95
Allied Impex Corp.
Electronic flash
$84.95
Allied Impex Corp.
Miscellaneous
[no value]
Bauer C20 super 8 with an 8 M8-mm Neovaron f/l.8 power zoom lens has focusing crosshairs in its reflex finder, and a ±5 diopter adjustable eyepiece. Behind-the-lens CdS exposure system is fully automatic, and aperture in use shows in the finder.
PopularPhotography_19700501_0066_005_0055.xml
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44
44
[no value]
[no value]
Allied Impex Corp.
[no value]
Allied Impex Corp.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0056.xml
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44
44
[no value]
[no value]
MOVIE NEWSREELS
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MOVIE NEWSREELS
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[no value]
PopularPhotography_19700501_0066_005_0057.xml
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45
45
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Advertisement
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PopularPhotography_19700501_0066_005_0058.xml
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46
46
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Advertisement
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PopularPhotography_19700501_0066_005_0059.xml
article
46
46,48,108
shows we’ve seen
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shows we’ve seen
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Karen Tweedy-Holmes—Photographs. at Exposure, 214 E. 10th St., New York City (Jan. 3-Feb. 14). The masculine approach to figure photography has dominated the medium since its beginning, and the result has been a widespread acceptance of a one-sided and considerably limited vision of the nude human form.
PopularPhotography_19700501_0066_005_0060.xml
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46
46
[no value]
[no value]
Blackhawk Classic Film
[no value]
Blackhawk Classic Film
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0061.xml
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47
47
[no value]
[no value]
ALLIED IMPEX CORP.
[no value]
ALLIED IMPEX CORP.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0062.xml
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49
49
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ALLIED IMPEX CORP.
[no value]
ALLIED IMPEX CORP.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0063.xml
article
50
50,54
traveler’s camera
[no value]
traveler’s camera
The trouble with touring Taiwan
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[no value]
LES BARRY
Being relatively cautious by nature, I’ve long observed the old traveler's practice of never going out alone in a non-English-speaking country without my hotel's name in writing in my pocket. Getting it is easy enough—| you rip it off a piece of stationery, a brochure or a matchbook, or, lacking these, you can ask one of the desk clerks to write it out for you.
PopularPhotography_19700501_0066_005_0064.xml
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50
50
[no value]
[no value]
Ziff-Davis Pub. Co.
[no value]
Ziff-Davis Pub. Co.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0065.xml
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50
50
[no value]
[no value]
Ziff-Davis Pub. Co.
[no value]
Ziff-Davis Pub. Co.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0066.xml
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53
53
[no value]
[no value]
The School of Modern Photography
[no value]
The School of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0067.xml
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55
55
[no value]
[no value]
Berkey Photo Inc.: Simmon Omega B-22
[no value]
Berkey Photo Inc.
Simmon Omega B-22
[no value]
[no value]
PopularPhotography_19700501_0066_005_0068.xml
article
56
56,116,117
shop talk
[no value]
shop talk
Why built-in meters should be sealed
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[no value]
NORMAN GOLDBERG
Take a hair—any hair—and trim off as short a length as possible. Next, with the aid of a magnifier and a razor blade, quarter it. Discard all but one of the pieces and view it with great respect—for this tiny snip of matter can stop the majority of built-in meters dead in their tracks.
PopularPhotography_19700501_0066_005_0069.xml
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56
56
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APEX PHOTO
[no value]
APEX PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0070.xml
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56
56
[no value]
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
[no value]
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PopularPhotography_19700501_0066_005_0071.xml
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57
57
[no value]
[no value]
Honeywell Photographic
[no value]
Honeywell Photographic
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0072.xml
article
58
58
OLD CAMERAS
[no value]
A new bag
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KENNETH POLI
It was enough to make a collector smile through his tears. The auction of photographica— second of its kind since 1967—wasn't 15 minutes old and someone had already bid in a single folio of prints for $5,400. Ten minutes later a two-volume set of books brought $5,200.
PopularPhotography_19700501_0066_005_0073.xml
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59
59
[no value]
[no value]
Vivitar Corporation: Vivitar 150 Electronic Flash
[no value]
Vivitar Corporation
Vivitar 150 Electronic Flash
[no value]
[no value]
PopularPhotography_19700501_0066_005_0074.xml
article
60
60,62
Simon says
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Simon says
Finally grown, Simon/Wide makes it
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Last month we’d brought the name Frits Rotgans into the conversation. Nathan met him about 1959, and by 1962, he and Rotgans were good enough friends that Rotgans personally built a camera for Simon. This camera was made of wood and had loaner film magazines supplied from Rotgans’ own build up of these.
