Issue: 19640404

Saturday, April 4, 1964
1964
44
True
11
Thursday, May 28, 2015
8/26/2015 6:53:45 PM

Articles
cover
133
133
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Aperture
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Aperture_19640404_1964_044_0001.xml
masthead
134
134
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aperture
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Aperture_19640404_1964_044_0002.xml
article
135
135,136,137,138,139,140,141,142,143,144,145,146,147,148,149,150,151,152,153,154,155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173
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Work is love made visible
GERMANY AND RETURN
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Kahlil Gibran
The work of Imogen Cunningham spans nearly half the history of photography and encompasses all of its traditional modes of expression. While her earliest images are in the mainstream of pictorialism, her later ones in the vein of the documentarian, much of her work, like the best in any medium, defies classification.
Aperture_19640404_1964_044_0003.xml
article
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174
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CHRONOLOGY: IMOGEN CUNNINGHAM
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1883, born April 12, Portland, Oregon ■ 1889, family to Seattle ■ 1901, first photographs ■ 1903, entered University of Washington ■ 1907, worked for Edward S. Curtis Studio, Seattle; made platinum prints ■ 1909, scholarship to Technische Hochschule, Dresden; studied under Prof. Robert Luther, famed photo scientist, published article on platinum printing
Aperture_19640404_1964_044_0004.xml
article
174
174
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MAJOR EXHIBITIONS
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(one-man unless otherwise noted) 1912 BROOKLYN INSTITUTE OF ARTS AND SCIENCES, New York 1929 Film und Foto, Deutscher Werkbund, Stuttgart (group show) 1932 M. H. DEYOUNG MEMORIAL MUSEUM, San Francisco Group f/64, M. H. DEYOUNG MEMORIAL MUSEUM (group show)
Aperture_19640404_1964_044_0005.xml
article
174
174
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SELECTED BIBLIOGRAPHY
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"Imogen Cunningham—an Appreciation," Wilson's Photographic Magazine, 51:96-99, 113-20; March, 1914. Berding, Christina. "Imogen Cunningham and the Straight Approach," Modern Photography, 15no5: 36-41, 96-98, 10, 19; May, 1951.
Aperture_19640404_1964_044_0006.xml
advertisement
175
175
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Advertisement
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Aperture_19640404_1964_044_0007.xml
article
176
176
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Back Cover
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Aperture_19640404_1964_044_0008.xml