Issue: 19680801

Thursday, August 1, 1968
August
2
False
63
Saturday, January 10, 2015

Articles
cover
0_1
0_1
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0001.xml
advertisement
0_2
0_2
[no value]
[no value]
GAF Corporation: Anscomatic ST/110
[no value]
GAF Corporation
Anscomatic ST/110
[no value]
[no value]
PopularPhotography_19680801_0063_002_0002.xml
advertisement
1
1
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0003.xml
tableOfContents
2
2
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0004.xml
advertisement
3
3
[no value]
[no value]
Mamiya Div/Ehrenreich Photo-Optical Industries, Inc.
[no value]
Mamiya Div/Ehrenreich Photo-Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0005.xml
article
4
4,6
LETTERS TO THE EDITORS!
[no value]
LETTERS TO THE EDITORS!
[no value]
[no value]
[no value]
[no value]
It was good to see Dennis Brokaw’s excellent photographs (made on Polaroid Land Type 52 film) in the May issue. The accompanying text is good, but I feel one statement needs clarification: When working with positive materials (all Polaroid materials can he considered as such except Type 55 P/N Polaroid Land film, which yields both a positive print and a fine negative), we must expose for the high values instead of for the shadows (as with conventional negative materials).
PopularPhotography_19680801_0063_002_0006.xml
advertisement
5
5
[no value]
[no value]
Vivitar
[no value]
Vivitar
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0007.xml
advertisement
6
6
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0008.xml
masthead
6
6
[no value]
[no value]
Masthead
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0009.xml
advertisement
7
7
[no value]
[no value]
COLUMBIA STEREO TAPE CLUB
[no value]
COLUMBIA STEREO TAPE CLUB
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0010.xml
advertisement
8
8
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0011.xml
article
8
8
HELP!
[no value]
HELP!
OUR READERS WANT TO KNOW...
[no value]
[no value]
[no value]
What's a good way to clean 35-mm cartridges used for bulk loading of film?—William R. Lamonte, New Orleans, La. Photographers tend to have their favorite techniques here, though most pay special attention to removing dust from the cartridge lips.
PopularPhotography_19680801_0063_002_0012.xml
advertisement
9
9
[no value]
[no value]
Minolta Corporation: SR-T 101
[no value]
Minolta Corporation
SR-T 101
[no value]
[no value]
PopularPhotography_19680801_0063_002_0013.xml
advertisement
10
10
[no value]
[no value]
Calumet
[no value]
Calumet
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0014.xml
article
10
10
HERE'S HOW
[no value]
A REAL SWITCHED-ON LUNCH BOX
[no value]
[no value]
[no value]
Robert Jacquot
Wanting to duplicate my transparencies, and being a do-it-yourselfer, I looked about for a method of building my own lighting unit. Basically all that is required to illuminate transparencies for duplication is a light source for focusing and composing and another for making the actual exposure.
PopularPhotography_19680801_0063_002_0015.xml
advertisement
11
11
[no value]
[no value]
Bauer
[no value]
Bauer
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0016.xml
advertisement
12
12
[no value]
[no value]
Agfachrome
[no value]
Agfachrome
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0017.xml
article
13
13,16
NEWSFRONT
[no value]
NEWSFRONT
[no value]
[no value]
[no value]
[no value]
WASHINGTON—See what's cooking : C. S. McCamy of (U.S.) National Bureau of Standards has invented device to see or photograph in utter darkness. Unlike expensive electronic devices, this one is ingeniously simple. It consists of little more than a viewing light, concave mirror, and piece of film.
PopularPhotography_19680801_0063_002_0018.xml
advertisement
14
14,15
[no value]
[no value]
Paillard Incorporated: Bolex 155 Macrozoom
[no value]
Paillard Incorporated
Bolex 155 Macrozoom
[no value]
[no value]
PopularPhotography_19680801_0063_002_0019.xml
advertisement
16
16
[no value]
[no value]
Nikon Inc.
[no value]
Nikon Inc.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0020.xml
advertisement
17
17
[no value]
[no value]
Honeywell Photographic
[no value]
Honeywell Photographic
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0021.xml
advertisement
18
18,19
[no value]
[no value]
E. Leitz, Inc.
[no value]
E. Leitz, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0022.xml
advertisement
20
20
[no value]
[no value]
Arrow Photo Ltd.
