Issue: 19690201

Saturday, February 1, 1969
February
2
True
64
Thursday, January 22, 2015

Articles
cover
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POPULAR PHOTOGRAPHY
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PopularPhotography_19690201_0064_002_0001.xml
advertisement
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0_2
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Nikon Inc.
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Nikon Inc.
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PopularPhotography_19690201_0064_002_0002.xml
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1
1
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SUPERSCOPE INC.
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SUPERSCOPE INC.
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PopularPhotography_19690201_0064_002_0003.xml
tableOfContents
2
2
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Popular Photography
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PopularPhotography_19690201_0064_002_0004.xml
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3
3
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Ehrenreich Photo-Optical Industries, Inc.: new Capro
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Ehrenreich Photo-Optical Industries, Inc.
new Capro
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PopularPhotography_19690201_0064_002_0005.xml
article
4
4,124,125,126
LETTERS TO THE EDITOR!
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LETTERS TO THE EDITOR!
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How to make a crow white Take another look at the fine picture on page 129 of November Popular Photography. 1. Doves and pigeons (Columbidae Family) fly with pointed wings swept back. These birds look more like members of the Corvidae Family. . . . CROWS!
PopularPhotography_19690201_0064_002_0006.xml
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5
5
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Allied Impex Corp.
[no value]
Allied Impex Corp.
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PopularPhotography_19690201_0064_002_0007.xml
advertisement
6
6
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Photo-Optical Industries, Inc.
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Photo-Optical Industries, Inc.
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PopularPhotography_19690201_0064_002_0008.xml
masthead
6
6
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Masthead
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PopularPhotography_19690201_0064_002_0009.xml
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7
7
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Ponder&Best: Exakta
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Ponder&Best
Exakta
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PopularPhotography_19690201_0064_002_0010.xml
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8
8
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Tiffen Optical Co.
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Tiffen Optical Co.
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PopularPhotography_19690201_0064_002_0011.xml
article
8
8
HELP!
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HELP!
OUR READERS WANT TO KNOW...
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Recharging electronic flash I don't use my electronic flash often. How should I treat it so the gun is always reads when needed? It operaates on nickel-cadmium batteries. —G. Black, Enola, Pa. One important step is to reform the capacitor every four or six weeks, by flashing the unit several times.
PopularPhotography_19690201_0064_002_0012.xml
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9
9
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Advertisement: Popular Photography
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Popular Photography
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PopularPhotography_19690201_0064_002_0013.xml
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10
10,11
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Minolta: Rokkor
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Minolta
Rokkor
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PopularPhotography_19690201_0064_002_0014.xml
article
14
14,16,110
NEWS FRONT
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NEWS FRONT
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PRINCETON, N.J.—Better photomultiplier: High-grade densitometers and other photo instruments rely on photomultiplier tube. Of very responsive photo sensors, photomultipliers are most stable and accurate. Dr. R. E. Simon of the David Sarnoff Research Center says RCA has now developed a photomultiplier ten times better than previous types.
PopularPhotography_19690201_0064_002_0015.xml
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15
15
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Records Unlimited
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Records Unlimited
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PopularPhotography_19690201_0064_002_0016.xml
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16
16
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Durst (USA) Inc.: Durst M600
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Durst (USA) Inc.
Durst M600
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PopularPhotography_19690201_0064_002_0017.xml
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17
17
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Honeywell Photographic
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Honeywell Photographic
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PopularPhotography_19690201_0064_002_0018.xml
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18
18
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Nikon Inc.
[no value]
Nikon Inc.
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PopularPhotography_19690201_0064_002_0019.xml
article
18
18,22,60
COLOR CLINIC
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COLOR CLINIC
COLOR TESTS: OURS AND THEIRS
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DAVID B. EISENDRATH
When someone tells me that he has just "tested" a new film or emulsion. I am curious to know just what he means. Often I discover that he has merely tried a different film, rather than made any kind of definitive test. There's nothing wrong with trying out a film.
PopularPhotography_19690201_0064_002_0020.xml
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19
19
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Canon: Canon TL
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Canon
Canon TL
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[no value]
PopularPhotography_19690201_0064_002_0021.xml
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20
20,21
[no value]
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Allied Impex Corp.
[no value]
Allied Impex Corp.