PopularPhotography_19700501_0066_005_0075.xml
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60
60
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KLEER-KOLOR LABS
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KLEER-KOLOR LABS
[no value]
[no value]
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PopularPhotography_19700501_0066_005_0076.xml
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60
60
[no value]
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0077.xml
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61
61
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Advertisement
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PopularPhotography_19700501_0066_005_0078.xml
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62
62
[no value]
[no value]
Ziff-Davis Service Division
[no value]
Ziff-Davis Service Division
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0079.xml
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63
63
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Advertisement
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PopularPhotography_19700501_0066_005_0080.xml
article
64
64
Annual trade show:
[no value]
GROWN-UP SUPER 8s
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[no value]
[no value]
PHILADELPHIA—New products from show: Among highlights of MPDFA annual trade show is new Canonet QL 1.7. full-frame 35 with slip-on electronic flash that couples to camera's focusing system for fully automatic exposure control. Shown at Bell & Howell's booth, camera has range/viewfinder with coupled automatic parallax correction.
PopularPhotography_19700501_0066_005_0081.xml
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64
64
[no value]
[no value]
BOGEN PHOTO CORP.
[no value]
BOGEN PHOTO CORP.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0082.xml
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67
67
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0083.xml
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69
69
[no value]
[no value]
Canon, Inc.
[no value]
Canon, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0084.xml
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70
70
[no value]
[no value]
Lenco Photo Products, Inc.
[no value]
Lenco Photo Products, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0085.xml
article
71
71,72,73,113,114
PHOTOGRAPHY TODAY
[no value]
THIS LITTLE FREE LANCE STAYED HOME
...and never missed New York at all
[no value]
[no value]
DENNIS J. CIPNIC
There's a lament heard in the land, and it is that magazines are dying. Statements to the effect that it is becoming impossible to make a living doing editorial photography for magazines echo through the membership of the ASMP like chants at the Wailing Wall.
PopularPhotography_19700501_0066_005_0086.xml
article
74
74,75,120,144
EQUIPMENT AND MATERIALS
[no value]
STABILIZATION PROCESSORS
Portable, compact, and fast, they use paper with the chemicals built in
[no value]
[no value]
WALLACE HANSON
You can turn out good prints from your negatives faster than you can make toast—in less than half-a-minute. The prints will still be a little moist, but not enough to hinder use. It is almost like having an 11x14 Polaroid Land camera without its weight.
PopularPhotography_19700501_0066_005_0087.xml
article
76
76,77,110,111
EQUIPMENT AND MATERIALS
[no value]
Photo tools from toyland
Kid stuff? Toy stores have many tools, relays, boxes, screws, lenses, switches, and other gadgets to build the projects and egos of photo experimenters
[no value]
[no value]
NORMAN GOLDBERG
Remember how you felt about toy stores when you were a kid? Maybe you're like I am, and still can't pass one up—especially when you’re in a strange city and you stumble onto one you’ve never seen before, crammed with toys to delight the "children" of the world.
PopularPhotography_19700501_0066_005_0088.xml
article
78
78,79,80,81,82,83
PHOTOGRAPHY TODAY
[no value]
SHIG IKEDA
'trying to create a new way of seeing in photography'
[no value]
[no value]
[no value]
A photographic craftsman with a surrealistic vision might be the best way to describe 29-year-old Shig Ikeda, a Japanese-born professional who works in New York City. He picked up most of his photographic skills (but not his eye) at Los Angeles’ famed Art Center College.
PopularPhotography_19700501_0066_005_0089.xml
article
84
84,85,86,87
PHOTOGRAPHY TODAY
[no value]
Color and camera: Marti Felbinger
[no value]
[no value]
[no value]
[no value]
For a photographer who began his career with an 8x10 view camera, Marti Felbinger has easily made the transition to 35-mm and just about everything in between. He first gained notice for the spectacular 8x10 close-ups that he and his brother did for food advertisers.
PopularPhotography_19700501_0066_005_0090.xml
article
88
88,89,108,109,110
PHOTOGRAPHY TODAY
[no value]
Shoot it again and again,and again
For offbeat, artistic effects, why not try putting several images on just one frame?