[no value]
Arrow Photo Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0023.xml
article
20
20,52
COLOR CLINIC
[no value]
COLOR CLINIC
ON USING PICTURES OFF THE SCREEN
[no value]
[no value]
DAVID B. EISENDRATH
Recently in these pages there was a brief article about making pictures off the TV screen, and, although it had a lot of useful information. felt that it lacked a word of warning about what you may do with the pictures after you've made them. And, since the same principles also apply to making pictures off the motion picture screen, let’s talk about that, too.
PopularPhotography_19680801_0063_002_0024.xml
advertisement
23
23
[no value]
[no value]
CLAIM CHECK
[no value]
CLAIM CHECK
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0025.xml
advertisement
24
24
[no value]
[no value]
PETRI: FLEX V6
[no value]
PETRI
FLEX V6
[no value]
[no value]
PopularPhotography_19680801_0063_002_0026.xml
article
24
24,50
PHOTOGRAPHY TODAY
[no value]
Photo educators meet, talk, elect in Washington
[no value]
[no value]
[no value]
D.V.
The Society for Photographic Education’s fifth annual meeting was held at the Roger Smith Hotel in Washington, D.C. on April 25, 26, and 27, 1968. About 100 members and guests attended, mostly college photography teachers and their students. Washington was picked to give SPE members a chance to see government photo collections and archives, and acquaint themselves with photography within the government.
PopularPhotography_19680801_0063_002_0027.xml
advertisement
25
25
[no value]
[no value]
Allied Impex Corp.: Soligor
[no value]
Allied Impex Corp.
Soligor
[no value]
[no value]
PopularPhotography_19680801_0063_002_0028.xml
advertisement
26
26
[no value]
[no value]
Ehrenreich Photo-Optical Industries, Inc.: KOMURA
[no value]
Ehrenreich Photo-Optical Industries, Inc.
KOMURA
[no value]
[no value]
PopularPhotography_19680801_0063_002_0029.xml
review
26
26,56
JUST OUT!
[no value]
JUST OUT!
[no value]
Bell & Howell
[no value]
Bell & Howell
CANON TL
$199.95
CANON TL, a 35-mm SLR, offers automatic exposure with throughthe-lens spot metering covering 12 percent of the picture area. Other features: automatic aperture-setting, microprism screen focusing, quick-return mirror, 1 sec to 1/500 sec (plus B) shutter speeds, FP and X flash contacts, depth-of-field preview, zero-adjustment CdS exposure meter for film speeds 25 to 2,000 ASA, quick-loading mechanism, lens interchangeability, and accessory shoe. Price, with 50mm Canon f/1.8 lens, $199.95 (also available with f/1.4 and 1.2 lenses). Distributor is Bell & Howell, 7100 McCormick Rd., Chicago, Ill. 60645.
Bell & Howell
AG-1
$2.95
FLASHCUBE ADAPTER permits users of Tilt-A-Mite flashgun to use bulbs from AG-1 through No. 5 and flashcubes. It's equipped with an adapter connection, fitting directly into the bulb socket, and a cube ejector. Turning a serrated knob advances the cube. Price is $2.95. Honeywell Photographic Products Div., 4800 E. Dry Creek Rd., Denver, Colo. 80217, offers more information.
Bell & Howell
SECURE - A - CORD
$3.15
SECURE - A - CORD locks male and female ends of electrical cords together so that when cords are pulled (such as when moving lights about), they will not separate. Price is $3.15, ppd, from Bison House, 231 Currier Ave., Buffalo, N.Y. 14212.
Bell & Howell
FILTER KIT
$4.95
FILTER KIT for Spiralite Monopak electronic flash consists of a holder and three filters: a polarizer for reflection control, a neutral density for closeup work, and a warming one to reduce excessive bluishness. Set is $4.95, from Spiratone, Inc., 135— 06 Northern Blvd., Flushing, N.Y. 11354.
[no value]
[no value]
PopularPhotography_19680801_0063_002_0030.xml
article
27
27
FOCUS ON SOUND
[no value]
MEDIA AND MESSAGES
[no value]
[no value]
[no value]
TONY SCHWARTZ
Many years ago, when I started to collect folklore with a tape recorder, I met Dr. Ben Botkin, the noted folklore historian. During most of his collecting life, his tools were the pen and pencil. The quality and quantity of the written material he had gathered were very impressive.
