Issue: 19591001

Thursday, October 1, 1959
October
4
True
45
Saturday, December 27, 2014

Articles
cover
1
1
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0001.xml
advertisement
2
2
[no value]
[no value]
General Aniline & Film Corporation.
[no value]
General Aniline & Film Corporation.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0002.xml
advertisement
3
3
[no value]
[no value]
CARL ZEISS, INC.
[no value]
CARL ZEISS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0003.xml
tableOfContents
4
4
[no value]
[no value]
POPULAR PH 0106 RAPHY
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0004.xml
masthead
4
4
[no value]
[no value]
Masthead
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0005.xml
advertisement
5
5
[no value]
[no value]
STANDARD CAMERA CORPORATION: PRAKTICA FX3
[no value]
STANDARD CAMERA CORPORATION
PRAKTICA FX3
[no value]
[no value]
PopularPhotography_19591001_0045_004_0006.xml
advertisement
6
6
[no value]
[no value]
H. A. Bohm & Co.: VOIGTLANDER
[no value]
H. A. Bohm & Co.
VOIGTLANDER
[no value]
[no value]
PopularPhotography_19591001_0045_004_0007.xml
article
6
6,8
LETTERS TO THE EDITOR
[no value]
LETTERS TO THE EDITOR
Museum wakes up
Comments on Tele Rollei
Solution for impatience
[no value]
[no value]
[no value]
Congratulations on vour editorial. A Museum Wakes Up. Although photography is usually aide to prove the point von made lor itself, it given the chance, forthright argument to convince the shellback elementthat it ought to have the chance more often is unlortunatelv still required.
PopularPhotography_19591001_0045_004_0008.xml
advertisement
7
7
[no value]
[no value]
Charles Beseler Company
[no value]
Charles Beseler Company
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0009.xml
advertisement
8
8
[no value]
[no value]
DAVID WHITE INSTRUMENT COMPANY
[no value]
DAVID WHITE INSTRUMENT COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0010.xml
advertisement
9
9,10
[no value]
[no value]
YASHICA INC.: YASHICA 35YK
[no value]
YASHICA INC.
YASHICA 35YK
[no value]
[no value]
PopularPhotography_19591001_0045_004_0011.xml
advertisement
11
11
[no value]
[no value]
Heiland Division
[no value]
Heiland Division
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0012.xml
advertisement
12
12
[no value]
[no value]
Tillen OPTICAL CO.
[no value]
Tillen OPTICAL CO.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0013.xml
article
12
12
WE ASKED THE PROS
[no value]
WE ASKED THE PROS
[no value]
[no value]
[no value]
[no value]
Photographs by Horvey Shaman Which is more important to learn, technique or esthetics? Harry Sidel, School of Modern Photograpy, I do not feel one is more important and should be studied to the exclusion of the other. After all. no great picture depends either on technique or esthetics alone.
PopularPhotography_19591001_0045_004_0014.xml
advertisement
13
13
[no value]
[no value]
EXAKTA CAMERA COMPANY: Exakta
[no value]
EXAKTA CAMERA COMPANY
Exakta
[no value]
[no value]
PopularPhotography_19591001_0045_004_0015.xml
advertisement
14
14
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0016.xml
article
14
14
PHOTO TIPS
[no value]
PHOTO TIPS
Light sockets to improve bar lighting
Apply concentrated developer with sprayer
Mount projector on a tripod
Sharper focusing in timeless
Block saves solutions in sheet-film developing
[no value]
[no value]
[no value]
SHORT CUTS TO BETTER PICTURES Movie-makers with a four-light bar can improve their home movies by purchasing double light sockets (about 29 cents each) that can direct single lights in different directions to avoid unbalanced exposures.
PopularPhotography_19591001_0045_004_0017.xml
advertisement
15
15
[no value]
[no value]
MINOLTA CAMERAS
[no value]
MINOLTA CAMERAS
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0018.xml
advertisement
16
16
[no value]
[no value]
Graflex, Inc.
