Issue: 19430401

Thursday, April 1, 1943
April
4
True
12
Friday, December 26, 2014

Articles
cover
1
1,4,74
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POPULAR Photography
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PopularPhotography_19430401_0012_004_0001.xml
advertisement
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2
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Agfa Ansco: BROVIRA PAPER
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Agfa Ansco
BROVIRA PAPER
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PopularPhotography_19430401_0012_004_0002.xml
advertisement
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3
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DEFENDER PHOTO SUPPLY CO.: Defender Film
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DEFENDER PHOTO SUPPLY CO.
Defender Film
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PopularPhotography_19430401_0012_004_0003.xml
masthead
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4
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POPULAR Photography
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PopularPhotography_19430401_0012_004_0004.xml
tableOfContents
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4
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Contents
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PopularPhotography_19430401_0012_004_0005.xml
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5
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CASTLE FILMS INC.
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CASTLE FILMS INC.
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PopularPhotography_19430401_0012_004_0006.xml
advertisement
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6
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Penn CAMERA EXCHANGE inc.
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Penn CAMERA EXCHANGE inc.
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PopularPhotography_19430401_0012_004_0007.xml
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7
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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NEW YORK INSTITUTE OF PHOTOGRAPHY
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PopularPhotography_19430401_0012_004_0008.xml
advertisement
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8
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THE KALART COMPANY Inc.: Kalart Range Finder
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THE KALART COMPANY Inc.
Kalart Range Finder
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PopularPhotography_19430401_0012_004_0009.xml
article
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8
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PRESS FLASHES
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A. J. EZICKSON
A GROUP of Washington cameramen were photographing Elmer Davis receiving the first books of the new VictoryBook Campaign. “Don’t just pose,” the cameramen told the OWI director. “Make it look real—start talking.” Davis began to recite the lines he always repeats before the news cameras: “The little brown fox jumped over the fence. . . . This is the time for all good men to come to the aid of their party.”
PopularPhotography_19430401_0012_004_0010.xml
advertisement
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9
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GENERAL ELECTRIC: G-E MAZDA PHOTO LAMPS
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GENERAL ELECTRIC
G-E MAZDA PHOTO LAMPS
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PopularPhotography_19430401_0012_004_0011.xml
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10
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LITTLE TECHNICAL LIBRARY
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LITTLE TECHNICAL LIBRARY
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PopularPhotography_19430401_0012_004_0012.xml
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11
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Advertisement
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PopularPhotography_19430401_0012_004_0013.xml
advertisement
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12
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ZEISS IKON: Contax III
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ZEISS IKON
Contax III
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PopularPhotography_19430401_0012_004_0014.xml
advertisement
12
12
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The MOSTOW Co.
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The MOSTOW Co.
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PopularPhotography_19430401_0012_004_0015.xml
article
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12
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MONEY MAKING IDEAS
CASH IN ON YOUR IDEAS
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A GOOD way of earning money with your camera is to obtain the names and addresses of people who recently moved to your town or neighborhood and offer to make interior and exterior pictures of their new homes. They are usually eager to get small pictures or photographic postcards which can be sent to friends and relatives.
PopularPhotography_19430401_0012_004_0016.xml
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13
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ILEX OPTICAL COMPANY
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ILEX OPTICAL COMPANY
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PopularPhotography_19430401_0012_004_0017.xml
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14
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THE ZIFF-DAVIS PUBLISHING COMPANY
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THE ZIFF-DAVIS PUBLISHING COMPANY
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PopularPhotography_19430401_0012_004_0018.xml
advertisement
15
15
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Burke & James, inc.: 4x5 PRESS CAMERA
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Burke & James, inc.
4x5 PRESS CAMERA
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PopularPhotography_19430401_0012_004_0019.xml
article
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16
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CANDID SHOTS
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THE EDITOR
AS THIS issue goes to press, POPULAR PHOTOGRAPHY completes its sixth year of publication. We recall, somewhat wistfully, those less pretentious quarters where, in the early days of 1937, POP PHOTO was conceived and first saw the light of day.
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17
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The Ampro Corporation
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The Ampro Corporation
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PopularPhotography_19430401_0012_004_0021.xml
article
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18
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Questions & Answers
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B. E. J., Toronto, Ont. Can you give me the formula for a good tray cleaner? My enamel trays have become black from the developer. ANSWER: A good tray cleaner can be made up as follows: To 32 ounces of water add 3 ounces of potassium bichromate. After it has dissolved, add 3 ounces of concentrated sulfuric acid.