PopularPhotography_19680801_0063_002_0031.xml
article
27
27
FOCUS ON SOUND
[no value]
INSIDE TRACK
[no value]
[no value]
[no value]
Herbert Friedman
Does it make any difference whether a tape recorder is standing flat or on end? My friend says that tube-type recorders must be used either flat or standing, but not both ways. Some early tube recorders had to be operated preferably vertical or horizontal.
PopularPhotography_19680801_0063_002_0032.xml
advertisement
28
28
[no value]
[no value]
Honeywell Photographic
[no value]
Honeywell Photographic
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0033.xml
article
28
28,30
VIEW POINT
[no value]
VIEW POINT
TEACHING THAT'S BALM FOR THE PRO
[no value]
[no value]
JACOB DESCHIN
Four clays a week John T. Hill photographer and teacher, commutes from his home in New Haven. Conn., to his New York studio at 120 E. 32nd St. lie fifth clay he teaches photography at the School of Art and Architecture at Yale University, from which he was graduated in 1960 with a master's degree.
PopularPhotography_19680801_0063_002_0034.xml
advertisement
29
29
[no value]
[no value]
Charles Beseler Co.: BESELER TOPCON
[no value]
Charles Beseler Co.
BESELER TOPCON
[no value]
[no value]
PopularPhotography_19680801_0063_002_0035.xml
advertisement
30
30
[no value]
[no value]
SMP
[no value]
SMP
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0036.xml
advertisement
33
33
[no value]
[no value]
The School of Modern Photography
[no value]
The School of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0037.xml
advertisement
34
34
[no value]
[no value]
hershey
[no value]
hershey
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0038.xml
article
34
34,36,46
IN THE DARK ROOM
[no value]
IN THE DARK ROOM
DO YOU NEED A PRINTING METER?
[no value]
[no value]
AL FRANCEKEVICH
At one time or another, I've used one of the following printing exposure meters: the Macbeth Quantalog, the Fotoval, the Melico, the Durst Analite, and the Spotmatic. Prices for these units range from under $20 to $70. They all do the job, but as you might imagine, the more expensive ones are more sophisticated, positive-reading, sensitive.
PopularPhotography_19680801_0063_002_0039.xml
advertisement
35
35
[no value]
[no value]
Simmon Omega, Inc.
[no value]
Simmon Omega, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0040.xml
advertisement
36
36
[no value]
[no value]
Optical Industries, Inc.
[no value]
Optical Industries, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0041.xml
advertisement
36
36
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0042.xml
advertisement
36
36
[no value]
[no value]
Ziff-Davis Service Div.
[no value]
Ziff-Davis Service Div.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0043.xml
advertisement
36
36
[no value]
[no value]
THE FR CORPORATION Bronx
[no value]
THE FR CORPORATION Bronx
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0044.xml
advertisement
37
37
[no value]
[no value]
Ponder & Best: Mamiya/Sekor DTL
[no value]
Ponder & Best
Mamiya/Sekor DTL
[no value]
[no value]
PopularPhotography_19680801_0063_002_0045.xml
advertisement
38
38
[no value]
[no value]
BROOKS INSTITUTE OF PHOTOGRAPHY
[no value]
BROOKS INSTITUTE OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0046.xml
article
38
38,40,46
TOOLS & TECHNIQUES
[no value]
TOOLS & TECHNIQUES
KEEP YOUR COOL ON BATTERIES
[no value]
[no value]
CORA WRIGHT KENNEDY
Should you store carbon-zinc batteries in the freezer or will the refrigerator shelves do? You may have been a bit confused by apparently conflicting advice in these pages. To cool this once and for all, there's no basic contradiction. The answer depends on your needs.
PopularPhotography_19680801_0063_002_0047.xml
advertisement
39
39
[no value]
[no value]
Nikon Inc.: Nikon F
[no value]
Nikon Inc.
Nikon F
[no value]
[no value]
PopularPhotography_19680801_0063_002_0048.xml
advertisement
40
40
[no value]
[no value]
Hanimex Pty. Ltd.
