Issue: 19710601

Tuesday, June 1, 1971
000210
June
6
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18
Monday, July 14, 2014
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Articles
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[The following text appears on the cover]
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From the Editor
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Playbill
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In the world of tennis, Wimbledon is the ne plus ultra; and in Centre Court, John McPhee's matchless description of that classic tourney, he elevates sports writing to an art form. "I first saw Wimbledon in 1954, when I was a student at Cambridge," McPhee told us. "The atmosphere--the lawns, the flowers, the people, the strawberries and Devonshire cream--was something all its own, and I have gone back whenever I've had a chance. This article for Playboy is an attempt to do a kind of frieze of Wimbledon, using, for the most part, notes made at the 1970 tournament, but with the feeling of Wimbledon as it is year after year." Craftsmanship also marks the work of Eric Norden, winner of our best-article award for 1969 for The Paramilitary Right, a study that exposed, among others, American neo-Nazis. In this month's Playboy Interview, Norden skillfully cross-examines a Nazi of the old school--Hitler's armaments minister, Albert Speer, author of the best-selling Inside the Third Reich. Norden divides his time these days between his London flat and a cottage in St. Ives, on the rugged coast of Cornwall, where he's working on a book for Viking Press. Titled Rebels with Guns, it examines such groups as the Black Panthers. In a different observation of blacks in America, Staff Writer Craig Vetter's Funeral in Jackson vividly re-creates a mournful day in Mississippi. "I was as interested in the minutiae of people's behavior in crisis as I was in the issues that the Jackson State tragedy represented," Vetter says. "It seems to me that by focusing on the tiny things people do at a funeral, or anywhere else, you begin to understand what's really happening." Vetter's thesis is supported by Edward and Mildred Hall's The Sounds of Silence, an exposition of the ways in which our gestures and glances involuntarily communicate our feelings--sometimes much more strongly than words. Hall, a professor of anthropology at Northwestern University, authored, with his wife's assistance, the trail-blazing volume The Silent Language, which he straight-facedly describes as "a quiet little book." Published 12 years ago, it's out now in paperback--and sales, increasing annually, have topped 500,000. Bodily movements are a luxury not permitted the residents of a future world chillingly depicted by novelist William Hjortsberg in Gray Matters, his first venture into science fiction. Its characters, living human brains without bodies, are ingeniously illustrated by Chicago artist S. Thomas Scarff's neon sculpture encased in a mirrored cube. Hjortsberg writes from Costa Rica, where he's living with his wife and small daughter, that a longer version of Gray Matters will be published by Simon & Schuster in the fall. Actor Steve McQueen's misadventures in filming a racing movie are chronicled by John Skow in The 24 Hours of Steve McQueen. "I've always been partial to drivers and film makers," says Skow, "and seeing them together made me understand why. The members of each group tend to be good men who work honorably at not-so-good trades. Maybe that could also describe the condition of journalists." A veteran journalist, Playboy Executive Editor Michael Demarest (who came to us after 16 years with Time Inc.) takes a tongue-in-cheek look at the supersnoop syndrome in Bliss Comes to Ezra Hapgood. The Chief Executive in Larry Siegel's White House!, a spoof of cinema spectaculars of the Airport school, is the victim of bugged begonias. A more intellectual form of sleuthmanship is practiced in The Odd Man, this month's contribution by Ellery Queen--known to crime-story cognoscenti as the writing partnership of Fred Dannay and the late Manfred Lee. Excitement of another kind is provided in Nude Theater photographs by Manhattan's widely acclaimed Max Waldman. A compilation of his major camera studies of the past five years. Waldman on Theater, with an introduction by New York Times critic Clive Barnes, will be published by Doubleday in November. Don Carpenter, who asks us to emphasize that the plight of the besotted protagonist who makes a sobering discovery in The Change is "in no way autobiographical," is currently polishing up a screenplay. Absinthe is Maurice Zolotow's 15th magazine article on wine and spirits--a field into which he was led, he says, by old drinking companion (and Playboy Contributing Editor) Ken W. Purdy. Other good things busting out all over this issue: a pictorial tribute to our 12th Playmate of the Year, with a loving backward glance at her predecessors, and Just Add Water, a wet look at the latest swimwear. Come on in: The reading's fine.
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Copyright
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General Offices: Playboy Building, 919 North Michigan Ave., Chicago. Illinois 60611. Return postage must accompany all manuscripts, drawings and photographs submitted if they are to be returned and no responsibility can be assumed for unsolicited materials. All rights in letters sent to Playboy will be treated as unconditionally assigned for publication and copyright purposes and as subject to Playboy's unrestricted right to edit and to comment editorially. Contents Copyright © 1971 by Playboy. All Rights Reserved. Playboy and Rabbit Head Symbol are marks of Playboy, Registered U.S. patent office, Marca Registrada, Marque Deposee. Nothing may be reprinted in whole or in part without written permission from the Publisher. Any similarity between the people and places in the fiction and semifiction in this magazine and any real people and places is purely coincidental. Credits: Cover: Model Sharon Clark. Photography by Alexas Urba. Other Photography by: Horst Baumann, P. 69; Frank Bez, P. 154; Mario Casilli, P. 155 (2), 156; Jeff Cohen, P. 3; Peter Dechert, P. 3 (2); Bill and Mel Figge, P. 157 (2), 159, 161, 163 (2), 164-165: Larry Dale Gordon, P. 158: Curt Gunther. P. 157; Carl Iri, P. 3 (2); Larry Krantz, P. 186-187; Erik Nygards, P. 3; C. Phillips, P. 3; P. Posar, P. 155, 156, 158, 160, 162, 163; F. Schnell, P. 186; S. Seed, P. 3; J. Sieracki, P. 3 (2); C. W. Smith, P. 187; V. L. Smith, P. 3 (2); 5. Varco, P. 98-100.