PopularPhotography_19430401_0012_004_0022.xml
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LETTERS TO THE EDITOR
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Dear Sir: I have read with great interest Rus Arnold’s article "I Asked My Dealer” in the March issue. Mr. Arnold did justice to all sources of information available to the average amateur photographer but one—the photofinishing laboratories. There are quite a few photofinishers—though, not as many as there should be—who consider it their duty to help improve the general standards of amateur photography.
PopularPhotography_19430401_0012_004_0023.xml
article
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18,19
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Picture of the Month
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PopularPhotography_19430401_0012_004_0024.xml
article
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20,21,70,71
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WHY PICTURES MUST BE CENSORED
THE most innocent of pictures may reveal important military secrets. Censors prevent such photos from reaching the enemy.
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ROBERT EICHBERG
THERE were two men in town—it doesn’t matter where; it may have been your town. One cold morning they went out together and took some pictures of a crowd of boys skating. Both wanted to send the home-town scene to a friend abroad. Both mailed their prints.
PopularPhotography_19430401_0012_004_0025.xml
article
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22,23,90,91,92
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HOW TO GET Good Print Quality
Learn how to avoid troublesome darkroom errors that result in print failure, and get the most out of every good negative.
Typical Faults
Efforts at Correction
Choice of Materials
Exposure and Development
Determination of Developing Time
Determination of Exposure
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WILLIAM MORTENSEN
MOST amateurs are familiar with the general procedure of print making. Many, however, are unaware of the darkroom errors that often cause print failures, and to these we will now devote our attention. In this series of articles we have been discussing all of the sad things that can happen to a print.
PopularPhotography_19430401_0012_004_0026.xml
article
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24,25
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ANYTHING GOES.. IN PHOTO-CARICATURE
With a few simple tricks you can make humorous portraits that will amuse both your genial subjects and their friends.
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LEONARD CLAIRMONT
YOUR camera doesn’t always tell the truth. By making it tell lies, you can turn out photo-caricatures that are just as amusing as pen-and-ink cartoons. Sometimes they may even be better. Pictures appear so real that people look again in wonder at a familiar face humorously exaggerated by photography.
PopularPhotography_19430401_0012_004_0027.xml
article
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CHILD MODEL AT WORK
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IF you see a magazine cover or advertisement featuring a likable young kid with bright eyes, freckled face, and a mop of curly hair, you're probably looking at six-year-old Donald Delvin. This talented youngster is perhaps one of the best known child models in the country.
PopularPhotography_19430401_0012_004_0028.xml
article
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27,80
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all MY PICTURES ARE CANDID
A photographer who always aims for naturalness in his pictures tells about his camera technique.
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ROMAN VISHNIAC
WHETHER I use a 35 mm miniature camera outdoors or a view camera for formal portraiture indoors, my photographs are always of the type popularly described as “candid.” In fact, I do not believe there is any other method that truly describes the personality of the subject.
PopularPhotography_19430401_0012_004_0029.xml
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28,29,72,73
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The Story of V...-MAIL
Letters to and from our boys overseas are condensed on film to provide more cargo space for food and supplies.
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DR. WALTER CLARK
OVER a million men in our armed forces are now overseas, and getting letters to and from them presented a serious problem. Bags of mail had to compete with materials of war for space on ships and planes. Since guns, tanks, ammunition, and instruments can’t be compressed to save space, military leaders sought a method of “compressing” letters.
PopularPhotography_19430401_0012_004_0030.xml
article
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30,31,86,87
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Secretary Wickard-AMATEUR PHOTOGRAPHER
Even our busy Secretary of Agriculture finds time for photography. Still and movie cameras go with him on his trips.
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CARL HAMILTON
SECRETARY of Agriculture Claude R. Wickard is beset by just about the same problems that bedevil other amateur photographers. The fact that he is a cabinet member doesn’t help him a bit. Mr. Wickard got through forty years of life in comparative peace as a farm boy, then as a farmer, and later as a public official.
PopularPhotography_19430401_0012_004_0031.xml
article
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Photograph YOUR OWN HOME TOWN
There is plenty of picture material right in your own community. Capture it on film and make up an album of lasting interest.
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WILLIAM ROBERT HUNTER
NOW that picture-taking jaunts in the family car are restricted for the duration, it is time to turn your lens on your own home town. There is plenty of fine photo material within walking distance and in range of public transportation. You can display it well by making a picture album on life in your community.