[no value]
Hanimex Pty. Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0049.xml
advertisement
43
43
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0050.xml
advertisement
44
44,45
[no value]
[no value]
KONICA: Autoreflex-T
[no value]
KONICA
Autoreflex-T
[no value]
[no value]
PopularPhotography_19680801_0063_002_0051.xml
advertisement
46
46
[no value]
[no value]
YASHICA: Atoron
[no value]
YASHICA
Atoron
[no value]
[no value]
PopularPhotography_19680801_0063_002_0052.xml
advertisement
46
46
[no value]
[no value]
Toshiba
[no value]
Toshiba
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0053.xml
article
47
47
FOCUS ON SOUND
[no value]
TESTING 1-2-3
[no value]
[no value]
[no value]
Herbert Friedman
It’s almost as if there’s no limit to the uses for the cassette recorder mechanism. The latest entry in the “cassette sweepstakes" is the Norelco Radio Cassette Recorder. It’s basically a high-quality portable FM, AM, and short-wave radio combined with a cassette recorder that can automatically record from any of the radio bands.
PopularPhotography_19680801_0063_002_0054.xml
review
47
47
[no value]
[no value]
JUST OUT
[no value]
Ampex Corp.
[no value]
Ampex Corp.
AMPEX TAPE DECKS
$199.95
AMPEX TAPE DECKS for use in stereo systems are available in two four-track, solid-state units. The first, Model 750, has both sound on and with sound, tape monitoring, echo chamber, three speeds (7 1/2-, 3 3/4-, and 1 7/8 ips), and two record level VU meters. Price, $199.95. The second unit, Model 1450, features automatic threading, reverse, and replay; sound with sound; tape monitoring; 7 1/2,3 3/4, and 1 7/8 ips speeds; and twin VU meters. Price, $299.95; optional walnut base, $49.95, with cover. Both units have pre-amplifiers. Manufacturer is Ampex Corp., 205 W. Touhy Ave., Chicago, I11. 60068.
Ampex Corp.
MODEL 210
$69.95
CONCERTONE MODEL 210, a monaural tape recorder accepting cassettes has: automatic record level control, pop-up cassette ejector, record level meter, and battery condition indicator. Price of $69.95 includes remote control dynamic microphone, carrying case and strap, accessory pouch, recording patch cord with alligator clips, dynamic earphone, filtered a.c. adapter, and one-hour-play blank cassette. Manufacturer is Concertone, Inc., 3962 Landmark St., Culver City, Calif. 90230.
Ampex Corp.
UHER DECK 7000
$139.95
UHER DECK 7000 (four-track stereo) operates at 7 1/2 and 3 3/4 ips, has sound-on-sound provision, automatic shutoff with metallic leader, fingertip controls, 4-digit index counter with pushbutton reset, and twin VU meters. Price, with walnut housing, $139.95. Manufacturer is Martel Electronics, 2339 S. Cotner, Los Angeles, Calif. 90064.
Ampex Corp.
CRAIG 9106
$15.95
CRAIG 9106 Voice Actuation Microphone is self-contained, with control amplifier and 9-volt battery, for use with all Craig portable tape recorders. Adjustable sensitivity control eliminates response to unwanted background noise. Unit has input jacks for extension microphones or other pickup, plus control for automatic or manual operation. Weight, 8 oz; price, $15.95. The manufacturer, Craig Products Div., Craig Corp., 2302 E. 15th St., Los Angeles, Calif. 90021, offers more information.
[no value]
[no value]
PopularPhotography_19680801_0063_002_0055.xml
advertisement
48
48
[no value]
[no value]
CLARK SPECIALTIES. INC.
[no value]
CLARK SPECIALTIES. INC.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0056.xml
advertisement
48
48
[no value]
[no value]
CINE PRODUCTS, INC.: SOLAR
[no value]
CINE PRODUCTS, INC.
SOLAR
[no value]
[no value]
PopularPhotography_19680801_0063_002_0057.xml
article
48
48,52
TRAVEL
[no value]
TRAVEL
'WOMAN'— NOTHING LIKE A DAME
[no value]
[no value]
LES BARRY
No matter how you feel about Pablo Picasso, you'll have to admit that his 50-foot-high sculptured portrait of a woman, standing in front of Chicago's new Civic Center, is a most challenging photographic subject. It’s not the sort of thing you can shoot, either as a subject or a background, without giving a lot of thought to what it is and how you’d like it to look in the final version—print, slide, or movie.