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PopularPhotography_19690201_0064_002_0022.xml
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22
22
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BROOKS INSTITUTE OF PHOTOGRAPHY
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BROOKS INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19690201_0064_002_0023.xml
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23
23
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mamiya: sekor
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mamiya
sekor
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PopularPhotography_19690201_0064_002_0024.xml
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24
24
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Nikon Inc.
[no value]
Nikon Inc.
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PopularPhotography_19690201_0064_002_0025.xml
article
24
24,28
TOOLS & TECHNIQUES
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TOOLS & TECHNIQUES
HOW TO READ SPOTS SAFELY
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CORA WRIGHT KENNEDY
Here's a challenge for many photographers. If you have a spot meter, in or outside the camera, do you really know how it responds to what it sees? Very few people do. They talk about how great the true spot metering idea is for real control. And I'll agree with their enthusiasm—favoring narrow angles such as 1-3 degrees (or even perhaps 5) over semi-spot meter angles that are often in the 9-1 8-degree range.
PopularPhotography_19690201_0064_002_0026.xml
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27
27
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New York Institute of Photography
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New York Institute of Photography
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PopularPhotography_19690201_0064_002_0027.xml
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\28
\28
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ALPHA
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ALPHA
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PopularPhotography_19690201_0064_002_0028.xml
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29
29
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Advertisement
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PopularPhotography_19690201_0064_002_0029.xml
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30
30
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Allied Impex Corp.
[no value]
Allied Impex Corp.
[no value]
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[no value]
PopularPhotography_19690201_0064_002_0030.xml
article
30
30,121
SHOWS WE’VE SEEN
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SHOWS WE’VE SEEN
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DAVID VESTAL
1968—Photographs by Duane Michals at The Underground Gallery, 51 Fast 10th St.. New York City (Oct. 4-27), was a refreshing exhibit by a photographer who changes unpredictably from one approach to another, but always seems to be completely himself.
PopularPhotography_19690201_0064_002_0031.xml
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31
31
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Charles Beseler Co.
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Charles Beseler Co.
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PopularPhotography_19690201_0064_002_0032.xml
advertisement
32
32
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Advertisements
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Burleigh Brooks Inc.
Adjustment Wide-Angle Lens
Burleigh Brooks Inc.
Interchangeable Lenses
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PopularPhotography_19690201_0064_002_0033.xml
article
32
32,125
VIEW POINT
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VIEW POINT
HER PHOTO BOOK OF CHILD’S WORLD
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JACOB DESCHIN
Children’s books illustrated with photographs have not distinguished themselves particularly over the years. More often than not. either the photographs have been poorly reproduced and/or they have lacked meaningful content and impact.
PopularPhotography_19690201_0064_002_0034.xml
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33
33
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[no value]
Konica Camera Corp.: Autoreflex-T
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Konica Camera Corp.
Autoreflex-T
[no value]
[no value]
PopularPhotography_19690201_0064_002_0035.xml
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34
34
[no value]
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KLING PHOTO CORPORATION
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KLING PHOTO CORPORATION
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PopularPhotography_19690201_0064_002_0036.xml
article
34
34,126
IN THE DARK ROOM
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IN THE DARK ROOM
DIAL YOUR PRINT’S COLORS
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AL FRANCEKEVICH
Airplane pilots accuse aeronautic engineers of a much-repeated apocryphal story about the bumblebee. According to all textbook theory, it can't fly. However, it doesn't know this, so it does it anyway. Most photographers on seeing the Janpol enlarging lens will tell you it can't work, but it does, and very well, too.
PopularPhotography_19690201_0064_002_0037.xml
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37
37
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Famous Photographers School
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Famous Photographers School
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PopularPhotography_19690201_0064_002_0038.xml
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38
38
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National Camera Repair School
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National Camera Repair School
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PopularPhotography_19690201_0064_002_0039.xml
article
38
38,40,124
OFF BEAT
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OFF BEAT
IT’S THE PICTURE THAT COUNTS
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NORMAN ROTHSCHILD
At photokina much of the action took place, not in the exhibit halls, but at conversations over dinner in some hotel dining room. To many of you, hobnobbing with the super experts would seem like an unfulfillable dream. But for me it has become a stimulus to urge you not be either frightened or ensnared by technical matters that may not really matter.