PopularPhotography_19430401_0012_004_0032.xml
article
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34,35,84,85,86
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Makeup in HOME PORTRAITURE
In photographing people, try using makeup to bring out their best qualities. It is easy to apply, and insures better results.
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SYD SIMONS
EVERY time you take a woman’s portrait you use makeup. But it so happens that the makeup, while perfect in itself, is not good for photography. It very often exaggerates—to the camera—her bad features and minimizes all of her good ones. It increases the problems of posing and lighting, and adds to the need for retouching.
PopularPhotography_19430401_0012_004_0033.xml
article
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36,37,68,69
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CAMERA ON THE CAMPUS
Every college offers a wealth of photo subjects and fine pictorial settings. Here is how to find them.
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ANDREW J. PAVLIN
MOST people think of college as a place to study for a degree, but for me it is something different. I have been going to college for over three years—to get pictures. My job has been to shoot the “Youth on the Campus” feature for the Chicago Tribune’s Sunday roto section, which calls for a layout each week on a different midwestern school.
PopularPhotography_19430401_0012_004_0034.xml
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There IS an Easier Way
Don't try to be a camera expert right off the bat. Learn photography step by step and you'll find it easy to master.
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J. GARELD HENIKA
WHEN I took up photography as a hobby my first impulse was to give the elementary stuff the quick brush and get right to work on salon pictures. A little intensive reading, I figured, would fix me up fine. Of course it wasn’t very long before I discovered I had been living in a dream world.
PopularPhotography_19430401_0012_004_0035.xml
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Salon Section
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LOADING UP
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PopularPhotography_19430401_0012_004_0036.xml
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Salon Section
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DOORS
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THE chances are that you pass in and out many doors every day of your life, yet have never thought of them as picture subjects. The atmosphere and lighting of these two photos make them interesting.
PopularPhotography_19430401_0012_004_0037.xml
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Salon Section
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on the FENCE
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IT'S surprising the good pictures you can get with just a pretty girl and a fence. As a prop in the photo by G. W. Tourtellot III of Kansas City, Mo., above, or as a part of the composition of the picture below by Herbert P. Bond, Burbank, Calif., the fence adds an informal touch.
PopularPhotography_19430401_0012_004_0038.xml
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Salon Section
POWER FOR VICTORY
Building Bombers
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AMERICA'S war production has become a new source for dramatic pictures. These fine photos were taken in an aircraft factory by Stewart Love of San Diego, Calif., and show various stages in the building of a bomber.
PopularPhotography_19430401_0012_004_0039.xml
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Salon Section
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WOOD
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COMMONPLACE objects often have definite patterns of pictorial quality. The photo above, by Clifford G. Scofield, So. Norwalk, Conn., and the one below, by David R. Frost, St. Paul, Minn., are good examples.
PopularPhotography_19430401_0012_004_0040.xml
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Salon Section
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AMBITION
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PopularPhotography_19430401_0012_004_0041.xml
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Salon Section
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DUCKS
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ALTHOUGH comical in appearance, ducks are interesting and make captivating camera subjects. On land or in the water, they have the audience appeal needed to make any picture successful.
PopularPhotography_19430401_0012_004_0042.xml
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Salon Section
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GHOSTS
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PopularPhotography_19430401_0012_004_0043.xml
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Salon Section
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DARKROOM
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A PHOTOGRAPHER'S inner sanctum has many picture possibilities. Photos of amateurs at work are interesting not only as record shots, but to show to friends. And if no one is handy to snap your picture, do it yourself.
PopularPhotography_19430401_0012_004_0044.xml
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Salon Section
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AERIAL
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EVEN though all amateur cameras are "grounded" for the duration, there will be many unusual pictures to be made from the air once the war is over. The photograph of the airplane by Seaborn H. Mosely, and the one below of an orchard, taken from an elevation of 9,000 feet by Hulbert Burroughs, are fine examples of amateur aerial photography.
PopularPhotography_19430401_0012_004_0045.xml
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Salon Section
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EASTER ARTIST
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SEASONAL pictures always create a great amount of interest because they are timely. A clever tabletop, like this one by John Gragg Burke, Chicago, Ill., is very easy to make, as the diagram shows. All it takes is a little ingenuity and time.
PopularPhotography_19430401_0012_004_0046.xml
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GOOD HABITS Make Good Pictures
Develop a careful routine in your picture taking and darkroom work. It will result in fewer errors and less wasted material.
