Issue: 19690301

Saturday, March 1, 1969
March
3
True
64
Thursday, January 22, 2015

Articles
cover
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POPULAR PHOTOGRAPHY
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PopularPhotography_19690301_0064_003_0001.xml
advertisement
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Advertisement: Agfachrome
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Agfachrome
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PopularPhotography_19690301_0064_003_0002.xml
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1
1
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Allied Impex Corp.
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Allied Impex Corp.
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PopularPhotography_19690301_0064_003_0003.xml
tableOfContents
2
2
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Popular Photography
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PopularPhotography_19690301_0064_003_0004.xml
advertisement
3
3
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Charles Beseler Co.: BESELER TOPCON AUTO 100
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Charles Beseler Co.
BESELER TOPCON AUTO 100
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PopularPhotography_19690301_0064_003_0005.xml
article
4
4,56,58
LETTERS TO THE EDITOR!
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LETTERS TO THE EDITOR!
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Would you please print some kind of “Dirty Old Man's Index of (the) Cheap Chccsccakery" you have published in the last few years? Considering the ruckus raised in your December Letters, you must be promulgating some pretty fantastic obscene and pornographic materials.
PopularPhotography_19690301_0064_003_0006.xml
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5
5
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Berkey Photo Inc.: KONICA Auto reff lex-T
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Berkey Photo Inc.
KONICA Auto reff lex-T
[no value]
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PopularPhotography_19690301_0064_003_0007.xml
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6
6
[no value]
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Honeywell
[no value]
Honeywell
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PopularPhotography_19690301_0064_003_0008.xml
masthead
6
6
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POPULAR PHOTOGRAPHY
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PopularPhotography_19690301_0064_003_0009.xml
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7
7
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Vivitar: Vivitar Lenses
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Vivitar
Vivitar Lenses
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PopularPhotography_19690301_0064_003_0010.xml
advertisement
8
8
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Tiffen Optical Co.: HCE Vari-Close-Up Lens.
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Tiffen Optical Co.
HCE Vari-Close-Up Lens.
[no value]
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PopularPhotography_19690301_0064_003_0011.xml
article
8
8
HELP!
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HELP!
OUR READERS WANT TO KNOW...
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I have trouble focusing my single-lens reflex camera with normal or longfocus lenses, and I assume the difficulty is that I wear trifocal glasses. What do you suggest? — Carl Pedersen, Checktowaga, N.Y. You need to focus through the part of your glasses that is for distance use, since the viewfinder of most 35-mm SLRs is designed for this type of vision.
PopularPhotography_19690301_0064_003_0012.xml
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9
9
[no value]
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Zeiss IkonVoigtlander of America, Inc.
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Zeiss IkonVoigtlander of America, Inc.
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PopularPhotography_19690301_0064_003_0013.xml
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10
10
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Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
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PopularPhotography_19690301_0064_003_0014.xml
article
11
11,56
NEWSFRONT
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NEWSFRONT
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WOLFEN, East Germany—Super 8 with no glaring reds: People’s Film Factory of Wolfen, once site of Agfa's production facility and leading factor in Communist film production, now offers "almost 50 percent more picture area on the same 8 mm-wide film" with double super 8.
PopularPhotography_19690301_0064_003_0015.xml
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12
12
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GERMAIN SCHOOL OF PHOTOGRAPHY
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GERMAIN SCHOOL OF PHOTOGRAPHY
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PopularPhotography_19690301_0064_003_0016.xml
article
12
12,54
COLOR CLINIC
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COLOR CLINIC
SEVEN TIPS FOR BETTER COLOR
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A few nights ago a friend asked me if I'd like to look at some prints he'd just made of his vacation trip to Israel. He is a businessman and a very keen amateur photographer who took up color printing (with the aid of the Kodak Drum Processor) a few years ago.
PopularPhotography_19690301_0064_003_0017.xml
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13
13
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Honeywell Photographic
[no value]
Honeywell Photographic
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PopularPhotography_19690301_0064_003_0018.xml
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14
14
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YASHICA INC.
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YASHICA INC.