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Table of Contents
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Contents for the Men's Entertainment Magazine
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Playboy
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Hugh M. Hefnereditor and publisher
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Letters to the Editor
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Dear Playboy
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Address Playboy Magazine • Playboy Building, 919 N. Michigan Ave., Chicago, Illinois 60611
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Indicia
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Playboy, June, 1971, Volume 18, Number 6. Published Monthly by Playboy, Playboy Building, 919 North Michigan Avenue, Chicago, Illinois 60611. Subscriptions: In the United States, its possessions and Canada, $24 for three years, $18 for two years. $10 for one year, elsewhere add $2 per year for foreign postage. Allow 30 days for new subscriptions and renewals. Change of address: Send both old and new addresses to Playboy, Playboy Building, 919 North Michigan Avenue, Chicago Illinois 60611, and Allow 30 days for change. Marketing: Nelson Futch. Promotion Director: Lee Gottlieb, Director of Public Relations. Advertising: Howard W. Lederer. Advertising Director: Jules Kase, Joseph Guenther, Associate Advertising managers, 405 Park Avenue, New York, New York 10022; Sherman Keats, Chicago manager, 919 North Michigan Avenue, Chicago, Illinois 60611; Detroit, Robert A. Mc Kenzie, manager. 2990 West Grand Boulevard; Los Angeles, Stanley L. Perkins, manager, 8721 Beverly Boulevard; San Francisco. Robert E. Stephens, manager, 110 Sutter Street; Southeastern Representative, Pirnie & Brown, 3108 Piedmont Road, N.E., Atlanta, Georgia 30305.
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Review
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Playboy After Hours
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Well, it had to happen. A women's lib group (British division, Liverpool chapter) has pronounced that Snow White and the Seven Dwarfs reeks of male chauvinism. What particularly irks the group, it seems, is the thought of that bright, sweet girl having to wash dishes for seven dirty little old men. (Dwarfs' lib might point out that they were letting her off easy.) Even worse, to the Liverpudlian lib ladies, is the denouement, in which Snow White rides off with the fairy prince to become a sex object in his castle. (Of course, he could have been a closet queen.) Accordingly, fem-lib revisionists are rewriting the tale so that Snow White and Prince wind up working arm in arm, shoulder to shoulder in the dwarfs' mine--which is a helluva way to mine.
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Review-Books
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Books
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Books by and about black America are again focusing on individual odysseys. Now that so much probing has been done into the black man, there is need for more precise and subtle differentiation among varieties of black men. A halfway house between the two genres is the work of Drs. William H. Grier and Price M. Cobbs. In their earlier Black Rage, they argued that a certain degree of paranoia is essential to sanity for the black American. In The Jesus Bag (McGraw-Hill), they use a diversity of case histories to amplify that thesis. More impressive than Black Rage in its scope and power, this book explores the ways in which black Americans have adapted to a hostile environment. Violence, poverty, black psychology, white "expertise" and other elements are linked to "the commands of conscience and the strictures of religion which have haunted blacks from slavery to this day." Interweaving individual lives with historical forces, The Jesus Bag is of jolting value. Five other new books concentrate on individual black men. John Neary's Julian Bond: Black Rebel (Morrow) is an illuminating account of an elusive subject--the cool ex-SNCC Georgia legislator and poet who appears before more college audiences these days than any black speaker except Dick Gregory. A pragmatist rather than an ideologue, Bond is trying to organize blacks for power within the system, but he is not at all an assimilationist: "Our job, from now into the future, is to carve out our own place, separate, but a part of the whole." By contrast with young, smooth, actor-handsome Bond, there is Charles Evers. Mayor of Fayette, Mississippi, a national force in black politics, a onetime hustler turned fiercely straight, Evers is a formidable figure. Just how formidable is made clear in Evers (World), a remarkable editing job by Grace Halsell, who put the book together from taped interviews and speeches. "Sure, I hate. I think I really do hate. But I hate so bad till I'm gonna make damn sure that I kill off all the cause that makes me hate." There are penetrating insights here into Robert Kennedy, Martin Luther King, Jr., and Charles's brother, the late Medgar Evers, among others. But it is Charles Evers who comes through to show how large a life can be. Stokely Speaks (Random House), a collection of Stokely Carmichael's 1965--1970 speeches and articles, is much more polemical than personal. Recently a resident of Guinea and a disciple of the exiled Nkrumah, Carmichael is preaching Pan-Africanism as an ultimate goal ("Black people ... are all an African people"). He advocates highly disciplined organizing of blacks in America, so that they can control their own communities. Carmichael sees much bloodshed ahead; one almost feels he will be terribly disappointed if his prophecy proves untrue. It would be difficult to imagine two black men less alike than Stokely Carmichael and Bobby Short. The latter, an ultrachic pianist-singer with such admirers as the Duke of Windsor and Jackie Onassis, does, however, have some sense of the black veins in the American grain. His Black and White Baby (Dodd, Mead), an account of his first 17 years, is a singular addition to American social history. Short was molded as a Midwestern Protestant, certainly aware of being black but not piercingly aware. (He still uses the term colored.) He grew up "different" in Danville, Illinois, but he considered Jews and Catholics even more "taboo." Also remarkable, to say the least, is the long-promised autobiography of Charles Mingus, Beneath the Underdog (Knopf), edited by Nel King. It's a book concerned with more than growing up black in America, although blackness is at its core. In a kaleidoscopic feat of energy and imagination, Mingus rides the rapids of his past and reveals much in the process about himself, his country, jazz and sex. One section, by the way, on how best to satisfy a woman, is worth more than all the didactic erotica on the market. An extraordinary book about an extraordinary man.