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BOB ARENTZ
MAKE a habit of doing things right in photography, from loading your camera to mounting prints, and your pictures will steadily improve. Bad habits can best be eliminated at the start. Failures can be kept at the minimum if you use the best methods you know in each step of picture making, and train yourself to follow the same procedure every time.
PopularPhotography_19430401_0012_004_0047.xml
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WHAT ARE YOUR CHANCES IN HOLLYWOOD?
Here are the straight-from-the-shoulder facts about the possibilities of getting a job as a motion picture photographer.
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ALEX EVELOVE
A GOOD many amateur photographers wonder from time to time what their chances are for getting a job in one of Hollywood’s studios as a photographer. The truth of the matter is that even though you have plenty of picture making experience and ability, you still have very little chance of passing through the studio portals onto the motion picture sets as a member of the photographic staff.
PopularPhotography_19430401_0012_004_0048.xml
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LARGE PHOTOS FOR DISPLAY
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LAWRENCE JOSEPH
EVERYBODY likes pictures that show familiar scenes. You can cash in on this fact, whether you make photography a business or a hobby. Here is a stunt that was used by William Langley Studios of Dallas, Texas. It provided a big job in itself, and a lot of good publicity for the studio.
PopularPhotography_19430401_0012_004_0049.xml
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FILING ON FILM
You can store a wealth of valuable reference material in a small space by copying it on 35 mm film. The process is simple and inexpensive.
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ROBERT E. WHALLON
THE modern photographic method of copying books, magazine articles, documents, rare manuscripts, and a thousand other things, is becoming increasingly popular among amateur photographers who have 35 mm cameras. It is a technique that serves a useful purpose, and is well worth trying.
PopularPhotography_19430401_0012_004_0050.xml
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ANIMATION IN YOUR PICTURES
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DAVENPORT STEWARD
PICTURES that show animation are the kind that people notice, whether they are in a newspaper, a salon, or a family album. Some types of subject matter are naturally full of life. Others require some scheming on the part of the photographer to put action into them.
PopularPhotography_19430401_0012_004_0051.xml
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TRICK SHOTS FOR YOUR MOVIES
Pep up your home showings with a few trick sequences. They're good for a laugh and will mystify your audience.
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ROBERT A. WILKINSON
THERE are many stunts that you can use to give your movies sparkle, life, and audience interest. One method is to use a few trick sequences to introduce a novelty effect. To be sure, such scenes can be overdone, but when judiciously used, will season an evening of movies as salt flavors food.
PopularPhotography_19430401_0012_004_0052.xml
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CAMERA vs. SLOT MACHINE
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Cedric Parker
HOW pictures can take the stand and win convictions in court, as well as before the jury of public opinion, has been demonstrated by The Capital Times of Madison, Wis., in a recent series of articles and pictures giving evidence of widespread illegal slot machine operation and gambling in Wisconsin.
PopularPhotography_19430401_0012_004_0053.xml
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59,93,94
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A HOME-BUILT SLIDE VIEWER
You can build an efficient table model slide viewer easily with little expense.
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Dr. I. Clyde Cornog
IF you are a color enthusiast, you have probably recognized the value of a good film and slide viewer that can rest on a table. A viewer is a great help when you want to study your color pictures and select the ones to be made into slides. You can also look at slides more conveniently through it without going to all the bother of setting up a projector and screen.
PopularPhotography_19430401_0012_004_0054.xml
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PICTURES FROM OUR READERS
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PopularPhotography_19430401_0012_004_0055.xml
article
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62
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New Tricks for CAMERA OWNERS
Home-made Copying Board
Protecting Bottle Caps
Enlarger Light Shield
Handles on Reflectors
Portable Background
Black-and-white Prints from Kodachrome Slides
Envelope Corner as Funnel
Tip for Temperature Control
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WITH very little difficulty, an efficient copying board can be made out of a board and some discarded hack saw blades. The board should be at least 16 x 20. The metal fingers that hold whatever is being copied in place are made from four 12" hack saw blades cut into two sections, one 4" and the other 8" long.
PopularPhotography_19430401_0012_004_0056.xml
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Print Criticisms
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H. V. F., Piqua, Ohio—This picture definitely has the makings of a beautiful shot. Its fault lies in the fact that you were not careful about the background against which you posed your subject. The fence posts, wire, and weeds all conflict with the girl for attention.
PopularPhotography_19430401_0012_004_0057.xml
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TRADE NOTES AND NEWS
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NOW READY for distribution is the new Jecto-Brom Glossy, a fast bromide-type projection paper. The stock is easy to handle, has a lustrous white glossy surface, and is supplied only in 8x10 single-weight, normal contrast. Prices are as follows: 24 sheets, $1.00; 50 sheets, $2.00; 110 sheets, $4.00.