[no value]
Graflex, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0019.xml
advertisement
17
17
[no value]
[no value]
PAILLARD INCORPORATED
[no value]
PAILLARD INCORPORATED
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0020.xml
advertisement
18
18
[no value]
[no value]
laboratories • inc
[no value]
laboratories • inc
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0021.xml
article
18
18,20
COLOR CLINIC
[no value]
OFF-BEAT COLOR FILMS?
Prints from movie frames
'Reading' Kodacolor negatives
Neutral density filters
[no value]
[no value]
DAVID B. EUSENDRATH
Although American film manufacturers are themselves out making new and better kinds of films and European films are being introduced to our market with promises of even more wonders to come. I am constantly amazed at the number of readers who write to ask about offbrands of color film.
PopularPhotography_19591001_0045_004_0022.xml
advertisement
19
19
[no value]
[no value]
NIKON INCORPORATED
[no value]
NIKON INCORPORATED
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0023.xml
advertisement
20
20
[no value]
[no value]
UNIMARK PHOTO INC.
[no value]
UNIMARK PHOTO INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0024.xml
advertisement
21
21
[no value]
[no value]
LEXINGTON AVE
[no value]
LEXINGTON AVE
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0025.xml
advertisement
22
22
[no value]
[no value]
BLACK & WHITE ROLLS
[no value]
BLACK & WHITE ROLLS
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0026.xml
article
22
22,24
WHAT’S NEW
[no value]
CHROMEGA D4
Color enlarger simplifies filtering, minimizes scratches
ADVANTAGES OF FILTER DIAL
[no value]
[no value]
[no value]
Looking like a robot, a symbol of our age of automation, the Chromega D4 color enlarger marks the wholehearted entry of the Simmon Brothers Co. into the field of color negative printing, a field which may well he the future of photography. Designed to simplify the complicated process of color printing, the Chromega provides full autofot using of any of three lenses, totally diffused illumination to minimize the effects of grain and scratches on delicate color negatives, and instantly dialed color filtration of the three minus colors of “white light“ printing—yellow, magenta, and cyan.
PopularPhotography_19591001_0045_004_0027.xml
advertisement
23
23
[no value]
[no value]
Pascual, Inc.
[no value]
Pascual, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0028.xml
article
24
24,26,30,32
WHAT’S NEW
[no value]
CAMERAS
CAMERA ACCESSORIES
LENSES
EXPOSURE METERS
TRIPODS
VIEWING & STORAGE
DARKROOM ACCESSORIES
MISCELLANEOUS
[no value]
[no value]
[no value]
BEAU LIGHTOMATIC. a 3 5-mm ! electric-eye camera ¡ is introduced with a ! price tag of S99.95. The built-in meter is ; coupled to the lens ! diaphragm and shutj ter. using a needlecentering system for i correct exposure, j Other features: six-element ƒ/J .
PopularPhotography_19591001_0045_004_0029.xml
advertisement
24
24
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0030.xml
advertisement
25
25
[no value]
[no value]
NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
NEW YORK INSTITUTE OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0031.xml
advertisement
26
26
[no value]
[no value]
FUJI PHOTO OPTICAL PRODUCTS, INC.
[no value]
FUJI PHOTO OPTICAL PRODUCTS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0032.xml
advertisement
27
27
[no value]
[no value]
SCHENLEY IMPORT CO.: Dubonnet
[no value]
SCHENLEY IMPORT CO.
Dubonnet
[no value]
[no value]
PopularPhotography_19591001_0045_004_0033.xml
advertisement
28
28
[no value]
[no value]
Ziff-Davis Publishing Company
[no value]
Ziff-Davis Publishing Company
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0034.xml
advertisement
29
29
[no value]
[no value]
CANON CAMERA CO., INC.