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Review-Visual Arts
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The usual image of Paul Cézanne is as the visual engineer who fathered modern painting by calmly reconstructing nature with building blocks of color. But behind those cubes and planes burned an intensity of feeling. In his 20s and 30s, Cézanne was so tortured by sexual frustration that he would sometimes swoon before his naked models, then throw them half dressed down the stairs. His pictures of the 1860s seem to writhe and boil and, though eventually he found himself a woman, thinned his paint and turned to less disturbing subjects--still lifes, portraits, country landscapes--the passion never left his work. That is evident in the impressive Cézanne exhibition now concluding its tour at Boston's Museum of Fine Arts, after stopovers at the Phillips Gallery in Washington, D. C., and Chicago's Art Institute. The show honors the late Duncan Phillips, who fully understood the restrained restlessness that lends the paintings of Cézanne their inimitable power. It was Phillips who, half a century ago, invited a curious public to see the collection of paintings in his red-brick Washington mansion and, in so doing, opened America's first gallery of modern art. He felt that art should be seen not in marble monuments but in the comfort of a home. The Phillips Collection today is much the way he left it; the guards do not wear uniforms and the elegant galleries are equipped with easy chairs and sofas. It is in tribute to Phillips, as well as to his favorite artist, that such museums as the Louvre, Washington, D. C.'s National Gallery and the Met, and such collectors as Paul Mellon and Stavros Niarchos, have lent their own Cézannes to this unforgettable assemblage.
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There are two restaurants in this country where you must have a phone at your lunch table. One is The Polo Lounge in the Beverly Hills Hotel, where movie options are picked up or dropped over the salade niçoise; the other is the Sans Souci, a French restaurant at 726 17th Street, N. W., in Washington, D. C., just about a paving stone's throw from the White House. Once you're seated, look around and chances are you'll see Art Buchwald and Martha Mitchell at a nearby table. They're not holding hands--as Henry Kissinger and Jill St. John have been known to do at the Sans Souci--probably because Martha is busy on the phone. Art will write a column about the whole experience during dessert. Neither of them will be at the Sans Souci for dinner, however. In the evening, Washington's Beautiful People fade into the night, the management puts away the phones and the lobbyists take over. The decor is Potomac Gallic, with just a touch of tackiness--bad Utrillo reproductions set off by gold-flecked wallpaper and dark-wood paneling; a carved wooden Venus and Cupid in the center of the room under a crystal chandelier. Sans Souci's food, however, is exceptionally good, especially for a city where the culinary apogee at many a leading restaurant is the popovers. The menu is varied. Artichaut vinaigrette or the superb watercress soup should start the meal. Either of these and the Sans Souci's special salad are worth the visit. The salad is a crisp collage of endive, watercress and mushroom, held together by a magnificent dressing that hints at the presence of French mustard among its secret ingredients. For an entree, Grenadins de Veau are particularly good: small slices of fillet of veal, larded and braised in a madeira-wine sauce. Very light and subtle. From the more than adequate wine list, you might select a Puligny Montrachet 1967 to accompany the veau. For dessert, we found the Crème Caramel in top form--light and firm and not too sweet. Lunch and dinner are à la carte. Entrees run from $3 to $4 for lunch. Add about $4 more for the dinner price. Lunch is served from noon to 2:30 P.M.; dinner is from 6 P.M. to 11 P.M. Reservations are imperative. For lunch, they should be made--literally--days in advance (298-7424). If the Sans Souci is booked for the hour you request, you might tell the headwaiter that you're David Eisenhower. He squeaks a little when he talks.