PopularPhotography_19690201_0064_002_0040.xml
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39
39
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E. Leitz, Inc.: Leicaflex SL
[no value]
E. Leitz, Inc.
Leicaflex SL
[no value]
[no value]
PopularPhotography_19690201_0064_002_0041.xml
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40
40
[no value]
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Brown & Henderson. Inc.
[no value]
Brown & Henderson. Inc.
[no value]
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PopularPhotography_19690201_0064_002_0042.xml
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41
41
[no value]
[no value]
oneywell Photographic
[no value]
oneywell Photographic
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PopularPhotography_19690201_0064_002_0043.xml
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42
42
[no value]
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KLING PHOTO CORPORATION
[no value]
KLING PHOTO CORPORATION
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PopularPhotography_19690201_0064_002_0044.xml
article
42
42,44,60
TRAVEL
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TRAVEL
EAVESDROPPING AS AN ART
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LES BARRY
One of the inevitabilities of 20th century travel is waiting at airports. Even if everything goes right, and your flight takes off on schedule, the airline has required you to show up well in advance (30 to 60 minutes) of scheduled departure.
PopularPhotography_19690201_0064_002_0045.xml
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43
43
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The Hasselblad System
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The Hasselblad System
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PopularPhotography_19690201_0064_002_0046.xml
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44
44
[no value]
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Concord Electronics Corporation: F-400
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Concord Electronics Corporation
F-400
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[no value]
PopularPhotography_19690201_0064_002_0047.xml
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45
45
[no value]
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Ponder&fBest
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Ponder&fBest
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PopularPhotography_19690201_0064_002_0048.xml
advertisement
46
46
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Advertisements
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Calumet MANUFACTURING COMPANY
WIDE FIELD CAMERA
Calumet MANUFACTURING COMPANY
MAGNESIUM 8 x 10" CAMERA
[no value]
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PopularPhotography_19690201_0064_002_0049.xml
article
46
46,110
SHOWS TO SEE
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SHOWS TO SEE
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Friends ot Photography. Sunset Cultural Center. Carmel: Don Ross Nov. 21-Jan. 7. • M. H. de Young Memorial Museum. San francisco: Photographic Environments / Margaret d'Hamer Dec. 7-Jan. 12. Photographs by David Bracher Dec. 7Jan. 19.
PopularPhotography_19690201_0064_002_0050.xml
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47
47
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THE AMPHOTO PHOTOGRAPHY BOOK CLUB
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THE AMPHOTO PHOTOGRAPHY BOOK CLUB
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0051.xml
article
48
48,111
FOCUS ON SOUND
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FOCUS ON SOUND
IS YOUR NARRATION DEADLY?
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Bennett Evans
Hieres nothing so dead as the “live" narration to the average amateur slide show. I here are three common errors I have noticed (and have been guilty of myself); first is saying too much about a slide: this keeps it on the screen too long and often leaves little to tell about the slides that follow.
PopularPhotography_19690201_0064_002_0052.xml
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49
49
[no value]
[no value]
Petri International (USA) Corp.: petri color 35
[no value]
Petri International (USA) Corp.
petri color 35
[no value]
[no value]
PopularPhotography_19690201_0064_002_0053.xml
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50
50
[no value]
[no value]
ACUFINE, INC.
[no value]
ACUFINE, INC.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0054.xml
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50
50
[no value]
[no value]
National Photo Coloring School
[no value]
National Photo Coloring School
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0055.xml
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50
50
[no value]
[no value]
CINE PRODUCTS, INC.
[no value]
CINE PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0056.xml
article
50
50,117
JUST OUT!
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JUST OUT!
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Cameras Revere Model 1064, a 126 cartridgeloading camera, features a 34-mm Rokkor f/8 lens protected by a builtin cover until the moment of exposure. Its automated exposure system stops lens down to f/27. while shutter speed drops from 1/90 to 1/40 see at low-light levels.
PopularPhotography_19690201_0064_002_0057.xml
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51
51
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Photocade
[no value]
Photocade
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0058.xml
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52
52
[no value]
[no value]
YASHICA INC.
[no value]
YASHICA INC.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0059.xml
article
52
52,118,119
BOOK REVIEW
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BOOK REVIEW
[no value]
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Beaumont Newhall
Alvin Langdon Coburn, Photographer, an Autobiography: edited by Helmut and Alison Gernsheim: Frederick A. Praeger. Inc.. New York and Washington. D.C.: 144 pages. 64 plates; $25. Just 12 days before Alvin Langdon Coburn died at the age of 84 at his home in Rhos-on-Sea.