PopularPhotography_19680801_0063_002_0058.xml
advertisement
49
49
[no value]
[no value]
PHOTO FILM U.S.A., INC.: FUJICA
[no value]
PHOTO FILM U.S.A., INC.
FUJICA
[no value]
[no value]
PopularPhotography_19680801_0063_002_0059.xml
advertisement
50
50
[no value]
[no value]
NATIONAL CAMERA REPAIR SCHOOL
[no value]
NATIONAL CAMERA REPAIR SCHOOL
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0060.xml
article
50
50,67
[no value]
[no value]
35 TODAY: an entirely new ballgame
[no value]
[no value]
[no value]
BOB SCHWALBERG
Nine years ago, in the spring of '59, I was shooting some pictures in the New York subways—it was legal then*#x2014;and a guy walks up and asks if I'm using Tri-X, and what will I develop it in? The significance of this earthshaking event was that he didn't tell me that my pictures wouldn't come out, as helpful people had been doing for years.
PopularPhotography_19680801_0063_002_0061.xml
advertisement
51
51
[no value]
[no value]
Ponder & Best: Vivitar
[no value]
Ponder & Best
Vivitar
[no value]
[no value]
PopularPhotography_19680801_0063_002_0062.xml
advertisement
52
52
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0063.xml
advertisement
52
52
[no value]
[no value]
PRICE CORRECTION
[no value]
PRICE CORRECTION
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0064.xml
advertisement
53
53
[no value]
[no value]
FUJICA: COMPACT DELUXE
[no value]
FUJICA
COMPACT DELUXE
[no value]
[no value]
PopularPhotography_19680801_0063_002_0065.xml
advertisement
54
54
[no value]
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
GERMAIN SCHOOL OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0066.xml
article
54
54,64
OFF BEAT
[no value]
OFF BEAT
NEW FILTERS FOR FLUORESCENTS
[no value]
[no value]
NORMAN ROTHSCHILD
A too-often-asked question in photographic circles is "Why doesn't someone make. . . ?" I believe it's more fun to look at the positive side and enjoy life, especially when someone finally does produce some problem-solving products. In this category, we now have from Tiffen Optical Company a Pair of FL filters to let you get more pleasing color shots under fluorescent illumination, a Professional Filter Holder that accepts both gelatin and glass filters simultaneously, and the HCE Vari-Close-Up Lens that helps you end confusion about which diopter close-up lens to attach to your SLR.
PopularPhotography_19680801_0063_002_0067.xml
advertisement
55
55
[no value]
[no value]
Canon
[no value]
Canon
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0068.xml
advertisement
56
56
[no value]
[no value]
Honeywell Photographic: ROLLEI 35
[no value]
Honeywell Photographic
ROLLEI 35
[no value]
[no value]
PopularPhotography_19680801_0063_002_0069.xml
advertisement
57
57
[no value]
[no value]
New York Institute of Photography
[no value]
New York Institute of Photography
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0070.xml
advertisement
58
58
[no value]
[no value]
Advertisements
[no value]
SUPERSCOPE, INC.
222A
SUPERSCOPE, INC.
800
[no value]
[no value]
PopularPhotography_19680801_0063_002_0071.xml
article
59
59,60,61,62
The Hattersley Class
[no value]
LOOK MA—NO CAMERA!
[no value]
[no value]
[no value]
[no value]
A teacher often tells students to do something, then bases another assignment on the results of their efforts. The reasons for this are several: (1) through misinterpretation of the original project, students may pop up with other ideas that are equally good; (2) they may reveal unexpected possibilities of the assignment as given; (3) they may pose interesting puzzles concerning how they did what they did, and so on.
PopularPhotography_19680801_0063_002_0072.xml
article
63
63
The Hattersley Class
PICTURES FROM STUDENTS
IN THE NAME OF LOVE
[no value]
[no value]
[no value]
[no value]
AS I anticipated not many pictures were sent in for this assignment. In the lesson it was pointed out that to photograph honestly in the name of love often requires great moral courage, for the hidden anger in the self that can turn love into a travesty must be squarely faced.
PopularPhotography_19680801_0063_002_0073.xml
advertisement
64
64
[no value]
[no value]
Nikon Inc.: Zoom-8
[no value]
Nikon Inc.