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Review-Films
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The plot of A New Leaf is surprisingly old hat, considering its appeal to the fertile imagination of Elaine May. As adapter and director of her own scenario, in which she co-stars with Walter Matthau, Miss May seems smitten with nostalgia for those high-society Hollywood comedies that were all the rage back in the mid-Thirties. Her tale concerns a wastrel (Matthau) who squanders his fortune and sets out to find an heiress he can marry--and perhaps murder, if the occasion arises--in order to retain his Ferrari, polo pony, racquet-club membership and lunches at Lutèce. The girl he selects (Elaine) is a bookish, feelthy-rich botanist who brings out the snob in him but never quite inflames his penchant for justifiable homicide. At length, the lady wins the day for love and marriage by discovering a new species of fern and naming it after her reluctant but grudgingly contented spouse. A New Leaf itself belongs to an uncommon species--a movie so full of good ideas and zany dialog that you can laugh your head off without actually admiring it very much. While the acting of minor roles is impeccable (especially that of Jack Weston as an unscrupulous estate attorney and of Broadway's Red Hot Lover, James Coco, doing a droll turn as the hero's hedonistic guardian), both May and Matthau seem to be giving dry impersonations of characters instead of playing them for real. Experience shows, however, in the sure-fire Nichols-May timing of gags, whether verbal ("All I am--or was--was rich, and that was all I ever wanted to be," Matthau observes plaintively) or visual (Elaine approaching the marriage bed with her head through the armhole of a diaphanous nightgown). There's fun to be had here, but don't expect miracles.
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Beefeater
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Review-Recorded Music
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Stoney End (Columbia) may be a new beginning for Barbra Streisand, whose career seems to have--let's say it--plateaued. She's into the pop-rock-folk bag with a vengeance--a trio of Laura Nyro tunes, including the title song smash, Nilsson's Maybe and, among others, Randy Newman's Let Me Go and (the best effort on the album) I'll Be Home. Composer Newman accompanies Barbra on his tunes, and familiarity obviously breeds success. The backgrounds vary, but, in marked contrast with some of Miss Streisand's past albums, they're kept fairly simple. It all works.
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The Tinder Box
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Playboy Club News
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The three sisters in Paul Zindel's And Miss Reardon Drinks a Little are schoolteachers: a wilted innocent on the edge of insanity (Julie Harris), a wisecracking middle sibling on the brink of despair (Estelle Parsons) and a survivor who has freed herself from the family strangle hold at the price of her own humanity (Nancy Marchand). These are queen-size characters ripped from the author's memory book (as was his earlier hit, The Effect of Gamma Rays on Man-in-the-Moon Marigolds) and, as they mock and abuse one another and their coexistence, the play flashes with humor and vitality. Much of the success is due to the actresses, who invest the roles with their own energy and imagination. As the self-server, Miss Marchand is smoothly harsh. Miss Harris is birdlike but resilient even as her mind is splitting. But the finest performance is by Miss Parsons. In her hands, middle Reardon's shrewdness and flipness mask depths of compassion. The play has problems: Psychological pieces are missing; the end is unresolved; director Melvin Bernhardt occasionally gropes for a gimmick. But Zindel knows the Reardons, and the audience gets to know them, too. On the basis of this and Marigolds, it's clear that Zindel is a delivering (as compared with promising) playwright who can create characters with living room enough for the biggest actresses. At the Morosco, 215 West 45th Street.
200050_19710601_024432.xml
advertisement
47
47
Display Ad
[no value]
[no value]
[no value]
Sony
Sony
[no value]
[no value]
200050_19710601_024433.xml
advertisement
48
48
Display Ad
[no value]
[no value]
[no value]
Yello-Bole Pipes, Inc.
Yello-Bole Pipes
[no value]
[no value]
200050_19710601_024434.xml
advertisement
49
49
Display Ad
[no value]
[no value]
[no value]
Sperry Rand Corp.
Remington
[no value]
[no value]
200050_19710601_024435.xml
advertisement
50
50
Display Ad
[no value]
[no value]
[no value]
British Leyland Motors, Inc.
Triumph Gt-6
[no value]
[no value]
200050_19710601_024436.xml
advertisement
51
51
Display Ad
[no value]
[no value]
[no value]
Grand Marnier
Grand Marnier
[no value]
[no value]
200050_19710601_024437.xml
review
51
51,52
Review
[no value]
The Playboy Advisor
[no value]
[no value]
[no value]
[no value]
A friend of mine and I recently had an argument over what part beauty plays in the choice of a mate. He contends that when I meet the girl I'll marry, physical appearance won't matter. I realize the virtues of the intangible qualities of a relationship, but don't you think that I have a point when I insist that beauty will be a factor?--S. D., Washington, D. C.
200050_19710601_024438.xml
advertisement
53
53
Display Ad
[no value]
[no value]
[no value]
J. M. McCunn & Co., Inc.
Tanqueray
[no value]
[no value]
200050_19710601_024439.xml
advertisement
54
54
Display Ad
[no value]
[no value]
[no value]
Benson & Hedges
Benson & Hedges
[no value]
[no value]
200050_19710601_024440.xml
advertisement
55
55
Display Ad
[no value]
[no value]
[no value]
Early Times Distillery Corp.
Early Times
[no value]
[no value]
200050_19710601_024441.xml
article
55
55,56,57,58,60,64,66,185,188
Feature
[no value]
The Playboy Forum
[no value]
[no value]
[no value]
[no value]
an interchange of ideas between reader and editor on subjects raised by "the playboy philosophy"
200050_19710601_024442.xml
article
56
56,57
Feature
[no value]
Forum Newsfront
[no value]
[no value]
[no value]
[no value]
a survey of events related to issues raised by "the playboy philosophy"
200050_19710601_024443.xml
advertisement
59
59
Display Ad
[no value]
[no value]
[no value]
Van Munching & Co., Inc.