PopularPhotography_19430401_0012_004_0058.xml
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CALENDAR OF PHOTOGRAPHIC EXHIBITIONS
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PopularPhotography_19430401_0012_004_0059.xml
advertisement
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FOLMER GRAFLEX CORPORATION
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FOLMER GRAFLEX CORPORATION
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PopularPhotography_19430401_0012_004_0060.xml
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What the Camera Clubs Are Doing
Bay Ridge Camera Club Boosts Membership 50 Pct.
Chicago Chapter of PSA Exhibits Prints of Members
Albany Club Aids Recruiting Campaign for "K-9 Corps"
Cleveland Group Aids USO
Dayton Club Issues Prospectus
Stroboscopic Light Lecture
Detroit Guild Helps Beginners
We Hear . . .
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The Bay Ridge Camera Club (Brooklyn, N. Y.) reports an increase of 50 per cent in its membership since Christmas, attributed partly to the fact that the club has been offering its members more interesting programs than formerly. One month, for example, the club was host to two young and graceful ballet dancers who posed for pictures.
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Bottle Labels tor Solutions
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Benjamin V. Agliano
AN easy way to label bottles containing photographic solutions is remove the printed labels that are glued on the cans or jars holding the original chemicals. These labels can be removed from the containers very simply. Generally, the labels are printed on long strips of paper, only the ends of which are glued.
PopularPhotography_19430401_0012_004_0062.xml
advertisement
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argus: Argoflex
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argus
Argoflex
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PopularPhotography_19430401_0012_004_0063.xml
advertisement
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69
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PEERLESS CAMERA STORES
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PEERLESS CAMERA STORES
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PopularPhotography_19430401_0012_004_0064.xml
advertisement
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EAGLE PENCIL COMPANY: TURQUOISE leads
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EAGLE PENCIL COMPANY
TURQUOISE leads
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PopularPhotography_19430401_0012_004_0065.xml
advertisement
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TECHNIFINISH LABORATORY
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TECHNIFINISH LABORATORY
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PopularPhotography_19430401_0012_004_0066.xml
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71
71
[no value]
[no value]
Weston Electrical Instrument Corporation: WESTON Exposure meters
[no value]
Weston Electrical Instrument Corporation
WESTON Exposure meters
[no value]
[no value]
PopularPhotography_19430401_0012_004_0067.xml
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71
71
[no value]
[no value]
Advertisement
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0068.xml
advertisement
71
71
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[no value]
Advertisement: Postal Telegraph
[no value]
[no value]
Postal Telegraph
[no value]
[no value]
PopularPhotography_19430401_0012_004_0069.xml
advertisement
71
71
[no value]
[no value]
LEONARD WESTPHALEN
[no value]
LEONARD WESTPHALEN
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0070.xml
advertisement
72
72
[no value]
[no value]
LITTLE TECHNICAL LIBRARY: THE PHOTOGRAPHIC NEGATIVE
[no value]
LITTLE TECHNICAL LIBRARY
THE PHOTOGRAPHIC NEGATIVE
[no value]
[no value]
PopularPhotography_19430401_0012_004_0071.xml
advertisement
73
73
[no value]
[no value]
Advertisements
[no value]
Fink Roselieve COMPANY, Inc.
F-R ENLARGER
Fink Roselieve COMPANY, Inc.
F-R ADJUSTO PRINT PRESS
[no value]
[no value]
PopularPhotography_19430401_0012_004_0072.xml
advertisement
73
73
[no value]
[no value]
Advertisement
[no value]
[no value]
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0073.xml
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73
73
[no value]
[no value]
RAY’S PHOTO SERVICE
[no value]
RAY’S PHOTO SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0074.xml
advertisement
73
73
[no value]
[no value]
CENTRAL CAMERA CO.
[no value]
CENTRAL CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0075.xml
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74
74
[no value]
[no value]
THE SCHOOL OF MODERN PHOTOGRAPHY
[no value]
THE SCHOOL OF MODERN PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0076.xml
article
74
74
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[no value]
Notes on the Salon Section
PAGE 19— PICTURE OF THE MONTH
PAGE 39—LOADING UP
PAGE 40—DOORS
PAGE 41—ON THE FENCE
PAGES 42-43—BUILDING BOMBERS
PAGE 44—WOOD
PAGE 45—AMBITION
PAGE 46—DUCKS
PAGE 47—GHOSTS
PAGE 48—DARKROOM
PAGE 49—AERIAL
PAGE 50—EASTER ARTIST
[no value]
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[no value]
This appealing portrait by John Makar, Detroit, Mich., was made with a 2¼x2¼ Rolleiflex and 7.5 cm Zeiss Tessar ƒ 3.5 lens. Three floodlamps were used to light the subject, and the exposure was 1/100 second at f 8 on Eastman Super-XX film. This was the last exposure of an otherwise successful portrait sitting.