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PopularPhotography_19690301_0064_003_0019.xml
article
14
14,44
TRAVEL
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TRAVEL
DOWN, DOWN AND AWAY
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LES BARRY
The pilot pointed downward and said. “Mule train.” He dipped the wing of the little plane, and through the window we could make out a couple of dozen moving, dark specks, spread out along the ribbon of trail that zig-zagged up the side of the canyon.
PopularPhotography_19690301_0064_003_0020.xml
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15
15
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Vivitar Corporation: Vivitar Movie Cameras
[no value]
Vivitar Corporation
Vivitar Movie Cameras
[no value]
[no value]
PopularPhotography_19690301_0064_003_0021.xml
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16
16
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KLING PHOTO CORPORATION
[no value]
KLING PHOTO CORPORATION
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PopularPhotography_19690301_0064_003_0022.xml
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16
16
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Advertisement
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PopularPhotography_19690301_0064_003_0023.xml
article
16
16,50,52
SHOP TALK
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SHOP TALK
QUALITY IS A WAY OF LIFE
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NORMAN GOLDBERG
Ask most people where they might find the world's largest Leica collection and they would probably answer. “Wetzlar, of course.” But it isn't in Wetzlar, or New York, or anywhere else in the Western Hemisphere for that matter, but in Tokyo.
PopularPhotography_19690301_0064_003_0024.xml
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17
17
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Bauer: Bauer S-1 Autofocus
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Bauer
Bauer S-1 Autofocus
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PopularPhotography_19690301_0064_003_0025.xml
article
18
18,46,50
FOCUS ON SOUND
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SQUAWK TALK
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Frank Markette
Using an old spring-wound 8-mm camera, film purchased with funds scrounged by the PTA, and untold hours of after-school work, the senior class had finally completed the film, "How Our School Works With The Community." As the house lights dimmed, hundreds of beaming parents, school officials, and civic leaders settled down to a low buzz . . . then silence.
PopularPhotography_19690301_0064_003_0026.xml
article
18
18,68
FOCUS ON SOUND
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INSIDE TRACK
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Turntable and recorder specifications often include a specification for flutter and wow. What is the difference between these two terms? Flutter and wow are somew hat similar in that both are caused by speed variations in the turntable’s or recorder's drive mechanism.
PopularPhotography_19690301_0064_003_0027.xml
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19
19
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Beaulieu: Beaulieu Super 8
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Beaulieu
Beaulieu Super 8
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PopularPhotography_19690301_0064_003_0028.xml
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20
20
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THE NEGA FILE COMPANY
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THE NEGA FILE COMPANY
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PopularPhotography_19690301_0064_003_0029.xml
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20
20
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sea RESEARCH & DEVELOPMENT,INC.
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sea RESEARCH & DEVELOPMENT,INC.
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PopularPhotography_19690301_0064_003_0030.xml
article
20
20,22,68
VIEW POINT
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VIEW POINT
BRASSAI COMES TO AMERICA
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JACOB DESCHIN
Brassai had come to the United States mainly with three missions in mind: to attend the opening of his large exhibition of photographs at New York's Museum of Modern Art; to preview the exhibition of his work in sculpture, drawings, gravures, etc., at the gallery La Boetie on New York's Fifth Avenue; and to consult with his publishers, Doubleday & Co. about a forthcoming hook of unpublished photographs of Paris in the 30s.
PopularPhotography_19690301_0064_003_0031.xml
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21
21
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BELL & HOWELL
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BELL & HOWELL
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PopularPhotography_19690301_0064_003_0032.xml
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22
22
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Advertisement
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PopularPhotography_19690301_0064_003_0033.xml
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22
22
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Blackhawk Films
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Blackhawk Films
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PopularPhotography_19690301_0064_003_0034.xml
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25
25
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New York Institute of Photography
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New York Institute of Photography
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PopularPhotography_19690301_0064_003_0035.xml
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26
26
[no value]
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Anglophoto Ltd.: NIKONOS II
[no value]
Anglophoto Ltd.
NIKONOS II
[no value]
[no value]
PopularPhotography_19690301_0064_003_0036.xml
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26
26
[no value]
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BOGEN PHOTO CORP.
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BOGEN PHOTO CORP.