[no value]
[no value]
NORMAN ROTHSCHILD
Camera makers have your best interest at heart when they build double exposure prevention into their instruments. But this precautionary measure can become frustrating when you reach that point in your creativity when you recognize that all multiple exposures are not necessarily mistakes.
PopularPhotography_19700501_0066_005_0091.xml
article
90
90,91,92,93,114,115
The Hattersley Class:
[no value]
THE PERSONALITY OF HANDS
BY THEIR HANDS SHALL YOU KNOW THEM— OLD AND YOUNG
[no value]
[no value]
[no value]
Hand photographs are very easy to make but often disappointing. Instead of being meaningful, they may show hands as slabs of meat and bone or as disorganized "things" attached to the wrist. To make good photographs is a challenge. I'd say that the pictures here by Gunvor Joergshoim meet the challenge nicely, wouldn't you? They communicate things worthwhile and interesting.
PopularPhotography_19700501_0066_005_0092.xml
review
94
94,108
Lab report
[no value]
CANONET QL19
FIELD CHECK
Bell & Howell Photo Sales Co.
[no value]
Bell & Howell Photo Sales Co.
CANONET QL19
$99.95
[no value]
Automatic cameras have been around for some time now, and the Canonet QL19, is one of the best of them in terms of consistency and accuracy of exposures—which was a big question among working photographers when automatic cameras first came on the market a few years ago.
PopularPhotography_19700501_0066_005_0093.xml
article
95
95
Lab report
[no value]
INSTRUMENT READOUTS
[no value]
[no value]
[no value]
Norman Goldberg
LENS PERFORMANCE: Wide open at f/1.9, this lens's central performance was surprisingly good, considering that the lens is presumably intended for the amateur market. Central-zone flare was caused principally by longitudinal chromatic aberration, with a minor contribution from a small amount of under-corrected spherical aberration.
PopularPhotography_19700501_0066_005_0094.xml
review
96
96,97,104
EQUIPMENT AND MATERIALS
[no value]
First look
Three bellows: swings and tilts, internal diaphragm coupling, double-cable release operation
Nikon, Inc.
[no value]
Nikon, Inc.
[no value]
$129.50
Nikon, Inc.
[no value]
$69.50
Nikon, Inc.
[no value]
$144
Nikon, Inc.
ROTOMATIC 747AQ
$174.50
Nikon, Inc.
[no value]
$99.95
Norman Rothschild
Norman Rothschild
Norman Rothschild
Norman Rothschild
NIKON’S BELLOWS Focusing Attachment PB-4, with its front lens movements, is one of the most versatile macro systems around. The bellows' length is a generous 143-mm (about 53/4 in.); its shortest extension is 43-mm or a little less than 2 in. The front standard (with the lens) and the rear standard (holding the camera) can be moved back and forth independently.
PopularPhotography_19700501_0066_005_0095.xml
article
98
98,99,100,101,112
PHOTOGRAPHY TODAY
[no value]
SHOOTInG BIG GAmE CAmERA
A telephoto lens should be standard equipment on any camera safari for dramatic close-up views
[no value]
[no value]
CARL PURCELL
Stalking big game in East Africa has a special appeal to photographers. A camera enthusiast can go into the heart of game country with almost certain knowledge that he will come home with exciting movies or slides and close-ups of exotic birds or mammals.
PopularPhotography_19700501_0066_005_0096.xml
article
102
102,103,152,156
MOVIES
[no value]
Magnamultiscreen at Expo'70
[no value]
[no value]
[no value]
HARVEY V. FONDILLER
Fast is East and West is West, but finally the twain have met —at Expo '70. The 77 countries participating in this most international of all world's fairs have wrapped their hopes and dreams in cubes and cupolas, gleaming towers and glass walls, creating an effulgence that, like a dome of many-colored plastic, stains the white radiance of the Osaka sky.
PopularPhotography_19700501_0066_005_0097.xml
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105
105,106,107
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0098.xml
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111
111
[no value]
[no value]
KMS INDUSTRIES, INC.
[no value]
KMS INDUSTRIES, INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0099.xml
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113
113
[no value]
[no value]
MORGAN & MORGAN, INC.
[no value]
MORGAN & MORGAN, INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0100.xml
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115
115
[no value]
[no value]
AIR PHOTO
[no value]
AIR PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0101.xml
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116
116
[no value]
[no value]
Henry's MAIL ORDER INC.