PopularPhotography_19430401_0012_004_0077.xml
article
75
75
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[no value]
Popular Photography's Fourth Traveling Salon
Third Salon Showing
Second Exhibit on Tour
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[no value]
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THE prize-winning pictures from POPULAR PHOTOGRAPHY’S 1942 Contest are touring the country. Make certain that you see them when they are in your locality. The following dates and places are scheduled: Amherst, Mass., Amherst Camera Club, May 3 to May 17.
PopularPhotography_19430401_0012_004_0078.xml
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75
75
[no value]
[no value]
The SCHOOL OF MODERN PHOTOGRAPHY
[no value]
The SCHOOL OF MODERN PHOTOGRAPHY
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0079.xml
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76
76
[no value]
[no value]
Advertisements
[no value]
CRAIG MOVIE SUPPLY CO.
Craig Junior Combination
CRAIG MOVIE SUPPLY CO.
Craig Cinetints
[no value]
[no value]
PopularPhotography_19430401_0012_004_0080.xml
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76
76
[no value]
[no value]
Advertisement: POPULAR PHOTOGRAPHY
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[no value]
POPULAR PHOTOGRAPHY
[no value]
[no value]
PopularPhotography_19430401_0012_004_0081.xml
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76
76
[no value]
[no value]
HOLLYWOOD FILM ENTERPRISES, INC.: OSWALD RABBIT
[no value]
HOLLYWOOD FILM ENTERPRISES, INC.
OSWALD RABBIT
[no value]
[no value]
PopularPhotography_19430401_0012_004_0082.xml
article
76
76,77
AMATEUR Movie Making
[no value]
COLOR SLIDES FOR TITLE BACKGROUNDS
[no value]
[no value]
[no value]
GEORGE CARLSON
KODACHROME slides offer an ideal means of supplying suitable color backgrounds for double-exposed color titles and white lettering. Some means of illuminating the slide from the rear must be established, of course. A small light-tight box is not practical.
PopularPhotography_19430401_0012_004_0083.xml
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77
77
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[no value]
Advertisement: Revere 8
[no value]
[no value]
Revere 8
[no value]
[no value]
PopularPhotography_19430401_0012_004_0084.xml
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77
77
[no value]
[no value]
U. S. PHOTO SERVICE
[no value]
U. S. PHOTO SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0085.xml
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77
77
[no value]
[no value]
A. J. GANZ CO.
[no value]
A. J. GANZ CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0086.xml
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78
78
[no value]
[no value]
KIN-O-LUX INC.
[no value]
KIN-O-LUX INC.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0087.xml
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78
78
[no value]
[no value]
Western Movie Supply Co.: Wesco COLOR CARDS AND TRANSPARENCIES
[no value]
Western Movie Supply Co.
Wesco COLOR CARDS AND TRANSPARENCIES
[no value]
[no value]
PopularPhotography_19430401_0012_004_0088.xml
advertisement
78
78
[no value]
[no value]
SUPERIOR BULK FILM CO.
[no value]
SUPERIOR BULK FILM CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0089.xml
article
78
78
AMATEUR Movie Making
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Projection Screen as Reflector
[no value]
[no value]
[no value]
Reuben L. Jensen
A PORTABLE projector screen makes an ideal reflector to lighten up dark shadows in closeup shots either indoors or outdoors. A beaded screen especially reflects a considerable amount of light and will solve many lighting problems. A projection screen equipped with a stand is very simple to use.
PopularPhotography_19430401_0012_004_0090.xml
article
79
79
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[no value]
NEW Home MOVIES
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[no value]
[no value]
[no value]
This is the latest motion picture on Africa’s only republic. Founded by ex-slaves of the United States, this country is the first African stronghold of our armed forces. Part of the film is devoted to scenes showing the native officers drilling with the help of American Army officers.