PopularPhotography_19690201_0064_002_0060.xml
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52
52
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Advertisement
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PopularPhotography_19690201_0064_002_0061.xml
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52
52
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Advertisement: POPULAR PHOTOGRAPHY
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POPULAR PHOTOGRAPHY
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PopularPhotography_19690201_0064_002_0062.xml
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55
55
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[no value]
The School of Modern Photography
[no value]
The School of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0063.xml
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56
56
[no value]
[no value]
THE SORG PAPER COMPANY
[no value]
THE SORG PAPER COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0064.xml
article
56
56,58
SHOP TALK
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SHOP TALK
WHAT’S YOUR CAMERA’S TP?
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NORMAN GOLDBERG
There you are, armed with the latest action-stopping super-precise SLR. Your viewing screen is Filled nicely with the image of the little girl all set to blow out the candles on her birthday cake, and you already visualize the Finished picture: wide-open eyes, puffed-out cheeks, puckered lips, candles gleaming with flaming tips just catching the first puff of air from her lips, a priceless picture.
PopularPhotography_19690201_0064_002_0065.xml
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57
57
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MALLORY
[no value]
MALLORY
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0066.xml
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58
58
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1 GERMAIN) [SCHOOL OF PHOTOGRAPHY]
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1 GERMAIN) [SCHOOL OF PHOTOGRAPHY]
[no value]
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[no value]
PopularPhotography_19690201_0064_002_0067.xml
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59
59
[no value]
[no value]
Simmon Omega, Inc.
[no value]
Simmon Omega, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0068.xml
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60
60
[no value]
[no value]
Ehrenreich Photo-Optical Industries. Inc.
[no value]
Ehrenreich Photo-Optical Industries. Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0069.xml
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60
60
[no value]
[no value]
ZIFF-DAVIS SERVICE
[no value]
ZIFF-DAVIS SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0070.xml
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61
61
[no value]
[no value]
Ponder&Best: Olympus Pen FT
[no value]
Ponder&Best
Olympus Pen FT
[no value]
[no value]
PopularPhotography_19690201_0064_002_0071.xml
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62
62
[no value]
[no value]
Allied Impex Corp.
[no value]
Allied Impex Corp.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0072.xml
article
63
63,64,65,108
PHOTOGRAPHY TODAY
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HOW TO PROMOTE YOURSELF AS A PHOTOGRAPHER
10 time-tested ways to let people know you're great (provided you really are)
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DAVID VESTAL
1. WASH A BRAIN Simple boasting, carried a few hundred hours past the possibility of rational doubt, will wear any potential client down or kill him. The snow-job-turned-inward is one of photography’s most popular promotional methods. It is gratifying, cheap, and does not require intelligence.
PopularPhotography_19690201_0064_002_0073.xml
article
66
66,67,102
EQUIPMENT AND MATERIALS
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Common cures for the cold camera
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LEENDERT DRUKKER
Millions of us are living right now under arctic conditions in the U.S.—and millions more go forth into sub-zero temperatures voluntarily, skiing, skating, tobogganing, hiking. Winter sports vacations are getting to he more and more popular.
PopularPhotography_19690201_0064_002_0074.xml
article
68
68,69,112
EQUIPMENT AND MATERIALS
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Whatever happened to monobaths?
They save time and bottles, process automatically— yet they still haven’t caught on
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[no value]
RICHARD D. ZAKIA
Monobaths are much like an internally automated processing system. Once you place the film into the solution, the gamma has been automatically determined. It develops the exposed silverhalide grains to silver, then stops the development, and finally fixes the unexposed grains—all in a single solution.
PopularPhotography_19690201_0064_002_0075.xml
article
70
70,71,116
EQUIPMENT AND MATERIALS
[no value]
Close-ups without kicks: take a TLR
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[no value]
[no value]
NORMAN ROTHSCHILD
The twin-lens reflex camera has one great advantage over the STR in close-up photography: it doesn't have a moving mirror to cause vibration. Also on the "plus" side is its continuous view of the subject before, during, and after the exposure.