Heineken
[no value]
[no value]
200050_19710601_024444.xml
advertisement
61
61
Display Ad
[no value]
[no value]
[no value]
Tiparillo
Tiparillo
[no value]
[no value]
200050_19710601_024445.xml
advertisement
62
62,63
Display Ad
[no value]
[no value]
[no value]
B.F. Goodrich
B.F. Goodrich
[no value]
[no value]
200050_19710601_024446.xml
advertisement
65
65
Display Ad
[no value]
[no value]
[no value]
Stereo Tape Club of America
Stereo Tape Club of America
[no value]
[no value]
200050_19710601_024447.xml
advertisement
67
67
Display Ad
[no value]
[no value]
[no value]
Somerset Importers, Ltd.
Jhonnie Walker Red
[no value]
[no value]
200050_19710601_024448.xml
advertisement
68
68
Display Ad
[no value]
[no value]
[no value]
Lorillard
Kent
[no value]
[no value]
200050_19710601_024449.xml
article
69
69,70,72,74,76,78,80,82,83,84,86,88,90,92,96,168,190,191,192,193,194,196,197,198,201,202,203
Playboy Interview
[no value]
Albert Speer
[no value]
[no value]
[no value]
[no value]
[no value]
200050_19710601_024450.xml
advertisement
71
71
Display Ad
[no value]
[no value]
[no value]
Sperry Rand Corp
Remington
[no value]
[no value]
200050_19710601_024451.xml
advertisement
73
73
Display Ad
[no value]
[no value]
[no value]
U.S.A. Munson Shaw Co.
King George
[no value]
[no value]
200050_19710601_024452.xml
advertisement
75
75
Display Ad
[no value]
[no value]
[no value]
Self Sizer
Self Sizer
[no value]
[no value]
200050_19710601_024453.xml
advertisement
77
77
Display Ad
[no value]
[no value]
[no value]
Toyo Radio Company of America, Inc.
Qaudio
[no value]
[no value]
200050_19710601_024454.xml
advertisement
79
79
Display Ad
[no value]
[no value]
[no value]
"21" Brands, Inc.
Ballantine's
[no value]
[no value]
200050_19710601_024455.xml
advertisement
81
81
Display Ad
[no value]
[no value]
[no value]
Memorex Corporation
Memorex
[no value]
[no value]
200050_19710601_024456.xml
advertisement
82
82
Display Ad
[no value]
[no value]
[no value]
Madeira Gold Tobacco
madeira Mixture
[no value]
[no value]
200050_19710601_024457.xml
advertisement
82
82
Display Ad
[no value]
[no value]
[no value]
Kenwood
Kenwood
[no value]
[no value]
200050_19710601_024458.xml
advertisement
83
83
Display Ad
[no value]
[no value]
[no value]
Minolta Corp.
Minolta
[no value]
[no value]
200050_19710601_024459.xml
advertisement
85
85
Display Ad
[no value]
[no value]
[no value]
Seagram Distillers Company
Seagram 100 Pipers
[no value]
[no value]
200050_19710601_024460.xml
advertisement
87
87
Display Ad
[no value]
[no value]
[no value]
L & M
L & M
[no value]
[no value]
200050_19710601_024461.xml
advertisement
89
89
Display Ad
[no value]
[no value]
[no value]
Van Heusen Company
Van Heusen
[no value]
[no value]
200050_19710601_024462.xml
advertisement
91
91
Display Ad
[no value]
[no value]
[no value]
Rums of Puerto Rico
Rums of Puerto Rico
[no value]
[no value]
200050_19710601_024463.xml
advertisement
93
93
Display Ad
[no value]
[no value]
[no value]
R.J. Reynolods Tobacco Company
Salem
[no value]
[no value]
200050_19710601_024464.xml
advertisement
94
94,95
Display Ad
[no value]
[no value]
[no value]
Seagram Distillers Company
Seagram
[no value]
[no value]
200050_19710601_024465.xml
advertisement
97
97
Display Ad
[no value]
[no value]
[no value]
Playboy
Playboy
[no value]
[no value]
200050_19710601_024466.xml
article
98
98,99,100,112,218,219,220,221,222,224,226,228,231,232,234,235,236,237,238,240,242,244
Feature
[no value]
Gray Matters
[no value]
[no value]
[no value]
William Hjortsberg
deep in the depository seethed a vast network of disembodied minds, locked in endless programmed reveries of love, hate and fear........until, spurred on by a desperate hunger for a long-lost past, one of them rebelled
200050_19710601_024467.xml
article
101
101
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Buck Brown
[no value]
200050_19710601_024468.xml
article
103
103,102,104,246,248,250,252,254,256,258,260,261,262
Feature
[no value]
Cetre Court
[no value]
[no value]
[no value]
John McPhee
a fortnight on the lawns of wimbledon
200050_19710601_024469.xml
pictorial
105
105,106,107,108,109,110,111
Pictorial
[no value]
Nude Theater
[no value]
[no value]
[no value]
Max Waldman
photographer max waldman captures the sensuous lyricism of the unclad body as dramatic expression
200050_19710601_024470.xml
article
113
113
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Erich Sokol
[no value]
200050_19710601_024471.xml
article
115
115,116,210,211,212,215,216,217,114
Profile
[no value]
The 24 Hours of Steve McQueen
[no value]
[no value]
[no value]
John Skow
<i>it takes mucho machismo to put $7,000,000--and your life--on the line for a long-shot movie</i>
200050_19710601_024472.xml
article
117
117,118,126,189
Feature
[no value]
The Odd Man
[no value]
[no value]
[no value]
Ellery Queen
there were three solutions to the narc murder case: all different, yet all the same
200050_19710601_024473.xml
article
119
119
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Interlandi
[no value]
200050_19710601_024474.xml
article
121
121,120,122,209,210
Feature
[no value]
White House
[no value]
[no value]
[no value]
Larry Siegel
Explodes on the screen with flaming passion, top--level intrigue, spine--tingling suspense, forbidden love and lots of big names
200050_19710601_024475.xml
article
123
123,124,125
News
[no value]
Playboy's Gifts for Dads and Grads
[no value]
[no value]
[no value]
[no value]
[no value]
200050_19710601_024476.xml
article
127
127
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Dink Siegel
[no value]
200050_19710601_024477.xml
pictorial
128
128,129,130,131,132-134,135
Pictorial
[no value]
What's Japanese-American and English?
