Issue: 19580801

Friday, August 1, 1958
August
2
False
43
Tuesday, January 13, 2015

Articles
cover
1
1
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POPULAR PHOTOGRAPHY
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PopularPhotography_19580801_0043_002_0001.xml
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2
2
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Ansco
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Ansco
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PopularPhotography_19580801_0043_002_0002.xml
advertisement
3
3
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Advertisements
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STANDARD CAMERA CORPORATION
PRAKTICA FX3
STANDARD CAMERA CORPORATION
PRAKTINA FX
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PopularPhotography_19580801_0043_002_0003.xml
tableOfContents
4
4
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POPULAR PHOTOGRAPHY
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PopularPhotography_19580801_0043_002_0004.xml
masthead
4
4
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POPULAR PHOTOGRAPHY
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PopularPhotography_19580801_0043_002_0005.xml
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5
5
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Advertisement
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PopularPhotography_19580801_0043_002_0006.xml
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6
6
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COLOR KING LABS: COLOR FILM
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COLOR KING LABS
COLOR FILM
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PopularPhotography_19580801_0043_002_0007.xml
article
6
6,84
LEGAL PROBLEMS
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PUBLICATION OF NUDE PHOTO WITHOUT CONSENT
"Right Of Privacy” Statute invoked over
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George Chernoff
Hershel B. Sarbin
A recent decision of a New York court (Myers v. U. S. Camera Publishing Corp.) has pointed up an interesting problem in connection with the awarding of damages for invasion of the right of privacy, as well as demonstrating once again the importance of model releases.
PopularPhotography_19580801_0043_002_0008.xml
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7
7
[no value]
[no value]
Advertisements
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U. S. PHOTO SUPPLY CO.
WALZ BAYONET FILTERS
U. S. PHOTO SUPPLY CO.
WALZ SERIES FILTERS
[no value]
[no value]
PopularPhotography_19580801_0043_002_0009.xml
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8
8
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kalimar Inc.: Kalimar Reflex
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kalimar Inc.
Kalimar Reflex
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PopularPhotography_19580801_0043_002_0010.xml
article
8
8,10,102
35-mm TODAY
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THE BEUTLER TECHNIQUE
More about the secret of thin-film image quality—
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Bob Schwalberg
Last month we discussed the special sort of negative developer that is the heart of the approach to 35-mm thin-film image quality which has become known as the “Beutler Technique.” To recapitulate, briefly, Beutler decided that there are no fine-grain developers that do not involve a serious sacrifice of image sharpness.
PopularPhotography_19580801_0043_002_0011.xml
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9
9
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Advertisements
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KONICA CAMERA COMPANY
KONICAMETER
KONICA CAMERA COMPANY
KONIFLASH III
[no value]
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PopularPhotography_19580801_0043_002_0012.xml
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10
10
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YASHICA INC.
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YASHICA INC.
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PopularPhotography_19580801_0043_002_0013.xml
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11
11
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POLAROID CORP.
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POLAROID CORP.
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PopularPhotography_19580801_0043_002_0014.xml
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12
12,13
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Peerless Camera Stores
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Peerless Camera Stores
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PopularPhotography_19580801_0043_002_0015.xml
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14
14
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GRAFLEX
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GRAFLEX
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PopularPhotography_19580801_0043_002_0016.xml
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15
15
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Advertisements
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RIKEN OPTICAL IND. LTD.
RICOH Five One-Nine
RIKEN OPTICAL IND. LTD.
RICOH Diacord L
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PopularPhotography_19580801_0043_002_0017.xml
advertisement
16
16
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MINOLTA CAMERAS: Minolta Super A
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MINOLTA CAMERAS
Minolta Super A
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PopularPhotography_19580801_0043_002_0018.xml
advertisement
17
17
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Advertisements
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Dowlings
CAMEX REFLEX 8
Dowlings
CONTAFLEX
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PopularPhotography_19580801_0043_002_0019.xml
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18
18
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TIFFEN MARKETING CO.
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TIFFEN MARKETING CO.
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PopularPhotography_19580801_0043_002_0020.xml
article
18
18
THAT’S A GOOD QUESTION
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THAT’S A GOOD QUESTION
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A. C. HALL, LAWRENCE, MASS.— Four negatives in my last pack of film have similar dark areas, all in the same corner. What could cause this? I use a 2¼x¼ press camera. The other pictures came out all right. ANSWER: Check the numbers on those fogged films.