PopularPhotography_19430401_0012_004_0091.xml
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79
79
[no value]
[no value]
VICTOR ANIMATOGRAPH CORPORATION
[no value]
VICTOR ANIMATOGRAPH CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0092.xml
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79
79
[no value]
[no value]
DISPLAY STAGE LIGHTING CO.
[no value]
DISPLAY STAGE LIGHTING CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0093.xml
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80
80
[no value]
[no value]
CIRO INCORPORATED: ciro-fleX
[no value]
CIRO INCORPORATED
ciro-fleX
[no value]
[no value]
PopularPhotography_19430401_0012_004_0094.xml
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80
80
[no value]
[no value]
E. E. Miles Company: FOTOFOLIO
[no value]
E. E. Miles Company
FOTOFOLIO
[no value]
[no value]
PopularPhotography_19430401_0012_004_0095.xml
article
81
81,82
[no value]
[no value]
What You Should Know About Camera Insurance
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[no value]
[no value]
Arthur C. Foote
ALL camera owners and photographic hobbyists should know something about insuring their valuable photographic equipment. The Questions and Answers department in the November, 1942, issue of POPULAR PHOTOGRAPHY contained a query as to where insurance on cameras and equipment could be obtained.
PopularPhotography_19430401_0012_004_0096.xml
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81
81
[no value]
[no value]
E. Leitz, Inc.: THE LEITZ COLORIMETER
[no value]
E. Leitz, Inc.
THE LEITZ COLORIMETER
[no value]
[no value]
PopularPhotography_19430401_0012_004_0097.xml
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81
81
[no value]
[no value]
Aldine Paper Company
[no value]
Aldine Paper Company
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0098.xml
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81
81
[no value]
[no value]
Advertisements
[no value]
ROTHCO PRODUCTS
ROTHCO MOVIE KIT
ROTHCO PRODUCTS
ROTHCO SUNSHADES
[no value]
[no value]
PopularPhotography_19430401_0012_004_0099.xml
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82
82
[no value]
[no value]
FEDERAL MANUFACTURING & ENGINEERING CORPORATION
[no value]
FEDERAL MANUFACTURING & ENGINEERING CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0100.xml
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82
82
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[no value]
CAMERA CORNER
[no value]
CAMERA CORNER
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0101.xml
article
83
83
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[no value]
Handle Floodlamps with Care
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[no value]
[no value]
Robert LaBuwi
WITH the scarcity of floodlamps, camera fans can do themselves a favor by observing a few basic rules in handling their lights. First of all, floodlamps should be handled with extreme care to protect the filament which is as delicate as the hairspring of a watch, in some instances.
PopularPhotography_19430401_0012_004_0102.xml
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83
83
[no value]
[no value]
Society for Visual Education, Inc.
[no value]
Society for Visual Education, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0103.xml
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83
83
[no value]
[no value]
Bass CAMERA CO.
[no value]
Bass CAMERA CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0104.xml
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83
83
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[no value]
EDWARDS FINE GRAIN LABORATORY
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EDWARDS FINE GRAIN LABORATORY
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0105.xml
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83
83
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[no value]
Advertisement
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[no value]
PopularPhotography_19430401_0012_004_0106.xml
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84
84
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[no value]
UNITED CAMERA EXCHANGE
[no value]
UNITED CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0107.xml
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84
84
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[no value]
ACE ART CO.
[no value]
ACE ART CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0108.xml
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84
84
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[no value]
Advertisement
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PopularPhotography_19430401_0012_004_0109.xml
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84
84
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[no value]
STUART STUDIOS
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STUART STUDIOS
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[no value]
[no value]
PopularPhotography_19430401_0012_004_0110.xml
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85
85
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[no value]
DE JUR-AMSCO CORPORATION
[no value]
DE JUR-AMSCO CORPORATION
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0111.xml
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85
85
[no value]
[no value]
JOHN G, MARSHALL INC.
[no value]
JOHN G, MARSHALL INC.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0112.xml
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85
85
[no value]
[no value]
THE NEGA-FILE COMPANY
[no value]
THE NEGA-FILE COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0113.xml
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85
85
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[no value]
Advertisement
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[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0114.xml
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86
86
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[no value]
Advertisements
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[no value]
[no value]
PopularPhotography_19430401_0012_004_0115.xml
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87
87
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[no value]
Advertisement: POPULAR SCIENCE MONTHLY
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POPULAR SCIENCE MONTHLY
[no value]
[no value]
PopularPhotography_19430401_0012_004_0116.xml
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88
88
[no value]
[no value]
The EDWAL LABORATORIES, Inc.