[no value]
[no value]
[no value]
[no value]
miss june's composite beauty blends the best of east and west
200050_19710601_024478.xml
article
136
136
Humor
[no value]
Playboy's Party Jokes
[no value]
[no value]
[no value]
[no value]
Rumors are flying that the famous town of Intercourse, Pennsylvania, is threatened with a superhighway that would cut right through its center. It's also hinted that if this occurs, the town might be renamed Coitus Interruptus.
200050_19710601_024479.xml
article
137
137
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Eldon Dedini
[no value]
200050_19710601_024480.xml
article
138
138,139,140,148,204,206
Feature
[no value]
The Sounds of Silence
[no value]
[no value]
[no value]
Mildred Hall
Edward Hall
actions do indeed speak louder than words--and new interpretations of nonverbal communications tell us how to read them
200050_19710601_024481.xml
pictorial
141
141,142,143,144,145
Pictorial
[no value]
Just add Water
[no value]
[no value]
[no value]
Robert L. Green
eminently wettable wearables for getting smartly in the swim
200050_19710601_024482.xml
article
147
147,146
News
[no value]
Bliss Comes to Ezra Hapgood
[no value]
[no value]
[no value]
Michael Demarest
<i>breathes there a man with soul so dead, who never to himself hath said, "hooray, i'm under surveillance"?</i>
200050_19710601_024483.xml
article
149
149,150,152,180,183,184
Feature
[no value]
Funeral in Jackson
[no value]
[no value]
[no value]
Craig Vetter
on a hot mississippi day, not far from the jackson state campus where he was gunned down, they buried young james green
200050_19710601_024484.xml
article
151
151
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
John Dempsey
[no value]
200050_19710601_024485.xml
article
153
153
News
[no value]
The Change
[no value]
[no value]
[no value]
Don Carpenter
he had been on another binge--and now it was time to see what it had cost him
200050_19710601_024486.xml
pictorial
154
154,155,156,157,158
Pictorial
[no value]
Premier Playmates Revisited
[no value]
[no value]
[no value]
[no value]
<i>a portfolio of playboy's past playmates of the year</i>
200050_19710601_024487.xml
pictorial
159
159,160,161,162,163,164,165,190
Pictorial
[no value]
Playmate of the Year 1971
[no value]
[no value]
[no value]
[no value]
miss august, sharon clark, becomes playboy's twelfth gatefold queen
200050_19710601_024488.xml
pictorial
166
166
Pictorial
[no value]
Vargas Girl
[no value]
[no value]
[no value]
Alberto Vargas
[no value]
200050_19710601_024489.xml
article
167
167
Book Excerpt
[no value]
By order of the ezar
[no value]
[no value]
[no value]
[no value]
From Russkiya Zavetnuiya Skazki
200050_19710601_024490.xml
article
169
169,170,172,174,176,178
Feature
[no value]
Absinthe
[no value]
[no value]
[no value]
Maurice Zolotow
take neutral grape spirits combined with dried flowers and wormwood leaves, suffuse with vaunted aphrodisiac powers, mix in a history dark with tales of death and madness, and you have one of the world's most maligned--and misunderstood--aperitifs
200050_19710601_024491.xml
article
171
171
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Michael ffolkes
[no value]
200050_19710601_024492.xml
advertisement
173
173
Display Ad
[no value]
[no value]
[no value]
Old Grand-Dad Distillery Co.
Old Grand-Dad
[no value]
[no value]
200050_19710601_024493.xml
article
174
174
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Bruce Cochran
[no value]
200050_19710601_024494.xml
advertisement
175
175
Display Ad
[no value]
[no value]
[no value]
R. J. Reynolods Tobacco Co.
Vantage
[no value]
[no value]
200050_19710601_024495.xml
article
177
177
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Gahan Wilson
[no value]
200050_19710601_024496.xml
article
178
178
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
J.B. Handelsman
[no value]
200050_19710601_024497.xml
advertisement
179
179
Display Ad
[no value]
[no value]
[no value]
Bulova Watch Company, Inc.
