Issue: 20020303

Sunday, March 3, 2002
Fall 2002
168
True
2002
Thursday, May 28, 2015
8/26/2015 7:59:25 PM

Articles
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APERTURE
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Aperture_20020303_2002_168_0001.xml
article
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Photo
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Aperture_20020303_2002_168_0002.xml
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Polaroid
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Polaroid
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Aperture_20020303_2002_168_0003.xml
article
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50th Anniversary, Part I
WORK IN PARTS I AND II BY
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Aperture_20020303_2002_168_0004.xml
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Canon
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Canon
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Aperture_20020303_2002_168_0005.xml
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Nikon
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Nikon
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Aperture_20020303_2002_168_0006.xml
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APERTURE
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APERTURE
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Aperture_20020303_2002_168_0007.xml
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PAUL SMITH
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PAUL SMITH
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Aperture_20020303_2002_168_0008.xml
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EPSON: The Epson Stylus Photo 2200
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EPSON
The Epson Stylus Photo 2200
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Aperture_20020303_2002_168_0009.xml
advertisement
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0_16
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APERTURE
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APERTURE
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Aperture_20020303_2002_168_0010.xml
advertisement
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PHOTO PLUS EXPO
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PHOTO PLUS EXPO
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Aperture_20020303_2002_168_0011.xml
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CANDACE PERICH GALLERY
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CANDACE PERICH GALLERY
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Aperture_20020303_2002_168_0012.xml
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Paul Kopeikin Gallery
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Paul Kopeikin Gallery
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Aperture_20020303_2002_168_0013.xml
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HOWARD GREEENBERG GALLERY
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HOWARD GREEENBERG GALLERY
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Aperture_20020303_2002_168_0014.xml
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International Center of Photography
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International Center of Photography
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Aperture_20020303_2002_168_0015.xml
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PAUL M. HERTZMANN
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PAUL M. HERTZMANN
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Aperture_20020303_2002_168_0016.xml
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THROCKMORTON FINE ART
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THROCKMORTON FINE ART
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Aperture_20020303_2002_168_0017.xml
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Swann Galleries
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Swann Galleries
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Aperture_20020303_2002_168_0018.xml
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VISION NEIL FOLBERG
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VISION NEIL FOLBERG
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Aperture_20020303_2002_168_0019.xml
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Advertisement
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Aperture_20020303_2002_168_0020.xml
article
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EDITOR'S NOTE
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DEDICATED TO MINOR WHITE (1908-1976) AND MICHAEL E. HOFFMAN (1942-2001)
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MELISSA HARRIS
In 1952, Minor White, Beaumont and Nancy Newhall, Ansel Adams, Dorothea Lange, Barbara Morgan, and others joined forces to create a journal whose impact and longevity they could never have anticipated. Like a force of nature, Aperture magazine—having weathered everything from financial difficulties, censorious assaults, attacks from the left and right, every imaginable photographic style, a myriad of spiritual impulses, a group of editors with strong and eclectic sensibilities, three formats, a broad range of themes, ethnic and national focuses, an extraordinary roster of writers, and most recently a complete redesign—is fifty years old.
Aperture_20020303_2002_168_0021.xml
article
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4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33,34,35,36,37,38,39,40,41
PART I
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Visions & Voices
A CELEBRATION OF GENIUS IN PHTOGRTOGRAPHY
Prescient Beginnings
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R. H. CRAVENS
Aperture began with a few profoundly gifted individuals possessed of lofty ideals, high ambition, and no money, who created a humble photography journal with the life expectancy of a hamster— and not a particularly healthy one. That its golden anniversary is herewith celebrated is little short of a miracle.
Aperture_20020303_2002_168_0022.xml
article
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42,43,44,45,46,47,48,49,50,51,52,53,54,55,56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71,72,73,74,75,76,77,78,79
PART II
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Contexts, Conflicts, and Congeries
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Comprehending the history of anything is largely a matter of context, and what is left out can be as revealing as what lies within. A viewer/reader of Aperture in its early years wouldn't find a hint that the United States was in the thrall of an anti-Communist witchhunt.
Aperture_20020303_2002_168_0023.xml
masthead
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Masthead
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Aperture_20020303_2002_168_0024.xml
article
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CREDITS
TEXT CREDITS
IMAGE CREDITS
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Unless otherwise indicated, all excerpted texts are from issues of Aperture magazine and are copyright © Aperture Foundation, Inc. Page VI, Founders' statement, reprinted courtesy the Minor White Archive, Princeton University, copyright© 1952 by Minor White, renewed by The Trustees of Princeton University, all rights reserved;
Aperture_20020303_2002_168_0025.xml
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JACKSON FINE ART
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JACKSON FINE ART
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Aperture_20020303_2002_168_0026.xml
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Leica Camera Inc.: LEICA M7
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Leica Camera Inc.
LEICA M7
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Aperture_20020303_2002_168_0027.xml