PopularPhotography_19580801_0043_002_0021.xml
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19
19
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CARL ZEISS, INC.: CONTAFLEX
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CARL ZEISS, INC.
CONTAFLEX
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PopularPhotography_19580801_0043_002_0022.xml
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20
20
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WOLLENSAK OPTICAL CO.: STEREOPHONIC HI-FIDELITY TAPE RECORDER
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WOLLENSAK OPTICAL CO.
STEREOPHONIC HI-FIDELITY TAPE RECORDER
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PopularPhotography_19580801_0043_002_0023.xml
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21
21
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WILLOUGHBY'S
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WILLOUGHBY'S
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PopularPhotography_19580801_0043_002_0024.xml
review
22
22,26,28,32,34
WHAT'S NEW
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HIGH-SPEED FILM, MEDIUM-SPEED QUALITY
First detailed test report on Ansco Super Hypan
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ENTECO POLARIFLASH
$7.50
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MINOX AUTOMATIC, MODEL B
$169.95
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EXAKTA LIGHT-METER IIa
$30
BOB SCHWALBERG
ANSCO’S Super Hypan is something new in the photographic firmament: A high-speed film with medium-speed grain, gradation, and sharpness. An ultra-modern double-coated speed material, Super Hypan answers most of the objections to fast films raised by quality-conscious photographers by combining most of the characteristics of films in the ASA 80-to100 group, while providing optimum exposure indexes for available-light work on an equal footing with any film in the ASA 200-to-400 group.
PopularPhotography_19580801_0043_002_0025.xml
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23
23
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Advertisements
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Burleigh Brooks, Inc.
Rolleiflex f:3.5
Burleigh Brooks, Inc.
Rolleiflex f:3.5
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PopularPhotography_19580801_0043_002_0026.xml
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24
24
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The School of Modern Photography
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The School of Modern Photography
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PopularPhotography_19580801_0043_002_0027.xml
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25
25
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EXAKTA CAMERA COMPANY: EXAKTA LIGHT-METER IIa
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EXAKTA CAMERA COMPANY
EXAKTA LIGHT-METER IIa
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PopularPhotography_19580801_0043_002_0028.xml
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26
26
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GRAFLEX
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GRAFLEX
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PopularPhotography_19580801_0043_002_0029.xml
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27
27
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Nikon
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Nikon
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PopularPhotography_19580801_0043_002_0030.xml
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28
28
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E. LEITZ, INC.
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E. LEITZ, INC.
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PopularPhotography_19580801_0043_002_0031.xml
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29
29
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Leitz
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Leitz
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PopularPhotography_19580801_0043_002_0032.xml
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30
30
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EXAKTA CAMERA COMPANY
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EXAKTA CAMERA COMPANY
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PopularPhotography_19580801_0043_002_0033.xml
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31
31
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GRAND CENTRAL CAMERA EXCHANGE, INC.
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GRAND CENTRAL CAMERA EXCHANGE, INC.
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PopularPhotography_19580801_0043_002_0034.xml
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32
32
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BURLEIGH BROOKS INC.: NIKOR
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BURLEIGH BROOKS INC.
NIKOR
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PopularPhotography_19580801_0043_002_0035.xml
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33
33
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CAMERA IMPORT CORPORATION
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CAMERA IMPORT CORPORATION
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PopularPhotography_19580801_0043_002_0036.xml
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34
34
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Advertisement
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PopularPhotography_19580801_0043_002_0037.xml
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35
35
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19580801_0043_002_0038.xml
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36
36
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EDIXA CAMERA CO.: EDIXAFLEX
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EDIXA CAMERA CO.
EDIXAFLEX
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PopularPhotography_19580801_0043_002_0039.xml
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36
36
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GAMI CORPORATION
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GAMI CORPORATION
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PopularPhotography_19580801_0043_002_0040.xml
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36
36
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SOLAR CINE PRODUCTS, Inc.
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SOLAR CINE PRODUCTS, Inc.