[no value]
CANON CAMERA CO., INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0035.xml
advertisement
30
30
[no value]
[no value]
AMPHOTO
[no value]
AMPHOTO
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0036.xml
advertisement
31
31
[no value]
[no value]
The School of Modern Photography
[no value]
The School of Modern Photography
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0037.xml
advertisement
32
32
[no value]
[no value]
Burleigh Brooks, Inc.: COMPONAR
[no value]
Burleigh Brooks, Inc.
COMPONAR
[no value]
[no value]
PopularPhotography_19591001_0045_004_0038.xml
advertisement
33
33
[no value]
[no value]
KONICA CAMERA COMPANY: KONICA IIIM
[no value]
KONICA CAMERA COMPANY
KONICA IIIM
[no value]
[no value]
PopularPhotography_19591001_0045_004_0039.xml
article
34
34
BONUS CHALLENGE!
[no value]
“TRICK or TREAT for UNICEF"
CASH PRIZES!
[no value]
[no value]
[no value]
As a special bonus for POPULAR PHOTOGRAPHY readers. the new CHALLENGE! assignment—“'Trick or Treat for UNICEF" —will bring cash prizes to the winners. First prize will be $100. second $75. third $50. and honorable mention three $25 awards.
PopularPhotography_19591001_0045_004_0040.xml
advertisement
35
35
[no value]
[no value]
CAMERA SPECIALTY COMPANY, Inc.
[no value]
CAMERA SPECIALTY COMPANY, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0041.xml
advertisement
36
36
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19591001_0045_004_0042.xml
advertisement
37
37
[no value]
[no value]
PONDER & BEST, INC.
[no value]
PONDER & BEST, INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0043.xml
advertisement
38
38
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0044.xml
article
38
38
GENERAL INTEREST
[no value]
WORLD'S LARGEST COLOR PHOTOGRAPH
Giant Ektacolor print, 80 feet wide and 20 feet high, serves as backdrop mural for ballroom of Cincinnati Music Hall
[no value]
[no value]
[no value]
The world’s largest color photograph— a breathtaking view of Hawaii’s Diamond Head measuring 80 feet wide by 20 feet high—was recently installed on the west wall of the ballroom of the Cincinnati Music Hall. Made at the Tampa (Fla.) plant of Color Corporation of America, the picture mural surpasses the previously largest color photo, the 60x18 foot picture used by the Eastman Kodak Exhibit in New York’s Grand Central Terminal.
PopularPhotography_19591001_0045_004_0045.xml
advertisement
39
39
[no value]
[no value]
PAILLARD INCORPORATED
[no value]
PAILLARD INCORPORATED
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0046.xml
advertisement
40
40
[no value]
[no value]
BURLEIGH BROOKS, INC.
[no value]
BURLEIGH BROOKS, INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0047.xml
article
40
40,41,42
The Range finder
[no value]
Editorial
The Photo Bohemians
7 Wonders, last chapter
A friend gets a boost
Four seasons in a park
Lights out, blinds drawn
Candid shots . . .
[no value]
[no value]
Bruce Downes
the editors
A photography matures it assumes more and more of the characteristics of the older arts including such side effects as the clustering Bohemians who make Montmartre and Greenwich Village picturesque. Photointellectuals, looking like beatniks, are appearing increasingly in such odd places as the rapidly spawning coffee-house picture galleries in New York where the work of contemporary photographers (good, had, and awful) are exhibited and discussed.
PopularPhotography_19591001_0045_004_0048.xml
article
40
40
[no value]
[no value]
Next month
[no value]
[no value]
[no value]
[no value]
Electric-eye still cameras— How reliable are they? Alexander King on photography— an outspoken critic lambastes current fads What are the 10 most-asked questions about color shooting? How to train yourself to see good pictures every place
PopularPhotography_19591001_0045_004_0049.xml
advertisement
41
41
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0050.xml
advertisement
42
42
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0051.xml
advertisement
43
43
[no value]
[no value]
U. S. PHOTO SUPPLY CO. INC.
[no value]
U. S. PHOTO SUPPLY CO. INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0052.xml
advertisement
44
44
[no value]
[no value]
Keystone Camera Co.. Inc.: Keystone K-511
[no value]
Keystone Camera Co.. Inc.
