Issue: 19770101

Saturday, January 1, 1977
1977
78
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1977
Thursday, May 28, 2015
8/26/2015 7:46:50 PM

Articles
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APERTURE
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Masthead
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PEOPLE AND IDEAS
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UNMISTAKABLE STYLES
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In Just Seconds, a traveling exhibition of Polaroid color photography, has returned from successful showings in New York, Chicago, and Dallas to a warm homecoming crowd at the Clarence Kennedy Gallery in Cambridge, Massachusetts, where it will remain until February 25.
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PEOPLE AND IDEAS
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IDEAS WITHOUT END
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The exhibition called Imogen Cunningham: A Celebration opened at The Stanford University Museum of Art on a Monday evening in mid-November and ran until January 23. The tables are downstairs; the photographs, upstairs, in the balcony that is reached by two grand balustraded stairways leading up from each side of the museum's highdomed marble lobby.
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PEOPLE AND IDEAS
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LISETTE MODEL: RE-EMERGENCE FROM LEGEND
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At the Sander Gallery in Washington, D.C., from September 25 through October 30, Lisette Model re-emerged from legend to the visibility of the gallery wall and the scrutiny of the public eye. Although she claims to have had "forty shows in thirty years," Model admits that most were a long time ago.
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PEOPLE AND IDEAS
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CODED MESSAGES
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Genially, judiciously, and luckily, some one hundred modern portraits hung in a vigorous sweep on the walls of the Wildenstein Galleries from October 20, 1976, to November 28, 1976. Called Modern Portraits: The Self & Others, this exhibition seemed partly narcissistic, partly malicious, and almost totally fascinating.
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Mike Disfarmer, Heber Springs, Arkansas
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Julia Scully
The story of how these unique portraits by Mike Disfarmer were brought to light is almost as interesting as the pictures themselves. As it happened, this strange and almost friendless man had been dead more than fifteen years before his work was discovered through an unlikely combination of events.
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HILLA AND BERND BECHER PREPARATION PLANTS
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The photographs were taken in Belgium, England, France, Ger many, the United States, and Wales. While the general term for these mining industry buildings is "preparation plants," Americans call them "breakers," the British "washeries," the French "lavoirs," and the Germans "Aufbereitung."
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Joel Meyerowitz
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Max Kozloff
In Joel Meyerowitz's photographs, arms are raised, shadows echo, and glass reflects, in mute repartee, across interrupted spaces. The incidents he extracts from even quite rural scenes betray an urban eye. That does not mean the complex appearances dictating to his Leica look unsorted any more than they assume a predictable stance.
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THE GARDEN: VINES AND LEAVES
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Catherine Duncan
The house is staid, sitting straight-backed in this garden that flows and flowers around it, but you know the door will be open, and that the big room downstairs is really only a part of the garden that has somehow got itself hedged between walls.
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EGYPT IN FLAUBERT'S TIME
THE FIRST PHOTOGRAPHERS 1839-1860
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Marie Thérèse
André Jammes
Photography was officially born in France in 1839. Under the enthusiastic encouragement of François Arago, the inventors Nicéphore Niepce and Louis Jacques Mandé Daguerre were honored by the Academy of Sciences, the Academy of Fine Arts, the Chamber of Deputies, and the House of Lords.
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CONTRIBUTORS
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CONTRIBUTORS
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JULIA SCULLY grew up in San Francisco, California, and Nome, Alaska. She received a B.A. in Creative Writing from Stanford University and an M.A. in Communications in Higher Education from New York University. As editor of Modern Photography magazine, she writes many articles as well as a monthly column, "Seeing Pictures."
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Seeds and Messages at the Window, Rochester, New York
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Photograph by Joel Meyerowitz
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Back Cover
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Back Cover
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