Zoom-8
[no value]
[no value]
PopularPhotography_19680801_0063_002_0074.xml
advertisement
65
65
[no value]
[no value]
Stereo Demonstration Record
[no value]
Stereo Demonstration Record
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0075.xml
advertisement
66
66
[no value]
[no value]
Film Equipment, Ltd.
[no value]
Film Equipment, Ltd.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0076.xml
article
68
68,69,110,111,112
SPECIAL 35 ISSUE
[no value]
GRADATION & TONALITY
[no value]
[no value]
[no value]
WALLACE HANSON
The 35-mm camera is used to photograph most everything in and out of this world, except 35-mm cameras. It is a curious thing that when camera manufacturers or their advertising agencies want to photograph a new 35 for brochures, advertising, or news releases, they often call upon a larger format camera.
PopularPhotography_19680801_0063_002_0077.xml
article
70
70,71,118
[no value]
[no value]
TONALITY & GRADATION
[no value]
[no value]
[no value]
DAVID VESTAL
Tonality is the way tones—blacks, whites, and grays—work together in photographs. These tones don't just carry information. In some way which no one really understands, they have at times an astonishing power to make us feel the experience the picture represents.
PopularPhotography_19680801_0063_002_0078.xml
article
72
72,73
[no value]
[no value]
CRITIC'S CHOICE
[no value]
[no value]
[no value]
CHARLES REYNOLDS
When one is asked to choose a picture, and to justify the choice, the question arises: Why do some photographs stay fresh and alive through repeated viewings, while others die as soon as our initial interest in the subject matter is exhausted?
PopularPhotography_19680801_0063_002_0079.xml
article
74
74,75,76,77,78,79,116
SPECIAL 35 ISSUE
[no value]
can a dyedin-the-developer 35-mm addict find happiness with an instant-loading cartridge camera?
[no value]
[no value]
[no value]
BOB SCHWALBERG
AS one who has, let me hasten to advise that none of the five rangefinder-focusing 126 cartridge feeders is a threat to the Leica, and neither are the two instant-loading SLRs a substitute for the Nikon. Here are seven cameras for brain surgeons, best-selling lady novelists, constitutional lawyers, and other intelligent people who can see pictures and love photography, but are technically hung-up.
PopularPhotography_19680801_0063_002_0080.xml
article
80
80,81,112,113
SPECIAL 35 ISSUE
[no value]
Are YOU A NUT ON SHARPNESS?
[no value]
[no value]
[no value]
AL FRANCEKEVICH
How ironic: photographers are always ready to blame unsharpness on their 35, from its lens' resolving power to its mirror kick—but completely neglect to suspect any shortcoming in their own technique. Yet, assuming the equipment is reasonably modern and in good operating condition, the cause most likely lies with the photographer.
PopularPhotography_19680801_0063_002_0081.xml
review
82
82,83
EQUIPMENT AND MATERIALS
[no value]
first look
[no value]
Fujica div
[no value]
Fujica div
THE FUJICA COMPACT DELUXE
$99.95
Fujica div
SOLID CAT
$2,300
Fujica div
SEKONIC APEX
$59.95
Fujica div
MACROSTIGMAT
$14.95
[no value]
THE FUJICA COMPACT DELUXE is a small but versatile full-frame rangefinder 35 that offers complete manual control as well as a flexible form of full automation. Out front is a six-element 45-mm Fujinon f/1.8 lens, incorporating a CdS cell in the rim of its mount.
PopularPhotography_19680801_0063_002_0082.xml
article
84
84,85,116,117,118
SPECIAL 35 ISSUE
[no value]
soften those sharp lenses
[no value]
[no value]
[no value]
NORMAN ROTHSCHILD
Perhaps it seems silly to pay good money for a modern, needle-sharp tens and then place some gadget in front of it to make soft-focus images. But when you see the great pictures you can get, you'll have to agree that here the end justifies the means.
PopularPhotography_19680801_0063_002_0083.xml
article
86
86,87,88,89,90,91,92,118,119,120
SPECIAL 35 ISSUE
[no value]
AVAILABLE LIGHT COLOR
It's 35 all the way
[no value]
[no value]
BILL PIERCE
Do you remember how exciting black-and-white available-light photography used to be when everybody would say, "You can't take a picture in here without a flashbulb, can you ?" The imperfections, grain, and stark contrast, added to the drama.