Keystone K-511
[no value]
[no value]
PopularPhotography_19591001_0045_004_0053.xml
article
45
45,46,47,48,49,110,111,112,113
GENERAL INTEREST
[no value]
Viewfinders are your eye’s best friend,
Optical viewfinders for brighter Images
RANGEFINDER FOCUSING
SEVEN USEFUL VIEWFINDING ACCESSORIES
PARALLAXWHAT IT IS, HOW TO CURE IT
FOUR AIDS FOR ELIMINATING PARALLAX
GROUNDGLASS FOCUSING
Groundglass viewing for better image control
Two types of focusing
Parallax
Special viewing and focusing aids
FOR PEOPLE WHO WEAR GLASSES
[no value]
[no value]
HARVEY SHAMAN
the connecting link between you and the world, the window in which you compose and focus, the place where you make basic decisions which spell the difference between a good picture and a failure. Learn to use your viewfinder effectively and you’ll improve the quality, ease, and efficiency of your shooting, but ignore the viewfinder’s
PopularPhotography_19591001_0045_004_0054.xml
article
50
50,51
GENERAL INTEREST
[no value]
12 IDEAS FOR BETTER YEAR BOOKS
[no value]
[no value]
[no value]
JOSEPH CRILLEY
Your yearbook can be more imaginative, lively, and creative if you’ll take the photographic route. Picture content is the key for showing the true character and personality of the students and faculty in a graphic way. Your book can also be an excellent public relations medium between the school and your neighborhood or community.
PopularPhotography_19591001_0045_004_0055.xml
article
52
52,53,54,55,56,57,58,59,84,86,87,88,89,90
FOCUS ON
[no value]
HOWELL CONANT
whose remarkable success proves that, in age of specialization, versatility pays off
CONANT’S BACKGROUND
PORTFOLIO
ON LOCATION
IN THE STUDIO
[no value]
[no value]
JOHN DURNIAK
Howell Conant sat down again after answering a phone call. The eight telephone extensions that dot the corners of both floors of his studio building had been buzzing most of the afternoon. From bits of his conversation on the calls, an incredible schedule could be deduced. In the next fifteen days he would cover some 9,000 miles—shoot a magazine story in Europe, an ad on the side of a mountain in Oregon, and handle three assignments in his studio.
PopularPhotography_19591001_0045_004_0056.xml
article
60
60,61,62,63,93,94,95
EQUIPMENT AND MATERIALS
[no value]
AVAILABLE-LIGHT PICTURES AT SNAPSHOT SETTINGS
Polaroid's amazing new Exposure-Index 3000 film gives
About the new film
What's new in the Polaroid world?
What is it?
SETTINGS FOR LOW-LIGHT LEVELS
Why the seals are needed
NEW POLAROID PRODUCTS AND THEIR PRICES
[no value]
[no value]
GEORGE D. MARGOLIN
From ils introduction slightly more than 10 years ago as a sepia-toned image of less than sensational quality, Polaroid Land film has taken tremendous strides both in terms of speed and quality. Now, the picture-in-minute process has taken another enormous stride with the introduction of Polaroid .3000.
PopularPhotography_19591001_0045_004_0057.xml
article
64
64,65
PICTURE IDEA
[no value]
ZOOMAR NUDE
Experimenting with a new lens, Archie Lieberman finds strange patterns in the
[no value]
[no value]
[no value]
The nude female form has heen photographed from just about every conceivable angle with all types of lighting. That’s the way Archie Lieberman, a Chicago Black Star staffer. felt until be used some new equipment-the VoigtlanderZoomar f/2.8 lens with the Voigtlander Bessamatic.