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PopularPhotography_19580801_0043_002_0041.xml
review
36
36
NEW BOOKS
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The how-to and the theory of 35-mm
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Universal Photo Books
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Universal Photo Books
THE NIKON MANUAL
$5.95
B.S.
Using the Nikon camera, its lenses, and accessories as the framework for a comprehensive textbook of 35-mm methods and materials, George Wright deserves congratulations for having produced a noteworthy addition to the literature of the miniature camera.
PopularPhotography_19580801_0043_002_0042.xml
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37
37
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KLING PHOTO CORPORATION: SUPER TECHNIKA 23
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KLING PHOTO CORPORATION
SUPER TECHNIKA 23
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PopularPhotography_19580801_0043_002_0043.xml
article
38
38
LETTERS TO THE EDITOR
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LETTERS TO THE EDITOR
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Congratulations on the May article, The World’s 10 Greatest Photographers. The most wonderful thing was the asterisk beside Gjon Mili’s name. MINOR WHITE Rochester, N. Y. Your excellent piece on the 10 greatest photographers included my favorites so I am pleased.
PopularPhotography_19580801_0043_002_0044.xml
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38
38
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UNIMARK PHOTO INC.: C10
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UNIMARK PHOTO INC.
C10
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PopularPhotography_19580801_0043_002_0045.xml
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39
39
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Advertisements
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PAILLARD Incorporated
PAN CINOR
PAILLARD Incorporated
BOLEX MOVIE
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PopularPhotography_19580801_0043_002_0046.xml
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40
40
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WESTON: EXPOSURE METERS
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WESTON
EXPOSURE METERS
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PopularPhotography_19580801_0043_002_0047.xml
article
40
40,41
The Range finder
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Editorial
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Arthur Goldsmith
You hear it so often these days: “I only shoot color because I don’t want to bother with processing. I just don’t have time to work in the darkroom any more.” In the post-war years, with photography growing ever more popular, ever bigger, amateurs have been staying away from their darkrooms in droves.
PopularPhotography_19580801_0043_002_0048.xml
article
40
40
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Next month
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A SPECIAL 19-PAGE SECTION SLOPE SHIP! How to create a slide show Tricks Barnum never knew All about screens, mounts, projectors How to add sound ARE YOU AS GOOD AS YOUR LENS? PICTURE PREVIEW OF THE 1959 PHOTOGRAPHY ANNUAL
PopularPhotography_19580801_0043_002_0049.xml
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41
41
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Advertisements
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JOHN G. MARSHALL MFG. CO., INC.
MARSHALL’S PRE-COLOR SPRAY
JOHN G. MARSHALL MFG. CO., INC.
MARSHALL’S SPRAY-GLASS
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PopularPhotography_19580801_0043_002_0050.xml
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42
42
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Keystone Camera Co., Inc.
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Keystone Camera Co., Inc.
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PopularPhotography_19580801_0043_002_0051.xml
article
43
43,108
SPECIAL 35-mm ISSUE
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Is 35-mm producing a generation of sloppy photographers.?
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BRUCE DOWNES
IN THE eyes of editors in close touch with the photographic output of amateurs and professionals over the last decade there has been a conspicuously steady decline in photographic quality. Too much work today betrays a kind of feverish haste as if photographers had been actually shooting on the run in mass disregard for all the inherited technical niceties of the craft One has only to take a look at some of Dr. Erich Salomon’s fine availablelight pictures made in the ’20s to realize that too many photographers not only have not kept pace with the vast improvements in cameras, lenses, and emulsions made since that time but have actually fallen behind.
PopularPhotography_19580801_0043_002_0052.xml
article
44
44,45,46,47,48,49
SPECIAL 35-mm ISSUE
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3 WAYS OF SEEING with a single-lens reflex
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HAROLD FEINSTEIN
In just a dozen years, the 35-mm single-lens prism reflex has profoundly influenced the seeing and picture-making of contemporary photographers. Its popularity among serious workers has brought about a proliferation of makes and models, so that there is now available a wide variety of prism cameras.