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PopularPhotography_19690301_0064_003_0037.xml
article
26
26,62
OFF BEAT
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OFF BEAT
DO YOU TAKE HONEST PICTURES?
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NORMAN ROTHSCHILD
Every so often I get a good look at the kind of work crossing the desks of our picture editors and art directors. I am astounded at the tremendous quantities of really poor work that I see, even worse than the kind submitted during an era when photography was not so technically advanced.
PopularPhotography_19690301_0064_003_0038.xml
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27
27
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Allied Impex Corp.
[no value]
Allied Impex Corp.
[no value]
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PopularPhotography_19690301_0064_003_0039.xml
advertisement
28
28
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BROOKS INSTITUTE OF PHOTOGRAPHY
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BROOKS INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19690301_0064_003_0040.xml
article
28
28,30
PHOTOGRAPHY TODAY
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A haggle of collectors
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Harvey Zucker
I'm always pleased to meet people who don't automatically ask "What’s new?" when they greet you. I met more than 50 such refreshing types at the First Conference and Workshop of the Society of Photographic Collectors of North America held last November at The Ohio State University in Columbus.
PopularPhotography_19690301_0064_003_0041.xml
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29
29
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Nikon: New Nikon Photomic FTN
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Nikon
New Nikon Photomic FTN
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PopularPhotography_19690301_0064_003_0042.xml
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30
30
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Advertisement
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PopularPhotography_19690301_0064_003_0043.xml
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30
30
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Advertisement
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PopularPhotography_19690301_0064_003_0044.xml
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30
30
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HEATH COMPANY
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HEATH COMPANY
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PopularPhotography_19690301_0064_003_0045.xml
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31
31
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Advertisement: The Leicaflex SL
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The Leicaflex SL
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PopularPhotography_19690301_0064_003_0046.xml
review
32
32,52
JUST OUT!
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JUST OUT!
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Karl Heitz
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Karl Heitz
automatic 35
$339
Karl Heitz
Spiratone Ultraspeed 135-mm
$99.95
Karl Heitz
Bauer S-1
$179.95
Karl Heitz
Model Q20
Karl Heitz
[no value]
[no value]
Robot Star 11/50. the automatic 35 with double motor for 50 exposures without rewinding is now available with built-on electromagnetic remote release. All-metal rotary shutter with speeds from 1/4 to 1/500 seconds can be released with pushbutton, timer, or wireless remote release.
PopularPhotography_19690301_0064_003_0047.xml
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32
32
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Honeywell Photographic
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Honeywell Photographic
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PopularPhotography_19690301_0064_003_0048.xml
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35
35
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The School of Modern Photography
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The School of Modern Photography
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PopularPhotography_19690301_0064_003_0049.xml
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36
36
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NIKON INC.: PC-NIKKOR
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NIKON INC.
PC-NIKKOR
[no value]
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PopularPhotography_19690301_0064_003_0050.xml
article
36
36,46
TOOLS &TECHNQUES
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TOOLS &TECHNQUES
MAGNETIZE YOUR HOME GALLERY
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CORA WRIGHT KENNEDY
If you’re still searching for a fast, uncluttered way of displaying enlargements at home, you might consider going the magnetic way in one fashion or another. Quite a few shows open to the public have used a magnetic system. The basic approach is to “metalize” a wall or display area—usually adding wallpaper or paint afterwards for looks.
PopularPhotography_19690301_0064_003_0051.xml
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37
37
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Honeywell
[no value]
Honeywell
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PopularPhotography_19690301_0064_003_0052.xml
article
38
38
EQUIPMENT AND MATERIALS
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Vary your light level
One hand can control two solid state dimmers for easy light balancing
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W. FREDERIC WILSON
Suppose the air conditioning is working full throttle, while the heat from the No.2 photofloods is slowly raising the room temperature and your temper. The studio is now ready and your fried model is about to finish drying her makeup under the lights.