PopularPhotography_19680801_0063_002_0084.xml
article
93
93,94,95
SPECIAL 35 ISSUE
[no value]
MARTI FELBINGER: FROM 8X10 TO 35
[no value]
[no value]
[no value]
[no value]
It’s not often that a photographer whose speciality is 8x10 color suddenly decides that he wants to switch to a 35 and use it for his commercial work. But that’s exactly what happened to Marti Felbinger, whose stunning view-camera closeups have appeared on these pages.
PopularPhotography_19680801_0063_002_0085.xml
article
96
96,97,113,116
[no value]
[no value]
MIGHTY MACRO
ACE PROBLEM SOLVER
[no value]
[no value]
NORMAN ROTHSCHILD
Look for problems and you'll find them. And the macro lens, which scrutinizes the uncharted closely, is bound to come across some unfamiliar puzzlers. Here are the ten you are most likely to encounter—along with the solutions and ways to handle them:
PopularPhotography_19680801_0063_002_0086.xml
review
98
98,99,108
LAB REPORT
[no value]
CANON FT-QL
FIELD CHECK
Bell & Howell Co.
[no value]
Bell & Howell Co.
CANON FT-QL
$249.95
Cora Wright Kennedy
Norman Goldberg
It didn't take me long to determine that the Canon FT-QL was a thoroughly professional tool. Ticking off some important aspects, I liked the rather compact, welldesigned form and the generally convenient way the camera could be bandied in working situations.
PopularPhotography_19680801_0063_002_0087.xml
review
100
100,101,120
LAB REPORT
[no value]
MINOLTA SR-T 101
FIELD CHECK
Minolta Corp.
[no value]
Minolta Corp.
MINOLTA SR-T 101
$284.50
Les Barry
Norman Goldberg
As long as manufacturers continue to improve, refine, sophisticate, and otherwise make changes in cameras, there’s going to he controversy—created each time a newly introduced feature confronts camera users with another choice. Currently, the arguments concern throughthe-lens metering systems for single-lensreflex cameras.
PopularPhotography_19680801_0063_002_0088.xml
article
102
102,103,104,108
MOVIES
[no value]
sound without synch
Creating the illusion of synchronized sound
[no value]
[no value]
W. L. BROECKER
Adding sound to movies has become so easy that amateur film makers are having a kind of sonic boom. Magnetic soundstripes on film, recording projectors, and portable tape recorders make it possible for anyone to produce sound movies with little effort.
PopularPhotography_19680801_0063_002_0089.xml
article
105
105
[no value]
[no value]
ADD MASTERPIECES TO YOUR MOVIES
[no value]
[no value]
[no value]
JOHN NEUBAUER
I came in slowly, taking in the full sweep of the gallery, then focused tight on Orazio Gentileschi's magnificent "The Lute Player," holding it several moments before panning smoothly across the canvas, past the beautiful eyes, the mellow glow of the lute, the vibrant reds, greens and gold of draperies and dress.
PopularPhotography_19680801_0063_002_0090.xml
advertisement
106
106,107
[no value]
[no value]
Kodak: Instamatic 814
[no value]
Kodak
Instamatic 814
[no value]
[no value]
PopularPhotography_19680801_0063_002_0091.xml
advertisement
109
109
[no value]
[no value]
kodak: CAROUSEL 850
[no value]
kodak
CAROUSEL 850
[no value]
[no value]
PopularPhotography_19680801_0063_002_0092.xml
advertisement
110
110
[no value]
[no value]
A BERKEY PHOTO COMPANY
[no value]
A BERKEY PHOTO COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0093.xml
advertisement
110
110
[no value]
[no value]
Photographic Studies
[no value]
Photographic Studies
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0094.xml
advertisement
111
111
[no value]
[no value]
Kowa: SETR
[no value]
Kowa
SETR
[no value]
[no value]
PopularPhotography_19680801_0063_002_0095.xml
advertisement
112
112
[no value]
[no value]
THE SORG PAPER COMPANY: Photowipes
[no value]
THE SORG PAPER COMPANY
Photowipes
[no value]
[no value]
PopularPhotography_19680801_0063_002_0096.xml
advertisement
113
113
[no value]
[no value]
R. C. J. COLOR CORP.
[no value]
R. C. J. COLOR CORP.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0097.xml
advertisement
114
114,115
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0098.xml
advertisement
117
117
[no value]
[no value]
PHOTO INC.