PopularPhotography_19690201_0064_002_0076.xml
article
72
72,73,74,75,76,77,78,79
PHOTOGRAPHY TODAY
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PICTURES YOU WON'T SEE IN A VIEWFINDER
Creativity can often begin after the shutter is released
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If you've been shooting pictures for some time, you usually don't find it difficult to visualize your final results, even when your multi-colored subject is being photographed in blackand-white. But some photographers like to carry the creative process a step or two further and do most of their creating or manipulating after the shutter has been released.
PopularPhotography_19690201_0064_002_0077.xml
article
80
80,81,119,120,121
EQUIPMENT AND MATERIALS
[no value]
Lens testing’s better than ever
COMPLETE CHECK; OVER 400 SEPARATE MEASUREMENTS
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[no value]
NORMAN GOLDBERG
To be worthy of the name, any test lab must constantly test itself. As better testing methods become available, they should be used. Like any organic process, a testing program must be able to cast off the old and make use of the new; so there has been a basic change in our lens-testing program.
PopularPhotography_19690201_0064_002_0078.xml
article
82
82,83,114
PHOTOGRAPHY TODAY
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INSTRUCTIONS ARE FOR EXPERTS
Practice what the camera-makers preach about those knobs and dials
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[no value]
BOB SCHWALBERG
The scene was Olden’s walk-up-andsave camera shop in New York on a Saturday morning. If you're a camera nut, and a New Yorker, you can picture 100 or so guys elbow-to-elbow along the right-angled counter, wheeling and dealing with about 30 hot and cold running salesmen for cameras, lenses and other accessories, past and present.
PopularPhotography_19690201_0064_002_0079.xml
article
84
84,85
EQUIPMENT AND MATERIALS
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first look
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[no value]
[no value]
[no value]
EDMUNDS OVERHEAD PROJECTOR is an inexpensive optical system for showing up to 5x5 in. transparencies. It is designed to be used with a standard 35-mm projector as a light source. The projector must be placed about 6 inches behind the Edmund unit, so that its beam will pass through the device's port, to be reflected upwards by a mirror that throws it through two plastic fresnel lenses to fill the 5x5-in. glass stage.
PopularPhotography_19690201_0064_002_0080.xml
article
86
86,87,88,89,90,91,113,114
PHOTOGRAPHY TODAY
[no value]
ATGET THE LITTLE MAN WHO INFLUENCED A GENERATION OF PHOTOGRAPHERS
After 41 years his famed collection gets a permanent home, bringing recognition, study and preservation
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[no value]
DAVID VESTAL
Forty-one years after Eugene Atget died, his work, preserved for all that time by Berenice Abbott as a personal responsibility, has finally found a permanent home. The whole collection of his negatives and prints, almost his entire life's output, was bought from her by the Museum of Modern Art in New York in September, 1968.
PopularPhotography_19690201_0064_002_0081.xml
article
92
92,93,111
EQUIPMENT AND MATERIALS
[no value]
Lab Reoprt
CONTAREX SUPER
[no value]
[no value]
Harvey Shaman
The small individual differences in cameras are the things that give them character. These either make them versatile, flexible tools or tend to drive you elsewhere in the never-ending search for the perfect camera. The Contarex Super is not the perfect camera, since the perfect camera doesn't exist.
PopularPhotography_19690201_0064_002_0082.xml
article
94
94
PHOTOGRAPHY TODAY
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RELIGION 1968 Clergyman charges bad taste; Hattersley replies
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[no value]
[no value]
Ralph Hattersley
Dear Sir: Though I am a firm believer in tree speech, it appears to me that editorial discretion can be applied to columns such as "The Hattersley Class" which appears in your current issue. In June 1968 Mr. Hattersley requested readers to submit entries on the subject “Religion 1968."
PopularPhotography_19690201_0064_002_0083.xml
article
95
95,96,97,98
PHOTOGRAPHY TODAY
[no value]
The Hattersley Class: CREATIVE DESTRUCTION
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[no value]
[no value]
[no value]
One of the fascinations of photography is the discovery that it can be a subtle and demanding craft. No matter how much sensitivity and technique you pour into a photograph, it can still absorb more. This is a great challenge, of course. But it can lead to the hang-up of being overimpressed with craftsmanship at the expense of everything else.
PopularPhotography_19690201_0064_002_0084.xml
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99
99
[no value]
[no value]
Kodak: Carousel 850 Projector
[no value]
Kodak
Carousel 850 Projector
[no value]
[no value]
PopularPhotography_19690201_0064_002_0085.xml
article
100
100
PHOTOGRAPHY TODAY
[no value]
The Hattersley Class: student pictures Do your children bug you?