PopularPhotography_19690301_0064_003_0053.xml
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39
39
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Exakta
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Exakta
[no value]
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PopularPhotography_19690301_0064_003_0054.xml
advertisement
40
40
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Alabama 150
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Alabama 150
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PopularPhotography_19690301_0064_003_0055.xml
article
40
40
GLAMOR BY GOWLAND
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GLAMOR BY GOWLAND
COUPLES ARE TWICE AS GOOD
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Anybody who is accustomed to photographing single subjects will find it a pleasure and a change of pace to photograph couples. When you get two people together something happens; it is a matter of action and reaction. It is possible to work with a single subject and use a person off camera to achieve a spontaneous expression, or the photographer himself can attempt to carry on a conversation that will bring on a type of candid abandon.
PopularPhotography_19690301_0064_003_0056.xml
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41
41
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Berkey Photo Inc.: Simmon Omega B22XL
[no value]
Berkey Photo Inc.
Simmon Omega B22XL
[no value]
[no value]
PopularPhotography_19690301_0064_003_0057.xml
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42
42
[no value]
[no value]
National Camera Repair School
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National Camera Repair School
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PopularPhotography_19690301_0064_003_0058.xml
article
42
42,44
IN THE DARK ROOM
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IN THE DARK ROOM
INSTANT GRAIN—TO ORDER
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AL FRANCEKEVICH
Almost every photographic “defect” can become a deliberate effect, under the right conditions. When 35-mm cameras first became popular in the ’30s, the chief preoccupation among amateur photographers was fine grain. The photographic literature of that period abounds with magic formulas and techniques for achieving enlargements from these tiny negatives without grain.
PopularPhotography_19690301_0064_003_0059.xml
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43
43
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Anglophoto,Ltd.
[no value]
Anglophoto,Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0060.xml
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44
44
[no value]
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Calumet MANUFACTURING COMPANY
[no value]
Calumet MANUFACTURING COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0061.xml
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45
45
[no value]
[no value]
Vivitar Electronic Flash: 700 BCPS
[no value]
Vivitar Electronic Flash
700 BCPS
[no value]
[no value]
PopularPhotography_19690301_0064_003_0062.xml
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46
46
[no value]
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CLARK SPECIALTIES. INC.: Plastic Slide Mounts
[no value]
CLARK SPECIALTIES. INC.
Plastic Slide Mounts
[no value]
[no value]
PopularPhotography_19690301_0064_003_0063.xml
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46
46
[no value]
[no value]
MONTANA HIGHWAY COMMISSION
[no value]
MONTANA HIGHWAY COMMISSION
[no value]
[no value]
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PopularPhotography_19690301_0064_003_0064.xml
article
49
49
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Do you have a talent for photography? Take our free test and see.
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Do you have a natural ability for photography — a talent worth developing? Find out bysending for a special Aptitude Test created by a group of America’s most distinguished photographers. They are looking for people with talent who might be trained for moneymaking careers in photography, cither parttime or full-time.
PopularPhotography_19690301_0064_003_0065.xml
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50
50
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JOHN G. MARSHALL MFG. CO., INC.
[no value]
JOHN G. MARSHALL MFG. CO., INC.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0066.xml
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50
50
[no value]
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Missouri Tourism Commission
[no value]
Missouri Tourism Commission
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0067.xml
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51
51
[no value]
[no value]
Bauer
[no value]
Bauer
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0068.xml
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52
52
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Advertisement
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PopularPhotography_19690301_0064_003_0069.xml
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52
52
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Advertisement
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PopularPhotography_19690301_0064_003_0070.xml
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52
52
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Advertisement
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PopularPhotography_19690301_0064_003_0071.xml
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53
53
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0072.xml
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54
54
[no value]
[no value]
Ziff-Davis Publishing Company
[no value]
Ziff-Davis Publishing Company
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0073.xml
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55
55
[no value]
[no value]
THE CAMERA ARTS BOOK CLUB
[no value]
THE CAMERA ARTS BOOK CLUB
[no value]
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PopularPhotography_19690301_0064_003_0074.xml
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56
56
[no value]
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ZIFF-DAVIS PUBLISHING COMPANY
[no value]
ZIFF-DAVIS PUBLISHING COMPANY
[no value]
[no value]
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PopularPhotography_19690301_0064_003_0075.xml
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57
57
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Advertisement: New FUJICA COMPACT DELUXE
[no value]
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New FUJICA COMPACT DELUXE
[no value]
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PopularPhotography_19690301_0064_003_0076.xml
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58
58
[no value]
[no value]
ALLIED RADIO
[no value]
ALLIED RADIO
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0077.xml
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59
59
[no value]
[no value]
Photo-Optical Industries, Inc.
