Issue: 19540101

Friday, January 1, 1954
1954
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Wednesday, March 11, 2015
8/26/2015 6:56:31 PM

Articles
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aperture
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Aperture_19540101_1954_008_0001.xml
tableOfContents
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Table of Contents
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Aperture_19540101_1954_008_0002.xml
article
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EDITORIAL
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New Developments and the Creative Photographer
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Minor White
Principles have been introduced in recent years that may soon alter the face of photography. For instance the Polaroid camera employs a principle in which a transfer of energy allows a positive image to be made in the camera without a second exposure to light.
Aperture_19540101_1954_008_0003.xml
article
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4,5,6,7,8
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ROCHESTER PHOTOJOURNALISM CONFERENCE 1953
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Vincent S. Jones
When editors, photographers, and production men sat down together for the better part of a week at George Eastman House in Rochester last September to talk about news pictures they made history—and some progress. It was the first time that people from all departments concerned with taking, editing and printing news pictures, about 200 of them, had met and sought common ground.
Aperture_19540101_1954_008_0004.xml
article
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9,10
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THE C. S. EXHIBITIONS
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Roger Mayne
The C. S. Exhibitions were never planned to be the answer to the pictorial salon, they just grew from simple beginnings into their present stature as shows of modern photography. In 1940 Hugo van Wadenoyen was asked to judge the Bristol Salon.
Aperture_19540101_1954_008_0005.xml
article
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11,12,13,14,15,16,17,18,19,20,21,22,23,24,25,26,27,28,29,30,31,32,33
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PERCEPTIONS
THE SAN FRANCISCO MUSEUM OF ART
NOTES ON THE EXHIBIT
A PHOTOGRAPHIC SHOWING FROM SAN FRANCISCO. 1954
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Dody Warren
PERCEPTIONS represents no specific group. Nevertheless it is an affirmation by the photographers participating in it, for they have a vital principle in common.
Aperture_19540101_1954_008_0006.xml
article
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34
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PHOTOGRAPHERS
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ANSEL ADAMS FRANCES BAER MORLEY BAER RUTH-MARION BARUCH JOHN BERTOLINO PAUL BISHOP WYNN BULLOCK BENJAMIN CHINN LARRY COLWELL IMOGEN CUNNINGHAM DWAIN FAUBION AL GAY MILTON HALBERSTADT ROBERT HALL WILLIAM HEICK ROBERT HOLLINGSWORTH HELEN HOWELL
Aperture_19540101_1954_008_0007.xml
article
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35,36,37,38
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THE NEW REALISM
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Derek Gardiner
By its very nature, photography is harnessed to reality for, to take a photograph, you need an object. Yet, from the first, there have been photographers who were fascinated by romantic ideas. Some periods have favored the growth of such romanticism, others the ascendancy of realism.
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article
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BOOK REVIEWS
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BOOK REVIEWS
The Columbia Historical Portrait of New York
Jacob Deschin / 35mm. Photography
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Byron Dobell
Minor White
This book is about the experience of change. More specifically it is about the changes that took place in a certain part of the world—New York City—and the changes in the way people have looked at that city from the time of its settlement in the seventeenth century.
Aperture_19540101_1954_008_0009.xml
article
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41,42
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NOTES AND COMMENTS
TWO NEW GALLERIES
PHOTOGRAPHS WANTED
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Two little galleries opened in May which aim to display and sell photographs. "LIMELIGHT" is at 91 South 7th in the Village in New York City. The "PHOTOGRAPHER'S GALLERY" is three thousand miles across the continent, and a stone's throw from Fisherman's Wharf, at 448 Bay St. in San Francisco.
Aperture_19540101_1954_008_0010.xml
article
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WHY APERTURE IS LATE
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If you have wondered why this issue of aperture is ungodly late, the reason is that a thousand dollars had to be raised before it could be published. That took more time than anyone anticipated. Since this quarterly is sustained almost entirely by its subscribers, we feel that you would like to know the situation.
Aperture_19540101_1954_008_0011.xml
advertisement
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43
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aperture
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aperture
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Aperture_19540101_1954_008_0012.xml
article
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Back Cover
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Back Cover
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Aperture_19540101_1954_008_0013.xml