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[no value]
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If your children hug you, shoot them. Give free rein to a powerful inner urge that wells up within you! Let them have it!—at about 1/30 second at f/5.6. Bruce Buchenholz says that crying kids (above) really drive him up the wall. Fine. While he's up there he can get a high angle shot.
PopularPhotography_19690201_0064_002_0086.xml
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101
101
[no value]
[no value]
Kodak: Instamatic 814 Camera
[no value]
Kodak
Instamatic 814 Camera
[no value]
[no value]
PopularPhotography_19690201_0064_002_0087.xml
advertisement
103
103
[no value]
[no value]
Kodak: INSTAMATIC M95 Movie Projector
[no value]
Kodak
INSTAMATIC M95 Movie Projector
[no value]
[no value]
PopularPhotography_19690201_0064_002_0088.xml
article
104
104,105,108,109
MOVIES
[no value]
Make a Way-Out Movie
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[no value]
[no value]
NORMAN ROTHSCHILD
The idea for making a series of abtract images evolved as I looked into the finder of a 35-mm SLR. The dark interior of the eye-level prism gave me the feeling that I was alone in a darkened theater, looking at a movie screen. The images on the 35-mm focusing screen moved, and I thought: “Maybe my abstractions would look better in motion!”
PopularPhotography_19690201_0064_002_0089.xml
article
106
106,107
MOVIES
[no value]
MOVIE TITLES UNLIMITED
[no value]
[no value]
[no value]
MICHAEL D. GRENNAN
Good titles aren’t a matter of buying a lettering set and squaring up the camera accurately. Moviemakers used to congratulate themselves merely for turning out lines properly straight and centered. The reflex finder, now standard on almost every camera, has wiped out much of the challenge at this level, and now there is no excuse for titles that lack freshness and sparkle.
PopularPhotography_19690201_0064_002_0090.xml
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109
109
[no value]
[no value]
Advertisements
[no value]
THE FR CORPORATION
Heath/Mitchell Colorval Computer
THE FR CORPORATION
A Color Processor
[no value]
[no value]
PopularPhotography_19690201_0064_002_0091.xml
advertisement
110
110
[no value]
[no value]
ZIFF-DAVIS SERVICE
[no value]
ZIFF-DAVIS SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0092.xml
advertisement
111
111
[no value]
[no value]
PROMINAR INTERNATIONAL CORPORATION: Kowa SETR
[no value]
PROMINAR INTERNATIONAL CORPORATION
Kowa SETR
[no value]
[no value]
PopularPhotography_19690201_0064_002_0093.xml
advertisement
113
113
[no value]
[no value]
BLACKHAWK FILMS
[no value]
BLACKHAWK FILMS
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0094.xml
article
115
115
EQUIPMENT AND MATERIALS
[no value]
NO MORE PURPLE SKIES
You may not have noticed, but Kodachrome-X has changed
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[no value]
NORMAN ROTHSCHILD
Even though the number and types of color slide films have increased manyfold, calling any color transparency a Kodachrome is a habit that persists. And to most photographers the term “Kodachrome” just means Kodachrome II, Daylight Type, a film against which others are measured.
PopularPhotography_19690201_0064_002_0095.xml
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115
115
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[no value]
Alabama 150
[no value]
Alabama 150
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0096.xml
advertisement
116
116
[no value]
[no value]
SEA RESEARCH & DEVELOPMENT.INC.
[no value]
SEA RESEARCH & DEVELOPMENT.INC.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0097.xml
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116
116
[no value]
[no value]
Amateur Photography
[no value]
Amateur Photography
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0098.xml
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117
117
[no value]
[no value]
SMITH-VICTOR CORP.
[no value]
SMITH-VICTOR CORP.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0099.xml
advertisement
117
117
[no value]
[no value]
Ziff-Davis Publishing Co.
[no value]
Ziff-Davis Publishing Co.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0100.xml
advertisement
118
118
[no value]
[no value]
KLING PHOTO CORPORATION
[no value]
KLING PHOTO CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0101.xml
advertisement
118
118
[no value]
[no value]
THE NEGA FILE COMPANY
[no value]
THE NEGA FILE COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0102.xml
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119
119
[no value]
[no value]
THE Schober ORGAN CORP.