[no value]
Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0078.xml
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60
60
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Advertisement
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PopularPhotography_19690301_0064_003_0079.xml
article
60
60,62
SHOWS WE’VE SEEN
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SHOWS WE’VE SEEN
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DAVID VESTAL
Photographs by Gotthard Schuh, at New York City's IBM Gallery in September and October, was the Swiss photographer's first substantial U.S. exhibit. That's our loss. For nearly 40 years. Schuh has been one of Europe's finest photographers.
PopularPhotography_19690301_0064_003_0080.xml
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61
61
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Ponder & Best
[no value]
Ponder & Best
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0081.xml
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63
63
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Advertisement
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PopularPhotography_19690301_0064_003_0082.xml
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64
64
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Advertisement
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PopularPhotography_19690301_0064_003_0083.xml
article
64
64,66
COMING SOON
[no value]
Agfa-Gevaert’s “PRO” FILMS
[no value]
[no value]
[no value]
BOB SCHWALBERG
Agfa-Gevaert have recently launched a new “professional” film program to complement their well-known line of “amateur” materials. The purpose of this distinction is to differentiate between materials designed for the serious worker who does his own processing (or who uses quality custom laboratories), and the casual picturetaker who relies upon normal commercial photofinishing.
PopularPhotography_19690301_0064_003_0084.xml
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65
65
[no value]
[no value]
Berkey Photo Inc.
[no value]
Berkey Photo Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0085.xml
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66
66
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0086.xml
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67
67
[no value]
[no value]
ZEISS IKON VOIGTLANDER
[no value]
ZEISS IKON VOIGTLANDER
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0087.xml
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68
68
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0088.xml
article
69
69,70,71,72
The Hattersley Class
[no value]
PHOTO-SYMBOLISM
[no value]
[no value]
[no value]
[no value]
We frequently hear that photography is a language. A language is for communicating ideas. A person gets an idea in mind, then attempts through language to create its duplicate in someone else’s head. The more his idea and its intended duplicate are alike, the greater his success in communicating.
PopularPhotography_19690301_0064_003_0089.xml
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73
73
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0090.xml
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74
74
[no value]
[no value]
Advertisement: Olympus Pen FT
[no value]
[no value]
Olympus Pen FT
[no value]
[no value]
PopularPhotography_19690301_0064_003_0091.xml
article
75
75,76,77,151,152
PHOTOGRAPHY TODAY
[no value]
CASH-IN ON YOUR PHOTOGRAPHS
Those 10,000 markets may need your pictures
[no value]
[no value]
ARVEL AHLERS
The best paying markets for most freelance photographers are those least publicized. It’s in fields overlooked or bypassed by his competitors that one can become a big frog in a relatively small—but lucrative—pool. How do you locate potential cash markets that most freelancers overlook?
PopularPhotography_19690301_0064_003_0092.xml
article
78
78,79,110,112,121
PHOTOGRAPHY TODAY
[no value]
A PRO'S GUIDE TO SUCCESSFUL Printing
[no value]
[no value]
[no value]
EARL STEINBICKER
Good printing separates the men from the boys. And yet it is not a difficult art, hut rather an intelligent, painstaking approach to a routine function. Anyone with a basic knowledge of photography and decent darkroom equipment who is willing to spend a few extra minutes on each print can master it.
PopularPhotography_19690301_0064_003_0093.xml
article
80
80,81,82,83
EQUIPMENT AND MATERIALS
[no value]
agfapan 1000 not only fast, but designed for pictures
[no value]
[no value]
[no value]
BOB SCHWALBERG
If there were an Olympic event for film speed with image quality, Germany would win hands down with Agfapan 1000. the speediest contender ever to leave Leverkusen. To date, our tests have been restricted to rolls of 120 which turned our Rollei SL-66 with its f/2.8 and f/4 tenses into an adventurous available-light camera.