PopularPhotography_19591001_0045_004_0058.xml
article
66
66
SPECIAL COLOR SECTION—
[no value]
OCTOBER COLOR SECTION
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0059.xml
article
66
66,67,106,107
SPECIAL COLOR SECTION—
[no value]
HOW TO FIND DESIGNS IN REFLECTIONS
[no value]
[no value]
[no value]
DANIEL FARBER
By and large, color photographers have two attitudes about reflections in water—either they use the reflections as props, to enhance the photographs of what might otherwise be considered ordinary subjects, or they look upon reflections as things to be avoided because of the exposure and glare problems they present.
PopularPhotography_19591001_0045_004_0060.xml
article
68
68,69,70,71,102
FORECAST
[no value]
BAD WEATHER, GOOD PICTURES
[no value]
[no value]
[no value]
[no value]
Does the sight of gathering storm clouds drive you and your color cam era indoors? Do you replace your lens cap when a filter-resisting hank of fog or haze creeps across the scene? Does a rainy (lay rule out any chance of COlor pictures where you re concerned?
PopularPhotography_19591001_0045_004_0061.xml
article
72
72,73,136
SPECIAL COLOR SECTION—
[no value]
NIGHT FOOTBALL
plenty of action and color in this autumn subject
[no value]
[no value]
BOB McLAUGHLIN
Readily available to almost everyone, night football represents an autumn subject that’s full of exciting possibilities for the experimenter or the creative color photographer. From professional football to college and high school matches, to the youngsters battling for touchdowns in the old vacant lot, there’s a football game somewhere within reach of every color camera.
PopularPhotography_19591001_0045_004_0062.xml
article
74
74,75
SPECIAL COLOR SECTION—
[no value]
LET’S TALK ABOUT YOUR PICTURES
Pictures discussed in this department teere submitted by readers. POPULAR PHOTOGRAPHY will pay $15 for each black-and-white und $25 for each color picture published. Only color will be returned. Complete technical data must accompany all pictures.
[no value]
[no value]
[no value]
1 Robert C. Franklin, New York City. Here’s a picture in which the editors found that the spot of bright color made the difference between an ordinary snapshot and a pleasing color portrait. They were referring, of course, to the little girl's red shoes, and the emphasis given them by the pose.
PopularPhotography_19591001_0045_004_0063.xml
article
76
76,78,104,105,106
GENERAL INTEREST
[no value]
Where they went, What they saw, What they did
1 The Youth of Hawaii
2 Children of Japan
3 Death Symbols in Egypt
tbe gleaming white limestone covering off
5 Old Age in Athens
6 Marriage in the Vatican
7 Mature Democracy in Switzerland
[no value]
[no value]
HANNAN WEXLER
The Church of the Nativity at Bethlehem symbolizing birth . . . the children of Japan . . . Hawaii's exotic teen-agers ... a marriage in St. Peter's Cathedral in Vatican City . . . democracy in Switzerland . . . old age among tlie Grecian ruins . . .
PopularPhotography_19591001_0045_004_0064.xml
article
77
77,79,104
The Story of 7 WONDERS
[no value]
7 Wonders-and 7 Big Lessons in Photography
Winners in our travel-idea contest circle the globe to photograph symbols of the seven ages of man
[no value]
[no value]
CARL E. MILLIKEN
My fabulous world-circling tour to visit and photograph my selection of tin; world s seven greatest wonders is nearly over. .My wife and I have paused in a small left bank Paris hotel to catch our breath and review this wonderful moment in our lives.
PopularPhotography_19591001_0045_004_0065.xml
article
80
80,81,96,97
GENERAL INTEREST
[no value]
DO YOU REALLY KNOW YOUR CAMERA?
[no value]
[no value]
[no value]
NORMAL ROTHSCHILD
Have you worked out a convenient way of holding and operating your camera for vertical shots? Most cameras become different animals when used for vertical shots. Suddenly diaphragm, shutter, focusing, and film transport controls are no longer in the old familiar places. Revolving shutter-speed dials, which never bothered you before, suddenly get in your way.