Accutron
[no value]
[no value]
200050_19710601_024498.xml
advertisement
181
181
Display Ad
[no value]
[no value]
[no value]
Bacardi Imports, Inc.
Bacardi
[no value]
[no value]
200050_19710601_024499.xml
advertisement
182
182
Display Ad
[no value]
[no value]
[no value]
R. J. Reynolods Tobacco Company
Doral
[no value]
[no value]
200050_19710601_024500.xml
advertisement
184
184,185
Display Ad
[no value]
[no value]
[no value]
Jim Beam
Jim Beam
[no value]
[no value]
200050_19710601_024501.xml
article
186
186
Profile
[no value]
Tom Hodges
[no value]
[no value]
[no value]
[no value]
gamesman
200050_19710601_024502.xml
article
187
187
Profile
[no value]
Roberta Flack
[no value]
[no value]
[no value]
[no value]
scaling the heights
200050_19710601_024503.xml
article
187
187,186
Profile
[no value]
Sam Massell
[no value]
[no value]
[no value]
[no value]
popular populist
200050_19710601_024504.xml
article
188
188
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Malcom Hancock
[no value]
200050_19710601_024505.xml
article
189
189
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
John Dempsey
[no value]
200050_19710601_024506.xml
article
190
190
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Hoest
[no value]
200050_19710601_024507.xml
advertisement
191
191
Display Ad
[no value]
[no value]
[no value]
Medico
Medico
[no value]
[no value]
200050_19710601_024508.xml
article
192
192
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Eldon Dedini
[no value]
200050_19710601_024509.xml
article
193
193
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Lee Lorenz
[no value]
200050_19710601_024510.xml
article
195
195
Cartoon
[no value]
Comic Strip
[no value]
[no value]
[no value]
Claude Smith
[no value]
200050_19710601_024511.xml
article
196
196
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
John Ruge
[no value]
200050_19710601_024512.xml
advertisement
197
197
Display Ad
[no value]
[no value]
[no value]
Julius Schmid, Inc.
Ramses
[no value]
[no value]
200050_19710601_024513.xml
article
198
198
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Sidney Harris
[no value]
200050_19710601_024514.xml
advertisement
199
199
Display Ad
[no value]
[no value]
[no value]
Brown & Williamson Tobacco Corp.
Viceroy
[no value]
[no value]
200050_19710601_024515.xml
article
200
200
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Alden Erikson
[no value]
200050_19710601_024516.xml
article
203
203
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Bill Woodman
[no value]
200050_19710601_024517.xml
article
204
204
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Dana Fradon
[no value]
200050_19710601_024518.xml
advertisement
205
205
Display Ad
[no value]
[no value]
[no value]
The Buckingham Corporation.
Cutty Sark
[no value]
[no value]
200050_19710601_024519.xml
article
206
206
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Joe Harris
[no value]
200050_19710601_024520.xml
advertisement
207
207
Display Ad
[no value]
[no value]
[no value]
Hathaway
Hathaway
[no value]
[no value]
200050_19710601_024521.xml
advertisement
208
208
Display Ad
[no value]
[no value]
[no value]
Flying Dutchman
Flying Dutchman
[no value]
[no value]
200050_19710601_024522.xml
article
209
209
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Charles E. Martin
[no value]
200050_19710601_024523.xml
article
210
210
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Doug Sneyd
[no value]
200050_19710601_024524.xml
article
211
211
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
William Hamilton
[no value]
200050_19710601_024525.xml
article
212
212
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Eldon Dedini
[no value]
200050_19710601_024526.xml
advertisement
213
213
Display Ad
[no value]
[no value]
[no value]
Wyler Watch Corporation
Wyler Watch
[no value]
[no value]
200050_19710601_024527.xml
article
214
214
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Dink Siegel
[no value]
200050_19710601_024528.xml
article
217
217
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Donald Reilly
[no value]
200050_19710601_024529.xml
article
218
218
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
J.B. Handelsman
[no value]
200050_19710601_024530.xml
advertisement
219
219
Display Ad
[no value]
[no value]
[no value]
A & C Sabers
A & C Sabers
[no value]
[no value]
200050_19710601_024531.xml
advertisement
220
220
Display Ad
[no value]
[no value]
[no value]
Fabergé
Burt
[no value]
[no value]
200050_19710601_024532.xml
advertisement
221
221
Display Ad
[no value]
[no value]
[no value]
Fabergé
Burt
[no value]
[no value]
200050_19710601_024533.xml
advertisement
WS5
WS5
Display Ad
[no value]
[no value]
[no value]
Old Taylor
Old Taylor
[no value]
[no value]
200050_19710601_024534.xml
advertisement
WS6
WS6
Display Ad
[no value]
[no value]
[no value]
Chrysler Motors Corporation
Chrysler Motors
[no value]
[no value]
200050_19710601_024535.xml
advertisement
WS7
WS7
Display Ad
[no value]
[no value]
[no value]
Lorillard
Old Gold Filters
[no value]
[no value]
200050_19710601_024536.xml
advertisement
WS8
WS8
Display Ad
[no value]
[no value]
[no value]
American Rolex Watch Corporation
Rolex
[no value]
[no value]
200050_19710601_024537.xml
article
223
223
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Francis Wilford-Smith
[no value]
200050_19710601_024538.xml
article
224
224
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Joseph Farris
[no value]
200050_19710601_024539.xml
advertisement
225
225
Display Ad
[no value]
[no value]
[no value]
Ban-Lon
Ban-Lon
[no value]
[no value]
200050_19710601_024540.xml
article
226
226
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
G. Ludway
[no value]
200050_19710601_024541.xml
advertisement
227
227
Display Ad
[no value]
[no value]
[no value]
Calvert Dist. Co.