PopularPhotography_19690301_0064_003_0094.xml
article
84
84,85,86,87,88,89,90,91,92,93
PROTOGRAPHY TODAY
[no value]
PAUL PAREE
[no value]
[no value]
[no value]
[no value]
It's ironic that one of today’s most interesting young talents came into photography because he was a rock-and-roll singer-songwriter who needed some publicity pictures. Paul Paree of Los Angeles can still remember when he was an aspiring vocalist (on contract to "obscurity records”) and asked a photographer (mostly of baby pictures) to make some publicity shots.
PopularPhotography_19690301_0064_003_0095.xml
review
94
94,95,96,97
EQUIPMENT AND MATERIALS
[no value]
first look
[no value]
Heitz, Inc.
[no value]
Heitz, Inc.
ALPA 10D
$399
Heitz, Inc.
KEYSTONE TARGETRONIC 990
$159.95
Heitz, Inc.
LINHOF"s 4x5 KARDAN B
$499.50
Heitz, Inc.
THE 135-MM AUTO VIVITAR
$84.50
Heitz, Inc.
EXAMAT
$90
Heitz, Inc.
ACU-1
$1.25
Heitz, Inc.
KONICA S 200-MM HEXANON
$129.95
Heitz, Inc.
PRINT FILE/NEGATIVE PRESERVER
[no value]
ALPA 10D reflects Alpa policy: steady change and improvement sans fanfare. Even a glance at the new model gives promise that something extra must be in store for the user: the top deck is cleaner looking with fewer gadgets and protuberances. Instead of a two-dial shutter for setting speeds, there is now only a single dial, click-stopped to rotate for all speeds from 1 second to 1/1.000 and B.
PopularPhotography_19690301_0064_003_0096.xml
article
98
98,99,151
EQUIPMENT AND MATERIALS
[no value]
DOES YOUR ENLARGER STEAL SHARPNESS?
Some also blow up their own defects
[no value]
[no value]
HARVEY ZUCKER
Many photographers spend hundreds of dollars on the latest, finest camera, the kind all the pros use; inquire left and right about the resolution figures of their lenses; and then pour all the precision and design that has gone into this gear—not to mention expenditures—down the darkroom drain.
PopularPhotography_19690301_0064_003_0097.xml
article
100
100,101,148
EQUIPMENT AND MATERIALS
[no value]
THE SCREEN SCENE
why all those crazy SLR screens got that way
[no value]
[no value]
NORMAN ROTHSCHILD
In the pre-psychedelic age. a focusing screen was a plain frosted surface, free from obstructions, concentric lines and optical globs that would black out or distract. You could easily (and still can when plain groundglasses are available) make an esthetic judgement of the image.
PopularPhotography_19690301_0064_003_0098.xml
article
102
102,103,104,105,167,168
PTOTOGRAPHY TODAY
[no value]
My 50000 mile, 3-year photographic education
[no value]
[no value]
[no value]
JOHN ROBATON
What do you do when you’re fresh out of college, have a burning desire to become a photojournalist, but really don’t have any style or inclination as to what you should do or where you should go? That was the problem I faced in June, 1965, after I received my master’s degree in journalism from Boston University.
PopularPhotography_19690301_0064_003_0099.xml
article
106
106,107,148
Lab report
[no value]
ROLLEI 35
[no value]
[no value]
[no value]
Allan Bernhardt
Maybe we are mixed up kids. Some of us love the sweat of art, the preciseness of perfection. Some of us carry our interest only to. “Did my pictures come out?” Together, we are devouring photographic products. Finding two groups farther apart, yet equally vital to a giant industry, would be difficult.
PopularPhotography_19690301_0064_003_0100.xml
article
108
108,109,148
Lab report
[no value]
POLAROID LAND MODEL 180
[no value]
[no value]
[no value]
Cora Wright Kennedy
Don’t be fooled because the Polaroid Land Model 180 camera takes the same film packs as its fully automatic brethren, or resembles them very much. It looks most like the Polaroid Land Automatic Model 250, the top automatic model. But there are a number of significant differences that make many professionals veer towards this camera instead.