[no value]
The EDWAL LABORATORIES, Inc.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0117.xml
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88
88
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[no value]
Edmund Salvage COMPANY
[no value]
Edmund Salvage COMPANY
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0118.xml
advertisement
89
89
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[no value]
Advertisements
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[no value]
[no value]
[no value]
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PopularPhotography_19430401_0012_004_0119.xml
article
89
89
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[no value]
Agitation with Paintbrush
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[no value]
[no value]
Albert J. Samer
AGITATION of large prints in a tray of developer just big enough to hold the paper or that does not have much of the solution in it may be done with the aid of a ten-cent paintbrush. The brush, preferably 2" wide, is used after the print is placed in the developer.
PopularPhotography_19430401_0012_004_0120.xml
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90
90
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DEVELOPIX
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DEVELOPIX
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[no value]
[no value]
PopularPhotography_19430401_0012_004_0121.xml
advertisement
90
90
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CARL ZEISS INC.: 2¼x MAGNIFIER
[no value]
CARL ZEISS INC.
2¼x MAGNIFIER
[no value]
[no value]
PopularPhotography_19430401_0012_004_0122.xml
advertisement
90
90
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[no value]
NEW YORK CAMERA EXCHANGE
[no value]
NEW YORK CAMERA EXCHANGE
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0123.xml
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90
90
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[no value]
MODERN PHOTO LABS
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MODERN PHOTO LABS
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[no value]
[no value]
PopularPhotography_19430401_0012_004_0124.xml
advertisement
91
91
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[no value]
Advertisements
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0125.xml
advertisement
92
92
[no value]
[no value]
FOTOSHOP Inc
[no value]
FOTOSHOP Inc
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0126.xml
advertisement
92
92
[no value]
[no value]
AMBERG FILE & INDEX CO.
[no value]
AMBERG FILE & INDEX CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0127.xml
advertisement
92
92
[no value]
[no value]
CRAFTSMEN'S GUILD: HOLLYWOOD VIEWER
[no value]
CRAFTSMEN'S GUILD
HOLLYWOOD VIEWER
[no value]
[no value]
PopularPhotography_19430401_0012_004_0128.xml
advertisement
93
93
[no value]
[no value]
Advertisements
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0129.xml
advertisement
94
94
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[no value]
Advertisements
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[no value]
[no value]
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[no value]
PopularPhotography_19430401_0012_004_0130.xml
advertisement
95
95
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[no value]
Advertisements
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[no value]
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0131.xml
article
95
95
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[no value]
NEW BOOKS
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[no value]
[no value]
[no value]
In these four albums are presented a collection of the finest pictures from Trains Magazine and from the files of the best amateur railroad photographers. Highly coated paper and gloss inks give the reproductions the quality of glossy prints.
PopularPhotography_19430401_0012_004_0132.xml
article
95
95
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[no value]
Contests and Markets
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[no value]
[no value]
[no value]
PHILADELPHIA ZOOLOGICAL GARDEN, 34th Street and Girard Avenue, Philadelphia, Pa., is sponsoring its Sixth Annual Photographic Contest. Photos submitted must have been taken within the zoo grounds. No more than four prints will be accepted from one contestant and an entry form, obtainable for a fee of $1, must accompany each entry.
PopularPhotography_19430401_0012_004_0133.xml
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96
96,97
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[no value]
Classified Advertising
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[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0134.xml
advertisement
97
97
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[no value]
MAIL-BAG FILM SERVICE
[no value]
MAIL-BAG FILM SERVICE
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0135.xml
advertisement
97
97
[no value]
[no value]
MODERN PRODUCTS CO.
[no value]
MODERN PRODUCTS CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0136.xml
advertisement
97
97
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[no value]
Advertisement
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[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0137.xml
advertisement
98
98
[no value]
[no value]
Advertisements
[no value]
Bell & Howell Company
MOTION PICTURE CAMERAS
Bell & Howell Company
PROJECTORS
[no value]
[no value]
PopularPhotography_19430401_0012_004_0138.xml
advertisement
99
99
[no value]
[no value]
WOLLENSAK OPTICAL CO.
[no value]
WOLLENSAK OPTICAL CO.
[no value]
[no value]
[no value]
PopularPhotography_19430401_0012_004_0139.xml
advertisement
100
100
[no value]
[no value]
Eastman Kodak Co.: Kodak Infrared Film
[no value]
Eastman Kodak Co.
Kodak Infrared Film
[no value]
[no value]
PopularPhotography_19430401_0012_004_0140.xml