PopularPhotography_19591001_0045_004_0066.xml
advertisement
82
82,83
[no value]
[no value]
EASTMAN KODAK COMPANY
[no value]
EASTMAN KODAK COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0067.xml
advertisement
85
85
[no value]
[no value]
CARL ZEISS, INC.: CONTAX
[no value]
CARL ZEISS, INC.
CONTAX
[no value]
[no value]
PopularPhotography_19591001_0045_004_0068.xml
advertisement
86
86,87
[no value]
[no value]
E. LEITZ. INC.
[no value]
E. LEITZ. INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0069.xml
advertisement
87
87
[no value]
[no value]
Burleigh Brooks, Inc
[no value]
Burleigh Brooks, Inc
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0070.xml
advertisement
88
88
[no value]
[no value]
GAMI CORPORATION
[no value]
GAMI CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0071.xml
advertisement
89
89
[no value]
[no value]
GENERAL PHOTOGRAPHIC CO.
[no value]
GENERAL PHOTOGRAPHIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0072.xml
advertisement
89
89
[no value]
[no value]
KLIXG PHOTO CORPORATION
[no value]
KLIXG PHOTO CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0073.xml
advertisement
89
89
[no value]
[no value]
BROOKS INSTITUTE
[no value]
BROOKS INSTITUTE
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0074.xml
advertisement
90
90
[no value]
[no value]
Tech Photo Products, Inc.
[no value]
Tech Photo Products, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0075.xml
advertisement
91
91
[no value]
[no value]
Camera Company, Inc.
[no value]
Camera Company, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0076.xml
advertisement
92
92
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0077.xml
article
92
92,93
NATURE CAMERA
[no value]
SHOOTING AT THE SEASHORE
Tips on how to aim eye and camera for
[no value]
[no value]
RUSS KINNE
It’s hard to find wildlife under better photographic conditions than exist at the seashore in late summer. There is ample light to shoot color at medium or high shutter speeds with satisfactory depth of field. Even in the early morning or late evening the light level is high, with colorful sunrises and sunsets thrown in for good measure—but be careful! The most common summertime error is overexposure.
PopularPhotography_19591001_0045_004_0078.xml
advertisement
93
93
[no value]
[no value]
ALFRED GAUTHIER
[no value]
ALFRED GAUTHIER
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0079.xml
advertisement
93
93
[no value]
[no value]
Direct Sales
[no value]
Direct Sales
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0080.xml
advertisement
93
93
[no value]
[no value]
KLING PHOTO CORPORATION
[no value]
KLING PHOTO CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0081.xml
advertisement
94
94
[no value]
[no value]
K. Hattori & Co.
[no value]
K. Hattori & Co.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0082.xml
article
95
95
CONTESTS & MARKETS
[no value]
CONTESTS & MARKETS
CONTESTS
MARKETS
[no value]
[no value]
[no value]
JOHN G. MARSHALL MANUFACTURING CO.. INC.. 11íis announced their Annual Marshall Coloring Contest open to anyone (excepting employees of Marshall’s, affiliated companies, and their immediate families) submitting a photo, illustration, or picture colored only with Marshall’s Photo-Oil colors and/or pencils.
PopularPhotography_19591001_0045_004_0083.xml
advertisement
95
95
[no value]
[no value]
ILFORD INC.
[no value]
ILFORD INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0084.xml
advertisement
95
95
[no value]
[no value]
JESSE JONES BOX CORP.
[no value]
JESSE JONES BOX CORP.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0085.xml
advertisement
95
95
[no value]
[no value]
DIMCO-GRAY COMPANY
[no value]
DIMCO-GRAY COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0086.xml
advertisement
96
96
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0087.xml
article
96
96
CALENDAR OF EXHIBITIONS
[no value]
CALENDAR OF EXHIBITIONS
[no value]
[no value]
[no value]
[no value]
Conducted occording to the recommended practices of the Photographic Society of America 15th International Salon of the Salt Lake Photochrome Club. Utah Closes September 24. 1959. 7 here is no entry lee. On exhibit in the Orson Spencer Hall of the University of Utah on October 6 ami October 8. 1959.