PopularPhotography_19690301_0064_003_0101.xml
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111
111
[no value]
[no value]
Advertisement: Kodak Instamatic Reflex Camera
[no value]
[no value]
Kodak Instamatic Reflex Camera
[no value]
[no value]
PopularPhotography_19690301_0064_003_0102.xml
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112
112
[no value]
[no value]
47TH STREET PHOTO INC.
[no value]
47TH STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0103.xml
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113
113
[no value]
[no value]
Advertisements
[no value]
Kodak Instamatic M9 Movie Camera
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0104.xml
article
114
114,115,121
MOVIES
[no value]
Shoot a story with 1 cartridge
[no value]
[no value]
[no value]
DON LANGER
What would you do if you had only one cartridge of super 8 film anti a whole story to shoot? Perhaps you have never considered just how much can be done with one cartridge. Not in footage, but in actual scenes—for there fire two approaches to filming.
PopularPhotography_19690301_0064_003_0105.xml
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116
116,117
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0106.xml
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118
118,119,120
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0107.xml
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121
121
[no value]
[no value]
R. C. J. COLOR CORP.
[no value]
R. C. J. COLOR CORP.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0108.xml
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122
122,123,124,125,126,127
[no value]
[no value]
Spiratone
[no value]
Spiratone
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0109.xml
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128
128
[no value]
[no value]
GLOCOLOR LABS
[no value]
GLOCOLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0110.xml
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129
129
[no value]
[no value]
STERLING-HOWARD
[no value]
STERLING-HOWARD
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0111.xml
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130
130,131
[no value]
[no value]
olden
[no value]
olden
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0112.xml
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132
132
[no value]
[no value]
KOLOR BRITE
[no value]
KOLOR BRITE
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0113.xml
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133
133,134,135,136,137
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0114.xml
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138
138
[no value]
[no value]
Betsy Color
[no value]
Betsy Color
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0115.xml
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139
139
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19690301_0064_003_0116.xml
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140
140,141,142
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0117.xml
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143
143
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0118.xml
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144
144
[no value]
[no value]
Wolk CAMERA
[no value]
Wolk CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0119.xml
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145
145
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0120.xml
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146
146,147
[no value]
[no value]
CAMBRIDGE CAMERA
[no value]
CAMBRIDGE CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0121.xml
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153
153
[no value]
[no value]
K26LAB
[no value]
K26LAB
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0122.xml
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154
154
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0123.xml
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155
155
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0124.xml
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155
155
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19690301_0064_003_0125.xml
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156
156,157
[no value]
[no value]
MINIFILM PHOTO
[no value]
MINIFILM PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0126.xml
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158
158
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0127.xml
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159
159,160,161,162
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0128.xml
article
162
162
INDEX OF ADVERTISERS—MARCH 1969
[no value]
INDEX OF ADVERTISERS—MARCH 1969
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0129.xml
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163
163
[no value]
[no value]
Robin Hood COLOR LABS
[no value]
Robin Hood COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0130.xml
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164
164
[no value]
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0131.xml
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165
165
[no value]
[no value]
Master Color Labs
[no value]
Master Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0132.xml
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166
166
[no value]
[no value]
COLORTONE LABS
[no value]
COLORTONE LABS
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0133.xml
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169
169
[no value]
[no value]
K KOLOR
[no value]
K KOLOR
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0134.xml
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170
170,171,172
[no value]
[no value]
CLASSIFIED MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0135.xml
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173
173
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0136.xml
article
174
174
I WANT TO BUY
[no value]
I WANT TO BUY
[no value]
[no value]
[no value]
[no value]
My camera club would like to buy a slide projector capable of showing slides in 2x2 and 23/4x2 3/4-inch mounts. If possible, this should have available several focal lengths of projection lens, so we can keep image size on the screen about the same without having to move the projector.
PopularPhotography_19690301_0064_003_0137.xml
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175
175
[no value]
[no value]
Minolata
[no value]
Minolata
[no value]
[no value]
[no value]
PopularPhotography_19690301_0064_003_0138.xml
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176
176
[no value]
[no value]
KODAK: KODACHROME-X
[no value]
KODAK
KODACHROME-X
[no value]
[no value]
PopularPhotography_19690301_0064_003_0139.xml