PopularPhotography_19580801_0043_002_0053.xml
article
50
50,51,86,87
SPECIAL 35-mm ISSUE
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35-mm processing SING FOR DUFFERS
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O YOU’VE got this little 35-mm camera, shot a few rolls, sent them out to various drugstores for developing and printing, and by and large, probably on the large side, you’ve not been too happy with what you got back. Possibly some of your negatives have been awarded free fingerprints of people you’ve never met, maybe you’ve found long pairs of beautifully parallel scratches which our English cousins charmingly call “tramlines” (trolley tracks to us), or perhaps your prints have lots of little spots whose arrangement doesn’t quite make it as a polka-dot design, and who needs them, anyhow?
PopularPhotography_19580801_0043_002_0054.xml
article
52
52,53,54,55,84,86
SPECIAL 35-mm ISSUE
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LONG LENS EXPERIMENTS
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ONE of the world’s most photographed cities—Paris—takes on new dimensions when seen through the telephoto lens of Frank Horvat. The 30-yearold Black Star staffer who makes his home-base in the fabled French capital believes that the telephoto conveys best his feelings about the city.
PopularPhotography_19580801_0043_002_0055.xml
article
56
56,57
CHALLENGE!
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Results of CHALLENGE! No. 8 ICE
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The cooling effect of seeing "Ice" pictures in the middle of summer was heightened by the excellence of many of the entries received for Challenge 'No. 8. An unusually severe winter in most parts of the world gave many contestants a chance to do a literal interpretation of "Ice.
PopularPhotography_19580801_0043_002_0056.xml
article
58
58,59,60,61,102,103,104,105
SPECIAL 35-mm ISSUE
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Have you mastered THE METER ON YOUR CAMERA?
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GENE GAINES
If you haven’t, you know it because many of your 35-mm pictures have been coming out underexposed or overexposed What are the causes? Simply, your on-the-camera meter isn’t a magic instrument. It has to be used like an ordinary light meter.
PopularPhotography_19580801_0043_002_0057.xml
article
62
62,63,108,109,110
SPECIAL 35-mm ISSUE
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24 HOUR PHOTO BINGE
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TED RUSSELL
I WENT out on a binge, a 24-hour photo binge. My cameras and I were locked in an unfamiliar apartment for one night and one day. From the minute I went into the room, until the minute I came out I shot pictures continuously except for one hour of sleep.
PopularPhotography_19580801_0043_002_0058.xml
article
64
64,65,110
SPECIAL 35-mm ISSUE
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BEWARE OF 35-MM CONTACT SHEETS!
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JOHN DURNIAK
OVER the last five years a sign with one word on it—THINK—has found its way on to walls of offices, homes, and even some darkrooms. It’s a good word to have around, it’s an important word. But if I were asked to coin a slogan specifically for darkrooms, it would be: BEWARE OF 35-MM CONTACT SHEETS!
PopularPhotography_19580801_0043_002_0059.xml
article
66
66,67,68,69,70,71,72,73,74,75
SPECIAL 35-mm ISSUE
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33-mm PICTURES
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PopularPhotography_19580801_0043_002_0060.xml
article
76
76,77,88,90,94,106,107
SPECIAL 35-mm ISSUE
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REPORT ON 35-MM KODACOLOR
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BOB SCHWALBERG
"THE recent release by the Eastman Kodak Company of their well-known negative-color roll film, Kodacolor, in 35-mm has opened up a whole new avenue of achievement to the miniature camera user. In effect, the world’s largest photographic manufacturer has, at last, formally invited the majority of photographers (above the box-camera level) to participate in the exciting new world of negative color, a world in which a single camera exposure may be used to produce a color print, a positive color transparency for projection, a high-quality blackand-white enlargement, or all three.
PopularPhotography_19580801_0043_002_0061.xml
article
78
78,79
AMATEUR'S WORKSHOP
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LET’S TALK ABOUT YOUR PICTURES
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Fred Preisler, Jr., Kansas City, Mo. The editors were almost unanimous in feeling that strong toplighting, usually not considered good for pictures, made this fierce fowl portrait by casting an intense shadow which repeats the bird’s form.
PopularPhotography_19580801_0043_002_0062.xml
article
80
80
AMATEUR'S WORKSHOP
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WHAT YOU SHOULD KNOW ABOUT LENSES
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Robert L. McIntyre
THE lens is the camera’s eye. It gathers light rays from a scene and focuses them on the film. How well it does this job determines the quality of the picture. Lenses differ in three main characteristics: focal length, maximum aperture, and general quality. Knowing more about lenses will help you choose and use them more effectively.