PopularPhotography_19591001_0045_004_0088.xml
advertisement
97
97
[no value]
[no value]
DURST (USA) Inc.
[no value]
DURST (USA) Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0089.xml
advertisement
97
97
[no value]
[no value]
NUCLEAR PRODUCTS CO.
[no value]
NUCLEAR PRODUCTS CO.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0090.xml
advertisement
97
97
[no value]
[no value]
BRIGHT STAR INDUSTRIES
[no value]
BRIGHT STAR INDUSTRIES
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0091.xml
article
98
98,99,103
MOVIES
[no value]
The first 30 seconds of
your film must capture audience interest
[no value]
[no value]
Christopher Renárd
Here are six types of movie openings that you can use • in Ilu* good old days of vaudeville, the acrobats opened the hill. There was a good reason for this. They were last and colorful and attention-getting. The audience was held from the moment the curtain rose and their interest was captured for the acts that were to follow.
PopularPhotography_19591001_0045_004_0092.xml
article
99
99,103
MOVIES
[no value]
CREATING WITH FILM
[no value]
[no value]
[no value]
CHARLES REYNOLDS
"It's not the equipment, or the budget, but the imagination of the person behind the camera that makes a good motion picture. ’ That's an o Id cliche that eonstantlv crops up in “think pieces on movie-making. In spite of its hackneyed sound, everv once in a while someone comes along and proves that it s as true as ever.
PopularPhotography_19591001_0045_004_0093.xml
article
100
100
MOVIES
[no value]
Rathe 16-mm Webo M
has continuous reflex viewing and variable shutter
[no value]
[no value]
[no value]
JK classic 16-mm camera design with slight restyling and a new name is being reintroduced to the U.S. market. I he Bathe Webo M (formerly the Super 16) is one of the most advanced in design of nonprofessional (or semiprofessional) 16-mm cameras.
PopularPhotography_19591001_0045_004_0094.xml
advertisement
101
101
[no value]
[no value]
Keystone Camera Co., Inc.
[no value]
Keystone Camera Co., Inc.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0095.xml
advertisement
102
102
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0096.xml
advertisement
102
102
[no value]
[no value]
“Trick or Treat for UNICEF”
[no value]
“Trick or Treat for UNICEF”
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0097.xml
advertisement
103
103
[no value]
[no value]
INDUSTRIAL TIMER CORPORATION
[no value]
INDUSTRIAL TIMER CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0098.xml
advertisement
103
103
[no value]
[no value]
ideax CORPORATION
[no value]
ideax CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0099.xml
advertisement
103
103
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19591001_0045_004_0100.xml
advertisement
104
104
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0101.xml
advertisement
104
104
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0102.xml
advertisement
105
105
[no value]
[no value]
Tandbery of America, Inc
[no value]
Tandbery of America, Inc
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0103.xml
advertisement
106
106
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0104.xml
advertisement
106
106
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0105.xml
article
107
107,108
BOOKS
[no value]
BOOKS
PRINTING WITH VARIABLE CONTRAST PAPERS
FLATTOP
THE CINEMA AS A GRAPHIC ART
STAR MAKER: THE STORY OF D. W. GRIFFITH
HOW TO SHOOT A MOVIE STORY
[no value]
[no value]
[no value]
by M. Richard Marx, Camera Craft Publishing Co., New York. 96 ftages, soft covers. $1.95 An up-to-date revision of a hook which first appeared some four years ago when only Varigam (and the High Speed version) were available, this new fourth edition covers Kodak Polycontrast, Haloid Varaloid, and Ilford Multigrade, and continues to he the standard (and possibly the only) reference work in this field.