[no value]
THE Schober ORGAN CORP.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0103.xml
advertisement
121
121
[no value]
[no value]
Missouri Tourism Commission
[no value]
Missouri Tourism Commission
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0104.xml
advertisement
121
121
[no value]
[no value]
Ziff-Davis Service
[no value]
Ziff-Davis Service
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0105.xml
advertisement
121
121
[no value]
[no value]
CARTRIDGE TAPE CLUB OF AMERICA
[no value]
CARTRIDGE TAPE CLUB OF AMERICA
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0106.xml
advertisement
122
122,123
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0107.xml
advertisement
124
124
[no value]
[no value]
Advertisements
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0108.xml
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125
125
[no value]
[no value]
47th STREET PHOTO INC.
[no value]
47th STREET PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0109.xml
advertisement
127
127,128,129
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0110.xml
advertisement
130
130,131,132,133,134,135
[no value]
[no value]
Advertisements
[no value]
Spiratone INC.
SLR LENSES
Spiratone INC.
AUTOMATIC TELXTENDERS
[no value]
[no value]
PopularPhotography_19690201_0064_002_0111.xml
advertisement
136
136
[no value]
[no value]
Advertisements
[no value]
GLO-COLOR LABS
INSTAMATIC cameras
GLO-COLOR LABS
35MM 20 EXPOSURE
[no value]
[no value]
PopularPhotography_19690201_0064_002_0112.xml
advertisement
137
137
[no value]
[no value]
Advertisements
[no value]
STERLING-HOWARD
MAGNALUX 35
STERLING-HOWARD
PRINT DRYER
[no value]
[no value]
PopularPhotography_19690201_0064_002_0113.xml
advertisement
138
138
[no value]
[no value]
Starlight COLOR LAB
[no value]
Starlight COLOR LAB
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0114.xml
advertisement
139
139
[no value]
[no value]
GENERAL PHOTOGRAPHIC CORPORATION
[no value]
GENERAL PHOTOGRAPHIC CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0115.xml
advertisement
140
140,141
[no value]
[no value]
Advertisements
[no value]
MINIFILM PHOTO
MAMIYA 500 DTL REFLEX OUTFIT
MINIFILM PHOTO
OLYMPUS PEN FT REFLEX OUTFIT
[no value]
[no value]
PopularPhotography_19690201_0064_002_0116.xml
advertisement
142
142,143
[no value]
[no value]
TERMENDOUS COLOR
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TERMENDOUS COLOR
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[no value]
[no value]
PopularPhotography_19690201_0064_002_0117.xml
advertisement
144
144,145,146
[no value]
[no value]
Advertisement
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PopularPhotography_19690201_0064_002_0118.xml
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147
147
[no value]
[no value]
COLORTONE LABS
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COLORTONE LABS
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[no value]
[no value]
PopularPhotography_19690201_0064_002_0119.xml
advertisement
148
148
[no value]
[no value]
Ziff-Davis Publishing Company
[no value]
Ziff-Davis Publishing Company
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0120.xml
article
148
148
PHOTOGRAPHY TRAVEL SERVICE
[no value]
PHOTOGRAPHY TRAVEL SERVICE
[no value]
[no value]
[no value]
[no value]
POPULAR PHOTOGRAPHY’s travel department maintains a complete up-to-date world-wide, listing of travel information soures—countries. states and general areas. This page has been designed to help reader plan their vacations, photo tours, and week-end trips, by making it easy for them to obtain current news about any point on the globe.
PopularPhotography_19690201_0064_002_0121.xml
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149
149
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[no value]
K26LAB
[no value]
K26LAB
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0122.xml
advertisement
150
150,151
[no value]
[no value]
Advertisements
[no value]
CAMBRIDGE CAMERA EXCHANGE
Aires Penta
CAMBRIDGE CAMERA EXCHANGE
Agfa Ambiflex
[no value]
[no value]
PopularPhotography_19690201_0064_002_0123.xml
advertisement
152
152
[no value]
[no value]
KOLOR PROFESSIONAL COLOR LABS
[no value]
KOLOR PROFESSIONAL COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0124.xml
advertisement
153
153
[no value]
[no value]
Stereo Tost Record
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Stereo Tost Record
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[no value]
[no value]
PopularPhotography_19690201_0064_002_0125.xml
advertisement
154
154
[no value]
[no value]
ZIFF-DAVIS SERVICE
[no value]
ZIFF-DAVIS SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0126.xml
advertisement
157
157
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[no value]
Advertisement
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PopularPhotography_19690201_0064_002_0127.xml
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158
158
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[no value]
Advertisement
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[no value]
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PopularPhotography_19690201_0064_002_0128.xml
article
159
159
AIDS TO BETTER PHOTOGRAPHY
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AIDS TO BETTER PHOTOGRAPHY
[no value]
[no value]
[no value]
[no value]
A library of useful information is available to photographers free, thanks to the instructional literature many manufacturers offer. There are, no doubt, several booklets described here that will interest you. Just enclose 10¢ in coin or stamps to cover handling and you can circle as many choices as you wish on the coupon below.