PopularPhotography_19580801_0043_002_0063.xml
article
80
80,81
AMATEUR'S WORKSHOP
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CARL PERUTZ —I WAS AN AMATEUR
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Mildred Stagg
THE summer I became sixteen, 1937, I was vacationing at a seaside resort in Massachusetts with my family. The beach and statues were pictured on postcards, but I borrowed my father’s folding Kodak to take the same subjects. But my pictures were different because I admired the Life-Fortune slant rather than the Maxfield Parrish cliché.
PopularPhotography_19580801_0043_002_0064.xml
article
81
81
AMATEUR'S WORKSHOP
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MONEY-MAKING IDEAS
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George B. Wright
YOUR letters indicate that the desire to make photography pay for itself, and perhaps earn a little extra pocket money, is the same just about anywhere in the world. Ideas and comments on this column have come in from every part of the United States and even from as far away as Rhodesia and Pakistan.
PopularPhotography_19580801_0043_002_0065.xml
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82
82,83
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EASTMAN KODAK COMPANY
[no value]
EASTMAN KODAK COMPANY
[no value]
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PopularPhotography_19580801_0043_002_0066.xml
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84
84
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Advertisement: FLIP-UP BOOSTER
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FLIP-UP BOOSTER
[no value]
[no value]
PopularPhotography_19580801_0043_002_0067.xml
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85
85
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FIFTH AVENUE COLOR LAB, INC.
[no value]
FIFTH AVENUE COLOR LAB, INC.
[no value]
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PopularPhotography_19580801_0043_002_0068.xml
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86
86,87
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HASSELBLAD
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HASSELBLAD
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PopularPhotography_19580801_0043_002_0069.xml
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88
88
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LANCE COLOR STUDIO: KODAK KODACOLOR 35mm
[no value]
LANCE COLOR STUDIO
KODAK KODACOLOR 35mm
[no value]
[no value]
PopularPhotography_19580801_0043_002_0070.xml
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89
89
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American CAMERA EXCHANGE
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American CAMERA EXCHANGE
[no value]
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PopularPhotography_19580801_0043_002_0071.xml
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90
90
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ILFORD INC.
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ILFORD INC.
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PopularPhotography_19580801_0043_002_0072.xml
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90
90
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KINNARD CO.
[no value]
KINNARD CO.
[no value]
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PopularPhotography_19580801_0043_002_0073.xml
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90
90
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Advertisement
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PopularPhotography_19580801_0043_002_0074.xml
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91
91
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RUSS PHOTO SERVICE
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RUSS PHOTO SERVICE
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[no value]
PopularPhotography_19580801_0043_002_0075.xml
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92
92,93
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
[no value]
[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19580801_0043_002_0076.xml
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94
94
[no value]
[no value]
ALLIED IMPEX CORPORATION
[no value]
ALLIED IMPEX CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0077.xml
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95
95
[no value]
[no value]
hamilton house
[no value]
hamilton house
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0078.xml
article
96
96,97,100
MOVIES
[no value]
Give your movies that EXTRA SPARK
Here are six professional techniques that can improve your films
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[no value]
GEORGE CARLSON
MANY amateur movie makers master basic movie technique but few get that extra spark into their films which lifts their work to a higher entertainment level. The barriers that lie between mere competency and effective movie making are the little extra touches and techniques which give a film that professional look.
PopularPhotography_19580801_0043_002_0079.xml
article
97
97,107,108
MOVIES
[no value]
CREATING WITH FILM
[no value]
[no value]
[no value]
CHARLES REYNOLDS
When the average person says, “That was a good film,” he is really saying, “I liked it.” When you ask him why he liked it, the answer is likely to become somewhat vague and the final conclusion reached will be that the story or a character or some other element of the film struck a responsive chord in the viewer.
PopularPhotography_19580801_0043_002_0080.xml
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98
98,99
[no value]
[no value]
SPIRATONE INC.
[no value]
SPIRATONE INC.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0081.xml
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100
100
[no value]
[no value]
BROOKS INSTITUTE
[no value]
BROOKS INSTITUTE
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0082.xml
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101
101
[no value]
[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0083.xml
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102
102
[no value]
[no value]
CENTRAL CAMERA CO.