PopularPhotography_19591001_0045_004_0106.xml
advertisement
107
107
[no value]
[no value]
Allied Impex Corp.
[no value]
Allied Impex Corp.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0107.xml
advertisement
107
107
[no value]
[no value]
PAlLLARD Incorporated
[no value]
PAlLLARD Incorporated
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0108.xml
advertisement
107
107
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0109.xml
advertisement
108
108
[no value]
[no value]
ROBINCO NEW YORK INC.
[no value]
ROBINCO NEW YORK INC.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0110.xml
advertisement
109
109
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19591001_0045_004_0111.xml
advertisement
110
110
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0112.xml
advertisement
111
111
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0113.xml
advertisement
112
112
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0114.xml
advertisement
113
113
[no value]
[no value]
Advertisements
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0115.xml
article
114
114
GENERAL INTEREST
[no value]
Do You Know These emarks?
[no value]
[no value]
[no value]
[no value]
You should! The winged horse symbolizes the world’s leading publisher of special-interest magazines . . . and the hexagon stands for the organization that proves this leadership beyond a shadow of a doubt. The publisher, of course, is Ziff-Davis — who brings you POPULAR PHOTOGRAPHY each month.
PopularPhotography_19591001_0045_004_0116.xml
article
114
114
GENERAL INTEREST
[no value]
ABOUT HOWELL CONANT'S PICTURES ON THIS MONTH'S COVER
[no value]
[no value]
[no value]
[no value]
Life editor Sally Kirkland assigned Howell Conant the task of proving that women in small towns all over the U.S. are just as fashionable as those in the large cities. New York dress manufacturers provided lists of their clients throughout the country and they in turn provided lists of attractive customers.
PopularPhotography_19591001_0045_004_0117.xml
advertisement
114
114,115,116,117
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0118.xml
advertisement
118
118
[no value]
[no value]
Ziff-Davis Publishing Company
[no value]
Ziff-Davis Publishing Company
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0119.xml
advertisement
118
118
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0120.xml
advertisement
119
119,120
[no value]
[no value]
“SHOP AND SWAP CAMERA CENTER"
[no value]
“SHOP AND SWAP CAMERA CENTER"
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0121.xml
advertisement
121
121
[no value]
[no value]
PEERLESS CAMERA
[no value]
PEERLESS CAMERA
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0122.xml
advertisement
122
122
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0123.xml
advertisement
123
123,124
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0124.xml
advertisement
125
125
[no value]
[no value]
SPIRATONE
[no value]
SPIRATONE
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0125.xml
advertisement
126
126
[no value]
[no value]
American
[no value]
American
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0126.xml
advertisement
127
127
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0127.xml
advertisement
128
128
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0128.xml
advertisement
129
129
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0129.xml
advertisement
130
130
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0130.xml
advertisement
131
131
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0131.xml
advertisement
132
132
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0132.xml
advertisement
133
133,134,135,136
[no value]
[no value]
PHOTO SHOPPING CENTER
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0133.xml
article
136
136
[no value]
[no value]
INDEX OF ADVERTISERS
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0134.xml
advertisement
137
137
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0135.xml
article
138
138
THAT’S A GOOD QUESTION!
[no value]
THAT’S A GOOD QUESTION!
[no value]
[no value]
[no value]
[no value]
Can color enlargements be made without a negative? is there any possible n ay to get color enlargements made from Kodacolor prints without the negatives? — Don Gardner, Martinez, Calif. ANSWER: ft is possible to make new color negatives by copying your prints, and then to make enlargements from the negatives.
PopularPhotography_19591001_0045_004_0136.xml
advertisement
139
139
[no value]
[no value]
Precision Cameras
[no value]
Precision Cameras
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0137.xml
advertisement
140
140
[no value]
[no value]
EASTMAN KODAK COMPANY
[no value]
EASTMAN KODAK COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19591001_0045_004_0138.xml