PopularPhotography_19690201_0064_002_0129.xml
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160
160,161
[no value]
[no value]
Advertisements
[no value]
olden
S. L. R. CAMERAS
olden
LENSES
[no value]
[no value]
PopularPhotography_19690201_0064_002_0130.xml
advertisement
162
162
[no value]
[no value]
Advertisements
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AIR PHOTO SUPPLY CORP.
COMMERCIAL ASTRAGON
AIR PHOTO SUPPLY CORP.
SINGLE WEIGHT GLOSSY
[no value]
[no value]
PopularPhotography_19690201_0064_002_0131.xml
advertisement
163
163
[no value]
[no value]
G.P.O.
[no value]
G.P.O.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0132.xml
advertisement
164
164
[no value]
[no value]
Master Color Labs
[no value]
Master Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0133.xml
advertisement
165
165
[no value]
[no value]
Advertisements
[no value]
BASS CAMERA CO.
POWER ZOOM 6-1 RATIO
BASS CAMERA CO.
PRINZ REXAMATIC ZOOM MULTI 8 PROJECTOR
[no value]
[no value]
PopularPhotography_19690201_0064_002_0134.xml
advertisement
166
166,167,168,169
[no value]
[no value]
Advertisements
[no value]
BASS CAMERA CO.
BASS "66" Deluxe COLOR ENLARGER
BASS CAMERA CO.
PRINZ JET ROTO DRYER
[no value]
[no value]
PopularPhotography_19690201_0064_002_0135.xml
advertisement
170
170
[no value]
[no value]
KOLOR BRITE
[no value]
KOLOR BRITE
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0136.xml
advertisement
171
171,172,173
[no value]
[no value]
Advertisements
[no value]
WALL ST. CAMERA EXCHANGE
PRESET LENSES
WALL ST. CAMERA EXCHANGE
AUTO LENSES
[no value]
[no value]
PopularPhotography_19690201_0064_002_0137.xml
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174
174
[no value]
[no value]
Advertisements
[no value]
WALL ST. CAMERA EXCHANGE
EXA IIa
WALL ST. CAMERA EXCHANGE
PRAKTICA NOVA
[no value]
[no value]
PopularPhotography_19690201_0064_002_0138.xml
article
174
174
INDEX OF ADVERTISERS—FEBRUARY 1969
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INDEX OF ADVERTISERS—FEBRUARY 1969
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[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0139.xml
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175
175
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[no value]
Advertisement
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[no value]
[no value]
[no value]
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PopularPhotography_19690201_0064_002_0140.xml
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176
176,177,178
[no value]
[no value]
CLASSIFIED MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0141.xml
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179
179
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0142.xml
article
180
180
I WANT T0 BUY...
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I WANT T0 BUY...
[no value]
[no value]
[no value]
[no value]
More and more cameras appear on the market that take either 120 or 220 film. Where does one get 220 film? I will be going on an expedition into South America in December and would much prefer using 220. —Ted Engel, Calgary, Alberta, Can. Eastman Kodak Co., 343 State St., Rochester, N.Y. 14650, now handles three types of 220 film:
PopularPhotography_19690201_0064_002_0143.xml
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181
181
[no value]
[no value]
Zeiss Ikon-Voigtlander of America, Inc.
[no value]
Zeiss Ikon-Voigtlander of America, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19690201_0064_002_0144.xml
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182
182
[no value]
[no value]
Advertisements
[no value]
Kodak
KODACHROME II
Kodak
KODACHROME-X
[no value]
[no value]
PopularPhotography_19690201_0064_002_0145.xml