[no value]
Henry's MAIL ORDER INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0102.xml
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117
117
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0103.xml
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117
117
[no value]
[no value]
Advertisement
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[no value]
[no value]
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[no value]
PopularPhotography_19700501_0066_005_0104.xml
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117
117
[no value]
[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0105.xml
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118
118,119
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0106.xml
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120
120
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0107.xml
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121
121,122,123
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0108.xml
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124
124,125,126,127,128,129
[no value]
[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0109.xml
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130
130
[no value]
[no value]
KOLOR BRiTE
[no value]
KOLOR BRiTE
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0110.xml
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131
131
[no value]
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0111.xml
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132
132,133
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0112.xml
article
134
134
aids to better photography
[no value]
aids to better photography
[no value]
[no value]
[no value]
[no value]
A library of useful information is available to photographers free, thanks to the instructional literature many manufacturers offer. There are, no doubt, several booklets described here that will interest you. Just enclose 10¢ in coin or stamps to cover handling and you can circle as many choices as you wish on the coupon below.
PopularPhotography_19700501_0066_005_0113.xml
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135
135
[no value]
[no value]
Master Color Labs
[no value]
Master Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0114.xml
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136
136,137
[no value]
[no value]
MINIFILM PHOTO
[no value]
MINIFILM PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0115.xml
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138
138
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0116.xml
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139
139,140,141,142,143
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0117.xml
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145
145
[no value]
[no value]
GENIE COLOR LABS
[no value]
GENIE COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0118.xml
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146
146
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0119.xml
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147
147
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0120.xml
article
147
147
POPULAR PHOTOGRAPHY'S travel service
[no value]
POPULAR PHOTOGRAPHY'S travel service
[no value]
[no value]
[no value]
[no value]
POPULAR PHOTOGRAPHY'S travel department maintains a complete up-to-date world-wide listing of travel information sources—countries, states and general areas. This page has been designed to help readers plan their vacations, photo tours, and week-end trips, by making it easy for them to obtain current news about any point on the globe.
PopularPhotography_19700501_0066_005_0121.xml
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148
148
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0122.xml
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149
149,150,151
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0123.xml
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153
153
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0124.xml
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154
154,155
[no value]
[no value]
olden
[no value]
olden
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0125.xml
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157
157
[no value]
[no value]
GLO-COLOR LABS
[no value]
GLO-COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0126.xml
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158
158,159
[no value]
[no value]
Custom Quality Studio
[no value]
Custom Quality Studio
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0127.xml
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160
160
[no value]
[no value]
PHOTOGRAPHIC IMPORTS
[no value]
PHOTOGRAPHIC IMPORTS
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0128.xml
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161
161
[no value]
[no value]
KODACOLOR
[no value]
KODACOLOR
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0129.xml
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162
162,163
[no value]
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0130.xml
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164
164
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0131.xml
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165
165
[no value]
[no value]
STERLING-HOWARD
[no value]
STERLING-HOWARD
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0132.xml
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166
166,167
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0133.xml
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168
168
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0134.xml
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168
168
[no value]
[no value]
index of advertisers
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0135.xml
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169
169
[no value]
[no value]
SUPERCOLOR
[no value]
SUPERCOLOR
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0136.xml
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170
170,171,172
[no value]
[no value]
classified mart
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0137.xml
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173
173
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0138.xml
review
174
174
i want to buy...
[no value]
i want to buy...
[no value]
Nikon Inc.
[no value]
[no value]
It wasn't until the photographer had left that I realized he was peeling a Polaroid print and the camera he used was a Nikon. I'd like to do this with my Nikon camera. But how? Steve Levine, Indianapolis, Ind. The man you saw making Polaroid Land prints had a Speed Magny attached to a Nikon F. This device accepts Polaroid film and comes in three versions: Model 45 (for 4x5 film packet), 3 1/4x4 1/4 RF (for roll film), and Model 100 (for 3 1/4 x4 1/4 film pack).
PopularPhotography_19700501_0066_005_0139.xml
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175
175
[no value]
[no value]
AIREOUIPT
[no value]
AIREOUIPT
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0140.xml
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176
176
[no value]
[no value]
Kodak
[no value]
Kodak
[no value]
[no value]
[no value]
PopularPhotography_19700501_0066_005_0141.xml