PassPort Scotch
[no value]
[no value]
200050_19710601_024542.xml
advertisement
229
229
Display Ad
[no value]
[no value]
[no value]
Fife & Drum Belts
Fife & Drum Belts
[no value]
[no value]
200050_19710601_024543.xml
article
230
230
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Buck Brown
[no value]
200050_19710601_024544.xml
advertisement
233
233
Display Ad
[no value]
[no value]
[no value]
United States Air Force
United States Air Force
[no value]
[no value]
200050_19710601_024545.xml
advertisement
234
234
Display Ad
[no value]
[no value]
[no value]
Tux Shop
Tux Shop
[no value]
[no value]
200050_19710601_024546.xml
article
235
235
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Alain
[no value]
200050_19710601_024547.xml
article
236
236
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Chon Day
[no value]
200050_19710601_024548.xml
article
239
239
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Doug Sneyd
[no value]
200050_19710601_024549.xml
article
240
240
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
J.B. Handelsman
[no value]
200050_19710601_024550.xml
advertisement
241
241
Display Ad
[no value]
[no value]
[no value]
Sea & Ski
Sea & Ski
[no value]
[no value]
200050_19710601_024551.xml
article
242
242
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Bernard (Hap) Kliban
[no value]
200050_19710601_024552.xml
advertisement
243
243
Display Ad
[no value]
[no value]
[no value]
Tareyton
Tareyton
[no value]
[no value]
200050_19710601_024553.xml
article
245
245
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Michael ffolkes
[no value]
200050_19710601_024554.xml
advertisement
247
247
Display Ad
[no value]
[no value]
[no value]
Heublein Cocktails
Heublein
[no value]
[no value]
200050_19710601_024555.xml
article
248
248
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Francis Wilford-Smith
[no value]
200050_19710601_024556.xml
advertisement
249
249
Display Ad
[no value]
[no value]
[no value]
Venturi, Inc.
The Ripe
[no value]
[no value]
200050_19710601_024557.xml
advertisement
251
251
Display Ad
[no value]
[no value]
[no value]
Shell Credit Card
Shell Credit Card
[no value]
[no value]
200050_19710601_024558.xml
article
252
252
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Glu
[no value]
200050_19710601_024559.xml
advertisement
253
253
Display Ad
[no value]
[no value]
[no value]
Schlitz Brewing Co.
Schlitz
[no value]
[no value]
200050_19710601_024560.xml
advertisement
255
255
Display Ad
[no value]
[no value]
[no value]
United States Tobacco Company
Borkum Riff
[no value]
[no value]
200050_19710601_024561.xml
article
257
257
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
John Dempsey
[no value]
200050_19710601_024562.xml
advertisement
259
259
Display Ad
[no value]
[no value]
[no value]
Timex
Timex
[no value]
[no value]
200050_19710601_024563.xml
article
260
260
Cartoon
[no value]
Cartoon
[no value]
[no value]
[no value]
Booth
[no value]
200050_19710601_024564.xml
advertisement
261
261
Display Ad
[no value]
[no value]
[no value]
Canon, Inc.
Canon
[no value]
[no value]
200050_19710601_024565.xml
article
263
263,264,265
Cartoon
[no value]
Little Anni Fanny
[no value]
[no value]
[no value]
Harvey Kurtzman
Will Elder
When you hear talk of widespread unemployment, don't you believe it, fellah. Just count all the hard-working muggers, footpads and second-story men and include them in the labor force and you'll realize we're having runaway prosperity! ... But, say, look what's happening here, kids -- -- Annie's erstwhile companion, Wanda... summoning the gendarmes???
200050_19710601_024566.xml
article
266
266
[no value]
[no value]
Next Month
[no value]
[no value]
[no value]
[no value]
"The New Salvationists"--While god may be dead, a controversial ex-priest points out that the fanatics will always be among us--by James Kavanaugh
200050_19710601_024567.xml
advertisement
266
266
Display Ad
[no value]
[no value]
[no value]
Playboy
Playboy
[no value]
[no value]
200050_19710601_024568.xml
advertisement
C3
C3
Display Ad
[no value]
[no value]
[no value]
Harley-Davidson
Harley-Davidson
[no value]
[no value]
200050_19710601_024569.xml
advertisement
C4
C4
Display Ad
[no value]
[no value]
[no value]
Ford
Mustang
[no value]
[no value]
200050_19710601_024570.xml