[no value]
CENTRAL CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0084.xml
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103
103
[no value]
[no value]
Honeywell
[no value]
Honeywell
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0085.xml
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104
104
[no value]
[no value]
GERMAIN SCHOOL OF photography
[no value]
GERMAIN SCHOOL OF photography
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0086.xml
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104
104
[no value]
[no value]
NATIONAL PHOTO LABS
[no value]
NATIONAL PHOTO LABS
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0087.xml
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104
104
[no value]
[no value]
Bushnell
[no value]
Bushnell
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0088.xml
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105
105
[no value]
[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0089.xml
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105
105
[no value]
[no value]
PETRI CAMERA CO. Inc.
[no value]
PETRI CAMERA CO. Inc.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0090.xml
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106
106
[no value]
[no value]
BERNDT-BACH INC.
[no value]
BERNDT-BACH INC.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0091.xml
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107
107
[no value]
[no value]
BROCKWAY CAMERA CORPORATION.: OLYMPUS
[no value]
BROCKWAY CAMERA CORPORATION.
OLYMPUS
[no value]
[no value]
PopularPhotography_19580801_0043_002_0092.xml
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108
108
[no value]
[no value]
Eastman Kodak Co.
[no value]
Eastman Kodak Co.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0093.xml
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108
108
[no value]
[no value]
THE ART CENTER SCHOOL
[no value]
THE ART CENTER SCHOOL
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0094.xml
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108
108
[no value]
[no value]
Yankee PHOTO PRODUCTS
[no value]
Yankee PHOTO PRODUCTS
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0095.xml
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108
108
[no value]
[no value]
AMERICAN SCHOOL OF PHOTOGRAPHY
[no value]
AMERICAN SCHOOL OF PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0096.xml
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109
109
[no value]
[no value]
FREESTYLE SALES CO.
[no value]
FREESTYLE SALES CO.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0097.xml
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110
110
[no value]
[no value]
Advertisements
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0098.xml
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111
111,112,113,114
[no value]
[no value]
PHOTOGRAPHIC MARKET PLACE
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0099.xml
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114
114
[no value]
[no value]
ZIFF-DAVIS PUBLISHING CO.
[no value]
ZIFF-DAVIS PUBLISHING CO.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0100.xml
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115
115
[no value]
[no value]
BROADWAY CAMERA SHOPS, Inc.
[no value]
BROADWAY CAMERA SHOPS, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0101.xml
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116
116
[no value]
[no value]
SUPREME PHOTO SUPPLY CO.
[no value]
SUPREME PHOTO SUPPLY CO.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0102.xml
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117
117
[no value]
[no value]
WALL ST. Camera Exch.
[no value]
WALL ST. Camera Exch.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0103.xml
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118
118
[no value]
[no value]
University Camera STORES
[no value]
University Camera STORES
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0104.xml
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119
119
[no value]
[no value]
MINIFILM camera stores
[no value]
MINIFILM camera stores
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0105.xml
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120
120
[no value]
[no value]
ASTRA PHOTO PRODUCTS
[no value]
ASTRA PHOTO PRODUCTS
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0106.xml
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121
121
[no value]
[no value]
AWON FILMS
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AWON FILMS
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[no value]
[no value]
PopularPhotography_19580801_0043_002_0107.xml
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122
122
[no value]
[no value]
PANORAM FILM LABS INC.
[no value]
PANORAM FILM LABS INC.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0108.xml
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122
122,123,124,125
[no value]
[no value]
CLASSIFIED ADVERTISING
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0109.xml
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125
125
[no value]
[no value]
Popular Photography
[no value]
Popular Photography
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0110.xml
article
125
125
[no value]
[no value]
INDEX OF ADVERTISERS
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0111.xml
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126
126
[no value]
[no value]
EDMUND SCIENTIFIC CO.
[no value]
EDMUND SCIENTIFIC CO.
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0112.xml
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127
127
[no value]
[no value]
Argus: Match-Matic C-3
[no value]
Argus
Match-Matic C-3
[no value]
[no value]
PopularPhotography_19580801_0043_002_0113.xml
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128
128
[no value]
[no value]
EASTMAN KODAK COMPANY
[no value]
EASTMAN KODAK COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19580801_0043_002_0114.xml