[no value]
PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0099.xml
advertisement
119
119
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0100.xml
advertisement
119
119
[no value]
[no value]
PHOTO RESEARCH corp.
[no value]
PHOTO RESEARCH corp.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0101.xml
advertisement
120
120
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0102.xml
advertisement
121
121,122,123,124,125,126,127,128,129
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0103.xml
advertisement
130
130
[no value]
[no value]
FasCOLOR of New York
[no value]
FasCOLOR of New York
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0104.xml
advertisement
131
131
[no value]
[no value]
BASS CAMERA CO.: ZOOM-A-REX
[no value]
BASS CAMERA CO.
ZOOM-A-REX
[no value]
[no value]
PopularPhotography_19680801_0063_002_0105.xml
advertisement
132
132,133,134,135
[no value]
[no value]
BASS CAMERA CO.
[no value]
BASS CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0106.xml
advertisement
136
136
[no value]
[no value]
COLORTONE LABS
[no value]
COLORTONE LABS
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0107.xml
advertisement
137
137
[no value]
[no value]
STERING-HOWARD
[no value]
STERING-HOWARD
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0108.xml
advertisement
138
138,139
[no value]
[no value]
olden
[no value]
olden
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0109.xml
advertisement
140
140
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0110.xml
advertisement
141
141
[no value]
[no value]
Ziff-Davis Service Division
[no value]
Ziff-Davis Service Division
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0111.xml
advertisement
142
142,143,144
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0112.xml
advertisement
145
145
[no value]
[no value]
Besty Color
[no value]
Besty Color
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0113.xml
advertisement
146
146
[no value]
[no value]
GLO-COLOR LABS
[no value]
GLO-COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0114.xml
advertisement
147
147
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19680801_0063_002_0115.xml
advertisement
148
148
[no value]
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
AIR PHOTO SUPPLY CORP.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0116.xml
advertisement
149
149
[no value]
[no value]
Master Color Labs
[no value]
Master Color Labs
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0117.xml
advertisement
150
150,151
[no value]
[no value]
MINIFILM PHOTO
[no value]
MINIFILM PHOTO
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0118.xml
advertisement
152
152
[no value]
[no value]
MONKEY COLOR INC.
[no value]
MONKEY COLOR INC.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0119.xml
advertisement
153
153
[no value]
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
CAMBRIDGE CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0120.xml
advertisement
154
154
[no value]
[no value]
Advertisement: Popular Photography
[no value]
[no value]
Popular Photography
[no value]
[no value]
PopularPhotography_19680801_0063_002_0121.xml
advertisement
154
154
[no value]
[no value]
Ziff-Davis Publishing Co.
[no value]
Ziff-Davis Publishing Co.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0122.xml
advertisement
154
154
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19680801_0063_002_0123.xml
advertisement
155
155
[no value]
[no value]
KOLOR BRiTE
[no value]
KOLOR BRiTE
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0124.xml
advertisement
156
156
[no value]
[no value]
Starlight COLOR LABS
[no value]
Starlight COLOR LABS
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0125.xml
advertisement
157
157,158,159,160
[no value]
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
WALL ST. CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0126.xml
advertisement
160
160
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19680801_0063_002_0127.xml
advertisement
161
161
[no value]
[no value]
Pictures, U.S.A.
[no value]
Pictures, U.S.A.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0128.xml
advertisement
162
162,163,164
[no value]
[no value]
CLASSIFIED MART
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0129.xml
advertisement
165
165
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0130.xml
article
166
166
I WANT TO BUY...
[no value]
I WANT TO BUY...
[no value]
[no value]
[no value]
[no value]
I am looking for a special camera neckstrap with large "O” rings, and a snap in the middle to permit removing the camera from underneath a jacket.— Philip I. Abrams, Baltimore, Md. You are referring to a “Schwalberg Strap,” which comes in several models, all of different types of leather.
PopularPhotography_19680801_0063_002_0131.xml
advertisement
167
167
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0132.xml
advertisement
168
168
[no value]
[no value]
KODAK
[no value]
KODAK
[no value]
[no value]
[no value]
PopularPhotography_19680801_0063_002_0133.xml